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Incarceration is a gigantic problem in the US, especially because of its connection to racial injustice. I have no firsthand experience with prison or the system, and yet it looms large in my imagination and my deepest fears. That should not be the case merely because I’m a Black gay American, but here we are. I feel that with the help of my mother and others, I have managed to sidestep a lot of the potential pitfalls of people’s misguided perception of my identity, but I have an active, paranoid imagination and profound survivor guilt, so I gravitate toward stories about people at who are odds with our society in ways that reflect that precarious status which allows me to explore a wide range of human experiences.
Tayari is one of the best writers in America—no qualifiers!—and she also has the advantage of a razor-sharp, accessible style.
This heartbreaking book about a couple torn apart and remade by the husband’s incarceration is gripping and sharply observed, and the characters, Celestial and Roy, are unforgettable. But don’t take my word for it—ask Oprah!
Incarceration is a gigantic problem in the US, especially because of its connection to racial injustice. I have no firsthand experience with prison or the system, and yet it looms large in my imagination and my deepest fears. That should not be the case merely because I’m a Black gay American, but here we are. I feel that with the help of my mother and others, I have managed to sidestep a lot of the potential pitfalls of people’s misguided perception of my identity, but I have an active, paranoid imagination and profound survivor guilt, so I gravitate toward stories about people at who are odds with our society in ways that reflect that precarious status which allows me to explore a wide range of human experiences.
Genet’s prose really kicks a lot of others to the curb, even
in translation, and the curb is where he is most comfortable. To paraphrase Wilde, he was definitely in the gutter but looking at the stars.
His
visionary, unabashed grit, queer defiance, and uncanny lyrical ability really
should make him required reading for everyone. But if you’re a defiant freak,
you get mixed up in the prison system, and you need a North Star, you can’t do
much better than Genet, a beautiful, wild thinker about all things related to
the place of punishment and jails in society.
He truly lived the life he
described, which people love nowadays. The Thief’s Journal is shockingly
countercultural and exhilarating even now.
Jean Genet, French playwright, novelist and poet, turned the experiences in his life amongst pimps, whores, thugs and other fellow social outcasts into a poetic literature, with an honesty and explicitness unprecedented at the time. Widely considered an outstanding and unique figure in French literature, Genet wrote five novels between 1942 and 1947, now being republished by Faber & Faber in beautiful new paperback editions.
The Thief's Journal is perhaps Jean Genet's most authentically autobiographical novel; an account of his impoverished travels across 1930s Europe. The narrator is guilty of vagrancy, petty theft and prostitution, but his writing transforms such…
Incarceration is a gigantic problem in the US, especially because of its connection to racial injustice. I have no firsthand experience with prison or the system, and yet it looms large in my imagination and my deepest fears. That should not be the case merely because I’m a Black gay American, but here we are. I feel that with the help of my mother and others, I have managed to sidestep a lot of the potential pitfalls of people’s misguided perception of my identity, but I have an active, paranoid imagination and profound survivor guilt, so I gravitate toward stories about people at who are odds with our society in ways that reflect that precarious status which allows me to explore a wide range of human experiences.
This book is one of the most compassionate, no-nonsense,
and highly informative books about the system out there.
It’s intended as a
helpful guide for people who are about to leave prison, but if you’re on the
outside and curious about the largely hidden, unconsidered, and technical
aspects of incarceration in the USA, this book, like its earlier companion, Behind
Bars, will blow your mind and maybe save your life, especially if you’re
involved in the system.
Incarceration is a gigantic problem in the US, especially because of its connection to racial injustice. I have no firsthand experience with prison or the system, and yet it looms large in my imagination and my deepest fears. That should not be the case merely because I’m a Black gay American, but here we are. I feel that with the help of my mother and others, I have managed to sidestep a lot of the potential pitfalls of people’s misguided perception of my identity, but I have an active, paranoid imagination and profound survivor guilt, so I gravitate toward stories about people at who are odds with our society in ways that reflect that precarious status which allows me to explore a wide range of human experiences.
This book has a provenance that’s almost like a prison
sentence: released in 1953 under the title Cast the First Stone, it
would have been Himes’ first novel, but its frankness about homosexual
relationships in prison and the fact that a Black writer had written white
main characters, made publishers shit their pants and doctor the life out of it
to make it conform to 50s market expectations. Of course, in the process, they
ruined it.
But in 1998, Old School Books released Himes’ "director’s cut,” a much different, more beautiful, raw, and thoughtful book that’s as much about prison life as it is about the prison of masculinity. Paradoxically, prison
seems to be a place where people indulge homosexual desires, though the
atmosphere somehow remains homophobic.
