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This Book Betrays My Brother.
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I’ve always loved novels that reinvent and refresh history and legends. They take these building blocks of culture and make them personal and emotional. These novels breathe new life into ancient tales and historical events, so they resonate with relevance. They reveal hidden depths and connections within familiar stories, transforming them into vibrant tales. This genre makes legend and history feel personal by taking me on one character’s unique journey, transforming the exploration of the past into a deeply engaging experience.
This novel doesn’t reinvent history, but it does something I found just as engaging. It gave me a deeply emotional experience of a historical event; as the story unfolds, you feel the personal impact of Nazi Germany and World War II on the life of an ordinary young girl.
You also get a 2nd perspective on this tragic time, just as emotional, through the story’s narrator, Death. This unconventional lens used to witness this dark time in history made every detail of this novel emotional and moving.
'Life affirming, triumphant and tragic . . . masterfully told. . . but also a wonderful page-turner' Guardian 'Brilliant and hugely ambitious' New York Times 'Extraordinary' Telegraph ___
HERE IS A SMALL FACT - YOU ARE GOING TO DIE
1939. Nazi Germany. The country is holding its breath. Death has never been busier. Liesel, a nine-year-old girl, is living with a foster family on Himmel Street. Her parents have been taken away to a concentration camp. Liesel steals books. This is her story and the story of the inhabitants of her street when the bombs begin to fall.
I’m the youngest of five, and my siblings are what shaped me and my world. Growing up, I never felt alone, except climbing the stairs to bed half an hour before anyone else (such an injustice!). We played cards and games and had noisy discussions throughout my childhood and youth, and we still do. I wouldn’t be me without siblings. It’s the relationship that most fascinates me. There are siblings in all the books I’ve written and probably in all the books I’ll ever write. It’s not a theme I look for when I read, but I recognize the feeling when I encounter it and it feels like home.
I just read this book—it’s been in my TBR pile since 2004—and it’s why I chose the theme of siblings. I loved the voice of this novel, the narrator’s young outsider perspective, her humour and heart—Daisy is such an unexpected character to tell a war story through. But what I loved most about the book is the sibling vibe in the house of her cousins. Edmond, Piper, Osbert, and Isaac—each of them is who she/he is because of their siblings. You could remove one from the plot (well, not Edmond!) but the others wouldn’t be themselves anymore. We feel that through Daisy’s thin bones: these people belong to each other, and maybe she could belong there too.
How I Live Now is an original and poignant book by Meg Rosoff
How I Live Now is the powerful and engaging story of Daisy, the precocious New Yorker and her English cousin Edmond, torn apart as war breaks out in London, from the multi award-winning Meg Rosoff. How I Live Now has been adapted for the big screen by Kevin Macdonald, starring Saoirse Ronan as Daisy and releases in 2013.
Fifteen-year-old Daisy thinks she knows all about love. Her mother died giving birth to her, and now her dad has sent her away for the summer, to live in…
I am a Canadian author/editor who both fears and loves being a stranger in a strange land. I fear the challenges, the feelings of dislocation and vulnerability. But I love the connections, the overcoming of the strangeness and the ultimate feeling of kinship. As a mom, I travelled with my kids to far away places, favouring adventure tours and staying well away from high priced hotels that separate tourists from locals. My novel, The World on Either Side, was inspired by a trek I took with my then fourteen-year-old daughter in Chiang Mai, Thailand.
The stranger in a strange land theme is unveiled slowly in The Darkhouse. The story follows Gemma, a teen abandoned by a “crazy” mother. She lives on an island and her only friends are either old or imaginary. Her very protective father is dutiful, though consumed with rodent experiments in his shed out back. Yes. It is creepy! Also poignant: both a goosebumpy thriller and and a heart-breaking coming of age story. And I must mention the lyrical writing, like this line: “The ache of wanting what I can’t have throbs like blood.”
Disclosure: I read this in manuscript form at The Rights Factory, a literary agency where I work. I devoured it in one sitting in a Toronto café, after which I had to go outside to ugly-cry.
Fifteen-year-old Gemma’s life on a small New Brunswick island with her father, Jonah, is not an exciting one. Her mother ran off when she was an infant, and Jonah, an amateur scientist, spends most of his time conducting experiments he thinks will one day bring him fame. But when a woman arrives on the island, Gemma tries to play matchmaker – only to discover Jonah’s secret journals, which hold terrifying secrets about both their lives.
Mystery, science, and dreams of a better life collide in this page-turning young adult novel from Barbara Radecki.
