Here are 100 books that At the Crossroads fans have personally recommended if you like
At the Crossroads.
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You get more mums than dads in books for young readers. Perhaps that’s understandable. Mums still loom largest in the lives of younger children. One way or another, it would be good to have more fathers present in the lives of children, and it would be good to have more fathers in children’s books. So I’ve chosen five books featuring fathers who are both at the centre of the story and more alive than the caricatures. The books are ordered roughly by age of the reader: younger first, older last. I hope there’s something new for you to find and enjoy.
A special story told (as Jez Alborough brilliantly does) in few words and with rhymes that read just right. A young dog called Sid is so filled with happiness that he flies! But he can’t convince anyone that this has happened. He’s laughed at. “…dogs don’t fly – it can’t be done,” says his teacher. “Dogs don’t fly!” repeat his friends. This leaves Sid alone and sad. But his father comes by. He asks what’s wrong, and it saves the day.
Sid’s dad believes in him. He understands Sid’s free spirit because he shares it. And these two things (literally) lift Sid up again. It’s a wonderful image of the magic a father-son bond can do.
Send your spirits soaring with this powerful, positive rhyming tale.
On the way to school one day, Sid is so full of happiness that he starts to fly. But no one believes him. Dogs don't fly, they say. Poor Sid is miserable, until his dad lets him in on an amazing secret: some dogs do!
"The most uplifting book." Nadia Hussain, Stylist magazine
You get more mums than dads in books for young readers. Perhaps that’s understandable. Mums still loom largest in the lives of younger children. One way or another, it would be good to have more fathers present in the lives of children, and it would be good to have more fathers in children’s books. So I’ve chosen five books featuring fathers who are both at the centre of the story and more alive than the caricatures. The books are ordered roughly by age of the reader: younger first, older last. I hope there’s something new for you to find and enjoy.
It’s raining. Pete can’t go out to “play ball with the guys.” So he’s in a bad mood. His father thinks it might cheer Pete up to be made into a pizza. He’s right, of course! Dad kneads him and twirls him up in the air. He sprinkles on cheese (actually torn-up bits of paper) and puts him in the oven (actually the sofa).
This is a celebration of the parents’ trick of distracting a grumpy child with a bit of zany humour. (Best trick in the book, as far as I’m concerned.) And what a wonderfully loving, inventive, energetic dad William Steig has created! Pete laughs “like crazy”. And the sun comes out at the end.
Pete's father starts kneading the dough. Next, some oil is generously applied. (Its really water.) And then some tomatoes. (They're really checkers.) When the dough gets tickled, it laughs like crazy.
You get more mums than dads in books for young readers. Perhaps that’s understandable. Mums still loom largest in the lives of younger children. One way or another, it would be good to have more fathers present in the lives of children, and it would be good to have more fathers in children’s books. So I’ve chosen five books featuring fathers who are both at the centre of the story and more alive than the caricatures. The books are ordered roughly by age of the reader: younger first, older last. I hope there’s something new for you to find and enjoy.
One of many memorable picture books from a master of creating dads, mums, children, and all human beings. (Also fairies, in fact.) A family goes walking to a green hill in the city to celebrate baby Oscar’s “six-month birthday.” Bob Graham paints the world as a jumble of different lives, made beautiful by the warmth that can come between them.
In this story, there’s particular attention to moments of grace that children and parents can conjure up, if they want. I love the dirty old-town setting, with its colourful graffiti. And I like the spiky-haired dad. He makes the sandwiches. He gets on with the stuff of the family day. He does it with love. And he’s involved in one of my favourite of all picture book endings. When the kids are asleep, he pushes back the furniture and dances with Mum.
This is an enchanting early picture book from the creator of "Max", 2000 Smarties Gold Prize Winner and CBC Early Childhood Book of the Year Honour Book.The day Oscar turns six months old, Mum, Dad and Millie decide to celebrate. They take coat-hanger fairy wings, three tuna sandwiches and a chocolate cake with half a candle, and set off across the city for a picnic on Bellevue Hill. Once there, all the other people in the park join in for a rousing chorus of 'Happy Birthday' in this warm, gentle story of a family celebration on an urban, autumn day.
