100 books like Felix Holt, The Radical

This is another of my go-to books in time of trouble.

Writing in 1871-72, Eliot goes back to the Midlands of her youth at the time of the Reform Act, 1832. So far, so dry as dust, I you say. But Eliot writes so well, creates such wonderful characters and deals with problems that still vex us today, not least the speed of change when you’d rather things stayed the same. But no one could not love the idealistic Dorothea, the frustrated Dr. Lydgate and the poet Will Ladislaw who becomes a great social reformer.

It’s one of the longest novels in the English language, but I’m always so distressed when I have finished it and have to say goodbye to the characters I’ve come to know so intimately.

This is Eliot’s last novel about an ostensible British aristocrat’s journey to uncovering his real identity. Often referred to as Eliot’s “Jewish novel,” it reflects her unerring ability to empathize with the Other. It is very long but also un-put-downable, with two interwoven plots that complement each other masterfully. It’s at once a conventional 19th-century novel and an entirely original and surprising take on the genre. As a Jew with a love of nineteenth-century British novels, this one spoke to me most powerfully.

As someone occasionally made to feel I was “too much” as a child—too emotional, too smart, too odd—I’ve always been drawn to The Mill on the Floss’s temperamental and bewildered young protagonist, Maggie Tulliver. I’m moved by her attempt, as she grows older, to navigate relationships with three men who represent three different possible paths for her: her staid older brother; a gentle, intellectual soulmate; and an erotic tempter. One minute I’m hooked by the drama, the next I’m chuckling at the comic portraits of Maggie’s many colorful relatives.

For a long time, I assumed that I would find these three novellas about churchmen and parishioners in the English countryside of the late 18th and early 19th centuries sleepy and dull. They’re anything but. Eliot depicts the presence of alcoholism, spousal abuse, loneliness, and life-damaging gossip in her fictional communities. But her signature empathy and wit, already on display in this early work, make it invigorating, not a downer.

The author’s unusual lens made this a captivating history. Murphy examines Victoria’s reign through the multiple attempts on the queen’s life. While the title isn’t entirely accurate (one would-be assassin used a walking stick rather than a gun), Murphy makes a persuasive case for the monarchy’s “rebirth.”

Defying death helped the queen survive some rough patches in her reign. Through eight attempts to kill her, the queen modeled “keep calm and carry on” in the best British tradition, and the public adored her pluck. After the final gunman failed to murder the queen, the aging Victoria said, “It is worth being shot at to see how much one is loved.”

Ah, a Victorian woman feeling restricted, what a shock. Thus, Lady Finchingfield decides to become Mademoiselle Noire, and enthralls Lord Henry. In something of a reaction to the excesses of the Regency period, the Victorian period had more rules than women could keep up with, and this way of addressing—or circumventing them—appealed to me as very creative. The disguise and gentlemen’s club add an aura of suspense so it was a super quick read for me. I love fast-paced books.

In this field-defining classic, Ritvo boldly showed the academic world that the relations between humans and other animals are worthy of historical inquiry.

The book delves into various subjects in Victorian life: hunting and the designation of nature reserves, the emergence of pet shows and their relations to class formation, meat consumption, and its national symbolism. The book’s impressive breadth of sources spans from popular newspapers’ illustrations to agricultural studbooks.

While primarily focused on nineteenth-century England, Ritvo's insights have inspired researchers, including myself, to examine similar themes in different cultures and historical periods.

I found this delightful, well-written account of great interest and reference. It covers the widespread passion for all aspects of natural history during the Victorian era, how the collectors of ferns, seashells, birds’ eggs, and skins, butterflies, beetles, orchids, and all manner of curiosities from the natural world, pursued their hobbies. This general acceptance by society led to the formation of clubs, articles, and even specialist journals and popular lectures by amateurs and scientists.

Beautifully illustrated, this book, even though constrained in its timeframe, provides a wonderful introduction to the topic. Since I cover many of the people and motives included here, I much enjoyed another writer’s perspective on them.

This delightful memoir/cookbook of a girl and her sisters growing up near Chicago in the late 1800s gives us a glimpse of what kinds of things a middle-class family ate--there were trendy foods back then, just like we have now!

What’s it like? Just imagine if you took all your favorite 19th-century children's books, mashed them all together, and edited out everything except talking about cake. Oh and maybe keep in a few things about fancy outfits and picnics.

This is often overlooked by readers of Dickens. I think the term “sketches” is important here at a point where Dickens was still experimenting with his art and particularly his characters which were always going to be his greatest strength. Sketches by Boz is a collection of fascinatingly detailed insights into London life intertwined in episodes (or scenes) as Dickens terms it through a richly caricatured study of a set of interesting lives of the working classes, in a way that only Dickens has ever been able to do. The “sketches” had, prior to this, been serialized in weekly installments (the soap operas of the day). Dickens had experienced sufficient highs and lows of social mobility in his own life to fully qualify his portrayals. "The Tuggses at Ramsgate" is perhaps for me the most memorable but the whole volume is bursting with energetic individuality and character. I have… show more.