As well as featuring kick-ass female lead characters, all the books listed delve into why people do what they do – and this has always fascinated me; it’s why I became a journalist. Talking to victims of crime, I was always struck by their strength (and that was never more true than when I fronted an award-winning campaign for victims of domestic abuse). Prior to that, I worked at a high-security men’s prison, and getting to know the prisoners had a profound impact on me. Now, whether reading or writing a book, I love to get under the skin of characters and find their ‘why.’
Complex, clever, and cunning Gruoch is fighting for her survival and the crown of the ancient kingdom of Scotland–and she isn’t going to let anything or anyone get in her way.
She has no one to look out for her, so she must take on the world herself, and no matter what was thrown at her, she kept on, as single-minded as ever–and I kept cheering her for that, despite her villainy.
LONGLISTED FOR THE CWA HISTORICAL ASSOCIATION DAGGER 2024
LONGLISTED FOR THE GOLDSBORO GLASS BELL AWARD 2024
'Suspenseful, atmospheric and full of twists and turns, I loved the brutal, backstabbing world that Isabelle Schuler conjures up where only the most ruthless can survive' - Jennifer Saint
'Dazzlingly clever and difficult to put down' i
Power. History. Love. Hate. Vengeance.
She will be Queen. Whatever it takes...
Daughter of an ousted king. Descendant of powerful druids. Destined to take her place in history.
As a child, Gruoch's grandmother prophecies that she will one day be Queen of Alba and reclaim the lands…
There are so many different ways of thinking and writing about history. I first noticed this while studying at university, when I saw just how different economic history looked from other kinds of history. I later learned that all kinds of historical writing are forms of literature, only they are rarely recognized as such. I am now a university professor and this is my area of expertise: the overlap between the philosophy of history and economics. The books on this list are great examples of unusual or ‘weird’ works on history that challenge some of our deepest assumptions about what history is and how best to think or write about it.
Kermode is a literary critic and this book is a study of apocalyptic narrative throughout the ages. But as Lowith shows, all Western historical thought is apocalyptic. Kermode takes this point further by looking not just at the Bible, but also Roman philosophy, modern English poetry, and more. It might sound like a bit of a detour, only it doesn’t feel that way when he brings it all to a head in an early diagnosis of the postmodern condition. Because we now know the power of stories, he argues, they can only continue to do their work by ‘defying our sense of reality.' Talk about the ultimate cliffhanger!
Frank Kermode is one of our most distinguished and beloved critics of English literature. Here, he contributes a new epilogue to his collection of classic lectures on the relationship of fiction to age-old concepts of apocalyptic chaos and crisis. Prompted by the approach of the millennium, he revisits the book which brings his highly concentrated insights to bear on some of the most unyielding philosophical and aesthetic enigmas. Examining the works of writers from Plato to William Burroughs, Kermode shows how they have persistently imposed their "fictions" upon the face of eternity and how these have reflected the apocalyptic spirit.…
Early in life, I felt the presence of a “guardian angel” who would take my hand and accompany my mind to imagine distant cultures. I grew up in Florence, and in our history, there were so many tales of people coming from afar, and of Florentines traveling across deserts and oceans. And as time passed, I would be drawn to beautifully written true stories which opened windows onto different epochs and dramas of life in both near and far-flung places of the world.
This masterpiece - believed to be the oldest full-length ‘novel’ in existence - is an extraordinary exploration of human feelings, emotions, and relations as fresh and beguiling today as when it was first written one thousand years ago. I include this as non-fiction because it is a true account of daily life at the Heian Japanese court. Lady Murasaki’s characters draw the reader into their passion and terrors in an uncannily modern way, still so alive today. Readers will find themselves immersed in a strange and distant culture whose inhabitants’ loves, rivalries, suffering and follies they can easily identify with. It is an astonishing diary disguised as a “novel”, one of the greatest classics of all time, surprisingly written by a woman.
"What Waley did create is literary art of extraordinary beauty that brings to life in English the world Murasaki Shikibu imagined. The beauty of his art has not dimmed, but like the original text itself retains the power to move and enlighten."-Dennis Washburn, from his foreword
Centuries before Shakespeare, Murasaki Shikibu's The Tale of Genji was already acknowledged as a classic of Japanese literature. Over the past century, this book has gained worldwide acceptance as not only the world's first novel but as one of the greatest works of literature of all time.
I grew up in the 1970s, still in contention for America’s most paranoid decade (thanks, Watergate). Practically everything I watched, listened to or read (right down to my beloved superhero comics) was asking, what’s hiding behind the world around you? I don’t think of myself as a paranoid guy – I don’t, for instance, believe in a real life Deep State – but these are the sorts of stories that resonate for me. Taken less literally, they do ask worthwhile and still disturbingly relevant questions: what is beneath the world you know and see every day? What is right in front of you, both good and bad, that you aren’t seeing?
