I have a PhD in cultural mythology and wrote my dissertation on heroine journeys, which became my book Jane Eyre’s Sisters: How Women Live and Write the Heroine Story. I've come to understand that the traditional hero quest story is usually about returning society to the way it used to be, before something threatened or changed it. In contrast, heroines (as long as they are not just gender-swapped heroes) tend to question how things have been and upset the status quo. First, the heroine must learn to discern what is good and right in the world and identify the old, rotten ways that must be discarded if all are to prosper.
I wrote
The Princess Powers Up: Watching the Sleeping Beauties Become Warrior Goddesses
In her Kencyrath series, Hodgell gives us a new slant on the idea of the hero destined to save the world. Her heroine Jame’s propensity to break or destroy things, from crockery to the most treasured institutions and customs of her world (usually by accident), may be proof that she is, in fact, turning into That-Which-Destroys, an aspect of the Three-Faced God prophesied to return and destroy the forces of evil threatening all the worlds with annihilation.
But even as she grows in power, Jame begins to challenge everything about her own culture—not just the restrictions placed on women, but the ingrained ideas about power and privilege in general. She also comes to question the prophesy itself and seeks out other cultures for answers. Jame may have arcane powers, but her ruthless honesty with herself and everyone else may be her most powerful weapon.
Jame is a Kencyr. Kencyrs are not native to the planet where they now live. For thirty centuries they have been the weapon that their Three-Faced God has used against the power of the Perimal Darkling. And though they have fought well, the Darkling has come to planet after planet, and the Kencyrs have moved on.
Jame knows this as she stumbles out of the hilly, barren Haunted Lands into the city of Tai-tastigon. But she knows little else. She does not remember where she has been or what she has done for the last ten years of her life.…
Elizabeth Knox plunks her protagonists into the middle of an ongoing mystery that crosses the veil between this world and the world of Faerie, with no explanation, so the reader has to follow the same few clues that the heroine is given. I love an author who assumes that her readers are that intelligent! As she unravels the mystery, Taryn Cornick also must face up to the consequences of a great sin she once committed and do all she can to atone for it, while accepting that it may not be enough. Knox weaves in aspects of Dante’s Purgatorio, Celtic and Norse mythology, our current ecological crisis, and the psychology of trauma to create an epic fantasy that invites multiple re-readings.
A bewitching epic fantasy about a revenge killing, a mysterious scroll box that has survived centuries of fires, and the book that changed everything
"Intricately plotted and gorgeously written, The Absolute Book is a cinematic tale that is by turns dark and dreamlike, yet ultimately hopeful." --Deborah Harkness, New York Times bestselling author of A Discovery of Witches
"An instant classic . . . It is everything fantasy should be." --The Guardian
Taryn Cornick believes that the past--her sister's violent death, and her own ill-conceived revenge--is behind her, and she can get on with her life. She has written a…
1184 BCE. Ramesses III, who will become the last of the great pharaohs, is returning home from battle. He will one day assume the throne of the Egyptian empire, and the plots against him and his children have already started. Even a god can die.
Essun appears to be an ordinary middle-aged woman living a quiet life, but that life is a lie; she is an orogene, someone who can manipulate the physical world. If she is found out, she could be exiled, imprisoned, or killed. But she may be the only one who can stop the extinction event that is threatening the Earth. Essun is also carrying another secret, one that is eating away at her soul. Jemison’s take on the heroine's journey shows us that motherhood may be the greatest trial one can ever face and the source of real courage.
At the end of the world, a woman must hide her secret power and find her kidnapped daughter in this "intricate and extraordinary" Hugo Award winning novel of power, oppression, and revolution. (The New York Times)
This is the way the world ends. . .for the last time.
It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester.
Tiffany Aching comes from a long line of sheepherders and seems to be an ordinary 12-year-old – until the day she sees something odd in the water, goes home and fetches her mother’s frying pan, puts her baby brother next to the brook and clobbers the monster that tries to snatch him. Tiffany, it seems, is a witch, and not your average witch either. With the help of the Wee Free Men, “Pictsies” who refuse to bow to the rule of the Queen of Faerie, she must journey into that dangerous realm to rescue the son of the local baron – upsetting all her village’s deeply held ideas about heroes and witches.
A nightmarish danger threatens from the other side of reality . . .
Armed with only a frying pan and her common sense, young witch-to-be Tiffany Aching must defend her home against the monsters of Fairyland. Luckily she has some very unusual help: the local Nac Mac Feegle - aka the Wee Free Men - a clan of fierce, sheep-stealing, sword-wielding, six-inch-high blue men.
Together they must face headless horsemen, ferocious grimhounds, terrifying dreams come true, and ultimately the sinister Queen of the Elves herself . . .
Country music diva Hayley Swift has fallen off the charts and into a funk. Desperate to regain her place in the limelight, she agrees to a low-budget tour of Southern venues, starting with her 35th high school reunion.
There, in an unexpected but fortuitous reconnection, The Girls Next Door —who…
Galadriel (El) Higgins, half-Welsh and half-East Indian, has been an outcast all her life. She’s also a witch. When she was very young, El was told by the greatest seer in the world that she would bring death and destruction to the wizarding world, but she is determined not to let this prophecy define her. At 14 she is sent to the Scholomance, a school for magical children. The Scholomance is no Hogwarts; monsters stalk the halls, some of which are other students.
As El’s powers grow, she comes to understand more and more about the unspoken caste system of the wizarding world. El’s rage at the unfairness of it all is coupled with uncompromising honesty—she has to admit that people who have privilege are, after all, mostly driven by the desire to keep themselves and their children safe, and she can’t fault that—and an equally strong determination to keep to her moral code no matter how tempted she might be to stray off the straight and narrow path.
El reminds me of Terry Pratchett’s Granny Weatherwax, the most powerful witch in the Diskworld, who fights a nonstop battle against herself, knowing she could always force people to do the right thing, but also knowing the minute she does one harmful thing – no matter how well-intentioned – it’s the first step on the slippery slope to becoming evil.
Enter a school of magic unlike any you have ever encountered.
There are no teachers, no holidays, friendships are purely strategic, and the odds of survival are never equal. Once you're inside, there are only two ways out: you graduate or you die.
El Higgins is uniquely prepared for the school's many dangers. She may be without allies, but she possesses a dark power strong enough to level mountains and wipe out untold millions - never mind easily destroy the countless monsters that prowl the school.
Except, she might accidentally kill all the other students, too. So El is trying…
Over the last 90 years, onscreen heroines of science fiction and fantasy have been stepping up to become not just heroines but superheroines and lately, goddesses. My book traces this evolution with examples from Disney princess movies, the Marvel and D.C. universes, the Star Trek and Star Wars franchises, and others. I discuss how our changing culture has changed the landscape of film and television, allowing for new depictions of women, people of color, nonbinary people, and the differently abled. Finally, I include descriptions of four types of journeys that can be followed by anyone, regardless of gender – only one of which follows the typical heroic quest plot – with examples from television shows and movies.
When sixteen-year-old Ashlee Sutton's home life falls apart, she is beset by a rare mental illness that makes her believe she's clairvoyant. While most people scoff at her, she begins demonstrating an uncanny knack for sometimes predicting the future, using what could either be pure luck or something more remarkable.…
This memoir chronicles the lives of three generations of women with a passion for reading, writing, and travel. The story begins in 1992 in an unfinished attic in Brooklyn as the author reads a notebook written by her grandmother nearly 100 years earlier. This sets her on a 30-year search…
