Here are 100 books that Felix Holt, The Radical fans have personally recommended if you like
Felix Holt, The Radical.
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I was the ten-year-old child who devoured David Copperfield (and then every other Dickens book), the teenager who began a lifelong love of Russian literature after discovering Dostoevsky’s Crime and Punishment. To this day, my greatest reading pleasure is to lose (and find) myself in the rich, expansive world of a nineteenth-century novel. In my contemporary rom-com, Blame It on the Brontës, my heroine is torn between her literary ideal of love and the reality of losing the love of her life. To paraphrase Keats, she tries to reconcile “the truth of imagination” with “the holiness of the heart’s affections.” As a romance writer, it is my quest, too.
In this book, George Eliot’s novel of provincial life in 1830s England, nearly everyone marries the wrong person. Even the future happiness of its heroine, Dorothea, when she finally unites with her true love, Will, is questionable. And yet it stands for me, not only as one of the finest novels ever written but one of literature’s greatest romances.
Virginia Woolf famously wrote that it is a novel “for grown-up people.” I believe it is essential reading because it reflects real life where couples are mismatched, love goes unrequited, and ambitions are thwarted. It illuminates the small ways our better selves become compromised—and the larger gestures by which we are redeemed. As Eliot’s characters zigzag their way to each other, it is love that brings this redemption. How very romantic!
One of the BBC's '100 Novels That Shaped Our World'
'One of the few English novels written for grown-up people' Virginia Woolf
George Eliot's nuanced and moving novel is a masterly evocation of connected lives, changing fortunes and human frailties in a provincial community. Peopling its landscape are Dorothea Brooke, a young idealist whose search for intellectual fulfilment leads her into a disastrous marriage to the pedantic scholar Casaubon; Dr Lydgate, whose pioneering medical methods, combined with an imprudent marriage to the spendthrift beauty Rosamond, threaten to undermine his career; and the religious hypocrite Bulstrode, hiding scandalous crimes from his…
I am a literary critic and novelist, now serving as a Dean at Drexel University. I’ve written several modernized spin-offs of Jane Austen’s novels and several, including a YA novel, dealing with Shakespeare. What Alice Knew is my only thriller/mystery—and it was a painstaking labor of love to write. (I also wrote a nonfiction book on Hitchcock.) I am a great fan of Rex Stout’s Nero Wolfe novels, and the idea for What Alice Knew grew out of my wanting to put the bedridden Alice James (a life-long invalid) in the position of Wolfe, with her brothers Henry and William serving as two versions of the legman, Archie Goodwin.
This is Eliot’s last novel about an ostensible British aristocrat’s journey to uncovering his real identity. Often referred to as Eliot’s “Jewish novel,” it reflects her unerring ability to empathize with the Other. It is very long but also un-put-downable, with two interwoven plots that complement each other masterfully. It’s at once a conventional 19th-century novel and an entirely original and surprising take on the genre. As a Jew with a love of nineteenth-century British novels, this one spoke to me most powerfully.
As Daniel Deronda opens, Gwendolen Harleth is poised at the roulette-table, prepared to throw away her family fortune. She is observed by Daniel Deronda, a young man groomed in the finest tradition of the English upper-classes. And while Gwendolen loses everything and becomes trapped in an oppressive marriage, Deronda's fortunes take a different turn. After a dramatic encounter with the young Jewish woman Mirah, he becomes involved in a search for her lost family and finds himself drawn into ever-deeper sympathies with Jewish aspirations and identity. 'I meant everything in the book to be related to everything else', wrote George…
I live by the Atlantic Ocean, so the thoughts of floods are never far away, especially as the seas are warming through human-caused climate change. I wrote about storms and floods in my novel Float and, more recently, in my new novel listed below. I did a lot of research on flooding for both, and I am constantly amazed by the power of the natural world, particularly one out of balance as it is now. My passion and purpose is to bring the dangers of this imbalance to my readers. Even if you have never been in a flood before, fiction allows you to know what it feels like.
I love classic books because they still have something to tell us in our times, and the ominous presence of the river throughout the book kept my heart racing. It feels like our own dangerous climate crisis waiting to sweep us away.
All sorts of things flood in this book, along with the water, most notably Maggie’s emotions and her forbidden passions. I think this flood is based on a historical event as well. Again, this book is English. I love the Brit books.
With precise plotting underpinned by a wise understanding of human nature, George Eliot's most autobiographical novel gives a wonderful evocation of rural life and the complicated relationship between siblings.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition of The Mill on the Floss features an introduction by Professor Kathryn Hughes.