Suburbanite Ragle Gumm is overcome with a sense of urgency to play a bizarre newspaper game every day. He’s so good at it, he makes a living from its cash prizes. But lately, his world seems to be fraying around him. Things he sees and knows are suddenly...not. And if you can’t trust the very ground you’re standing on, what’s left? This takes the whole “maybe my world isn’t what I think it is” idea about as far as it can go, and it was just about the first story to ever do that. The best, most satisfying book I ever read about a banal, mundane world that turns out to be anything but.
Ragle Gumm is an ordinary man leading an ordinary life, except that he makes his living by entering a newspaper contest every day - and winning, every day.
But he gradually begins to suspect that his life - indeed his whole world - is an illusion, constructed around him for the express purpose of keeping him docile and happy. But if that is the case, what is his real world like, and what is he actually doing every day when he thinks he is guessing 'Where Will The Little Green Man Be Next?'
Thirteen years ago I adopted a homeless dog from Puerto Rico. I also met his rescuers, and they told me the story of this little yellow dog who lived by the food trucks on the road between San Juan and El Yunque National Forest. He had been hit by a car once, maybe twice. His leg was broken, and he was close to death. But they scooped him up, took him to the vet for surgery, nursed him to health, and sent him north. I named him Winston, and now I read every dog book with him in mind – the way he trusts me, believes in me, understands me, and understands everything I say. How did we get so lucky to have dogs?
King Lear is one of my favorite of Shakespeare’s plays. There is a special satisfaction watching this arrogant, childish king demand love that he doesn’t deserve and then fall from glory – I wouldn’t wish this curse on anyone, and yet, in the end, he learns to love. He becomes such a better version of himself. I loved Little Prince in exactly the same way. A conceited Shetland Pony won my heart a thousand times over.
If Dauphin, a pampered Shetland pony, seems to lead the perfect life in the penthouse suite of the city's posh riding stables, it's because he does. And if he seems a bit too self-satisfied―after all, he's won several trophies for his young owner, Isabella, and is widely acknowledged to be the prettiest pony in the city―it's because he is.
Dauphin leads a rich, comfortable life. But all that changes when his relationship with his owner takes a decided turn for the worse. He's suddenly sent away to a farm in the middle of nowhere, which is filled with the most…
Ken began his career as an Assistant Professor of German Studies at the University of North Carolina. After ten years in academe, he went to the Harvard Business School, following which he embarked on a 36-year career banking.
Ken worked at Shawmut Bank, Bank of New England, and from 1990 through 2019 at Silicon Valley Bank.
Mr. Wilcox earned a master’s degree in business administration from Harvard Business School, as well as a PhD in German studies Ohio State University.
He published Leading Through Culture: How Real Leaders Create Cultures that Motivate People to Achieve Great Things and soon he'll be publishing a second book One Bed Two Dreams: When Western Companies Fail in China.
People often ask themselves, why study literature. What’s the use?
This is the only book I have ever read that attempts to show how literature applies to leadership and management. The authors, one a professor of Shakespearian literature, and the other a management consultant, attempts to show how Shakespeare’s play contain practical lessons for leaders.
The chapter I liked most talks about how and why the CEO doesn’t always want their successor to succeed, and how they sometimes sabotage their successor’s success.
What Can Shakespeare teach us about effective leadership? Everything, according to John Whitney, leading professor at Columbia Business School, and Tina Packer, founder, president and artistic director of the critically acclaimed theatre group Shakespeare & Company. Whether we are dealing with an indecisive Hamlet or a corporate Lear, this innovative approach to management helps us tap into the timeless wisdom and profitable genius of the Bard. The issues fuelling the intricate plots of Shakespeare's 400-year-old plays are the same common yet complex issues that business leaders contend with today. John Whitney and Tina Packer compare Shakespeare's plays with management techniques,…
I have been fascinated with Queen Elizabeth I and Shakespeare since I was a child and read a kid biography of the queen and saw a Shakespearean comedy. The two topics are completely intertwined—Elizabeth saw Shakespeare’s plays at court and the strong women in Shakespeare’s plays reflect the queen. Elizabeth and Shakespeare have been both my passion and my profession. I have loved teaching and writing about them. One of my favorite things to do is to go see Shakespeare plays and to see portraits of the queen at museums. This passion has so enriched my life. The queen and the playwright have been very good to me.
