I am professor of linguistics (Emerita) at the Australian National University. I was born in Poland, but having married an Australian I have now lived for 50 years in Australia. In 2007, my daughter Mary Besemeres and I published Translating Lives: Living with Two Languages and Cultures, based on our own experience. I have three big ideas which have shaped my life’s work, and which are all related to my experience and to my thinking about that experience. As a Christian (a Catholic) I believe in the unity of the “human race”, and I am very happy to see that our discovery of “Basic Human” underlying all languages vindicates this unity.
This book takes the reader back to another speech world, that of 16th and 17th century English, albeit one on which we have some purchase through the plays of William Shakespeare. Where someone today may hedge their words with I supposeor probably,people in this time peppered their speech with expressions conveying certainty like verily and forsooth.This contrast represents the ethos of truth and faith that reigned at this time before it was replaced by a modern spirit of epistemic detachment ushered in by the British enlightenment. Yet a by my trothwas not interchangeable with a by my faith, and each chapter of the book opens the door on the specifics of an epistemic expression in 16th and 17th century English through colourful examples, cultural evidence and a statement of its meaning. I love this book.
This is a ground-breaking study in the historical semantics and pragmatics of English in the 16th and 17th centuries. It examines the meaning, use and cultural underpinnings of confident- and certain-sounding epistemic expressions, such as forsooth, by my troth and in faith, and first person epistemic phrases, such as I suppose, I ween and I think.
The work supports the hypothesis that the British Enlightenment and its attendant empiricism brought about a profound epistemic shift in the 'ways of thinking' and 'ways of speaking' in the English speaking world. In contrast to the modern ethos of empiricism and doubt, the…
Meant to be entertaining as well as informative, this book
romps without reverence through the lives and writings of historians, some from beyond the Western world, from ancient Greece to today. That’s 2500 years of written history!
You'll discover that, rather than being just the sober history that teachers may have taught you, historians have come in all forms and with all kinds of minds. They’ve argued with each other, sometimes been fools, showed themselves entirely human—and yet
left us some of the world’s greatest texts of religion, literature, and
learning.
Cohen defines “historian”
controversially as well as liberally, to include Shakespeare, novelists,
political figures, and television personalities. But then, as humans, don’t we all have a past
and think historically? Food for
thought—and fun along the way.
'A huge, fizzing omnium-gatherum of a book . . . marvellous' Daily Telegraph 'Witty, wise and elegant . . . a classic of history itself' The Spectator 'Grave and witty, suave yet pointed . . . full of energy' Hilary Mantel 'An enthralling investigation . . . consistently entertaining' The Times 'Epic . . . whatever Cohen writes about he writes about with brio' New Yorker
Who writes the past? And how do the biases of storytellers - whether Julius Caesar, William Shakespeare or Simon Schama - influence our ideas about history today?
Epic, authoritative and entertaining, Making History delves…
Besides having come of age while Black, I’ve published two coming-of-age novels about Black adolescents. Even before I became a writer, or an adult, I had had a particular interest in coming-of-age narratives. From Walter Dean Myers’ Harlem-located Young Adult novels to Toni Morrison’s Sula and James Baldwin’s Go Tell It on the Mountain, I’ve always been attracted to such stories. However, what the book list offered here does is map a reading series for what I see as an exciting intellectual formation for a Black reader.
“Peoples,” the protagonist of Jackson’s coming of age novel is apt to announce, an African-Americanized riff on Shakespeare’s “Friends, Romans, countrymen” which Jackson’s narrator voices from the recesses of his Mississippi, Portland neighborhood. Everything about this book is centered by the protagonist’s remarkable voice, a voice that very much inspired me to write my book. This is to say nothing of the deeply tragic, crack-era intergenerational family drama that The Residue Years tells.
'This novel is written with a breathtaking, exhilarating assurance and wit. Terrific' The Times
'A wrenchingly beautiful debut by a writer to be reckoned with' Jesmyn Ward
Mitchell S. Jackson grew up black in a neglected neighbourhood in America's whitest city, Portland, Oregon. In the '90s, those streets and beyond had fallen under the shadow of crack cocaine and its familiar mayhem. In his commanding autobiographical novel, Jackson writes what it was like to come of age in that time and place, with a breakout voice that's nothing less than extraordinary.
The Residue Years switches between the perspectives of a…
I am passionate about solving problemsof any type. I have a long history of solving Computer problems that are known traditionally as “bugs”. After retiring, I turned my attention to other problems & mysteries, discovering I had a talent for historical detective work too! I wasn’t satisfied with the - very unconvincing - traditional “chocolate box” narrative of Shakespeare’s family and life. He musthave had much more impact on the wider world than is currently known and I believe, after 450 years, I finally cracked it!
Alan Green hosts a popular Youtube channel that explores the mysteries and secret codes built into the works of Shakespeare and his decryptions are quite extraordinary in their depth.
