Fans pick 83 books like Beasts of the Earth

I was born and raised in Mumbai, India, and as a kid I loved to read. But I never saw myself—an Indian girl like me—represented in children’s books before. I didn’t realize how much it affected me until I began writing my first novel at age 23. When I did, I wrote the entire first draft with white characters and set it in a western country. I believed my Indian culture and my experience as an Indian kid was not worth writing about. I was so wrong! Now, with the novels I write, I’m passionate about representation, especially South Asian representation because all kids deserve to see themselves and their cultures in the books they read.

Growing up, I was introduced to Japanese culture and history through anime. But I decided to dig a little deeper, reading history books and looking up more and more information. I was fascinated by what was presented of “Old Japan,” both the misconceptions that were spread by pop culture and by the surprising details that it gets right that no one would believe. This fascination is one of the most consistent things about me through the years, and the idea of delving into works of my own that merged samurai drama with lesbian relationships has been a recurring desire of mine for years.

I like stories about vengeance because they, by definition, have to center a character’s goals and obsessions. Great storytellers take that fixation and use it to probe the experiences and ideas that fuel the desire for revenge. Does the avenger truly understand what they are embarking on? Is the object of their ire truly deserving of that wrath? I like questions like these because they foreground the role of desire in decision-making, and desire is always personal, circumscribed by our appetites, biases, and intentions. I care little about a character being likable. I want to know what they like and to see what they’re willing to do to get it. 

I’ve been fascinated by fairytales since I was a little girl, watching Disney movies with my grandparents. As I grew older, I read fairy tales almost insatiably and was also drawn to mythology and folklore of every variety. When I discovered the fantasy genre, in my early teens, it was like coming home…a genre that combined all of the elements I’d grown up devouring: fairytales, mythology, and folklore. My love of fantasy developed my love of portal fantasy—the idea that other realms, other worlds, other dimensions exist, and we can travel between or to them. I wrote my first portal fantasy novel at eighteen and have continued writing fantasy and portal fantasy novels ever since. 

Growing up in the nineties I was a Buffy fan, although that is probably understating things. I have all the Buffy novels, which I read over when waiting for the next series to come out (this was in the days before Netflix!). For me, Buffy had the exact right mix of humour, horror, and deeper complexity, dealing with issues that really impacted me, but in a way that made them accessible. I loved the characters, I loved Buffy herself, I loved her strength and humanity. When I decided to write Raising Hell, I was influenced by Buffy, but there are differences – Ivy is no chosen one, she chose herself.

I have a PhD in cultural mythology and wrote my dissertation on heroine journeys, which became my book Jane Eyre’s Sisters: How Women Live and Write the Heroine Story. I've come to understand that the traditional hero quest story is usually about returning society to the way it used to be, before something threatened or changed it. In contrast, heroines (as long as they are not just gender-swapped heroes) tend to question how things have been and upset the status quo. First, the heroine must learn to discern what is good and right in the world and identify the old, rotten ways that must be discarded if all are to prosper.

Once upon a time, I came to the realization that I had no idea what my parents were thinking, much less anyone else. This has turned into a life of repeated musing over how much I do and don't understand about other people. More recently, my mother's death brought to light the many different ways family and friends remembered her, with joy and pain, loss and wariness. I chose this topic for the list because these books help highlight and explore the mysteriousness of family and memory and how a person can be whole and complete and sure of what they've lived through, only to turn and see a new angle never before recognized.

I was fascinated by American True Crime magazines from an early age. I used to buy them with my pocket money from a second-hand bookstore near my home. I graduated to reading novels by the age of ten, sneaking my father’s book collection into my bedroom one at a time to read after lights out. His books covered everything from The Carpetbaggers by Harold Robbins to The Devil Rides Out by Dennis Wheatley. By seventeen, I promised myself I’d write a novel one day. Most of my books are crime themed with a supernatural flavour. My debut, The Sister was published in 2013 and since then I’ve completed three more novels and several short stories.

I am fascinated by crows and ravens and their incredible abilities, including facial recognition and gift-giving. So I knew from the start that they would factor into my novel about a superstitious woman who interprets wild animal sightings as omens meant just for her (a habit I admit might be pulled from my own behavior…). For this list, I found five excellent novels that do more than give lip service (beak service?) to the noble creatures. Crows and ravens are integral to these plots. Not surprisingly, some present the birds as sinister and foreboding, others as prophetic and insightful. All, rightly so, acknowledge their intelligence.

I am a cultural historian, film critic, literary critic, editor, and essayist–and a frustrated fiction writer–fascinated by ‘the fantastic’ in art or in life. Answering that fascination, I wrote Savage Girls and Wild Boys: A History of Feral Children (2002), and I’ve written two books for the BFI Film Classics series on two great movies of the fantastic, Rosemary’s Baby (2020) and It’s A Wonderful Life (2023). I also edited three anthologies of Victorian and Edwardian fantasy, The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce (2010) and Victorian Fairy Tales (2015), and now an anthology, Origins of Science Fiction (2022) for Oxford World’s Classics.