Here are 100 books that The Sky So Heavy fans have personally recommended if you like
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I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction – everything from epic and paranormal fantasy to space opera and dystopian thrillers – and I’m excited when my favourite genres and setting come together. My day job is in local government. I’ve seen how government decisions can impact the trajectory of a society, and I’m particularly drawn to stories that explore that theme. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (supernatural fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic).
It’s a dystopian YA novel where the Australian landscape is beautifully rendered in all its glory and danger. It’s also a tightly written and intense page turner, when even quiet moments are infused with a sense of menace.
It has echoes of Cormac McCarthy’s The Road, although this book is unmistakably Australian - right down to speculation around where our nation’s attitude to asylum seeks may lead us. It’s not as bleak as The Road (a book I admire), but Mark reminds us how easily our veneer of society could slip away in the wake of a catastrophic, world-changing event.
I did worry for Finn’s dog as much as for Finn himself. (I’m still scarred by The Knife of Never Letting Go. This has parallels to that nail-biting novel, too.)
Since a deadly virus and the violence that followed wiped out his parents and most of his community, Finn has lived alone on the rugged coast with only his dog Rowdy for company.
He has stayed alive for two winters—hunting and fishing and trading food, and keeping out of sight of the Wilders, an armed and dangerous gang that controls the north, led by a ruthless man named Ramage.
But Finn’s isolation is shattered when a girl runs onto the beach. Rose is a Siley—an asylum seeker—and she has escaped from Ramage, who had enslaved her and her younger sister,…
I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction – everything from epic and paranormal fantasy to space opera and dystopian thrillers – and I’m excited when my favourite genres and setting come together. My day job is in local government. I’ve seen how government decisions can impact the trajectory of a society, and I’m particularly drawn to stories that explore that theme. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (supernatural fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic).
I cried at the end of this brilliantly crafted novel about the futility of war.
It shows how an unnamed society might respond to ongoing conflict. Both sides have de-humanised the other; both are committed to revenge and retribution for the daily tragedies; and groups on both sides believe there can’t be peace without the total subjugation of the other.
I really appreciate how Nik’s worldview is shaken – and ultimately widened – when he crosses into enemy territory to find a captured friend. This story is a lesson in how peace can never come without justice, or empathy, told through great characters, gripping plot, and nail-biting tension.
(I imagine the unspecified city as being in Australia/New Zealand – the author is from NZ.)
The City is divided. The bridges gated. In Southside, the hostiles live in squalor and desperation, waiting for a chance to overrun the residents of Cityside.
Nik is still in high school but is destined for a great career with the Internal Security and Intelligence Services, the brains behind the war. But when ISIS comes recruiting, everyone is shocked when he isn't chosen. There must be an explanation, but no one will talk about it. Then the school is bombed and the hostiles take the bridges. Buildings are burning, kids are dead, and the hostiles have kidnapped Sol. Now ISIS…
I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction – everything from epic and paranormal fantasy to space opera and dystopian thrillers – and I’m excited when my favourite genres and setting come together. My day job is in local government. I’ve seen how government decisions can impact the trajectory of a society, and I’m particularly drawn to stories that explore that theme. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (supernatural fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic).
This is still one of the coolest books I’ve ever read. It has wonderfully left-of-centre characters, original plot, and world building, a hint of darkness, and sharp dialogue. I love its Australian flavour (just enough to feel familiar). The setting is also off-kilter enough to be dystopian, but not so much so that it feels alien.
Best of all, at the novel's heart is an engaging, offbeat romance. There are also well-handled themes of alienation, grief, identity, and self-discovery.
(It was part of a gift pack of novels my Australian publisher sent me when I signed my first book deal back in 2011, and I instantly fell in love with it.)
A captivating novel told from the points of view of two unforgettable characters. In the suburb of Shyness, the sun doesn't rise. Wolfboy meets a stranger called Wildgirl, who dares him to be her guide through the endless night. There are things that can only be said in the dark.This is Shyness was shortlisted for a number of major Australian literary awards and named a Children's Book Council of Australia Notable Book.
Leanne Hall won the 2009 Text Prize for Young Adult and Children's Writing for this spellbinding debut for readers fourteen and up.
I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction – everything from epic and paranormal fantasy to space opera and dystopian thrillers – and I’m excited when my favourite genres and setting come together. My day job is in local government. I’ve seen how government decisions can impact the trajectory of a society, and I’m particularly drawn to stories that explore that theme. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (supernatural fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic).
