While I taught Shakespeare’s plays all my teaching career, I stayed in my lanes: Hamlet, Othello, The Merchant of Venice, King Lear. As a poetry teacher, I used his sonnets as examples of metaphor and form, but never did I consider myself an expert. However, when the idea for my novel popped into my head, I realized I had some serious reading to do. Not only did I study the facts, I delved into the fiction. While some of these books came out during my writing and others after, I didn’t lose my interest, picking up whatever new Shakespeare book appeared. These are some of my favorites.
With this piece of historical fiction, we are back to “Who is Shakespeare,” and did he write all those plays? We are asked to consider parts of Shakespeare’s life where there is no historical record at all. In this novel, he did pen his plays and poems, but he had a lot of help from a smart, learned woman. Yes, another great woman behind the man story. And yet, we are allowed into not only Will’s and Katherine’s collaborative writing process but into their love story. Thus we end this list as we started with Shakespeare in love.
A bold and captivating novel about love, passion, and ambition that imagines the muse of William Shakespeare and the tumultuous year they spend together.
The year is 1590, and Queen Elizabeth’s Spanish Armada victory has done nothing to quell her brutal persecution of the English Catholics. Katharine de L’Isle is living at Lufanwal Hall, the manor of her uncle, Sir Edward. Taught by her cherished uncle to read when a child, Katharine is now a thirty-one-year-old widow. She has resigned herself to a life of reading and keeping company with her cousins and their children. But all that changes when…
Best Served Cold is a stand-alone novel set as a crossover from Abercrombie’s First
Law trilogy, carrying some of the events and characters from the other books.
The
novel presents a basic revenge plot, and if that were the extent of its value,
it still would stand tall. However, Abercrombie explores the realistic toll
that an obsession with revenge would take on a person, delving into the “blood
will have blood” theme explored in Shakespeare’s Macbeth. Does a quest for
revenge (whether justified or not) result in an uncontrolled escalation of
violence, or is it justice? How far is too far?
Written with Abercrombie’s
characteristic gritty realism and grim tone, Best Served Cold won’t
disappoint fans of his previous work or fantasy fans new to his writing.
There have been nineteen years of blood. The ruthless Grand Duke Orso is locked in a vicious struggle with the squabbling League of Eight, and between them they have bled the land white. While armies march, heads roll and cities burn, behind the scenes bankers, priests and older, darker powers play a deadly game to choose who will be king.
War may be hell but for Monza Murcatto, the Snake of Talins, the most feared and famous mercenary in Duke Orso's employ, it's a damn good way of making money too. Her victories…
I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naïvetéand caprice. You might say it would lose its raison d’être…My first book was the history of a single French phrase, the je-ne-sais-quoi, which names a ‘certain something’ in people or things that we struggle to explain.Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topic—and more besides—as I was writing Émigrés.
This is a brilliant essay in literary criticism. It traces English ambivalence towards French language and culture in the centuries that followed the Norman Conquest. It does so by delving into major literary texts—by Chaucer and Shakespeare among others—that explore that ambivalence for what it is: the symptom of a fetish. I like the way Williams writes and I find her inspiring in her desire to remain faithful to the complexity of the texts she studies and their attitudes.
What was the impact of the Norman Conquest on the culture of medieval and early modern England? Deanne Williams answers this question by contending that not only French language and literature, but the idea of Frenchness itself, produced England's literary and cultural identity. Examining a variety of English representations of, and responses to, France and 'the French' in the work of Chaucer, Caxton, Skelton, Shakespeare and others, this book shows how English literature emerged out of a simultaneous engagement with, and resistance to, the pervasive presence of French language and culture in England that was the legacy of the Norman…
I enjoy finding science in places where you might not expect it. Science really is everywhere. It's tempting to think of it as its own category of news or its own shelf in the bookstore. But science is a way of thinking about every aspect of the world, including our passions and daily lives. I love finding the spaces where these lines are blurred, and these books are such great examples of finding science in surprising places.
This next book takes a historical approach and explores what Shakespeare would likely have known about science in his lifetime and how that shows up in his works. If the premise sounds contrived, don't worry: the book emphasizes many ongoing debates about connections between Shakespeare and scientists of his era.
I particularly enjoyed learning about the Shakespeare Scholars' Conference and how different it was from the science conferences I knew! Overall, the book taught me much about 16th-century astronomy and Shakespeare. As a student, I would have loved this and always felt I had to choose between science and literature.
