My passion for books began at a very early age. My mom will tell you I never played with toys but toddled around, always with a book in my hand. From the Little Golden books of childhood, I grew into children's literature like Heidi and Black Beauty. Then came the horse books. Seabiscuit and War Admiral. Misty of Chincoteague was a particular favorite. Animal books have always been one of my go-to genres. All Creatures Great and Small by James Herriot started me on a series that I still return to from time to time. J. R. R. Tolkien is one of my inspirations as a fantasy author, along with C. S. Lewis.
This book is a bit different from my other recommendations. It’s not a fantasy. What it is is a series of books to make you laugh, cry, think, and most of all, want to go live in the imaginary town of Mitford, North Carolina. This is a small town where the phrase “Mitford takes care of its own” is sometimes hard but always rewarding. Reverend Tim Cavanough is a flawed man with a heart of gold who is in the mid to later stage in life and takes care of his flock of often eccentric, lovable townsfolk with a heart of love. I was with a friend one time walking through a little town in West Virginia, and we had both finished Ms. Karon’s books. The town and its folks reminded us of Mitford with its quaint charm.
The first novel in #1 New York Times bestselling author Jan Karon's beloved series set in America's favorite small town: Mitford.
It's easy to feel at home in Mitford. In these high, green hills, the air is pure, the village is charming, and the people are generally lovable. Yet, Father Tim, the bachelor rector, wants something more. Enter a dog the size of a sofa who moves in and won't go away. Add an attractive neighbor who begins wearing a path through the hedge. Now, stir in a lovable but unloved boy, a mystifying jewel theft, and a secret that's…
It’s been nine months since I read this book, and my thoughts still return to it (or is it the other way around?) unexpectedly.
On its surface, Lila is the life story of an orphan rescued from a loveless home by a vagrant and her discovery of an unforeseeable future. But this book is poetry in prose, and that surface story is just the start. With its unpredictable time-frames and beautifully complicated characters, it offers insights into the life experiences of societal outcasts with whom most modern readers can scarcely empathize.
Most fascinatingly, its final pages will make many or most readers question, or perhaps rethink, their philosophical and religious views on cause and effect, human desire, and Divine will. My wonder at its wisdom is rare (and I wonder at a lot of books).
Lila, homeless and alone after years of roaming the countryside, steps inside a small-town Iowa church-the only available shelter from the rain-and ignites a romance and a debate that will reshape her life. She becomes the wife of a minister and widower, John Ames, and begins a new existence while trying to make sense of the days of suffering that preceded her newfound security.
Neglected as a toddler, Lila was rescued by Doll, a canny young drifter, and brought up by her in a hardscrabble childhood of itinerant work. Together they crafted a life on the run, living hand-to-mouth with…
I am a historian primarily of western Europe in the eleventh and twelfth centuries. My leading interest has shifted over many years from the people who were persecuted as heretics at that time to their persecutors, as it dawned on me that whereas scepticism about the teachings of the Roman (or any) church was easily understandable, the persecution of mostly rather humble people who presented no real threat to that Church or to wider society was not, and needed to be explained.
By exploring how their sumptuous ritual vestments were designed, manufactured, and cared for, Maureen Miller shines powerful new light on the key social transformation of the European middle ages - how the clergy emerged as a distinct and dominant order of society in the eleventh and twelfth centuries - and how the process was shaped by their essential, intimate and contradictory relationships with the women who discharged these tasks.
After initial ambivalence about distinctive garb for its ministers, early Christianity developed both liturgical garments and visible markers of clerical status outside church. From the ninth century, moreover, new converts to the faith beyond the Alps developed a highly ornate style of liturgical attire; church vestments were made of precious silks and decorated with embroidered and woven ornament, often incorporating gold and jewels. Making use of surviving medieval textiles and garments; mosaics, frescoes, and manuscript illuminations; canon law; liturgical sources; literary works; hagiography; theological tracts; chronicles, letters, inventories of ecclesiastical treasuries, and wills, Maureen C. Miller in Clothing the Clergy…
When I was going to church as a kid, I noticed there were a lot of things about faith that were really important to people but that they rarely talked about. In my work as a pastor, professor, and church historian, I’ve tried to identify and name those core values, so that we can learn from one another, share our beliefs in meaningful and respectful ways, and grow together as we explore life’s big questions and practice living out our beliefs in the here and now.
Founder of a church called House for All Sinners and Saints in Denver, Colorado, Nadia Bolz-Weber describes her path from a Fundamentalist upbringing to agnostic comedian to Lutheran pastor. Walking with people who had long been forgotten, dismissed, or condemned by mainstream American Christianity, Bolz-Weber has brought the traditional Reformation message of God’s unconditional love to life in new ways. With stories that range from vulnerable to hilarious, this book is fun to read and full of refreshing insights about God, church, hospitality, and grace.