I knew from the blurb this was going to be my kind of book. I really loved the post-apocalyptic Australian setting and the way the desert wasteland society is structured. The concept of dirt farmers is particularly genius.
As well as the excellent world building, there’s page-turning action, an epic zombie battle, and a clever setup for the next installment. This is the first in The Territory trilogy, which follows the increasingly important role of Squid and Lyn, two teenagers caught up in a battle against ghouls and who learn secrets about themselves and their society as they trek across the Outback.
Stranded in the desert, the last of mankind is kept safe by a large border fence ... Until the fence falls.
Squid is a young orphan living under the oppressive rule of his uncle in the outskirts of the Territory. Lynn is a headstrong girl with an influential father who has spent her entire life within the walled city of Alice.
When the border fence is breached, the Territory is invaded by the largest horde of undead ghouls seen in two hundred years. Squid is soon conscripted into the Diggers-the armed forces of the Territory. And after Lynn finds herself…
I’m a novelist and game designer from Bangalore. I’ve been a lifelong reader of science fiction and fantasy. Growing up, I almost never encountered futures that included people like me—brown women, from a country that isn’t the UK/ US, and yet, who are in sync with the rapidly changing global village we belong to. Over the last decade, though, I've found increasing joy in more recent science fiction, in which the future belongs to everyone.The Ten Percent Thiefis an expression of my experiences living in dynamic urban India, and represents one of our many possible futures.
I picked this novel because, for lack of a better phrase, it’s too real. In an entirely believable and horrifying future lies Silicon Isle, an island made of trash. It’s where the world dumps all its electronic waste, for generations of poor, marginalized people to sort through, while pollutants make the tiny world they call home uninhabitable and hostile.
It also happens to be where a powerful biological weapon is hidden, unknowingly discovered by Mimi, one of the novel’s protagonists. It transforms her. Class disparities come to the fore, leading to revolution. This is classic cyberpunk, refreshingly set in a future outside the UK/ US, translated from the original Chinese by Ken Liu.
She's a 'waste girl', a scavenger picking through towering heaps of hazardous electronic detritus. Along with thousands of other migrant workers, she was lured to Silicon Isle, off the southern coast of China, by the promise of steady work and a better life.
But Silicon Isle is where the rotten fruits of capitalism and consumer culture come to their toxic end. The land is hopelessly polluted, the workers utterly at the mercy of those in power. And now a storm is gathering, as ruthless local…
Apocalyptic fiction is my go-to genre and a theme that got me started in my own writing. I love the human stories of struggle in an aftermath that encompasses the world. There is truth in apocalyptic fiction – and a warning to us all. I've been writing since I was a child, creating stories and comics of my own, binding them and circulating them to family and friends. I went to school for visual arts, where I thought my passion was taking me, but returned to writing as my main creative outlet. As of 2022, I've 14 books published. Creativity keeps me sane, and without it I'm not me.
This book has a unique take on the apocalyptic genre and the interest the story and characters offered.
In old New York, living in the tunnels of the ancient subway system, the book documents what might happen to those left to fend for themselves in a city whose social and political construct collapsed due to a violent strain of some virus. (Sound familiar?)
The way the female lead, Deuce, discovers this new world where the sun is a threat and the wide-open spaces, claustrophobic, is a testament to the way the author captured the character’s innocence. Aguirre expertly relates Deuce’s apprehension when discovering anything could be different from the darkness she’d grown up in.
Ann Aguirre's thrilling young adult novel Enclave is the story of two young people in an apocalyptic world--facing dangers, and feelings, unlike any they've ever known.
New York City has been decimated by war and plague, and most of civilization has migrated to underground enclaves, where life expectancy is no more than the early 20's. When Deuce turns 15, she takes on her role as a Huntress, and is paired with Fade, a teenage Hunter who lived Topside as a young boy. When she and Fade discover that the neighboring enclave has been decimated by the tunnel monsters--or Freaks--who seem…
My day job is as a sustainability academic, so it’s hard to escape
concern for our future and what we’re doing to our wonderful planet. I
seek refuge in writing fiction. For me, if I can write the solutions,
then maybe people will adopt them. But first and foremost, I love
fiction as an escape, so I write and seek out books that make me happy
and are filled with love and hope and exciting ideas to keep you turning
the page. I also run the Green Stories project which hosts free writing
competitions to help us imagine positive visions of a sustainable
society.
Absolutely loved it. I love books that help you to appreciate the world in a whole new way.
