100 books like Scenes of Clerical Life

In this book, George Eliot’s novel of provincial life in 1830s England, nearly everyone marries the wrong person. Even the future happiness of its heroine, Dorothea, when she finally unites with her true love, Will, is questionable. And yet it stands for me, not only as one of the finest novels ever written but one of literature’s greatest romances.

Virginia Woolf famously wrote that it is a novel “for grown-up people.” I believe it is essential reading because it reflects real life where couples are mismatched, love goes unrequited, and ambitions are thwarted. It illuminates the small ways our better selves become compromised—and the larger gestures by which we are redeemed. As Eliot’s characters zigzag their way to each other, it is love that brings this redemption. How very romantic!

This is Eliot’s last novel about an ostensible British aristocrat’s journey to uncovering his real identity. Often referred to as Eliot’s “Jewish novel,” it reflects her unerring ability to empathize with the Other. It is very long but also un-put-downable, with two interwoven plots that complement each other masterfully. It’s at once a conventional 19th-century novel and an entirely original and surprising take on the genre. As a Jew with a love of nineteenth-century British novels, this one spoke to me most powerfully.

I love classic books because they still have something to tell us in our times, and the ominous presence of the river throughout the book kept my heart racing. It feels like our own dangerous climate crisis waiting to sweep us away.

All sorts of things flood in this book, along with the water, most notably Maggie’s emotions and her forbidden passions. I think this flood is based on a historical event as well. Again, this book is English. I love the Brit books. 

Felix Holt is fascinating to read right now, when our electoral system seems to be blowing up in our faces. It takes place at the time of the Reform Bill of 1832, which increased the number of men (not women, of course) eligible to vote by fifty percent. The result: pandering to the masses—shallow sloganeering, hypocrisy, bribery and other misuses of funds, political sins that still feel all too familiar. There’s even a terrifying election riot. Since this is a Victorian novel, there are also subplots about thwarted love, hidden paternity, and an inheritance.

Founder of a church called House for All Sinners and Saints in Denver, Colorado, Nadia Bolz-Weber describes her path from a Fundamentalist upbringing to agnostic comedian to Lutheran pastor. Walking with people who had long been forgotten, dismissed, or condemned by mainstream American Christianity, Bolz-Weber has brought the traditional Reformation message of God’s unconditional love to life in new ways. With stories that range from vulnerable to hilarious, this book is fun to read and full of refreshing insights about God, church, hospitality, and grace.

The delight of this book is in the characters of the two sisters, and the character development/coming-of-age arc of the hero.

We have two sisters in a little village (living in the Small House at Allington). They are very different, but both delightful - one sought by a cousin she can't care for, the other jilted by a casual gallant.

As I've written elsewhere, the plot is Austenesque and the writing not far inferior - the dialogue instantly transports one to the period, to the village, and every character is cleverly drawn. It was first published in serial form, so there are no boring bits. There's a satirical portrait of high society, too, and the men are much better-developed than is generally the case in the period. There's a HEA, but not necessarily the one expected!! Highly recommended!

A short book even by our standards, The Warden was Trollope’s first novel. He went on to write forty-seven more, as many short stories and nonfiction books as well, all while working as an important official with the Royal Mail. I love Trollope’s books because he was a master at creating life-like characters who may be filled with flaws, but are always portrayed with loving humour. While The Warden is about a controversy over how the Church of England manages a poor house, the story is carried by the complex people and relationships at the centre of the squabble. This is the first book in the Chronicle of Barsetshire series which spins out the lives of these characters across decades.

Garrow’s Pulitzer-prize winning biography is the first complete, almost minute-by-minute, account of King’s life based on extensive research in the King documents, interviews with dozens of his associates, and a deep understanding of American history in that period. Garrow picks up the story just as King comes to Montgomery, and there are other books to read about the young King before 1954, but from there forward, Garrow’s is the indispensable account, and was the first book to really delve into the FBI’s surveillance of King.

I got soooo hooked on Julie’s contemporary suspense books. In Heartbreaker, as the story opens, we learn our hero agent Nick Buchanan has just saved a young boy’s life by taking out a serial killer who held him captive. Nick then gets to take some time off for a vacation, and as he’s on the plane waiting to depart, he stops an armed man from trying to free a prisoner another lawman has on the plane. He is definitely the white knight showing up at just the right time. When he meets up with his best friend, he learns a serial killer is after his friend’s sister. I couldn’t wait to see how he was going to protect the heroine, Laurant, from the psychopath and bring him in. This is my kind of hero—courageous, up for anything, never afraid to put his life in danger to right a wrong.

Look. I could tell you it’s a modern-day gothic. I could tell you it wields its heresy to illuminate the true meaning of God. I could tell you she writes with the clarity of an imprisoned martyr watching the pyre being assembled outside her window. But, really, I just want you to know that I read Sierra Simone with a goofy smile on my face, marveling at how she makes the bonkers believable. She’s a surreal realist. There’s an energy here that’s simply unmatched. The book vibrates. And if you make it through Priest, might I suggest her New Camelot trilogy, which tackles the only thing more sacred than the Catholic church: the American presidency.