Green has been investigating these hidden “Bard codes” for more than 15 years and his book reflects the incredible effort he has put into his work. He was at one time the musical director of The Monkees!)
Six years' of intense research into Shakespeare's grave, monument, and Sonnets dedication, went into producing this ground-breaking work. Readers are taken on a fascinating journey in which they're guided to solve the codes that explain a hitherto completely unsuspected side to the greatest literary mystery ever. In a revelation of detective work, the author thoroughly documents the supporting role of Dr. John Dee, alchemist, mathematician, and leading cryptographer in the Elizabethan court.The codes predict an actual location — the Holy of Holies Altar Stone within the poet's church in Stratford-upon-Avon — where the Bard claims to have left physical evidence…
Ken began his career as an Assistant Professor of German Studies at the University of North Carolina. After ten years in academe, he went to the Harvard Business School, following which he embarked on a 36-year career banking.
Ken worked at Shawmut Bank, Bank of New England, and from 1990 through 2019 at Silicon Valley Bank.
Mr. Wilcox earned a master’s degree in business administration from Harvard Business School, as well as a PhD in German studies Ohio State University.
He published Leading Through Culture: How Real Leaders Create Cultures that Motivate People to Achieve Great Things and soon he'll be publishing a second book One Bed Two Dreams: When Western Companies Fail in China.
People often ask themselves, why study literature. What’s the use?
This is the only book I have ever read that attempts to show how literature applies to leadership and management. The authors, one a professor of Shakespearian literature, and the other a management consultant, attempts to show how Shakespeare’s play contain practical lessons for leaders.
The chapter I liked most talks about how and why the CEO doesn’t always want their successor to succeed, and how they sometimes sabotage their successor’s success.
What Can Shakespeare teach us about effective leadership? Everything, according to John Whitney, leading professor at Columbia Business School, and Tina Packer, founder, president and artistic director of the critically acclaimed theatre group Shakespeare & Company. Whether we are dealing with an indecisive Hamlet or a corporate Lear, this innovative approach to management helps us tap into the timeless wisdom and profitable genius of the Bard. The issues fuelling the intricate plots of Shakespeare's 400-year-old plays are the same common yet complex issues that business leaders contend with today. John Whitney and Tina Packer compare Shakespeare's plays with management techniques,…
The reasons I’ve chosen these particular books is because of my penchant for reading offbeat stuff, and unearthing little-known works that I feel deserves more attention. My tastes are eclectic, and I’ve done a lot of research when it comes to finding the true origins of pop culture. Having written and published more than forty books that range from science fiction to crime thrillers, I’ve wanted to share my findings in the hopes that others will notice something new and exciting as well.
Even though The Lord of the Rings is recognized as the classic of high fantasy, Tolkien himself was deeply influenced by Eddison’s book. It is here that the first concepts of the hero’s journey, while encased in a thrilling saga of protagonists against impossible odds are sown, and of the great worldbuilding that encapsulates such an epic.
Even though the story itself (a never-ending war between the honorable demon princes and an immortal witch king) is pure simplicity, Eddison added an amazing twist: he wrote it in 16th-century English. If you can imagine William Shakespeare writing Lord of the Rings, then this is it.
Some people may get turned off by the archaic prose, but once you get into it, the novel becomes a highly enjoyable romp, filled with action and adventure.
"An eccentric masterpiece" — Ursula K. LeGuin "A new climate of the imagination" — C. S. Lewis "A masterpiece" — James Stephens This is the book that shaped the landscape of contemporary science fiction and fantasy. When The Lord of the Rings first appeared, the critics inevitably compared it to this 1922 landmark work. Tolkien himself frankly acknowledged its influence, with warm praise for its imaginative appeal. The story of a remote planet's great war between two kingdoms, it ranks as the Iliad of heroic fantasy. In the best traditions of Homeric epics, Norse sagas, and Arthurian myths, author E.…
I love the idea of taking a familiar story and making it fresh for a modern audience, which is probably why I’ve written two YA retellings. My first book (Match Me If You Can) is a retelling of A Midsummer Night’s Dream, and my sophomore novel (How To Speak Boy) is an adaptation of You’ve Got Mail. When I’m reading, I give bonus points to any adaptation that includes a love story, because I am all about the happily ever afters. So, if you’re like me and you enjoy the comforting familiarity of classics but want to be able to put yourself in the story, this list is for you.
I love a good Taming of the Shrew retelling. Ten Things I Hate About You is one of my favorite movies, and this book elicits all the same feelings. Watching an unlikeable main character redeem herself is so satisfying, and of course, the lead guy is a loveable nerd, which I always appreciate. I loved how the main character Cameron learns that it’s ok to be different and that maybe it’s better to be yourself than a queen bee everyone respects but doesn’t like. The snarky dialogue kept me turning pages and I couldn’t wait to see how this book ended.