You get more mums than dads in books for young readers. Perhaps that’s understandable. Mums still loom largest in the lives of younger children. One way or another, it would be good to have more fathers present in the lives of children, and it would be good to have more fathers in children’s books. So I’ve chosen five books featuring fathers who are both at the centre of the story and more alive than the caricatures. The books are ordered roughly by age of the reader: younger first, older last. I hope there’s something new for you to find and enjoy.
A longer story that is illustrated with great skill and feeling by PJ Lynch. (And it’s another one that brings tears to my eyes most times I read it!) Jonathan Toomey is a wood carver who has moved to a village far from where his wife and baby died. So this is not a typical picture book dad. He is solitary and grieving.
The widow McDowell and her son, Thomas, are newcomers to the village. In their move, they have lost a precious nativity set. So they ask Jonathan Toomey if he will carve them a new one. The carpenter reluctantly agrees. His heart warms to both Thomas and Thomas’s mother. He carves a beautiful replacement nativity set. In the making, he faces his terrible loss. And the final, beautiful image is of the three of them walking side by side on Christmas day with laughter in their eyes.
The spirit of Christmas heals a sorrowing woodcarver's heart in this stunning 20th anniversary edition of a Kate Greenaway winning festive classic.
A stunning 20th anniversary edition of a Kate Greenaway winning Christmas classic, this is the poignant tale of Jonathan Toomey. Although Jonathan is the best woodcarver in the valley, he is always alone and never smiles. No one knows about the mementos of his lost wife and child that he keeps in an unopened drawer. But one early winter's day, a widow and her young son approach him with a gentle request - a request which leads to…
For most of my life I have been fascinated by Africa, but I could never figure out a good reason to go there. Then one day in 2010 while delivering a book talk in North Carolina, a gentleman approached me afterward saying that he’d read a brief item in a missionary newsletter that morning and he thought it might make “a good story” for me. Six months later, I was on a flight to Uganda and that “good story” was born as a magazine piece before evolving into a book and finally in 2016 into a Disney movie. I have since traveled to Africa many times and it is a magical place, my home away from home.
Phiona once told me that she grew up in Katwe believing that everyone in the world lived in the same desperate circumstances that she did and that if you’re born in Katwe, you are expected to die there. Mathabane was similarly anchored to his poverty-ravaged township of Alexandra outside of Johannesburg. “Kaffir” is an ugly ethnic slur common during Apartheid-era South Africa, a term that the author battled to overcome every day while surviving an environment plagued by gang violence. Mathabane’s salvation was his education (and, similar to Phiona, success in an unlikely sport), which eventually led him to attend college in the U.S., just like Beah, Kamkwamba, and Mutesi.
The classic story of life in Apartheid South Africa.
Mark Mathabane was weaned on devastating poverty and schooled in the cruel streets of South Africa's most desperate ghetto, where bloody gang wars and midnight police raids were his rites of passage. Like every other child born in the hopelessness of apartheid, he learned to measure his life in days, not years. Yet Mark Mathabane, armed only with the courage of his family and a hard-won education, raised himself up from the squalor and humiliation to win a scholarship to an American university.
This extraordinary memoir of life under apartheid is…
I believe deeply that, as messy and painful as life is, there is always joy, and usually humor, to be found. The book I wrote, Leaving’s Not the Only Way to Go, pulls from some of the painful experiences I’ve had, and I often find myself following my description of the book, about two women who meet in a grief group, with “but it’s not a downer!” It’s true, because Leaving is also inspired by all the joy and connections I’ve made for myself, even in the midst of loss. I learned how to balance the two sides of life through books like the ones on this list.
Two Asian women living in South Africa in the 1950s meet and take hold of a beautiful opportunity to care for each other, despite both personal struggles and the broader challenges of trying to build a life during Apartheid.
There is tragedy and loss, and also hope and defiance; the two of them have little victories, both personal and political, that build toward a promising future, even if they haven’t quite made it there yet.
In 1950's South Africa, a free-spirited café owner falls for a young wife and mother. Their unexpected attraction pushes them to question the cruel rules of a world that divides white from black and women from men, but a world that might just allow an unexpected love to survive.
My passion for historical fiction writing stems from a lifelong interest in history and a love for creating stories that have rich characters, with deep and meaningful personalities. My interest in history led me to study the subject at university, which has worked hand-in-hand with the pleasure I get from writing. Researching stories is another aspect that I enjoy, and it has seen me travel to destinations all over the world, where I have made some wonderful friendships.