Gorgeously illustrated and elegantly written, Lena Orlin’s new study of William Shakespeare shows her great skill at doing research to give us new ways to understand the playwright. She puts the evidence of his life within the context of other Elizabethan documents. Orlin proves that we can know more about Shakespeare by examining the lives of the people in his circles. As she tells us, this is neither a literary biography nor a full biography, but it is a book that follows the evidence to tell us much more about Shakespeare the man. Shakespeare cared deeply about his father and his marriage to Anne was much less contentious and a more pleasant partnership. Though there have been so many books about Shakespeare, Orlin helps us understand him beyond the myths. Her brilliant and thorough reading of documents presents a wonderful read.
A new biography of William Shakespeare that explores his private life in Stratford-upon-Avon, his personal aspirations, his self-determination, and his relations with the members of his family and his neighbours.
The Private Life of William Shakespeare tells the story of Shakespeare in Stratford as a family man. The book offers close readings of key documents associated with Shakespeare and develops a contextual understanding of the genres from which these documents emerge. It reconsiders clusters of evidence that have been held to prove some persistent biographical fables. It also shows how the histories of some of Shakespeare's neighbours illuminate aspects of…
I married Indian born Atam Vetta when mixed relationships were rare and viewed with hostility not just in the UK. In 1966, they were illegal in South Africa and in most Southern States of the USA (until Loving v Virginia). In India they are not illegal but many upper-caste Indians do not approve of marriage outside of caste.
In the UK attitudes have revolutionised. Mixed relationships are no longer rare and it is predicted that by 2075 the majority of the population will be of mixed ancestry. There are mixed relationships in all three of my novels. My aim was to explore what we have in common whilst being honest about the challenges. The ultimate prize is an enhanced understanding and the creativity that comes with crossing cultures.
Shakespeare’s tragedies resonate in most cultures because they address the human condition. That is why Romeo and Juliet have spawned West Side Story, many films, and Russian ballets. I personally organised the Joe and Zara workshop with a mixed group of teenagers working on a modern take on the story. The young people in this ten-minute video from the workshop are impressive.
Othello too is tragic. Othello describes how Desdemona would come again ‘greedy –to hear tales of adventure sorrow and suffering. ‘She loved me for the dangers I had passed and I loved her that she did pity them.’
I relate to that.
The second Oxford edition of Shakespeare's Complete Works reconsiders every detail of their text and presentation in the light of modern scholarship. The nature and authority of the early documents are re-examined, and the canon and chronological order of composition freshly established. Spelling and punctuation are modernized, and there is a brief introduction to each work, as well as an illuminating and informative General Introduction. Included here for the first time is the play The Reign of King Edward the Third as well as the full text of Sir Thomas More. This new edition also features an essay on Shakespeare's…
I’m a Scottish writer of historical fiction and historical romance. I’m also a history graduate with imagination, by which I mean I’m as interested in what mighthave happened as what definitely did! So much of history is open to interpretation, taking account of who wrote what for whom, and why, and that is a large part of what fascinates me. And of course, I love a good historical novel that combines compelling writing with excellent research—especially when a controversial hero is shown in a new or captivating light.
This book became my ultimate escapism at a low point in my life. It’s a wonderfully written, well-researched epic novel about the eleventh century Scottish king, Macbeth, based on the bold premise that he and Thorfinn the Mighty, Earl of Orkney, were one and the same man. Most of us—especially those who went to school in Scotland!—are familiar with the Macbeth of Shakespeare, but Dorothy Dunnett brings him alivein his own time, no guilt-ridden villain but a complicated warrior of great depth and humanity, true to his beliefs, his people, and his wife who is nothing like Shakespeare’s Lady Macbeth either! This is a rattling good read by any standards—engrossing, exciting, humorous, and moving. Even knowing the tragedy was coming, I cried. Each time.
A novel about Macbeth, King of Scotland, by the author of the "Lymond" series. 11th-century Europe is full of young kings. Macbeth - part-Christian, part-Viking - has the imagination and determination to move himself and his people out of a barbarian past and into flowering nationhood.
I’ve adored fantasy adventures for as long as I could read. A good story is a mirror of life, and sometimes life can feel hard, cold, and impersonal. Yet life can also be an adventure, and like fictional heroes, the way in which we overcome our challenges is what makes us truly human. And sometimes it’s the actions of fantastical or inhuman creatures that show us true humanity.
When a hero overcomes their challenges in a way that shows humanity, I stand up and cheer. When they do it in a way that’s creative or funny, I laugh. When an author can do both, I treasure it.
Another odd couple adventure story, the travels and adventures of Sigurt and the Bard in a historical setting were fun, authentic, and a reminder that grand adventures don’t always need magic.
With a bard as a pov character, there was a lot of song in the book, and the modest aspirations of our heroes (a decent meal and sleeping by the fire) are a welcome change from the powerful and ambitious protagonists you often see in the genre.
