Here are 100 books that A Thousand Steps fans have personally recommended if you like
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Writer, reader, editor, reviewer, publisher… those are all parts of me. With a lifetime of experience in the “words” industry, I have a pretty good handle on what makes a book not just good, but hot. I say this with the understanding that each reader brings their own histories to the reading experience, and what one person may like, another may not. Nonetheless, I offer you my professional and personal favorites in the mystery/thriller/suspense categories. It is my sincere hope that you find these books as addictive as I’d found them. Superb and clever writing, engaging characters, unpredictable plots—yes, please! Though I occasionally step outside my comfort zone, I'm consistently drawn back to these categories.
With this book began my true passion for mystery/thriller novels. I willingly tumbled through all the books Coben has written in this series with Myron Bolitar and his lofty sidekick, Win (Windsor Horne Lockwood III). Coben’s clever writing style and sports references captured my interest… and my reading heart for all the years that followed this. I simply couldn’t get enough of it. Still can’t! Coben is a master of words.
The truth can get you killed... A stunning thriller from the SUNDAY TIMES bestselling author of SIX YEARS.
Investigator and sports agent Myron Bolitar is poised on the edge of the big-time. So is Christian Steele, a rookie quarterback and Myron's prized client. But when Christian gets a phone call from a former girlfriend, a woman who everyone, including the police, believes is dead, the deal starts to go sour.
Suddenly Myron is plunged into a baffling mystery of sex and blackmail. Trying to unravel the truth about a family's tragedy, a woman's secret and a man's lies, Myron is…
Writer, reader, editor, reviewer, publisher… those are all parts of me. With a lifetime of experience in the “words” industry, I have a pretty good handle on what makes a book not just good, but hot. I say this with the understanding that each reader brings their own histories to the reading experience, and what one person may like, another may not. Nonetheless, I offer you my professional and personal favorites in the mystery/thriller/suspense categories. It is my sincere hope that you find these books as addictive as I’d found them. Superb and clever writing, engaging characters, unpredictable plots—yes, please! Though I occasionally step outside my comfort zone, I'm consistently drawn back to these categories.
Two words for this absolutely primo mystery: John Corey. Corey is the main character in this series by the same name, andPlum Island is the first book in that series by the amazing Nelson DeMille. This is one of those books where I will always remember the actual reading experience. Why? I often read into the wee hours of the night and the entire household was fast asleep. I hit a particular scene (I won’t spoil it), and I simply burst out laughing hysterically. I couldn’t stop, thereby waking everyone up. Turned out, there was a lot of good humor still to come, and the plot was absolutely high intrigue! I always recommend this book to anyone who likes their mysteries with a dash of humor.
'...a page turning, high octane novel that's firing on all cylinders,' - EDINBURGH EVENING NEWS
'...a good old-fashioned murder mystery which keeps you enthralled till the very last page.' - YORKSHIP EVENING PRESS
NYPD homicide detective John Corey has moved to Long Island, restlessly recuperating from wounds received in the line of duty when he's hired to consult on the murder of Tom and Judy Gordon, biologists who worked on Plum Island, the site of animal disease research for the Department of Agriculture.
Were the Gordons murdered because they'd stolen some valuable new vaccine, or even a dreaded virus? They'd…
I’m the Edgar and Barry Award nominated author of twenty novels, sixteen in my Joe DeMarco series, three in my Kay Hamilton Series, and my standalone, Redemption. Prior to becoming a writer, I was a senior civilian executive working in the U.S. Navy’s nuclear propulsion program. My books are mostly set in and involve characters in Washington, D.C., because Washington is a target-rich environment for a writer—and now more so than ever.
John Sandford’s books aren’t as “literary” as those written by Mick Herron or Richard Price, but I love his books for their pacing—they always start out with a bang—and for Sandford’s sense of humor. I also admire the way he’s aged the recurring characters in the Prey books, taking Lucas Davenport from a young man in his thirties to the age of almost sixty in the last book. You can’t go wrong with any of the thirty-plus books in the Prey series, and I’m holding my breath for the next one.
**Don't miss John Sandford's brand-new thriller Ocean Prey - out now**
#1 New York Times bestselling author John Sandford's 'haunting, unforgettable, ice-blooded thriller' - first in the Lucas Davenport series!
The killer was mad but brilliant.
He left notes with every woman he killed. Rules of murder: Never have a motive. Never follow a discernible pattern. Never carry a weapon after it has been used...So many rules to his sick, violent games of death.
But Lucas Davenport, the cop who's out to get him, isn't playing by the rules.
I’m absolutely passionate about suspense stories, especially ones with killer twists. Maybe it’s all the crime shows I watch, but the motives for crimes are so wide and varied, and I love when the unexpected is explored in fiction. I’m also intrigued by stories about missing people and the myriad of reasons behind why they go missing–especially when things aren’t always what they seem. Whether it’s the missing who return years later or hints of them suddenly appear, I can’t help but get wrapped up in a story that keeps you on the edge of your seat guessing what might happen next! I try for great twists in my novels.