Maggie Tulliver and her brother Tom enjoy a rural childhood on the banks of the river Floss. But the approach of adulthood…
I’m a lifelong fan of George Eliot and other classic psychological novelists such as Tolstoy, Henry James, and Edith Wharton. I read their fiction over and over again. It deepens my understanding of the way people think and feel, how relationships and communities function, and what makes for a good life. Through these books I sort out my own muddled experiences.
For a long time, I assumed that I would find these three novellas about churchmen and parishioners in the English countryside of the late 18th and early 19th centuries sleepy and dull. They’re anything but. Eliot depicts the presence of alcoholism, spousal abuse, loneliness, and life-damaging gossip in her fictional communities. But her signature empathy and wit, already on display in this early work, make it invigorating, not a downer.
'the only true knowledge of our fellow-man is that which enables us to feel with him'
George Eliot's first published work consisted of three short novellas: 'The Sad Fortunes of the Reverend Amos Barton', 'Mr Gilfil's Love-Story', and 'Janet's Repentance'. Their depiction of the lives of ordinary men and women in a provincial Midlands town initiated a new era of nineteenth-century literary realism. The tales concern rural members of the clergy and the gossip and factions that a small town generates around them. Amos Barton only realizes how much he depends upon his wife's selfless love when she dies prematurely;…
I grew up in a reading and history-loving family. My parents read all the time, and their books of choice combined historical fiction and nonfiction. It’s no wonder I ended up teaching high school history for over three decades. The first books I read were my older brother’s hand-me-down Hardy Boys. Then, I went on to Agatha Christie. Books written in the 1920s and 30s were historical mysteries by the time I read them decades later, so the historical mystery genre is a natural fit. As for the Victorian age, all that gaslight and fog makes it the perfect milieu for murder.
The author’s unusual lens made this a captivating history. Murphy examines Victoria’s reign through the multiple attempts on the queen’s life. While the title isn’t entirely accurate (one would-be assassin used a walking stick rather than a gun), Murphy makes a persuasive case for the monarchy’s “rebirth.”
Defying death helped the queen survive some rough patches in her reign. Through eight attempts to kill her, the queen modeled “keep calm and carry on” in the best British tradition, and the public adored her pluck. After the final gunman failed to murder the queen, the aging Victoria said, “It is worth being shot at to see how much one is loved.”
'It is worth being shot at to see how much one is loved.' - Queen Victoria.
Queen Victoria was attacked an astonishing eight times during her sixty-three year reign.
Victoria's would-be assassins succeeded in changing the course of British history; whose penal system, legal system and policing would never be the same again. Taking the queen's mad, marginalized attackers as his starting point for an investigation of the entire era, Paul Thomas Murphy weaves elegantly through all layers of nineteenth century society and culture. A rollicking, riveting history, Shooting Victoria is the most multi-faceted story of Victorian Britain to date.
I’ve been a part of the LGBTQ+ community my whole life and have always been passionate about advocating for the people who identify as such. Furthermore, I have always had a fascination with emotional stories and the combination of a lack of many LGBTQ+ books with an abundance of romance and emotional thrillers out there makes it a ripe topic for stories. As a lesbian myself, it is very hard to write stories that don’t have those kinds of couples, so I tend to stick to that genre and I’m absolutely addicted to lesbian books.
While reading this book, I was impressed by the skillful ability of the author to make me sympathize with the characters and begin rooting for them.
Their masterful execution of character development and the way I wanted to jump into the story to help make it one of the most amazing I have ever read and I would highly recommend it to those who are struggling to find a way to overcome sadness.
"Schulze's depiction of the Victorian era is atmospheric and intense in conveying the persecution gay people faced." - Kirkus Review
England, 1881. Being gay is both a sin and a crime. Parents disowning their children is considered honourable. Consensual sex risks life in prison. Sodomy scandals ruin careers and reputations. Homosexuals have to choose between safety and happiness.
After an unspeakable incident gets him exiled from his idyllic Irish hometown, twenty-four-year-old Jack Branson rebuilds his life in fog-and-mould London as a house call prostitute for closeted members of the British aristocracy. His dangerous, lucrative profession makes him dependent on the…
I’m fascinated by the Victorians – and I’ve spent most of my career trying to understand them – because they’re so like us and so unlike us in many ways. They’re familiar and unfamiliar at the same time. I’m a historian of science, and I’m passionate about trying to understand why we think about the world – and about science – the way we do. I think it started with the Victorians, so understanding them really matters and getting it right rather than repeating the same old stories. I hope these books will help you put the Victorians in their place the way they helped me.
I think this is just such a fantastic book. It blows away the whole idea that the Victorians were prudes, embarrassed about anything to do with sex. If you really don’t want to know what your great great grandparents got up to in the bedroom, then stay away from this book.
I really like the way Fern Riddell tells her story, too. Each chapter has a different fictional character to take you though the story. I think its really original – and you’ll never think about the Victorians the same way again.