William Shakespeare lived at a remarkable time―a period we now recognize as the first phase of the Scientific Revolution. New ideas were transforming Western thought, the medieval was giving way to the modern, and the work of a few key figures hinted at the brave new world to come: the methodical and rational Galileo, the skeptical Montaigne, and―as Falk convincingly argues―Shakespeare, who observed human nature just as intently as the astronomers who studied the night sky. In The Science of Shakespeare, we meet a colorful cast of Renaissance thinkers, including Thomas Digges, who published the first English account of the…
I was eleven when my brother died in a car accident and, although I didn’t know it at the time, this experience shaped me in ways I couldn’t anticipate. Many years later, when I began working as a social worker at a local hospice, I realized that I was drawn to the work as a way to finally grieve that early loss. As I helped people navigate their own losses I found myself feeling my own grief for the first time. It wasn’t until I started writing about the hospice work that I found my brother again. I am powerfully drawn to the parallels between writing and the work of dying.
Sorrow is plural but grief is singular writes American poet, Victoria Chang, in her latest book Obit.
To me, this phrase resonates all the more powerfully as we find ourselves emerging from the Covid pandemic and assessing the impact it had on us. We were united, around the world, in our sorrow but the way we grieved was unique to each one of us.
This long poem, written after the death of her mother, is an elegy to grief itself. Taken from Shakespeare’s Macbeth, the epigraph at the beginning of the book reads: give sorrow words; the grief that does not speak. This is exactly what the writer has done.
Los Angeles Times Book Prize
PEN Voelcker Award
Anisfield-Wolf Book Prize
The New York Times 100 Notable Books of 2020
Time Magazine's 100 Must-Read Books of 2020
NPR's Best Books of 2020
National Book Award in Poetry, Longlist
National Book Critics Circle, Finalist
Griffin Poetry Prize, Shortlist
Frank Sanchez Book Award After her mother died, poet Victoria Chang refused to write elegies. Rather, she distilled her grief during a feverish two weeks by writing scores of poetic obituaries for all she lost in the world. In Obit, Chang writes of "the way memory gets up after someone has died and…
I love Paris. This city endlessly stimulates both my head and my heart. Always in movement, everchanging, it, like all cities, is a living organism, manifesting the spirit of all those who live here, past and present. Through a bunch of different projects and a handful of books, I’ve been trying to map its creative DNA, seeking out and championing the people and places who contribute to forging Paris’s own distinctive identity today. Makers Paris (Prestel) and Makers Paris 2 (Ofr. Éditions) evolved out of more than a decade running slow-travel pioneer Gogo City Guides, and my latest book The Paris Flea Market (Prestel) is a new stop on this journey.
The much-loved English bookshop Shakespeare and Company can at times feel like a victim of its own success (every so often I try and imagine solutions as if I were trying to save Venice!), but the place remains a refuge for writers and readers and a true beacon of bohemian values.
In my first Makers book, owner Sylvia remembers her father George describing Paris: “where poetry is part of life; where men are poets and life is a poem.” And now the bookshop has published its own collection of poems about Paris, illustrated with beautiful line drawings by the Italian illustrator Matteo Pericoli.
Alongside verses by Rimbaud, Gregory Corso, or Lawrence Ferlinghetti, Pericoli imagines the views from windows of poets who, at one time or another, made their homes here, like Gertrude Stein and Alice B. Toklas or Charles Baudelaire, or indeed Shakespeare and Company’s own beautiful view across the…
I fell in love with medieval military history in high school, and have been studying and writing about it as an undergraduate at Harvard, as a graduate student at Oxford, and as a professor of history ever since, eventually bringing the comparative methods and urge to generalize of a world historian to the task. I’ve written ten books and numerous articles. Good history gives me the thrill of time travel without the risk of the bubonic plague, and it has spawned related interests in sword and sorcery fantasy lit and wargaming, alongside my interests in painting, cartooning, and cooking the food of my native New Orleans. My motto: Have fun!
Academic books too dry? Primary sources too intimidating? Find a copy of Under the Hog, a historical novel set in the War of the Roses in 15th century England that is perhaps the best historical novel ever — certainly the best written by a pseudonymous author! It gives a variety of close-up views of medieval combat, politics, and culture, and is a favorite among folks who think that king Richard III of England (yes, the evil hunchback of Shakespeare’s depiction) got a reputational raw deal from the Bard.