I don’t even remember everything about this book, except that this was the book that made me an instant Sandra Brown fan. In Envy, a NY book editor is riveted by the tale of an unsolicited manuscript and begins working with the author…only to learn along the way that this story reveals a long-concealed crime. I’ve read it twice, years apart, and I’m due for another reading. It’s that good. Explosive is the only way to describe this suspenseful story with an amazing twist at the end! One of my absolute favs!
In this explosive New York Times bestselling thriller, a New York City-based book editor travels to a Southern island to meet a mysterious author -- but she's about to uncover a shocking truth about a carefully concealed crime. Maris Matherly-Reed is a renowned New York book editor, the daughter of a publisher and the wife of a bestselling author. It's rare for an unsolicited manuscript to pique her interest, but a new submission with blockbuster potential inspires her to search for the book's elusive author. On an obscure island off the Georgia coast, amidst the ruins of an eerie cotton…
I teach and write about literature and disability at the University of Virginia. I’m also late deafened and have worked in the field of disability studies for over twenty years. In 2002, a scholar pointed out that literature from the former British colonies includes a lot of disabled characters. In 2006, the United Nations adopted the Convention on the Rights of Persons with Disabilities. I began to wonder if the two are related. In Elusive Kinship, I wound up arguing that they are. Not much work has been done on this. I tried to emphasize that I’m just advancing a critical conversation, not giving the final word at all.
This is another novel I enjoy teaching; students respond well to it. Desai excels in giving detailed domestic pictures of life in India. Here she recounts how an ungainly disabled daughter with what seems to be epilepsy and a learning disability is largely kept out of sight by her upper-middle-class family in the 20th century. The daughter, Uma, goes away with assorted other characters, finding a measure of freedom, but invariably needs to return to her parents’ confining house. At the end of the novel, she is largely taking care of them. Desai shows what we might call a “feminist ethic of care” as she writes of a disabled woman as interesting and worthy of sustained attention, which implicitly feeds into advocates’ contention of the value of all disabled people.
Uma, the plain, spinster daughter of a close-knit Indian family, is trapped at home, smothered by her overbearing parents and their traditions, unlike her ambitious younger sister Aruna, who brings off a 'good' marriage, and brother Arun, the disappointing son and heir who is studying in America.
Across the world in Massachusetts, life with the Patton family is bewildering for Arun in the alien culture of freedom, freezers and paradoxically self-denying self-indulgence.
I am a Canadian author/editor who both fears and loves being a stranger in a strange land. I fear the challenges, the feelings of dislocation and vulnerability. But I love the connections, the overcoming of the strangeness and the ultimate feeling of kinship. As a mom, I travelled with my kids to far away places, favouring adventure tours and staying well away from high priced hotels that separate tourists from locals. My novel, The World on Either Side, was inspired by a trek I took with my then fourteen-year-old daughter in Chiang Mai, Thailand.
Molope’s twitter profile features my favourite Toni Morrison quotation (one I want used in my obit, when the day comes), so I had to buy this novel.
Its core is about doing, or not doing, the right thing. I loved the writing, the moral complexity and the exploration of strangeness from the point of view of Naledi, a young teen, living in post-apartheid South Africa. She has moved from the bottom, a place of outhouses and rocks, to the top, a place of fountains and statues, and then discovers her brother is also a stranger. But then she warns us early that the township Marapong is a place you arrive at after "experiencing that unnerving feeling of being lost in a strange country with a strange language.”
What does a teenage girl do when she sees her beloved older brother commit a horrific crime? Should she report to her parents, or should she keep quiet? Should she confront him? All her life, Naledi has been in awe of Basi, her charming and outgoing older brother. They've shared their childhood, with its jokes and secrets, the alliances and stories about the community. Having reached thirteen, she is preparing to go to the school dance. Then she sees Basi commit an act that violates everything she believes about him. How will she live her life now?
I’ve taught English for 20 years and the novels I’ve enjoyed teaching most – because the students have enjoyed them most – are those with the first-person perspectives of young narrators. These characters’ voices ring loud and clear as they learn, change, and grow, often suffering and having to find resilience and strength to survive. The limited perspective also takes us into the mind and heart of the protagonist, so that we feel all the feels with them. This is why I chose a first-person perspective for the narrator of my own book ‘Cuckoo in the Nest’: Jackie Chadwick is sarcastic, funny, and observant. Readers love her.
You know when you first go to someone else’s house and realise that not every family lives the way yours does?
It’s part of the coming-of-age process and can be both illuminating and destabilising. In Adichie’s story, set in post-colonial Nigeria, 15-year-old Kambili gets the chance to escape her wealthy but religiously-oppressive household and stay with her vibrant, liberal aunt.