I am a Canadian author/editor who both fears and loves being a stranger in a strange land. I fear the challenges, the feelings of dislocation and vulnerability. But I love the connections, the overcoming of the strangeness and the ultimate feeling of kinship. As a mom, I travelled with my kids to far away places, favouring adventure tours and staying well away from high priced hotels that separate tourists from locals. My novel, The World on Either Side, was inspired by a trek I took with my then fourteen-year-old daughter in Chiang Mai, Thailand.
I bought this book for the title, and happily there are Madonnas galore in this story, including in the apartment of “two motherless dudes,” dying teen Jessie T. Serrano and his dad. This quest novel—before he dies, Jessie sets up a mysterious trip to Europe for his three cousins, best friend and girlfriend—follows five grieving young adults on a doomed pilgrimage in a strange continent. If you have ever been a teen (as I assume you have) you will connect with the six (!!) point of view characters, each flawed but achingly human. "Not all stories are about love," says one of them, but this story most definitely is.
Five teens backpack through Europe to fulfill the mysterious dying wish of their friend in this heartwarming novel from the author of The Vigilante Poets of Selwyn Academy.
Jesse lives with his history professor dad in a house covered with postcards of images of the Madonna from all over the world. They’re gotten used to this life: two motherless dudes living among thousands of Madonnas. But Jesse has a heart condition that will ultimately cut his life tragically short. Before he dies, he arranges a mysterious trip to Europe for his three cousins, his best friend, and his girlfriend to…
I guess it would be true to say I am one of the first generation of white, English-speaking South Africans who identify as African. I got that red dust in my veins at an early age, and it hit me hard. I have spent almost all my professional life as a travel journalist and writer of natural history books, all about South Africa and beyond. I have traveled the world, but I really only love and can live in this place. Also, it’s the only place I ever want to write about. So, as you can guess, I like to read about it too. And I hope you do as much.
In truth, I bought this one (yes, I bought all my books in actual paper form) because it won the Booker Prize in 2021. Not all reviews back home in sunny old SA were favorable, but hey, surely it had to have something special. And turns out it does.
Reading it will be a tortured journey for just about any South African: the basic plot, if there is one, is about the promise made by a dying (white) woman to her (black) domestic worker, about the shack in which the latter lives. Of course, the promise is broken again and again. I really liked it, in a really bad-smell-in-the-room kind of way. There’s a problem with being so close to a bad situation, so don’t take it from me–the Booker committee surely can’t be wrong!
WINNER OF THE 2021 BOOKER PRIZE A NEW YORK TIMES EDITORS’ CHOICE
On her deathbed, Rachel Swart makes a promise to Salome, the family’s Black maid. This promise will divide the family—especially her children: Anton, the golden boy; Astrid, whose beauty is her power; and the youngest, Amor, whose life is shaped by feelings of guilt.
Reunited by four funerals over thirty years, the dwindling Swart family remains haunted by the unmet promise, just as their country is haunted by its own failures. The Promise is an epic South African drama that unfurls against the unrelenting march of history, sure…
Michael Stanley is actually two people—Michael Sears and Stanley Trollip both South Africans, passionate about Africa and its cultures. We read a lot of books set in or concerning Africa. We think of African thrillers as Sunshine Noir—things are always at their most deadly in the glare of the sun! The diverse cultures generate complex character clashes and intriguingly original plots. We believe some of the best thrillers anywhere are set in Africa and written by African writers. Michael writes an article every month titled Africa Scene for the International Thrillers Writers magazine (The Big Thrill) where he interviews an author about a new thriller set in Africa.
Sipho is a young man with nothing to lose. He drops out of high school and joins a car-stealing syndicate. The novel is part thriller and part coming-of-age tale, and the story takes the reader on an emotional journey as Sipho is sucked deeper and deeper into South African township crime. The author grew up in this township, and but for his other talents might have followed the same path as his protagonist. A remarkable look at the reality of township life and its effect on the youth.
Sipho lives in Umlazi, Durban – he is seventeen, has dropped out of school and helps out at his father’s mechanic shop. But odd jobs do not provide the lifestyle his friend Musa has, with his BMW and designer clothes. Soon Sipho’s love for fast cars and money leads him into a life of crime that brings him close to drugs, death and prison time.
My family moved around a lot when I was younger, which may explain why I’m fascinated by the experience of being an outsider. To me, it’s not a bad thing; being on the outside can sometimes help a person to see things more clearly, to think more critically and creatively. The year I spent living in a country where English wasn’t the main language was one of the most stimulating periods of my life, because I was so attuned to all the tiny details that other people took for granted. Plus, as teenagers, everyone feels like they’re on the outside looking in – which is probably why all of my books have contained some coming-of-age element.