I have included When The Lion Feeds because it is the first “grown up” book that I read as a young person.
It was many years ago, but Wilbur Smith’s novel had a big impact on me with his descriptive writing drawing me into the South African setting. The characters in Smith’s novel make for a strong and powerful narrative, and his imagery is captivating.
In many ways, When The Lions Feed is what could be described as a page-turner. I had mentioned in another review that an indicator of a good story is when the reader feels that they know the character(s), and it is certainly the case with this book.
I am a South African travel writer and novelist with a particular passion for the sublime landscape, wildlife, oceans, and wilderness of our corner of Africa. Growing up in Cape Town, I have spent the last 25 years travelling around the subcontinent writing and photographing for travel and wildlife magazines, and writing books about the landscape and its people. My two latest novels are set in the Cape, and although they are World War II adventure stories, they are also celebrations of our unique coastline, maritime culture, and the oceans that wash our shores. All my writing, whether fiction or non-fiction, ends up being a love letter to the landscape.
Bosman is one of South Africa’s finest short story writers and these funny, gentle, poignant tales are set in the wild northern reaches of the country where farmers struggle to make ends meet. I am particularly drawn to the way Bosman captures the landscape of bushveld and Kalahari, of wild animals and a hardy pioneering way of life. It’s also a corner of South Africa that I love to go on safari to enjoy the Big Game experience, encountering elephants, rhinos, lions, and the like…
As an African speculative fiction writer who had long hoped to see the development of African speculative fiction being embraced by the larger SFF community, it was a joy to see all these anthologies showcasing the works of Africans and platforming them for a larger audience to see. And it's been a joy as well to contribute to this growth both as an award-winning writer and editor of African speculative short fiction.
AfroSF is the first ever anthology of Science Fiction by African writers only open to submissions of original fiction works from Africa and abroad. It was one of the pioneering anthologies of African science fiction and published a number of household names in African speculative fiction in both this and its subsequent volumes.
AfroSF is the first ever anthology of Science Fiction by African writers only that was open to submissions from across Africa and abroad. It is comprised of original (previously unpublished) works only, from stellar established and upcoming African writers: Nnedi Okorafor, Sarah Lotz, Tendai Huchu, Cristy Zinn, Ashley Jacobs, Nick Wood, Tade Thompson, S.A. Partridge, Chinelo Onwualu, Uko Bendi Udo, Dave de Burgh, Biram Mboob, Sally-Ann Murray, Mandisi Nkomo, Liam Kruger, Chiagozie Fred Nwonwu, Joan De La Haye, Mia Arderne, Rafeeat Aliyu, Martin Stokes, Clifton Gachagua, and Efe Okogu.
I’m an engineer, writer, and editor. And I love short stories. I love writing them and reading them too. I’ve written for major science fiction and fantasy magazines, and my stories have even been nominated for the Hugo, Nebula, and Locus awards. But when short stories are put together in a single author collection, they can truly come alive, revealing running themes and ideas explored through the imagination of the author. My own collections Incomplete Solutions and Convergence Problems do just this – exploring potential futures for Africa. I previously shared five of the best single-author collections of African speculative fiction and now, here are five more.
The late Nick Wood, a science fiction writer, clinical psychologist, former journalist, humanitarian, and anti-apartheid activist born in Zambia and raised in South Africa, was always learning.
This is reflected in all his writing, including most of the stories in his collection. Largely science fiction stories in a variety of settings: from post-apocalyptic worlds, settled moons, and climate-changed earths, these stories are highly focused on the social and environmental aspects of humanity even in the most science fictional scenarios.
These stories, intersectional, emotionally resonant, exciting, thoughtful, and varied. Learning Monkey and Crocodile is a wonderful way to sample some of South Africa’s interesting science fiction corpus from a voice that has now left us, but which will not be forgotten.
“Nick Wood’s short stories are powerful, impassioned visions of worlds and worldviews remade by way of redemptive engagement with the spirits of the earth and the earth of the spirit. Joining ancestral wisdom and transformative technologies, combining searing self-scrutiny with joyous awareness of the Other, Learning Monkey and Crocodile is a book for Africa and for all of us.”
Nick Gevers
Nick’s stories have delighted readers across the world and have appeared in publications such as Interzone, Albedo One, Omenana, among others. His debut novel Azanian Bridges was shortlisted for the BSFA award. Embark on a journey where science meets…