Reading this book could foster more
compassion for queer desires, whether those of prisoners who identify as
LGBTQIA+, or those who claim…
A classic restored-the complete and unexpurgated text of a great African-American writer's brutal and lyrical novel of prison life. First published in reduced and bowdlerized form in 1952 as Cast the First Stone, Yesterday Will Make You Cry was Chester Himes's first, most powerful, and autobiographical novel. This Old School Books edition presents it for the first time precisely as Himes wrote it, a sardonic masterpiece of debasement and transfiguration in an American penitentiary and one of his most enduring literary achievements.
When people ask what kind of books I like to read, I can’t answer with a genre. As a kid, I’d come home from the library with mysteries, Westerns, fantasies, non-fiction books, and comic books in the same stack. I’ve always liked books that introduce me to fun characters, take these characters on fantastical adventures, make me laugh at least a little, and leave me with a sense of hope and triumph. They can be anything from cheesy romcoms to dark thrillers to complicated biographies. This is reflected in my fantasy series, Thalia’s Musings, which has been praised for its realistic treatment of abuse and also compared to Friends.
You would think a book in which a woman accidentally kills the man who tried to date-rape her and enlists her mother to help hide the body would be a gritty, intense thriller or a thought-provoking work of literary fiction full of social commentary. Sutanto turns this premise into a comedy about intergenerational female bonding, and it freakin’ works. Meddlin Chan’s manslaughter and cover-up take place against the bubbly backdrop of a Chinese-Indonesian resort wedding and a reconnection with her first love. What even is this book’s genre? Crime? Romance? Chick lit? Whatever it is, I laughed out loud through the whole thing.
"Sutanto brilliantly infuses comedy and culture into the unpredictable rom-com/murder mystery mashup as Meddy navigates familial duty, possible arrest and a groomzilla. I laughed out loud and you will too.”—USA Today (four-star review)
“A hilarious, heartfelt romp of a novel about—what else?—accidental murder and the bond of family. This book had me laughing aloud within its first five pages… Utterly clever, deeply funny, and altogether charming, this book is sure to be one of the best of the year!”—Emily Henry, New York Times bestselling author of Beach Read
And Then the Sky Exploded came about after I traveled to Japan when my novel, Numbers, was awarded the Sakura Medal, a readers’ choice award voted on by the students in English speaking high school students in Japan. During my time touring and giving author presentations to schools in that wonderful country, I became interested in Japanese culture and history and eventually decided to write a novel exploring one of the most devastating moments of the 20th century—the exploding of the atomic bomb over Hiroshima during World War ll.
I Killed Zoe Spanosis absolutely contemporary, even using a true-crime podcast as a (successful) device in the telling of the story. I’m a sucker for false confession stories and in the story of Zoe, the victim who disappears on New Year’s Eve and whose body is found the following August; and Anna, who bears a strong resemblance to Zoe, and confesses to the murder, you have the makings of a potential can’t-put-it-down thriller. And author, Kit Frick, doesn’t miss the mark. A creepy cast of characters, wonderfully spooky settings, plenty of twists and turns—all brought to life by a gifted storyteller—make this one of my great favourites.
A People Best Book of Summer 2020 A Parade Best Book of Summer 2020 "The YA thriller of the summer." -Bustle
For fans of Sadie and Serial, this gripping thriller follows two teens whose lives become inextricably linked when one confesses to murder and the other becomes determined to uncover the real truth no matter the cost.
What happened to Zoe won't stay buried...
When Anna Cicconi arrives to the small Hamptons village of Herron Mills for a summer nanny gig, she has high hopes for a fresh start. What she finds instead is a community on edge after the…
As an emigrant myself (I left Ireland in the late 1980s), I’ve always been interested in understanding the process of moving from one place to another; of existing in that liminal space between “being here” and “being there.” I spent several years researching the letters and diaries of nineteenth-century Irish migrants for my book, The Coffin Ship, but found the answers led to new questions on how other peoples, in other places, have managed being somewhere between “here” and “there.” These are some of the books that have helped me along that long, emotional journey.
Because the nineteenth-century sailing ship was such a male-dominated space, women were largely invisible in traditional histories of life at sea. Although Edith Ziegler’s book does not simply focus on the voyage itself (it includes analysis of female convicts’ lives before and after the journey as well), it does show how women combatted the “sexual opportunism and exploitation” that was endemic on convict transports. What’s great about this book is that even though many of its subjects were illiterate (and thus left precious few letters and diaries behind), Ziegler manages to unearth the women’s voices in authentic and moving ways.