I stumbled across this coming-of-age story by one of my favourite South African writers in a second-hand bookshop in Oxford when I was an undergraduate. I hadn’t been able to lose myself in fiction for a couple of years because I was so immersed in academic reading (history, mostly) – but this novel got me back on the wagon. It was the first novel I’d read in a long time that really made me want to write, to tell a story that could move a reader in the same way. In it, a white, middle-class girl growing up in a small colonial town in 1940s South Africa starts to see the world around her as it really is. Definitely one of those books that deserves a much wider audience.
Nadine Gordimer's first novel, published in 1953, tells the story of Helen Shaw, daughter of white middle-class parents in a small gold-mining town in South Africa. As Helen comes of age, so does her awareness grow of the African life around her. Her involvement, as a bohemian student, with young blacks leads her into complex relationships of emotion and action in a culture of dissension.
As an African author, I find that my books end up on the ‘African fiction’ shelf in the bookstore, which can be a disadvantage if my novel is, say, about Henry James or the Trojan War, both of which I've written novels about. As a lecturer in English literature, I've become acquainted with a vast and varied array of literature. So, whereas of course there are many wonderful African novels that deal with specifically African themes, I think the label African novel can be constricting and commercially disadvantageous. Many African novelists see themselves as part of a larger community, and their novels reflect that perspective, even though they are nominally set in Africa.
This is at heart a coming-of-age novel, unshrinkingly autobiographical in its depiction of what is clearly the author’s own family and background: the privileged upbringing on a prosperous farm in the centre of South Africa, the elite schools she and her beloved brother, Paul, attend, the tensions between her stern father and the rebellious brother. All recounted in a deadpan faux-naïve voice, which is often hilarious but also needle-sharp in its puncturing of the posturings and pretensions of upper-middle-class white South Africans. But at the centre of the largely satirical account is the tragic story of the decline and fall of the beautiful, talented, hyper-sensitive Paul and his early death from a drug overdose. A masterpiece of controlled perspective and flexible tone.
“You are too close to the water,” Paul whispered. “There are barbels in the mud. They will wake up if you step on them.” When Paul and Dominique are sent to boarding schools in Natal, their idyllic childhood on a Free State farm is over. Their parents’ leftist politics has made life impossible in the local dorp school. Angry schoolboy Paul is a promising poet, his sister his confidant. But his literary awakening turns into a descent. He flees the oppression of South Africa, only to meet his death in London. Dominique Botha’s poignant debut is an elegy to a…
My passion for historical fiction writing stems from a lifelong interest in history and a love for creating stories that have rich characters, with deep and meaningful personalities. My interest in history led me to study the subject at university, which has worked hand-in-hand with the pleasure I get from writing. Researching stories is another aspect that I enjoy, and it has seen me travel to destinations all over the world, where I have made some wonderful friendships.
I have included When The Lion Feeds because it is the first “grown up” book that I read as a young person.
It was many years ago, but Wilbur Smith’s novel had a big impact on me with his descriptive writing drawing me into the South African setting. The characters in Smith’s novel make for a strong and powerful narrative, and his imagery is captivating.
In many ways, When The Lions Feed is what could be described as a page-turner. I had mentioned in another review that an indicator of a good story is when the reader feels that they know the character(s), and it is certainly the case with this book.
While my childhood in a coastal community in South Africa contributed to my deep appreciation and love for nature, I was born and grew up as a person of colour in the apartheid era when barricades divided humans, the land, and the sea. I developed a profound understanding, rooted in my lived experience, of the interlinkages between justice, equity, and sustainability. I've remained actively involved and interested in developing and profiling transformative and inclusive approaches to sustainability from community to the international level. I've maintained this focus on the nexus between climate, nature, and inequality throughout my career, where I've led transformative and inclusive approaches to nature and climate policy and practice for 20+ years.
This is a foundational book if you’re interested in understanding the green economy discourse in South Africa.
It tackles the challenges facing the country in addressing poverty, inequality, and unemployment and how a green transition must deliver both social and environmental outcomes.
Contributors are drawn from leading thinkers on sustainability issues in South Africa.
The depletion of South Africa's (and in some cases the world's) natural resources and the degradation of environmental sinks (including the atmosphere, lakes and rivers, and land) are continuing at such a rate that natural resource prices are climbing and many critical ecosystem services that underpin human welfare are increasingly threatened.
The concept of the `green economy' has gained increasing traction in South African policy discourses over the past few years. However, in much of this discourse it is viewed in a piecemeal way as one part or sector of the economy (e.g. an industrial sector dealing with manufacture and…
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