Here are 100 books that Guri and Gura's Magical Friend fans have personally recommended if you like
Guri and Gura's Magical Friend.
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Unburdened with prejudice or beliefs, children are open to the world. I find great joy in books that reflect the child’s fresh perception and playful spirit. Such books have no intention to teach a moral lesson. They rejoice in freedom. In the non-stereotypical, not yet molded to conform reality of the child. Books beyond good or bad may shine with the light of freshness, the unfiltered seeing. In times of great political divisions, non-didactic books can be a window to the glorious amoral way of perceiving.
This is one of my favorite picture books. To me, the main character is life itself. A mischievous, greedy, daring, vulnerable, colorful aliveness. The strong colors and the bold shapes of the illustrations demonstrate the raw intensity of life. And the theme of Grandmother loving Pig-Boy unconditionally is one mothers would resonate with. Such a treat!
Unburdened with prejudice or beliefs, children are open to the world. I find great joy in books that reflect the child’s fresh perception and playful spirit. Such books have no intention to teach a moral lesson. They rejoice in freedom. In the non-stereotypical, not yet molded to conform reality of the child. Books beyond good or bad may shine with the light of freshness, the unfiltered seeing. In times of great political divisions, non-didactic books can be a window to the glorious amoral way of perceiving.
I would highly recommend any of Daisy Hirst’s books. To me Daisy Hirst’s books have both the ease and the force of natural phenomenon. They are like a gust of wind, rain, or sunshine. Immaculate expressions of the child’s experience. A seamless flow through the ordinary beauty of the surroundings, the thoughts and the emotions of the child. They represent the joy of creativity and play alongside the feelings of confusion, loneliness or guilt. Simply put, they are brilliant!
Brother and sister monsters fall out and make up in spectacular style in this warm, witty story.
From the creator of The Girl with the Parrot on Her Head comes a truly authentic and original story about sibling rivalry. Natalie the monster mostly loves her little brother Alphonse being there - they name the pigeons, bounce things off the bunk beds, have stories in the chair and make lots of fun stuff together. But, when Natalie catches Alphonse eating her most favourite book, well ... that is not OK! Daisy's expressive, bold screen-print illustration and unique picture book voice will…
Unburdened with prejudice or beliefs, children are open to the world. I find great joy in books that reflect the child’s fresh perception and playful spirit. Such books have no intention to teach a moral lesson. They rejoice in freedom. In the non-stereotypical, not yet molded to conform reality of the child. Books beyond good or bad may shine with the light of freshness, the unfiltered seeing. In times of great political divisions, non-didactic books can be a window to the glorious amoral way of perceiving.
It seems to me that the kind of imaginative senseless play (beyond good/bad, right/wrong), feels similar to the way a small kid would tell stories. A wonderful fantastic tale with joyful illustrations. Plus children and adults find very, very, very big things fascinating. Enjoy this masterpiece! (As well as Taro Miura’s other books.)
A king, a queen and one very big princess... A witty, wonderful and warm-hearted prequel to The Tiny King by acclaimed picture book maker, Taro Miura.
Once upon a time ... a king and queen discover, among their flowers, the teensiest, tiniest princess. Such a charming, sweet little thing! They are instantly taken with her - she becomes the daughter they never had, the child they had always dreamed of. The Queen immediately sets about finding her a perfect-sized bed and only a tiny ring box will do. But, in no time at all, the princess grows too big for…
Unburdened with prejudice or beliefs, children are open to the world. I find great joy in books that reflect the child’s fresh perception and playful spirit. Such books have no intention to teach a moral lesson. They rejoice in freedom. In the non-stereotypical, not yet molded to conform reality of the child. Books beyond good or bad may shine with the light of freshness, the unfiltered seeing. In times of great political divisions, non-didactic books can be a window to the glorious amoral way of perceiving.
Two siblings with very different personalities. The fun of following these two characters grows with every scene. A very skillful, beautiful depiction of the richness of life and creative collaboration. A funny and endearing book.
