100 books like The Sky So Heavy

It’s a dystopian YA novel where the Australian landscape is beautifully rendered in all its glory and danger. It’s also a tightly written and intense page turner, when even quiet moments are infused with a sense of menace.

It has echoes of Cormac McCarthy’s The Road, although this book is unmistakably Australian - right down to speculation around where our nation’s attitude to asylum seeks may lead us. It’s not as bleak as The Road (a book I admire), but Mark reminds us how easily our veneer of society could slip away in the wake of a catastrophic, world-changing event.

I did worry for Finn’s dog as much as for Finn himself. (I’m still scarred by The Knife of Never Letting Go. This has parallels to that nail-biting novel, too.)

I cried at the end of this brilliantly crafted novel about the futility of war.

It shows how an unnamed society might respond to ongoing conflict. Both sides have de-humanised the other; both are committed to revenge and retribution for the daily tragedies; and groups on both sides believe there can’t be peace without the total subjugation of the other.

I really appreciate how Nik’s worldview is shaken – and ultimately widened – when he crosses into enemy territory to find a captured friend. This story is a lesson in how peace can never come without justice, or empathy, told through great characters, gripping plot, and nail-biting tension.

(I imagine the unspecified city as being in Australia/New Zealand – the author is from NZ.)

This is still one of the coolest books I’ve ever read. It has wonderfully left-of-centre characters, original plot, and world building, a hint of darkness, and sharp dialogue. I love its Australian flavour (just enough to feel familiar). The setting is also off-kilter enough to be dystopian, but not so much so that it feels alien.

Best of all, at the novel's heart is an engaging, offbeat romance. There are also well-handled themes of alienation, grief, identity, and self-discovery.

(It was part of a gift pack of novels my Australian publisher sent me when I signed my first book deal back in 2011, and I instantly fell in love with it.)

I knew from the blurb this was going to be my kind of book. I really loved the post-apocalyptic Australian setting and the way the desert wasteland society is structured. The concept of dirt farmers is particularly genius.

As well as the excellent world building, there’s page-turning action, an epic zombie battle, and a clever setup for the next installment. This is the first in The Territory trilogy, which follows the increasingly important role of Squid and Lyn, two teenagers caught up in a battle against ghouls and who learn secrets about themselves and their society as they trek across the Outback.

Autumn is a two-stage apocalypse story that spills out the horror of the world ending from a mysterious infection, followed up by a second, species-crushing wave of terror as the dead return to life to finish the job the infection began. Autumn is dark, and brutal, and is an older book in the genre, but a refreshing take on the trope of zombies. It’s filled with beautiful imagery and characters with depth and runs into a six-book series.

In Wilder Girls, a bizarre, unprecedented plague called the Tox has infested an island home to an all-girls boarding school. The Tox causes those it infects to mutate in gruesome ways—growing gills, claws, an extra spine, et cetera. The schoolgirls and remaining sparse crew of staff members have developed a system of survival, but when one girl goes missing and her friend determines to find her, everything is thrown into chaos.

This book will grip you hard from the first sentence, sink its teeth into you, shake you around, then have you gasping for air on the floor by the time you hit the last page. Seriously, this is an insane, intense ride, perfect for any fan of weird fiction and body horror. (That’s me.)

Call me an end-of-days junkie; I won’t deny it. 

I have a twelve-story climbing rope in my storeroom in case the building catches fire. There’s a fire blanket in there and a go-bag, too. Talking about bomb shelters does something to my blood. Preparations excite me; maybe it’s a competitive streak. When I come face-to-face with disaster, I want the groundwork taken care of so I can focus on what’s important, like grabbing my children, our passports, and snacks for the road.

Reading this book was like living through the nightmare of my dreams. Communities came together, scrounging for food and water. Disaster after disaster was ingeniously avoided with other people’s refuse, raw brain power, and the occasional bullet. Man was pitted against man, and the only prize was survival. It was everything I needed to get a true appreciation of the bricks and mortar surrounding me and the covers… show more.

This book has a unique take on the apocalyptic genre and the interest the story and characters offered.

In old New York, living in the tunnels of the ancient subway system, the book documents what might happen to those left to fend for themselves in a city whose social and political construct collapsed due to a violent strain of some virus. (Sound familiar?)

The way the female lead, Deuce, discovers this new world where the sun is a threat and the wide-open spaces, claustrophobic, is a testament to the way the author captured the character’s innocence. Aguirre expertly relates Deuce’s apprehension when discovering anything could be different from the darkness she’d grown up in.

This book is creepy! When girls are sixteen they are sent away for a year, into the woods, to get rid of their ‘magic’. It is called their Grace Year, and it is very extreme, and nothing fun about it. This story has a creepy atmosphere, and creepy old men trying to choose their innocent teenage brides (if those brides make it back from the journey!). There are some sick and twisted death scenes, and romance, which of course I love a little romance in all the creepy stories I read.

Call me weird. I’m not a fan of series books. Unless, that is, they’re written by Nicholas Sansbury Smith. The problem with a book series for me is that I get bored of the same idea book after book after…zzzzzz. But when someone writing a book series is constantly bringing new ideas to the table, it keeps me reading. Couple that with characters we care about, and a heavy focus on moving the plot forward, and I’ll finish a book in no time and be eager to read the next one. This, my friends, is the first book in one of those series.