100 books like Winter World

H.G. Wells delivers an astonishing tale of space invaders from Mars, with breathtaking scenes of monstrously huge three-legged walking machines terrorizing the populace of London and its surrounds. For sheer imagery, few science fiction stories before or since have come close to its gripping, real-world feel.

The story is told by an unnamed protagonist who goes on an odyssey in ravaged London as towering alien war machines chase, kill, or capture fleeing citizens in chaotic scenes of panic and fear. That fear sent chills along my spine on rereading this classic recently.

Notable were touching humanistic scenes with Dr. Ogilvy, an astronomer who leads an ill-fated attempt at truce-making, and a defeated soldier whose counterattack with artillery failed horribly.

You and I may already have one foot in this near-future world with its chilling look inside the warehouse of a retail giant: Amaz… uh, Cloud. The company is named Cloud. Can powerful bosses possibly be benign overlords? Is a miserable existence good enough in a wretched world? Hmm, maybe not.

I loved the characters – a reluctant hero and a cold-blooded spy who join forces as an unlikely couple searching for the truth behind a colossal global company. I never guessed the ending, and that's always a plus.

What if humanity rocketed to the moon in the 19th Century? Then surely Mark Twain, aka Sam Clemens, would have gone to seek his fortune. I've never found a more compelling image of travel over and under the moon's surface. These adventures let me discover technology that fits the place and the time. One of my favorites is steam power – not as anachronistic as you might guess. I'm excited by real-life discoveries of water ice in lunar craters, possible fuel for future astronauts.

Twain's style is captured wonderfully, something I hadn't expected. He must keep from blowing himself to kingdom come as science and human nature mix in a delightful stew of troubles. I'm happy to see Twain may solve some of NASA's upcoming problems too.

Lots of stories are set on Mars, and each author makes the planet their own. I enjoyed how this story picks up steam as malfunctions and irritable colleagues balloon into deadly danger. I can see myself in this near-future crew, and I relate to the characters because they make mistakes as they prepare for the main colony's arrival. I was totally engaged.

This book is relevant today. Our country is going through the turmoil of distress caused by the breakdown of civil order and the looming scarcity of basic necessities like energy, food, and water. The scenario here is about the intersection of several groups of people and how well they prepared for surviving the first several days of a catastrophic event. There is good survival preparation information embedded in the text that can be augmented by the many real survivalist organizations. In crafting the story, the author does the same thing I do…layering useful, real-world information into the fictional narrative. Another real-world question is considered here. If there were no police, National Guard, FEMA, or aid groups, what would you be able to do for you and your family? The message in this book leaves us hopeful. 

I write in the speculative fiction genre where an overwhelming event, seemingly beyond the control of the main characters, underpins what happens to those characters. This particular drama uses such an event which literally paints a canvas for a murder mystery. The typical resources available to law enforcement are stripped away leaving people to depend upon themselves. All the human emotions and prejudices are on display. You might find yourself rooting for one character before moving on to another as the plot twists. A bit distracting was that much of the dialogue and description about what someone was feeling was clichéd. The cataclysmic event itself was almost a sidebar in this volume, the first of the series, to the point where the murder mystery could stand on its own. That said, this story is a thought-provoker on a societal and individual level.

In my novels, the quiet depth of character development runs parallel to the action. This is the only way to make fighting for one's life mean anything. Shootings, explosions, high body counts, or a countdown to chaos may hold momentary interest but will not create any lasting memory or take-away useful in real life.  This story spends quite a lot of time on backstory and the emotional well from which the main characters spring. Some might desire a quicker path through this. Some might not. And quite a few false paths are developed as you’d expect in a who-done-it type novel. The story reaches a driving and satisfying conclusion but some might leave wondering about the author’s opinion of law enforcement as is spoken through her protagonist.

I like to write stories where the protagonist is thrown into situations where they don’t know the extent of what they don’t know. This requires the character to be creative, courageous, and if they can, fearless or at least grow into this state of being. This is the exact case in Executive. The arc of the lead character grows from timid to confident over some twists and turns as malicious corporate personalities exert their influence over her. She slowly begins to realize her own power. The blend of real-world high-tech military hardware development provides a steady and interesting backdrop for the increasingly hostile life and death office politics. The story resolves as you’d expect so there is not a great moment of surprise revelation, but it is satisfying.

If you’ve ever wondered what life was like for the people living in the Americas after the last ice age, then read this book. Through the eyes of Young Hunter, we explore what we now call New England thousands of years before the first Europeans crossed the Atlantic. And through Young Hunter, we learn to use weapons, how to survive in the wild, Native American folktales and names, and we learn why Young Hunter’s people fear beings called the Ancient Ones. All of these worldbuilding layers are revealed as Young Hunter embarks on a dangerous journey tracking the creatures that attacked his people, with each layer drawing you in until you are as fearful of the Ancient Ones as Young Hunter and just as determined to face them.

I am awed by the ambition of this book, which really does cover everything suggested by the title. 

The author is a Professor of Archaeology at Oxford and as his bio says he also worked as a curator at the Pitt Rivers Museum there, so his expertise is clear. 

He writes with a very broad sweep, and his arguments that key elements of magic can be traced across wide spans of time and space might be controversial – but this book is a huge and fascinating treasure trove of information. 

For anyone who wants to know about the history of magic I think this is a great place to start.