‘This is still one of the best novels on the life of Richard III’ - The Richard III Society
England, 1471.
In a kingdom rent by civil strife Richard, Duke of Gloucester, is determined to keep the Royal House of York on the throne and bring peace to England.
His unswerving support of his brother, Edward IV, against the conspiracies of both their turncoat brother George, Duke of Clarence, and the powerful Lancastrian claimants, wins him many enemies.
And when fate destines him to take the throne, he is forced to quell the rebellions of Lord Rivers and the Duke…
As a mom of three who's struggled to find a balance between parenting, career, and meeting my own needs, I'm intensely interested in the way our society views motherhood. There are so many different ways to become a mother and so many different opinions about what makes a “good mom.” On the one hand, our culture has incredibly high expectations and seems to judge women no matter what choices they make. At the same time, we don’t offer struggling moms basic supports like low-cost childcare, mental health benefits, or paid maternity leave. I love reading novels that recognize this paradox and take a generous view of the many definitions of motherhood.
At first glance, this doesn't seem to be a book about motherhood, but Vanderah beautifully illustrates how the word “mother” can be more of a verb than a noun. I raced through this story, captivated by the precocious child character, Ursa, and rooting for the accidental guardians who try to protect her. The questions surrounding Ursa’s sudden appearance quickly drew me in, but then the book became so much more than a mystery.
Joanna, the main character, has no biological children but very much becomes a mother to Ursa in the story. I loved the organic, natural way their relationship develops and how they each teach the other to love and trust again. The sweet, inspiring ending made me want to read all of Vanderah’s books.
An Amazon Charts, Wall Street Journal, and Washington Post bestseller, and a Goodreads Choice Award finalist.
In this gorgeously stunning debut, a mysterious child teaches two strangers how to love and trust again.
After the loss of her mother and her own battle with breast cancer, Joanna Teale returns to her graduate research on nesting birds in rural Illinois, determined to prove that her recent hardships have not broken her. She throws herself into her work from dusk to dawn, until her solitary routine is disrupted by the appearance of a mysterious child who shows up at her cabin barefoot…
If We Were Villains is a tour de force! I began reading Rio's novel on a long flight, and the hours flew--full to bursting with suspense, mystery, and the fever-pitch passions among a group of young theater students at a Fine Arts college. These aspiring actors not only study and perform Shakespeare's plays: they live and bleed them, on and off stage, immersing readers in their own world of ambition, lust, jealousy, vengeance, sacrifice, and, possibly, love. The first scene opens with the narrator jailed for the murder of a fellow thespian, and the plot thickens, inexorably, from there on to the final curtain.
Oliver Marks has just served ten years for the murder of one of his closest friends - a murder he may or may not have committed. On the day he's released, he's greeted by the detective who put him in prison. Detective Colborne is retiring, but before he does, he wants to know what really happened ten years ago. As a young actor studying Shakespeare at an elite arts conservatory, Oliver noticed that his talented classmates seem to play the same roles onstage and off - villain, hero, tyrant, temptress - though Oliver felt doomed to always be a secondary…
There is a saying that you can take the girl out of Scotland but not Scotland out of the girl. I am that girl. Born and raised in Scotland, I earned an MA from Edinburgh University and a M.Litt from Oxford. I met my husband during the summer at Dartmouth College and the rest, as they say, is history. Or, at least it would be, except for the hankering back to Scotland that never leaves. My novel set in Scotland was published by Simon & Schuster.
This is an extensive biography of Scotland’s celebrated bard, Robert Burns, and includes a collection of unpublished letters. Scotland’s own “heaven taught ploughman,” gave life a run for its money, giving us in his few but fruitful years lines of poetry that match Shakespeare himself.
Oh, would some
Power the giftie
gie us
To see ourselves as
Others see us!
McIntyre gives Burns a good shot. No Scottish writer, including myself, could think of their career trajectory without Robert Burns standing out prominently along that line. He gave us the gift of hubris and the gift of the poetic gab.
This biography illuminates and explores the complexities and contradictions of Burns's character and personality, untangling the myth from the legend. Based on new evidence from 700 letters Burns wrote during his life, McIntyre concentrates on the circumstances of the writing of poetry itself, and paints a vivid picture of Burns's emotional and impulsive political views, the cruelty and gentleness of which he was capable, stressing the importance and the quality of the satirical poetry as well as the unforgettable love poetry immediately associated with his name.
