100 books like At the Crossroads

A special story told (as Jez Alborough brilliantly does) in few words and with rhymes that read just right. A young dog called Sid is so filled with happiness that he flies! But he can’t convince anyone that this has happened. He’s laughed at. “…dogs don’t fly – it can’t be done,” says his teacher. “Dogs don’t fly!” repeat his friends. This leaves Sid alone and sad. But his father comes by. He asks what’s wrong, and it saves the day.

Sid’s dad believes in him. He understands Sid’s free spirit because he shares it. And these two things (literally) lift Sid up again. It’s a wonderful image of the magic a father-son bond can do.

It’s raining. Pete can’t go out to “play ball with the guys.” So he’s in a bad mood. His father thinks it might cheer Pete up to be made into a pizza. He’s right, of course! Dad kneads him and twirls him up in the air. He sprinkles on cheese (actually torn-up bits of paper) and puts him in the oven (actually the sofa).

This is a celebration of the parents’ trick of distracting a grumpy child with a bit of zany humour. (Best trick in the book, as far as I’m concerned.) And what a wonderfully loving, inventive, energetic dad William Steig has created! Pete laughs “like crazy”. And the sun comes out at the end.

One of many memorable picture books from a master of creating dads, mums, children, and all human beings. (Also fairies, in fact.) A family goes walking to a green hill in the city to celebrate baby Oscar’s “six-month birthday.” Bob Graham paints the world as a jumble of different lives, made beautiful by the warmth that can come between them.

In this story, there’s particular attention to moments of grace that children and parents can conjure up, if they want. I love the dirty old-town setting, with its colourful graffiti. And I like the spiky-haired dad. He makes the sandwiches. He gets on with the stuff of the family day. He does it with love. And he’s involved in one of my favourite of all picture book endings. When the kids are asleep, he pushes back the furniture and dances with Mum.

A longer story that is illustrated with great skill and feeling by PJ Lynch. (And it’s another one that brings tears to my eyes most times I read it!) Jonathan Toomey is a wood carver who has moved to a village far from where his wife and baby died. So this is not a typical picture book dad. He is solitary and grieving.

The widow McDowell and her son, Thomas, are newcomers to the village. In their move, they have lost a precious nativity set. So they ask Jonathan Toomey if he will carve them a new one. The carpenter reluctantly agrees. His heart warms to both Thomas and Thomas’s mother. He carves a beautiful replacement nativity set. In the making, he faces his terrible loss. And the final, beautiful image is of the three of them walking side by side on Christmas day with laughter in their eyes.

Phiona once told me that she grew up in Katwe believing that everyone in the world lived in the same desperate circumstances that she did and that if you’re born in Katwe, you are expected to die there. Mathabane was similarly anchored to his poverty-ravaged township of Alexandra outside of Johannesburg. “Kaffir” is an ugly ethnic slur common during Apartheid-era South Africa, a term that the author battled to overcome every day while surviving an environment plagued by gang violence. Mathabane’s salvation was his education (and, similar to Phiona, success in an unlikely sport), which eventually led him to attend college in the U.S., just like Beah, Kamkwamba, and Mutesi.

Another classic lesbian novel.

Two Asian women living in South Africa in the 1950s meet and take hold of a beautiful opportunity to care for each other, despite both personal struggles and the broader challenges of trying to build a life during Apartheid.

There is tragedy and loss, and also hope and defiance; the two of them have little victories, both personal and political, that build toward a promising future, even if they haven’t quite made it there yet.

I have included When The Lion Feeds because it is the first “grown up” book that I read as a young person.

It was many years ago, but Wilbur Smith’s novel had a big impact on me with his descriptive writing drawing me into the South African setting. The characters in Smith’s novel make for a strong and powerful narrative, and his imagery is captivating.

In many ways, When The Lions Feed is what could be described as a page-turner. I had mentioned in another review that an indicator of a good story is when the reader feels that they know the character(s), and it is certainly the case with this book.

Bosman is one of South Africa’s finest short story writers and these funny, gentle, poignant tales are set in the wild northern reaches of the country where farmers struggle to make ends meet. I am particularly drawn to the way Bosman captures the landscape of bushveld and Kalahari, of wild animals and a hardy pioneering way of life. It’s also a corner of South Africa that I love to go on safari to enjoy the Big Game experience, encountering elephants, rhinos, lions, and the like…

AfroSF is the first ever anthology of Science Fiction by African writers only open to submissions of original fiction works from Africa and abroad. It was one of the pioneering anthologies of African science fiction and published a number of household names in African speculative fiction in both this and its subsequent volumes. 

The late Nick Wood, a science fiction writer, clinical psychologist, former journalist, humanitarian, and anti-apartheid activist born in Zambia and raised in South Africa, was always learning.

This is reflected in all his writing, including most of the stories in his collection. Largely science fiction stories in a variety of settings: from post-apocalyptic worlds, settled moons, and climate-changed earths, these stories are highly focused on the social and environmental aspects of humanity even in the most science fictional scenarios.

These stories, intersectional, emotionally resonant, exciting, thoughtful, and varied. Learning Monkey and Crocodile is a wonderful way to sample some of South Africa’s interesting science fiction corpus from a voice that has now left us, but which will not be forgotten.