"Seven years on from its original publication, Pastrix remains bracing and beautiful. Nadia's bold vulnerability and tender heart are timeless gifts. And the words she has added to this edition remind me: We need her call to tender grace and a loving, forgiving God now more than ever." -- Jeff Chu, Author of Does Jesus Really Love Me?
Pastrix: a derogatory term used by Christians who refuse to recognize female pastors.
Heavily tattooed and foul-mouthed, Nadia Bolz-Weber, a former stand-up comic, sure as hell didn't consider herself to be religious-leader material-until the day she ended up leading a friend's funeral…
For me, writing novels is an attempt in metaphor to clear the ledger of unfinished business in my crazy, contradictory, sometimes funny, sometimes sad, and always messy mind. All the books I've written have long and often intensely personal backstories. All of us live two lives, a life in the world of things, relationships, and time (needs), and a life in the world we create in our minds (wants). When needs and wants come into conflict we have the elements that make a novel. I see my job as a novelist to provide an exciting story and plot that carries a reader through the material world.
I read Death Comes for the Archbishop when I was fifteen. It was my first encounter with literary prose that was not assigned by a teacher, and it changed my life for the better by giving me a better understanding of myself and the human drama. I thought at the time: This is the best book I ever read. I re-read the novel in 2017 and thought: This is the best book I ever read. There’s no sex in it, but it’s a love story between two men. Cather’s novel has guided my work as a writer for more than sixty-five years.
From one of the most highly acclaimed novelists of the twentieth century—"a truly remarkable book" (The New York Times),an epic—almost mythic—story of a single human life lived simply in the silence of the southwestern desert.
In 1851 Father Jean Marie Latour comes to serve as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows—gently, all the while contending with an unforgiving landscape,…
I’m a lifelong fan of George Eliot and other classic psychological novelists such as Tolstoy, Henry James, and Edith Wharton. I read their fiction over and over again. It deepens my understanding of the way people think and feel, how relationships and communities function, and what makes for a good life. Through these books I sort out my own muddled experiences.
For a long time, I assumed that I would find these three novellas about churchmen and parishioners in the English countryside of the late 18th and early 19th centuries sleepy and dull. They’re anything but. Eliot depicts the presence of alcoholism, spousal abuse, loneliness, and life-damaging gossip in her fictional communities. But her signature empathy and wit, already on display in this early work, make it invigorating, not a downer.
'the only true knowledge of our fellow-man is that which enables us to feel with him'
George Eliot's first published work consisted of three short novellas: 'The Sad Fortunes of the Reverend Amos Barton', 'Mr Gilfil's Love-Story', and 'Janet's Repentance'. Their depiction of the lives of ordinary men and women in a provincial Midlands town initiated a new era of nineteenth-century literary realism. The tales concern rural members of the clergy and the gossip and factions that a small town generates around them. Amos Barton only realizes how much he depends upon his wife's selfless love when she dies prematurely;…
I’m a playwright who loves not only writing plays but also teaching dramatic writing workshops – mostly through my San Francisco program and Chicago Dramatists where I’m a Resident Playwright. My plays have received many awards and honors, including three selections for the National Playwrights Conference at the Eugene O’Neill Theatre Center, and have been presented in Europe, Russia, and Australia as well as the U.S. Meanwhile my workshops and script consultations have given me the opportunity to work with thousands of writers over the past 35 years. This led me to begin writing books for writers, starting with The Dramatic Writer’s Companion, now in its Second Edition.
You don’t have to grow up Catholic to like this play, but It sure doesn’t hurt.
Set in a Catholic elementary school in the Bronx, Doubtintroduces us to Sister Aloysius, an uncompromising principal who runs her school as if it were a Marine bootcamp. This regime gets shaken when suspicions of sexual child abuse begin to arise.
What I like most about this play is how four flesh-and-blood characters – a school principal, a history teacher, a priest/gym instructor, and a student’s mother – can bring an entire school and community onstage in an incredibly vital way.
It’s why I think the play is superior to the later film adaptation and also why the play received so many awards, including a Tony for Best Play and a Pulitzer for Drama.
“A superb new drama written by John Patrick Shanley. It is an inspired study in moral uncertainty with the compellingly certain structure of an old-fashioned detective drama. Even as Doubt holds your conscious attention as an intelligently measured debate play, it sends off stealth charges that go deeper emotionally. One of the year’s ten best.”—Ben Brantley, The New York Times
“[The] #1 show of the year. How splendid it feels to be trusted with such passionate, exquisite ambiguity unlike anything we have seen from this prolific playwright so far. Blunt yet subtle, manipulative but full of empathy for all sides,…
In our fast-paced world of today one has to really trust an author to make a big commitment of time to surrender oneself as a reader to the enormity of a novel such as this of nearly six hundred pages. But it pays to persevere as one is sucked into its narrative as young Danish priest Morten Falck, with a fondness for Rousseau, sets out for Greenland in 1787 to attempt to convert the Inuit to the Danish church.
