Here are 100 books that Hive fans have personally recommended if you like
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I love to read (and write) books about badass heroines who do the saving. They’re not passive. They’re not dragged along by the alpha a-hole, swooning over his muscles and domineering personality. They take charge. They wield the sword, or the gun, or their fists and rescue the dude in distress, who may act the monster but is really just a secret cinnamon roll who wants to be loved. These heroines are the real role models, the women I want to be like. Their stories are the ones I get lost in and remember long after I’ve put the book down.
This book is still one of the best enemies-to-lovers books I've read. Cardan may not be a literal monster, but he has a monstrous soul. I don’t usually like books where the male love interest is an a-hole, but I love when we get to see behind Cardan’s cruel exterior to the vulnerability and suffering beneath. And when Jude ties him to a chair? *Chef’s kiss.
I found the whole series to be brilliant and well worth a read. I loved the beautiful imagery the author creates.
"Lush, dangerous, a dark jewel of a book . . . intoxicating" - Leigh Bardugo, #1 New York Times bestselling author of Six of Crows
Of course I want to be like them. They're beautiful as blades forged in some divine fire. They will live forever.
And Cardan is even more beautiful than the rest. I hate him more than all the others. I hate him so much that sometimes when I look at him, I can hardly breathe.
One terrible morning, Jude and her sisters see their parents murdered in front of them. The terrifying assassin abducts all three…
I have been writing formally since I started my first book in high school. Even then, I was writing with dual POVs. Having multiple perspectives throughout my stories has been essential to all my books. I believe it adds so much more than a single POV can, and I love the process of it. You must decide what each of the characters’ motivations, and defining characteristics are and relate them back to the story. My most recent novel, below, has four POVs, each of which is as important as the others.
This book will always stick with me because of the amazing thought put behind one of the main character’s plotting. Kaz easily has one of the best minds in any book I’ve ever read. Along with Kaz, though, there are multiple other POVs which are equally as important to the story.
It had more POVs than any book I had read previously, but the way Bardugo wrote them had me wanting more of them all and unable to pick a favorite. Each character has a unique voice and story that perfectly complements the overarching plot.
Even when I wasn’t sure how something would fit into the main thread of the story, it wove back in at the right moment and made perfect sense.
*See the Grishaverse come to life on screen with Shadow and Bone, now a Netflix original series.*
Nominated for the CILIP Carnegie Medal 2017, this fantasy epic from the No. 1 NEW YORK TIMES bestselling author of the Grisha trilogy is gripping, sweeping and memorable - perfect for fans of George R. R. Martin, Laini Taylor and Kristin Cashore.
Criminal prodigy Kaz Brekker is offered a chance at a deadly heist that could make him rich beyond his wildest dreams - but he can't pull it off alone.
A convict with a thirst for revenge. A sharpshooter who can't walk…
I have been an avid sci-fi/fantasy lover and tabletop gamer my whole life. Many of my best memories involve me inventing stories explaining why my buddy’s armies and mine were duking it out on the battlefield or interpreting what the dice rolls really meant for my character. Today, I write for one of my favorite game universes, Kings of War. I have made a living out of stories by writing them or teaching about them. I love making my universes believable while still maintaining integrity to their original source material. I also love making flawed, relatable characters to give readers hope as they read about them overcoming those flaws.
The late Sir Pratchett was a hero of mine. The Discworld universe is one of the most well-put-together, zany, yet relatable places. The amount of depth that he was able to achieve with a setting that others might consider a joke is astounding.
In order for a universe to connect with me, it has to have characters that I love dearly. Granny Aching and her granddaughter Tiffany are among the few literary characters that have ever brought me to tears on multiple occasions. I used to read this book to my students, and there is one scene in particular towards the end that causes me to choke up every time I read it.
It’s simple and powerful, and it speaks to me on a personal level. I lost my mom back in 2008, and the scene to which I am referring here hits on that sense of loss so well…
A nightmarish danger threatens from the other side of reality . . .
Armed with only a frying pan and her common sense, young witch-to-be Tiffany Aching must defend her home against the monsters of Fairyland. Luckily she has some very unusual help: the local Nac Mac Feegle - aka the Wee Free Men - a clan of fierce, sheep-stealing, sword-wielding, six-inch-high blue men.
Together they must face headless horsemen, ferocious grimhounds, terrifying dreams come true, and ultimately the sinister Queen of the Elves herself . . .
ALBA - Hidden Secrets is a tale of blood, broken dreams, and buried secrets.
When I was in high school, several young teenage boys died in car accidents, with tragic outcomes for all involved, and I wanted to honour their memory without specifically identifying them.
This novel is about secrets and loss, and how lives could be very different if fate hadn’t intervened. Many people hold secrets close to their hearts, and agonise about whether to let others in to help share their load.
Sixteen-year-old Rebecca is consumed by grief after the sudden, tragic death of her boyfriend, Alastair. Her pain is exacerbated by the fact that their relationship was a secret, a love story hidden from the world. Now, as she mourns in silence, she feels trapped, torn between the anguish of losing him and the guilt of revealing their bond.