An exciting factual romp through sexual desire, practises and deviance in the Victorian era. The Victorian Guide to Sex will reveal advice and ideas on sexuality from the Victorian period. Drawing on both satirical and real life events from the period, it explores every facet of sexuality that the Victorians encountered. Reproducing original advertisements and letters, with extracts taken from memoirs, legal cases, newspaper advice columns, and collections held in the Museum of London and the British Museum, this book lifts the veil from historical sexual attitudes.
Short stories suit the speed of modern society. I began writing them as a child and began to get them published in magazines. My first collection of stories in 2009 got quite a lot of press in the UK and two more collections followed. Initially, they were darkly-themed backfiring scenarios for the anti-hero and I redressed the balance in Out on Top. We all deserve some good Karma!
This is often overlooked by readers of Dickens. I think the term “sketches” is important here at a point where Dickens was still experimenting with his art and particularly his characters which were always going to be his greatest strength. Sketches by Boz is a collection of fascinatingly detailed insights into London life intertwined in episodes (or scenes) as Dickens terms it through a richly caricatured study of a set of interesting lives of the working classes, in a way that only Dickens has ever been able to do. The “sketches” had, prior to this, been serialized in weekly installments (the soap operas of the day). Dickens had experienced sufficient highs and lows of social mobility in his own life to fully qualify his portrayals. "The Tuggses at Ramsgate" is perhaps for me the most memorable but the whole volume is bursting with energetic individuality and character. I have…
Charles Dickens (1812-1870) was an English short story writer, dramatist, essayist, and the most popular novelist to come from the Victorian era. He created some of the most iconic characters and stories in English literature, including Mr. Pickwick from "The Pickwick Papers", Ebenezer Scrooge from "A Christmas Carol", David Copperfield, and Pip from "Great Expectations", to name a few. Dickens' began by writing serials for magazines, and from 1833-1836 he used the pseudonym Boz, taken from a childhood nickname for his younger brother. "Sketches by Boz" contains 56 stories and, like most of Dickens' work, vividly portrayed the lives of…
In the summer of 1999, the second book in JK Rowling’s Harry Potter series (The Chamber of Secrets) was published. It seemed that everyone was reading it–kids, young adults and grownups. More than that though, kids were getting excited about reading, maybe for the first time. Parents were reading it with their kids. The excitement they shared was inspiring. I thought Rowling had achieved something remarkable–something worthwhile–for a writer of fiction. It compelled me to change the story I was working on–a rather violent, edgy tale–into a book for young adults.
I love a book that makes me laugh. But if I immediately feel guilty or disturbed for laughing, if the story makes me re-examine my values page after page, that is a home run.
This – the first of the Dancers at the End of Time series of books and short stories – had me pondering the boundaries of scientific reality as well as right versus wrong while also being galactically entertained.
The (objectively awful) main characters are time- and space-hopping immortals. Virtually all-powerful, they can change their own appearance and environment at will. When one of them decides to experiment with the concept of Love…everything, and nothing, starts to change.
A vicious, delicious satire of unchecked indulgence that tests the bounds of good taste.
I’m a professor of modern Britain with a specialty in nineteenth-century social history. I’m drawn to sources and topics that tell us about how everyday people lived and thought about their lives. One favorite part of my job is the challenge of discovering more about those groups, like working-class women or children, who weren’t the main focus of earlier histories. Since 2000, I’ve taught classes at Vassar College in Poughkeepsie, New York, on Victorian Britain, the British Empire, the First World War, and the history of childhood.
This is one of the first books that I remember buying for myself in graduate school. Cullwick’s descriptions of her relationship with upper-class Arthur Munby (whom she eventually married) and the photographs of her dressed as a maid-of-all-work, a lady, a “slave,” an agricultural worker, and a valet highlight Victorian power negotiations and performativity.
Cullwick started working as a servant at the age of eight. From her diaries, I learned much about the daily lives of domestic servants: their relationships with employers, the different levels of service and employment networks, and the sheer amount of hard, physical labor that it took to run a Victorian household.
"Hannah Cullwick (1833-1909) worked all her life as a maidservant, scullion, and pot-girl. In 1854 she met Arthur Munby, 'man of two worlds,' upper-class author and poet, with a lifelong obsession for lower-class women. And so began their strange and secret romance of eighteen years and marriage of thiry-six, lived largely apart. Hannah's diaries, written on Munby's suggestion, offer an obsorbing account of life 'below stairs' in Victorian England. But they reveal, too, a woman of extraordinary independence of will, whose chosen life of drudgery gave her the freedom not to 'play the Lady,' as Munby demanded. Rescued from obscurity.…