We have seen a few great odd couples in picture books already, but filled with possibility as the world is, there's always room for one more pair, especially if they are as charming and unforgettable as these pigs, born from the brushes and prolific imagination of Kerascoet. Kerascoet lives and works in Paris in the worlds of cartooning and illustration. Best known for illustrating the book Miss Don't Touch Me written by Hubert, as well as a couple of the Lewis Trondheim Dungeon books, their most recent book Beautiful Darkness broke out on the US scene in 2014, winning them…
I don’t especially like Nietzsche, and rarely agree with him. As a professor of philosophy, I find that he is less original than is popularly assumed and less clear than he should be—not out of some mysterious profundity—so much as a recalcitrance or maybe inability to make plain what he thinks. Even so, I find it quite impossible to break away from Nietzsche. For my part, and I suspect for many readers who came upon him during their formative years, Nietzsche’s thought is so close to me that I’m always wrestling with it. Maybe that’s not a ‘result of’ but a ‘condition for’ reading it?
Named “Denker des Vaderlands” in 2021 by the Stichting Maand van de Filosofie in the Netherlands, Paul van Tongeren’s introductory text is among the few that not only advances theses of Nietzsche, but also explicitly outlines a hermeneutics for approaching a range of texts in their idiosyncratic rhetorical style. For me, the second chapter was a sort of watershed moment where I came to realize how many layers there are to Nietzsche’s writing—and how slow and ruminative a reader should be in interpreting his ideas. When one follows van Tongeren’s techniques, a whole kaleidoscope of new meanings emerge in central ideas like ‘Will to Power’ or his critiques of religion and morality, respectively. The Nietzsche that van Tongeren portrays is not the truth-seeking philosopher so much as the physician of culture, someone not after demonstration and proof so much as the diagnosis and therapy for a Europe fractured by the…
Friedrich Nietzsche (1844-1900) presents himself several times as a physician of culture. He considers it his task to make a diagnosis of the culture of his age, to point to the latent or patent diseases, but also to the possibilities to overcome them. His diagnosis, prognosis, and prescriptions implied an overcoming of traditional interpretation of what is going on in the main domains of culture: knowledge, morality, religion, and art. This book presents Nietzsche's thoughts on knowledge and reality, on morality and politics, and on religion. Preceding these main dialogues is an introduction on the art of reading Nietzsche's texts…
I'm a psychoanalyst and a writer. I'm fascinated with the thoughts, feelings, dreams, and fantasies that make up our inner worlds, and I love how the beauty of language can reach beyond what ordinary experience seems to suggest. My novels take place in the minds of their protagonists; I look through their eyes and follow the ideas, memories, and hopes that guide their lives. I enjoy their idiosyncrasies, allow them to be weird, vulnerable, and volatile, and I think of them as lovable and in times of adversity as brave as any human being can be.
In the first sentence of this novel Anna Lore falls madly in love with a man she happens to run into on the street of her hometown.
Even though she only vaguely recognizes him as they strike up a brief conversation, she becomes so obsessed with him that she is willing to give up everything for him, including her marriage of twenty years with a loving and reliable husband who she loves too.
Reading this novel, I was fascinated with Anna Lore's struggle to understand what's driving her towards a man, who almost against his will has such irresistable power over her. To follow her thinking as it makes her crazy infatuation appear reasonable and compelling is a fascinating experience of the uncanny nature of the unconscious.
Anna has been living happily for twenty years with loving, sturdy, outgoing Guillaume when she suddenly (truly at first sight) falls in love with Thomas. Intelligent and handsome, but apparently scarred by a terrible early emotional wound, he reminds Anna of Jude the Obscure. Adrift and lovelorn, she tries unsuccessfully to fend off her attraction, torn between the two men. "How strange it is to leave someone you love for someone you love. You cross a footbridge that has no name, that's not named in any poem. No, nowhere is a name given to this bridge, and that is why…
Hi! I’m Danny Rusteen, and I live and breathe STRs. I’ve been hosting, co-hosting, and managing property since 2013. In 2017, I started living full-time in Airbnbs, that’s more than just a fun fact, it gives me a unique perspective that no other expert has. Maybe it’s why my calendar is full all year round. I see Airbnb as a tool for peace. I'm going to get philosophical for a moment. Airbnb creates connections that never otherwise would have existed. Instead of letting the TV tell you what country X thinks of country Y, it's better to find out from real people: hosts and the locals you interact with.
There are some really juicy tips and recommendations hidden in this book. Like the recommendation above, this one is an easy read and the author seems to know a lot about Airbnb (unlike some of the most famous, so-called “experts”, out there).
If you are starting out, this is a very good first stop.