Calum, Alastair's brother, remains unaware of their relationship. As Rebecca grows closer to Calum, their friendship takes an unexpected turn when they stumble upon a mysterious suitcase in an abandoned ice house in the remote northern Scottish village of Cromarty. They also…
Historical fantasy is my favorite genre, combining my twin passions of history and mythology/folklore. I especially like to read about unfamiliar times, places, identities, and cultures. What I love best about the fantastical is that it allows me to think and write about deep matters symbolically. As someone still discovering my asexuality in middle age, I’ve always identified best with coming-of-age stories, which is why there are so many young protagonists in both my reading and my writing.
I love everything Juliet Marillier writes. She is so good at using her knowledge of folklore to create magical stories in which the heroine must save the day. This book departs from her usual Celtic setting, taking us instead to Transylvania in the time of the Ottoman Empire and a reimagining of the Twelve Dancing Princesses.
The setting takes five sisters from a crumbling castle at the edge of the Wildwood to the Faerie Kingdom at the heart of that wood. I love how the Wildwood seems to tailor itself to the ages and personalities of the sisters. So, five-year-old Stela spends her time with cute and playful creatures, while elder sister Tatiana falls under the spell of Sorrow, one of the Night People. Protagonist Jena has her own love story with the talking frog Gogu.
The wildwood holds many mysteries. Jena and her sisters share the biggest of all, a fantastic secret that enables them to escape the confines of their everyday life in rural Transylvania. They have kept it hidden for nine long years.
When their father falls ill and must leave their forest home over the winter, Jena and her older sister Tati are left in charge. All goes well until a tragic accident allows their overbearing cousin Cezar to take control. The appearance of a mysterious young man in a black coat divides sister from sister, and suddenly Jena finds herself fighting…
I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction – everything from epic and paranormal fantasy to space opera and dystopian thrillers – and I’m excited when my favourite genres and setting come together. My day job is in local government. I’ve seen how government decisions can impact the trajectory of a society, and I’m particularly drawn to stories that explore that theme. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (supernatural fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic).
This is still one of the coolest books I’ve ever read. It has wonderfully left-of-centre characters, original plot, and world building, a hint of darkness, and sharp dialogue. I love its Australian flavour (just enough to feel familiar). The setting is also off-kilter enough to be dystopian, but not so much so that it feels alien.
Best of all, at the novel's heart is an engaging, offbeat romance. There are also well-handled themes of alienation, grief, identity, and self-discovery.
(It was part of a gift pack of novels my Australian publisher sent me when I signed my first book deal back in 2011, and I instantly fell in love with it.)
A captivating novel told from the points of view of two unforgettable characters. In the suburb of Shyness, the sun doesn't rise. Wolfboy meets a stranger called Wildgirl, who dares him to be her guide through the endless night. There are things that can only be said in the dark.This is Shyness was shortlisted for a number of major Australian literary awards and named a Children's Book Council of Australia Notable Book.
Leanne Hall won the 2009 Text Prize for Young Adult and Children's Writing for this spellbinding debut for readers fourteen and up.
I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction – everything from epic and paranormal fantasy to space opera and dystopian thrillers – and I’m excited when my favourite genres and setting come together. My day job is in local government. I’ve seen how government decisions can impact the trajectory of a society, and I’m particularly drawn to stories that explore that theme. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (supernatural fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic).
It’s a dystopian YA novel where the Australian landscape is beautifully rendered in all its glory and danger. It’s also a tightly written and intense page turner, when even quiet moments are infused with a sense of menace.
It has echoes of Cormac McCarthy’s The Road, although this book is unmistakably Australian - right down to speculation around where our nation’s attitude to asylum seeks may lead us. It’s not as bleak as The Road (a book I admire), but Mark reminds us how easily our veneer of society could slip away in the wake of a catastrophic, world-changing event.
I did worry for Finn’s dog as much as for Finn himself. (I’m still scarred by The Knife of Never Letting Go. This has parallels to that nail-biting novel, too.)
Since a deadly virus and the violence that followed wiped out his parents and most of his community, Finn has lived alone on the rugged coast with only his dog Rowdy for company.
He has stayed alive for two winters—hunting and fishing and trading food, and keeping out of sight of the Wilders, an armed and dangerous gang that controls the north, led by a ruthless man named Ramage.
But Finn’s isolation is shattered when a girl runs onto the beach. Rose is a Siley—an asylum seeker—and she has escaped from Ramage, who had enslaved her and her younger sister,…
I got interested in the theme of a post-apocalyptic, dystopian world after hearing years of doomsday predictions, most of which never came true or were far from catastrophic. I wondered what some real threats to our way of life are and in 2015, started writing a novel, Defenders of Holt, about what a dystopian future might look like. After that book, I wanted to write about the events that led up to that dystopian world and settled on a coronal mass ejection (CME) as the apocalyptic event in the Teenage Survivalist series. I did many hours of research to back up my stories to make them as realistic as possible.