This is the best example of this because the story is told from the perspective of a bee. It’s a real page tuner and so imaginative. I also love her next book The Ice which is more of a thriller and also a tale of redemption. Definitely an author to watch.
Shortlisted for the Baileys Women's Prize for Fiction 2015
Longlisted for the Desmond Elliott Prize for New Fiction 2015
Enter a whole new world, in this thrilling debut novel set entirely within a beehive.
Born into the lowest class of her society, Flora 717 is a sanitation bee, only fit to clean her orchard hive. Living to accept, obey and serve, she is prepared to sacrifice everything for her beloved holy mother, the Queen.
But Flora is not like other bees. Despite her ugliness she has talents that are not typical of her kin. While mutant bees are usually instantly…
I’m drawn to stories of women whose journeys shed light on human nature. These women are often found in cautionary tales within dystopian and historical fiction. Their stories not only remind us of the past but also hint at possibilities—different versions of the future. To capture this truth, I wrote a novel that delicately blends the past with the near future.
I read this novel when I was hungry for books with strong female characters.
The main character, the unnamed midwife, didn’t disappoint. Her journey emphasizes the importance of choice and agency when it comes to reproductive decisions. She works to empower women to make choices about their own bodies and reproductive futures, even in a world where such choices are limited.
A Publishers Weekly Best Book of 2016 and Philip K. Dick Award Winner
When she fell asleep, the world was doomed. When she awoke, it was dead.
In the wake of a fever that decimated the earth's population-killing women and children and making childbirth deadly for the mother and infant-the midwife must pick her way through the bones of the world she once knew to find her place in this dangerous new one. Gone are the pillars of civilization. All that remains is power-and the strong who possess it.
A few women like her survived, though they are scarce. Even…
My mom always read creepy paperbacks and left them around for me to gawk at the covers but not actually able to read the words inside. I probably started with all the Nancy Drew mysteries and then switched to Stephen King (Carrie, The Shining, Misery, etc.), Flowers in the Attic books by V.C. Andrews, Jaws by Peter Benchley, and anything I could get my hands on! I’m a devoted fan of all creepy and scary books! I’ve never been bored reading this genre, whether it’s adult or YA and that is what I think reluctant readers need–creepy page-turners!
This book is creepy! When girls are sixteen they are sent away for a year, into the woods, to get rid of their ‘magic’. It is called their Grace Year, and it is very extreme, and nothing fun about it. This story has a creepy atmosphere, and creepy old men trying to choose their innocent teenage brides (if those brides make it back from the journey!). There are some sick and twisted death scenes, and romance, which of course I love a little romance in all the creepy stories I read.
The Instant New York Times Bestseller! Kim Liggett's The Grace Year is a speculative thriller in the vein of The Handmaid’s Tale and The Power.
Survive the year.
No one speaks of the grace year. It’s forbidden.
In Garner County, girls are told they have the power to lure grown men from their beds, to drive women mad with jealousy. They believe their very skin emits a powerful aphrodisiac, the potent essence of youth, of a girl on the edge of womanhood. That’s why they’re banished for their sixteenth year, to release their magic into the wild so they can…
I hated reading as a kid. It wasn’t until I was in college I picked up Chuck Pahalniuk’s Survivorand fell in love with books and writing. Since then, I’ve been a non-stop reader and writer. I’d consume on average a book a week (sometime’s more) and write fiction every day. My first novelContainment Zone, combined my love of horror and zombies with themes of coming to terms with the end of one’s life and how we treat the elderly and infirm. For me, writing horror stories is a way of exploring deeper aspects of what it means to be human, all while having some thrills and chills along the way.
Call me weird. I’m not a fan of series books. Unless, that is, they’re written by Nicholas Sansbury Smith. The problem with a book series for me is that I get bored of the same idea book after book after…zzzzzz. But when someone writing a book series is constantly bringing new ideas to the table, it keeps me reading. Couple that with characters we care about, and a heavy focus on moving the plot forward, and I’ll finish a book in no time and be eager to read the next one. This, my friends, is the first book in one of those series.
The worst of nature and the worst of science will bring the human race to the brink of extinction...
Master Sergeant Reed Beckham has led his Delta Force Team, codenamed Ghost, through every kind of hell imaginable and never lost a man. When a top secret Medical Corps research facility goes dark, Team Ghost is called in to face their deadliest enemy yet - a variant strain of Ebola that turns men into monsters.
After barely escaping with his life, Beckham returns to Fort Bragg in the midst of a new type of war. As cities fall, Team Ghost is…
