Fans pick 100 books like Wildwood Dancing

Clarke transports the reader to England during the time of the Napoleonic Wars. There is, however, one small twist: magic once existed in this world and has now returned through two men, drastically changing the course of history and society.

The story is rich in gothic atmosphere and wry humour, and is positively bursting with ideas (there are almost 200 footnotes!). Clarke imbues her protagonists with conflicting approaches to the pursuit of knowledge, with Norrell representing cautious rationality and conservative methodology, while Strange embodies an adventurous spirit and a willingness to embrace the arcane and often the dangerous.

I loved this YA because it contains many of my favorite things: an evocative island setting, strong characters, high stakes, some romance, and animals.

The Celtic-inspired island of Thisby felt so incredibly real to me, as did the dangerous water horses the men raced every fall. I loved how brave the female protagonist, Puck, is to want to enter this race with her ordinary pony, Dove. Sean, an island boy, has his own sympathetic reasons for entering the race.

I’m always drawn to books with impossible problems. Neither Puck nor Sean can afford to lose, even as a romance develops between them. I also really like a YA book that touches on sibling relationships. This book stayed with me for a long time.

We know from the beginning of this book that Gen is a liar. We see him lying, pretty much constantly, to everyone he meets. And yet the twist ending of this book, when all lies drop away, and all truths are revealed, is so surprising and satisfying, I can hardly stand it.

The squee, the squee! That twist reframes the entire plot of the book, and I had to immediately flip right back to the first page and read it again. Avoid spoilers; grab this book and let it take you for a ride.

This book is still one of the best enemies-to-lovers books I've read. Cardan may not be a literal monster, but he has a monstrous soul. I don’t usually like books where the male love interest is an a-hole, but I love when we get to see behind Cardan’s cruel exterior to the vulnerability and suffering beneath. And when Jude ties him to a chair? *Chef’s kiss.

I found the whole series to be brilliant and well worth a read. I loved the beautiful imagery the author creates.

This book will always stick with me because of the amazing thought put behind one of the main character’s plotting. Kaz easily has one of the best minds in any book I’ve ever read. Along with Kaz, though, there are multiple other POVs which are equally as important to the story.

It had more POVs than any book I had read previously, but the way Bardugo wrote them had me wanting more of them all and unable to pick a favorite. Each character has a unique voice and story that perfectly complements the overarching plot.

Even when I wasn’t sure how something would fit into the main thread of the story, it wove back in at the right moment and made perfect sense.

The late Sir Pratchett was a hero of mine. The Discworld universe is one of the most well-put-together, zany, yet relatable places. The amount of depth that he was able to achieve with a setting that others might consider a joke is astounding.

In order for a universe to connect with me, it has to have characters that I love dearly. Granny Aching and her granddaughter Tiffany are among the few literary characters that have ever brought me to tears on multiple occasions. I used to read this book to my students, and there is one scene in particular towards the end that causes me to choke up every time I read it.

It’s simple and powerful, and it speaks to me on a personal level. I lost my mom back in 2008, and the scene to which I am referring here hits on that sense of loss so well… show more.

I picked this up as an adult thinking it was straight historical fiction. After all, we meet the imprisoned Princess Elizabeth of England in the first chapter. However, when the main character is relocated to a remote castle and discovers the underground world of the fairy folk, the story takes a delightful turn into the realm of myth and legend. It pays homage to the Scottish myth of Tam Lin, the ballad of Thomas the Rhymer, and several Arthurian legends, while remaining firmly grounded in Elizabethan England. The added twist of the fairy realm was so deftly accomplished that I finished the book thinking that perhaps, if I lived in Elizabethan England, I too might have stumbled upon the land of the Fairy Folk. 

Be careful what you say out loud. You never know who might hear you.

In this story, you have a cruel and harsh Staryk lord with only care for his silver to be turned to gold. He’s cold and indifferent to the one he appoints to this seemingly impossible task, yet you find yourself clinging to hope he will change.

There are multiple POV, so if this is your thing, trust me you’ll love how many are in here. It’s like getting multiple thrilling stories in one book. Redeemable monsters is how I would label this book in two words if I had to.

This amazing Australian YA weaves such a delicate web. A quiet, introverted dystopia, and at its heart is the wonderful Hayley. Hayley is such an interesting female protagonist here not because she is deadly or combative, but because of her incredible perseverance and curiosity. Hive is the first in a truly compelling duology. 

Mary Stewart’s Merlin Trilogy (and the companion novel, The Wicked Day) creates an immersive world and is so enjoyable to read. The characters are alive and the words flow across the page like gentle pixie dust lulling you into a world of enchantment. There is no magical system per se but the magic is present in glimpses like sunlight off the surface of a broken mirror, only allowing us to perceive hints of its reflections. Even for those well-versed in Arthurian legends, the unique perspective of Merlin takes us on a new adventure. I loved the elements of philosophy in the story as well, both moral philosophy and metaphysics that relates to our understanding of the world and the natural and magical forces that shape it.