In this 2014 Next Generation Indie Book Awards Finalist book, a different scenario of an apocalyptic event—a meteor that slams into earth, causing a shift in the planet’s magnetic core—ushers in the end of the age of technology and the beginning of a dystopian future where knowledge is not only power, it is currency. I loved this book because it’s a clever and exciting take on a dystopian tale. Being set in Australia provides lots of interesting scenes and plot twists and the idea of using knowledge as currency brings new meaning to the phrase "knowledge is power." This is a thoroughly enjoyable story that is hard to put down. I highly recommend this book to anyone who likes a good adventure with just a touch of romance!
**2014 Next Generation Indie Book Awards Finalist** When a meteor slams into earth causing a shift in the planet’s magnetic core, the age of technology ends and economies across the globe crash. Years later, knowledge is not only power…it is currency. Bookkeepers are invaluable in this post-apocalyptic world.
Nevel can never tell anyone he is a bookkeeper. His photographic memory is his secret. With a dystopian government that keeps all known books under lock and key looming as a constant threat and with parents involved as agents in the U.B.M. (Underground Book Movement) to protect that secretly exist, Nevel is…
I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction – everything from epic and paranormal fantasy to space opera and dystopian thrillers – and I’m excited when my favourite genres and setting come together. My day job is in local government. I’ve seen how government decisions can impact the trajectory of a society, and I’m particularly drawn to stories that explore that theme. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (supernatural fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic).
This book equally moved and unnerved me because its premise is all too possible. It’s a brilliantly written end-of-the-world story with an understated sense of menace and an unmistakable Australian flavour.
The novel offers an intimate and fascinating first-person view of what happens to a ‘normal’ neighbourhood when life as we know it irrevocably changes – in this case through a nuclear winter. Often, apocalyptic/dystopian stories skim over the transition from order to chaos/social breakdown, and Claire handles it in a way that’s unsettling by its understatement.
I cared deeply about these characters. And while this novel is gritty, it’s also a story of hope and what it means to survive.
This haunting dystopian novel thrillingly and realistically looks at a nuclear winter from an Australian perspective.
For Fin it’s just like any other day—racing for the school bus, bluffing his way through class, and trying to remain cool in front of the most sophisticated girl in his universe. Only it’s not like any other day because, on the other side of the world, nuclear missiles are being detonated. When Fin wakes up the next morning, it’s dark, bitterly cold, and snow is falling. There’s no internet, no phone, no TV, no power, and no parents. Nothing Fin’s learned in school…
I’ve been writing about climate change for the past 14 years. I have been the Environment and Energy Editor for the news website, The Conversation, and worked for the government in renewable energy and reducing emissions from transport. Now I work for a conservation organisation, protecting land for nature. My first novel, A wrong turn at the Office of Unmade Lists, was set in a climate-changed Melbourne and an idyllic past San Francisco. My most recent novel, From the Wreck, is historical fiction set in the 1870s but is also about modern humans’ history of ecocide. I have also written essays and a non-fiction guide The Handbook: Surviving & Living with Climate Change.
Lucy is an Australian writer but her second novel, Wolfe Island, is set in the US in a time that might be the very recent past or the very near future. Kitty Hawke and her large, loyal dog are the last inhabitants of a sinking island in the Chesapeake Bay; Kitty values her solitude, but when her estranged family is targeted by the US government, she has to decide whether to stand up for what she believes in. Most climate change novels tend toward future dystopias – Wolfe Island is special because it is a firmly realist novel that looks more closely at our current world and reveals all the ways the dystopia is here and now.
Kitty Hawke, the last inhabitant of a dying island sinking into the wind-lashed Chesapeake Bay, has resigned herself to annihilation...
Until one night her granddaughter rows ashore in the midst of a storm, desperate, begging for sanctuary. For years, Kitty has kept to herself – with only the company of her wolfdog, Girl – unconcerned by the world outside, or perhaps avoiding its worst excesses. But blood cannot be turned away in times like these. And when trouble comes following her granddaughter, no one is more surprised than Kitty to find she will fight to save her as fiercely as…
I have been writing since I was in kindergarten. Granted, it started out with poetry, but words are still words. When it comes to omegaverse, I made sure to devour some of the great writers before I even stuck my toe in. The great thing about omegaverse is that you can put it in almost any setting, and it fits. I just happen to like dystopian, and now historical regency England, as my backdrop. I’ve been writing professionally since 2020, and I have never looked back once. This is my passion. This is my calling. This is what I’m meant to do.
This was the book that broke my Omegaverse cherry. It was dark, raw, and unapologetic, and it left an impression. It’s one of the few reasons I write omegaverse today. This trilogy was the first time a book ever broke me. I was sobbing so hard my husband worried for me, but it left an impression. I have devoured every book since.
“Unapologetically raw and deliciously filthy, Shepherd & Claire's dark, gritty story is an emotional punch to the gut!” - Anna Zaires, New York Times bestselling author
At the mercy of a jealous, possessive villain, gentle Claire begs her city’s savage conqueror to save the vulnerable Omega females, from the violence his soldiers have inspired in her fallen city. Not only does Shepherd refuse her, he takes the desperate and rare Omega woman for his own.
The first book in Addison Cain's exciting, raw, and suspense-filled Paranormal series is an addictive Dark Romance that will consume you mind, body, and soul.