Vividly translated by Martin Aitken, Leine’s descriptions are brilliant and insightful as Falck undergoes a crisis of faith and draws us into the visceral world of Eternal Fjord. It is a great, original novel with a rich polyphony of memorable places and events and resonating characters. A work that will endure.
From the swarming streets of Copenhagen to the frozen villages of Greenland, The Prophets of Eternal Fjord is a grand, magisterial story of epic proportion. Earning rave reviews and scores of readers across the world, Kim Leine's masterpiece-sweeping across the sea in a whaler and scurrying, panicked, from the Great Fire of 1795-arrives on American shores erupting with pathos, lust, faith lost and found, and a cast of characters clinging to life amidst persecution and calamity.
Idealistic, foolhardy Morten Falck, the hapless hero, is a newly ordained priest sailing to Greenland in 1787 to convert the Inuit to the Danish…
I’m a former playwright, current novelist, future designation unclear but maybe something like really committing to being the person that always carries one of every kind of charging cable, just in case. I’m old enough to be properly jaded about our media landscape, not simply to “fit in” with “people” who are “theoretically out there somewhere” but because I’ve genuinely seenso muchand I’m just like, I mean, whatever. But sometimes a novel forges a new path across the imagination with such an unexpected angle on worldbuilding or a blatant assault on the propriety of common plot structure that I literally swoon with excitement. I’m about to tell you about some of those novels.
My new book features the classic “book within a book” trope as a key plot mechanic, but I think Moxon is going for the gold medal in the category of “books within books within books,” with multiple competing characters claiming to be authors and demonstrating unnatural control over their domains, while bemused but frequently baffled readers attempt to decipher what nested reality is foregrounded and what the hell it all means regardless.
It starts off as a spiritual quest for inner-city redemption, starring the inmates of a forgotten asylum and the local parish that tries to tend to them; then an inmate reveals a deeper story of solipsistic villainy that blows away their current problems, and then at least one if not multiple authors involved throws all the cards up in the air and reshuffles them into a multiverse-spanning road movie.
"A modern-day classic."—Ron Charles, Washington Post
“A spectacular invention.”—The New York Times
"Compulsively readable."—NPR
Things do not bode well for Father Julius. . . A street preacher decked out in denim robes and running shoes, Julius is a source of inspiration for a community that knows nothing of his scandalous origins.
But when a nearby mental hospital releases its patients to run amok in his neighborhood, his trusted if bedraggled flock turns expectantly to Julius to find out what’s going on. Amid the descending chaos,
Julius encounters a hospital escapee who babbles prophecies of doom, and the growing palpable sense…
I am a Professor of History at California State University San Marcos where I teach United States Social and Cultural History, African American History, Film History, and Digital History. In addition to The Black Cabinet, I am also the author of three other books. Two of my books have been optioned for film and I have consulted on PBS documentaries. I believe that knowing history is necessary and practical, especially in these times. At this critical point, we can draw much wisdom from the lessons of Black history and the history of the presidency of Franklin Delano Roosevelt.
In this engaging read, Patricia Bell-Scott explores the close relationship shared between Black feminist activist, lawyer, and writer Pauli Murry and First Lady Eleanor Roosevelt. This is a story of two divergent lives becoming intertwined as both women fought for self-definition and for their respective causes. One of the most brilliant minds of the twentieth century, Murray did not hesitate to criticize the Roosevelts. Nonetheless she was not only able to secure support from Eleanor Roosevelt for civil rights causes but also transform, in many instances, the First Lady’s thinking on racial affairs. This book takes us beyond FDR’s death and demonstrates the lasting impact that Black leaders, who emerged during the 1930s and 1940s, and Eleanor Roosevelt subsequently made on Black American lives specifically and the nation as a whole.
NATIONAL BOOK AWARD NOMINEE • The riveting history of how Pauli Murray—a brilliant writer-turned-activist—and First Lady Eleanor Roosevelt forged an enduring friendship that helped to alter the course of race and racism in America.
“A definitive biography of Murray, a trailblazing legal scholar and a tremendous influence on Mrs. Roosevelt.” —Essence
In 1938, the twenty-eight-year-old Pauli Murray wrote a letter to the President and First Lady, Franklin and Eleanor Roosevelt, protesting racial segregation in the South. Eleanor wrote back. So began a friendship that would last for a quarter of a century, as Pauli became a lawyer, principal strategist in…