Most Airbnb hosts possess a general understanding of the concept behind Airbnb: Making money by opening up their home to travelers looking for short-term rental accommodation.
But Airbnb hosts, both new and old, frequently need to overcome a number of common challenges and frustrations.
New hosts are often not clear on what they need to do, finding Airbnb harder than it was made out to be, or eager to get setup for success from the get-go.
Existing hosts are often not making as much money as they would like to, not getting found often enough, or having difficulty converting listing…
Having first discovered the mystery of ancient Egypt as a small child via my father’s war-time souvenirs, this interest grew over the years until it became a serious magical under-taking, culminating in Initiation into the magical order of the Temple of Khem. I became Principal tutor of the Order in 1998 and publishedLiber Ægyptius: The Book of Egyptian Magic in the same year. I continue to teach the Egyptian Mystery Tradition to those willing to submit themselves to the exacting discipline needed to enter the priesthood, and remain a member of the Egypt Exploration Society to keep up-to-date with the current archaeological discoveries in Egypt.
The world of the ancient Egyptians was a world so permeated with magic, which controlled every facet of life that traces still linger in Egypt to this day. Dr. Jacq is an authority on ancient Egyptian religious texts and it was an encounter with these traces in the form of a family of snake-charmers, which kindled his interest in Egyptian magic. I particularly liked this Aris & Phillips version because it has an Introduction by Rosalie David and in later editions, it was omitted.
I’m a recovering atheist: a Christian convert who has more sympathy with some of my former atheist brethren than with a lot of my fellow believers. And I’m a historian by trade, which means I believe in the importance of trying to get inside the heads of people living in very different times – but who were still people. I’ve chosen polemical books by atheists and by believers, but in my own writing I try to get sympathetically inside the heads of both. I find that I get on better if I listen to the other side rather than banging the drum for my own – whichever ‘my own side’ is.
This book’s idea hooks you from the start. Why, he wonders, when people say, "Do you believe in God?" do we never reply, "…what do you mean, believe?" It turns out that ‘believing’ has, down the centuries, meant some pretty radically different things. Is ‘belief’ the same as ‘knowledge’ or ‘opinion,’ or is it the opposite of them? Ethan Shagan’s disarmingly simple idea is to track how the notion of belief shifted from the Middle Ages to the Enlightenment. If we do believe in God nowadays, we don’t do it the way our forebears did. And if we don’t, it’s not because God has become unbelievable, but because belief itself has become so much harder than it used to be.
An illuminating history of how religious belief lost its uncontested status in the West
This landmark book traces the history of belief in the Christian West from the Middle Ages to the Enlightenment, revealing for the first time how a distinctively modern category of belief came into being. Ethan Shagan focuses not on what people believed, which is the normal concern of Reformation history, but on the more fundamental question of what people took belief to be.
Shagan shows how religious belief enjoyed a special prestige in medieval Europe, one that set it apart from judgment, opinion, and the evidence…
I grew up in a small seaside town north of Boston. I have three siblings, and we always spent a few weeks every summer with our cousins in a rented house somewhere in New England—a new place each year. I became a bookworm at a young age, and I’ve always loved reading novels about big families that capture both the magic and the conflicts inevitable with many siblings and relatives. I was also an anglophile, and I tended to gravitate toward books written in earlier decades, particularly those of the mid 20th century. When I began writing my own novels, it seemed natural to set them in those fascinating earlier times.
The true identity of Diana Tutton remains uncertain. She published three idiosyncratic novels in England in the 1950s, all of which have now fallen into obscurity. Of those, Guard Your Daughters is the best: it describes a loving family dedicated to protecting the children’s mother, whose poor health has led to an insular, overly sheltered lifestyle for her many daughters. Each of the girls is distinct and vividly drawn by Tutton, who has a keen eye for the traditions, tensions, and excitement of siblings in their teenage years. Over the course of the novel, the sisters gradually forge more connections with the outside world and discover not only their own larger desires but also the hidden truth of their family life.
Guard Your Daughters by Diana Tutton is a 1953 novel about a family of five daughters living in the country – or rather four daughters since one has recently escaped by marrying and it is Morgan, Cressida, Teresa and Thisbe who are still at home with their parents. Their mother stops her daughters going to school or making friends. But because she tends to make scenes or retire to bed, her family do all they can to avoid defying or upsetting her; yet they do so in a continually light-hearted, cheerful fashion.
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