In Harlots, Hussies, and Poor Unfortunate Women, Edith M. Ziegler recounts the history of British convict women involuntarily transported to Maryland in the eighteenth century.
Great Britain's forced transportation of convicts to colonial Australia is well known. Less widely known is Britain's earlier programme of sending convicts - including women - to North America. Many of these women were assigned as servants in Maryland. Titled using Basing much of her powerful narrative on the experiences of actual women, Ziegler restores individual faces to women stripped of their basic freedoms. She begins by vividly invoking the social conditions of eighteenth-century Britain,…
I love book club.If I could make it a requirement for everyone in the universe to give it a try, I would. I was an English major in college, so that feeling of ending an amazing story and needing someone to discuss it with never fully went away. All book club books should be thought-provoking, but the best add that intricate and wholehearted understanding, I think, that only literature can. Why do the characters you least understood or felt a kinship with suddenly have your heart, what do they want, need, feel, think? I hope these novels help you better understand. The who and what are beside the point.
This book has everything a book club could ask for. Characters that you love, even when maybe you shouldn’t. Relationships that seem both familiar and endlessly fascinating. An epic dilemma that resonates and flourishes until the very end.It’ll definitely have you wondering,what would I do? At the end of the day, that question is all you really need for a lively book club discussion.
Brooklyn, 1947: in the midst of a blizzard, in a two-family brownstone, two babies are born minutes apart to two women. They are sisters by marriage with an impenetrable bond forged before and during that dramatic night; but as the years progress, small cracks start to appear and their once deep friendship begins to unravel. No one knows why, and no one can stop it. One misguided choice; one moment of tragedy. Heartbreak wars with happiness and almost but not quite wins.
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
Some first person voices are just so naturally nostalgic, like you’re sitting around a campfire listening to someone telling you a story.
“The year my mother started hearing voices from her dead brother Clyde,” or “But Gigi was the first to fly.” So many moments to hold onto in this novel, each an introduction to another tale, or a memory you can’t wait to listen to and run off down the street to share it for yourself.
The voice of August is so real and clear and poetic that one forgets there’s even a writer behind it. This close first-person voice lets us in, welcomes us into the secrets of the street. “Everywhere we looked we saw the people trying to dream themselves out.” And dream I did, along every glorious page, only I never wanted out.
THE NEW YORK TIMES BESTSELLER FROM A NATIONAL BOOK AWARD WINNING AUTHOR
A TIME MAGAZINE TOP 10 NOVEL OF 2016 | SHORTLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2016
FROM THE WINNER OF THE ASTRID LINDGREN MEMORIAL AWARD 2018
They used to be inseparable. They used to be young, brave and brilliant - amazingly beautiful and terrifyingly alone. August, Sylvia, Angela and Gigi shared everything: songs, secrets, fears and dreams. But 1970s Brooklyn was also a dangerous place, where grown men reached for innocent girls, where mothers disappeared and futures vanished at the turn of a street corner.
I am a musician and writer who has always loved mysteries. Main character-sleuths who are likable and sometimes get in over their heads are my favorites, both as a reader and a writer, especially if they contribute something positive to their world in addition to solving the crime. If their careers or hobbies – anything from the arts to small customer-service businesses – offer joy to themselves and to others, so much the better. Since I grew up in the New York area, I like books that are set there, but am open to a good story set anywhere in the world.
Lyndsay has strong ties with her family and, in the opening book of this series, I loved how all three generations, including her feisty grandmother, pitch in to help Lyndsay realize her dream of opening a Caribbean bakery and café in her local Brooklyn neighborhood.
And when a rival business owner is murdered, Lyndsay needs all the support she can get as the spotlight shines on her as a potential suspect. Despite any danger involved, she begins her own investigation. Things become further complicated when one of the detectives on the case turns out to be her high-school crush from the past.
With lots of determination, a warm heart, and an appreciation for what is important in life, I cheered her on right through the last page.
Little Caribbean, Brooklyn, New York: Lyndsay Murray is opening Spice Isle Bakery with her family, and it's everything she's ever wanted. The West Indian bakery is her way to give back to the community she loves, stay connected to her Grenadian roots, and work side-by-side with her family. The only thing getting a rise out of Lyndsay is Claudio Fabrizi, a disgruntled fellow bakery owner who does not want any competition. On opening day, he comes into the bakery threatening to shut them down. Fed up, Lyndsay takes him to task in front of what seems to be the whole…
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