I love the way Kambili’s narrative expresses the new freedom she feels there: she has a voice at last and the liberty to experience a sexual awakening. She needs these new strengths as her own family disintegrates into tragedy.
“One of the most vital and original novelists of her generation.” —Larissa MacFarquhar, The New Yorker
From the bestselling author of Americanah and We Should All Be Feminists
Fifteen-year-old Kambili and her older brother Jaja lead a privileged life in Enugu, Nigeria. They live in a beautiful house, with a caring family, and attend an exclusive missionary school. They're completely shielded from the troubles of the world. Yet, as Kambili reveals in her tender-voiced account, things are less perfect than they appear. Although her Papa is generous and well respected, he is fanatically religious and tyrannical at home—a home that…
I’ve been a nerd for the morbid for as long as I can remember. When I was a kid, I tore through all the books on the shelves in my house, whether they were appropriate for my age group or not. I started tearing into Stephen King books at 8 or so. I remember vividly copying language out of Christine when I was about 10 on the playground and getting in a lot of trouble for it. But I turned out okay. I really do believe that kids have a fascination for things above their age range, and adults enjoy it, too, and I still love all of these.
I first saw the movie that this book was adapted into, Stand By Me, and the book works every bit as well.
When I was a kid, I had a deal with my parents that I could watch R-rated movies if I read the book first, but for some reason, this was one of the rare exceptions that was turned the other way around.
It’s just such a compelling read, and I wanted to start it over again as soon as I finished it.
#1 New York Times bestselling author Stephen King’s timeless novella “The Body”—originally published in his 1982 short story collection Different Seasons, and adapted into the 1986 film classic Stand by Me—is now available as a stand-alone publication.
It’s 1960 in the fictional town of Castle Rock, Maine. Ray Brower, a boy from a nearby town, has disappeared, and twelve-year-old Gordie Lachance and his three friends set out on a quest to find his body along the railroad tracks. During the course of their journey, Gordie, Chris Chambers, Teddy Duchamp, and Vern…
Most people know the slowburn romance. A spark flickers at deliberate pace until finally passion ignites. But what about the slowburn mystery? As a reader and a writer, I’m drawn to mysteries that twine as a well-drawn character, usually an amateur sleuth, gets pulled into investigating some eerie event. These mysteries begin with a straightforward query, and as the sleuth digs, the mystery grows. The pace leaves room for well-developed subplots—often, in my favorites, a slowburn romance, too. I love a book where I can settle into the world while the story gathers steam. And in the end, when that slow flame finally blazes… Oh, it’s so worth the wait.
I’m drawn to sister stories, which is something I only realized when I started writing this list, and it occurred to me that a number of my recommendations use the slowburn mystery as a means to explore sisterhood (something my own book does, as well).
I have a sister (hi, Diana!) and we have an uncomplicated and happy relationship. So maybe I subconsciously craved more drama growing up? Kidding aside, there’s something innately compelling about the dynamics between two people who may be very different or very similar, who share blood and memories, and who are tied together, for better or worse, for life.
How to Live Without You is a sister story at its best, as Emmy is the only person who’s capable of following Rose’s breadcrumbs.
In this heart-wrenching coming-of-age story about family, grief, and second chances, seventeen-year-old Emmy returns home for the summer to uncover the truth behind her sister Rose's disappearance-only to learn that Rose had many secrets, ones that have Emmy questioning herself and the sister Emmy thought she knew.
When her sister Rose disappeared, seventeen-year-old Emmy lost a part of herself. Everyone else seems convinced she ran away and will reappear when she's ready, but Emmy isn't so sure. That doesn't make sense for the Rose she knew: effervescent, caring, and strong-willed. So Emmy returns to their Ohio hometown for a summer,…
In my writing and in my life, I look at life and relationships in terms of what is and isn’t expected or acceptable. I’ve been fascinated by how pleasure itself has become a dirty word and how it can be exploited and used. Women have so much more potential and are so much more complex than what is given to us by media and social constructs. I write to expose the underside of identity, beliefs, and especially how past encounters color and shape our ability to experience pleasure.
I loved this book because it took me to places I found uncomfortable in a way I could manage.
I found the relationships challenging to accept but totally understandable, given the circumstances. The voices were clear and distinct. The way the story progressed allowed me to stay with and feel compassion for lives I would have otherwise judged.
A beautiful and provocative love story between two unlikely people and the hard-won relationship that elevates them above the Midwestern meth lab backdrop of their lives.
As the daughter of a drug dealer, Wavy knows not to trust people, not even her own parents. It's safer to keep her mouth shut and stay out of sight. Struggling to raise her little brother, Donal, eight-year-old Wavy is the only responsible adult around. Obsessed with the constellations, she finds peace in the starry night sky above the fields behind her house, until one night her star gazing causes an accident. After witnessing…
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