To win him over, Cameron resolves to "tame" herself, like Shakespeare's shrew, Katherine. If she can make amends to those she's wronged, Andrew will have to take notice. Cameron's apology tour begins with Brendan, the guy whose social life she single-handedly destroyed. At first, Brendan isn't so quick to forgive, but slowly he warms to her when they connect over a computer game he's developing. To Cameron's amazement, she enjoys hanging out with Brendan, who views her honesty as an asset, and she wonders: maybe you don't have to compromise who you are for the kind of love you deserve.
Every time I write a romance novel, I find myself returning to the same themes: seeing people for who they are beneath the surface, respecting others despite differences, and choosing to love those who might seem a little odd. Whether they’re angels, mermaids, or plain old humans, my characters lead lives where, despite marginalization and alienation, love and a sense of belonging are possible. My Christmas novella, Mistletoe Mishap, was a Lambda Literary Award finalist.
I typically don’t read YA, but I’d just finished writing a book about searching for an ancient shipwreck, so I thought, why not see what someone else did with this idea? And I’m so glad I did. Otherwise I would have missed out on this compelling inner journey of a teenager who tries on adult responsibility and explores who she wants to be: someone who flees, breaks down, acts out, steps up, reaches for meaningful connection, or (and) loves.
The Larkin family isn't just lucky -- they persevere. At least that's what Violet and her younger brother, Sam, were always told. When the Lyric sank off the coast of Maine, their great-great-great-grandmother didn't drown like the rest of the passengers. No, Fidelia swam to shore, fell in love, and founded Lyric, Maine, the town Violet and Sam returned to every summer. But wrecks seem to run in the family: Tall, funny, musical Violet can't stop partying with the wrong people. And, one beautiful summer day, brilliant, sensitive Sam attempts to take his own life.
I’m a person who deals in communication in all forms. I am an internationally bestselling novelist. A record 55-time Moth StorySLAM and 7-time GrandSLAM champion. A humor columnist for Seasons magazine and an advice columnist for Slate. The author of two books of nonfiction. A stand-up comedian. Comic book writer. Blogger. Playwright. Marketing and communications consultant. Also an elementary school teacher. Everything I do involves producing sentences that engage others. Whether from the page or the stage, I have committed my life to finding the best ways to communicate effectively with others and finding the resources that help me best achieve this goal.
Practicality and simplicity are essential when wanting to learn something, and this book offers both in heaping spoonfuls. Read five pages and you’ll already be a better communicator. But best of all, this book also provides specific examples of each principle from the works of Shakespeare and South Park. Harry Potter and The Godfather. Seeing easily implemented storytelling strategies put to use by the masters makes it far more understandable, accessible, and fun.
Open your notebook, take out your pen, and welcome a bold new approach to teaching the art of great storytelling. In 27 lessons, drawn from 27 critical moments at the heart of 27 diverse narratives--from plays, novels, movies, television, and even songs and video games--Daniel Joshua Rubin unlocks the secrets of what makes a story work and then teaches us how to understand and use each principle in our own storytelling. Rubin, an incisive and no BS teacher, writing consultant, and founder of the Story 27 Studio, expands our understanding of narrative by drilling into examples ranging from Hamlet to…
I have been fascinated with Queen Elizabeth I and Shakespeare since I was a child and read a kid biography of the queen and saw a Shakespearean comedy. The two topics are completely intertwined—Elizabeth saw Shakespeare’s plays at court and the strong women in Shakespeare’s plays reflect the queen. Elizabeth and Shakespeare have been both my passion and my profession. I have loved teaching and writing about them. One of my favorite things to do is to go see Shakespeare plays and to see portraits of the queen at museums. This passion has so enriched my life. The queen and the playwright have been very good to me.
Gorgeously illustrated and elegantly written, Lena Orlin’s new study of William Shakespeare shows her great skill at doing research to give us new ways to understand the playwright. She puts the evidence of his life within the context of other Elizabethan documents. Orlin proves that we can know more about Shakespeare by examining the lives of the people in his circles. As she tells us, this is neither a literary biography nor a full biography, but it is a book that follows the evidence to tell us much more about Shakespeare the man. Shakespeare cared deeply about his father and his marriage to Anne was much less contentious and a more pleasant partnership. Though there have been so many books about Shakespeare, Orlin helps us understand him beyond the myths. Her brilliant and thorough reading of documents presents a wonderful read.
A new biography of William Shakespeare that explores his private life in Stratford-upon-Avon, his personal aspirations, his self-determination, and his relations with the members of his family and his neighbours.
The Private Life of William Shakespeare tells the story of Shakespeare in Stratford as a family man. The book offers close readings of key documents associated with Shakespeare and develops a contextual understanding of the genres from which these documents emerge. It reconsiders clusters of evidence that have been held to prove some persistent biographical fables. It also shows how the histories of some of Shakespeare's neighbours illuminate aspects of…
