Here are 97 books that White Smoke fans have personally recommended if you like
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Growing up in the seventies in the UK was a fertile time for lovers of the uncanny, with memorable children’s dramas like Children of the Stones, The Changes and Ace of Wands. Like many others, I keenly collected junkshop editions of Herbert Van Thal’s horror anthologies. Occultism was in the air in the troubled, economically stagnating Age of Aquarius, and though too young to see them, we schoolboys all knew of The Exorcist, Rosemary’s Baby, and The Omen. A friend gave me a Lovecraft biography for my 18th birthday, and though I’d read none of his work, I went on to become fascinated by him and his Weird Tales compadres.
A friend complained about being saddled with reading this bible-thick book by a fellow creative writing student on his MA course. Never having heard of it, though I’ve since discovered it’s a major cult favorite, I flicked through it and quickly became intrigued by its faux academic footnotes and citations, quirky layout (pages might contain a single line of text as the narrative accelerates, for instance) and tale of paranormal investigation.
‘Postmodern’, though apt, makes it sound tedious; actually, it’s an intriguing, clever, and in places touching take on the psychic investigator genre, using a myriad of haunted house motifs from the trashy (The Amityville Horror; ‘Found footage’ movies) to the cerebral (cultural theory, references to Umberto Eco). While self-consciously ‘clever’, it delivers sincerely on the uncanniness I want from a haunted house tale.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations,…
I’ve written across genres, including mysteries like The Last Policeman and big works of alternate history like Underground Airlines. But Bedbugs—now republished as The Bonus Room—was one of my first books, and very dear to my heart. I’ve always loved books that pit a single, relatively helpless protagonist against some inexplicable force that he or she cannot begin to fathom. A force that can’t be reasoned with or bargained with. You just have to beat it. Perhaps that’s why I love these books about man vs. beast—the natural world is our friend, and animal are subservient to us…until suddenly, terrifyingly, they’re not.
When we think of scary animals we think of gnashing teeth and tearing claws, but obviously Orwell’s famous parable presents a very different kind of malevolence: that of overweaning ambition and our deep-seated instinct to control.
The pigs that present themselves as heroes and then slowly, greedily, inexorable turn into murderous dictators, forcing the other animals to do their bidding and then slaughtering them when they become too old, are of course not really pig-like at all—they are human-like, and therefore all the more terrifying.
The perfect edition for any Orwell enthusiasts' collection, discover Orwell's classic dystopian masterpiece beautifully reimagined by renowned street artist Shepard Fairey
'All animals are equal. But some animals are more equal than others.'
Mr Jones of Manor Farm is so lazy and drunken that one day he forgets to feed his livestock. The ensuing rebellion under the leadership of the pigs Napoleon and Snowball leads to the animals taking over the farm. Vowing to eliminate the terrible inequities of the farmyard, the renamed Animal Farm is organised to benefit all who walk on four legs. But as time passes, the…
I’m a Black woman who writes stories about Black girls who aren’t all that nice. And, to me, that means writing stories where Black girls are at the forefront of their stories and given the space to be whoever they are, wholly and without minimizing their character to make them fit into neat boxes next to others. I do this because being able to take up space as you are is, oftentimes, a privilege. And I want to make sure the stories I write offer that space to every reader who picks up one of my books.
I would not be a writer had I not read this book. It was the first time I saw a Black girl be the main character in a fantasy novel, and she doesn’t limit herself to playing by the rules.
Jane McKeene is a troublemaker with a smart mouth, but she’s fearless against the shamblers (zombies), resourceful, and her complicated friendship with Kate was something I loved every minute of.
Trained at Miss Preston's School of Combat for Negro Girls in both weaponry and etiquette, Jane McKeene is poised for a successful career protecting the wealthy from the encroaching plague of walking dead. But when families begin to go missing, Jane uncovers a conspiracy that pits her against some powerful enemies. Sent far from home, Jane will need all her resourcefulness, wit and strength of character to survive.
A powerful, compelling tale of a young girl's journey through a hostile world, Jane McKeene is an unforgettable protagonist, and Dread Nation is an unforgettable book.
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
Since I was a child, stories steeped in secrets have fascinated me. I spent many hours devouring books about detectives and spies, shadows and deceit. As an adult, it is a rare treat to discover one that is so engaging I must know how it unfolds as soon as possible, and is told in a way that leaves me surprised by how it ends. Each of these books is deliciously tricky, inspiring me to read quickly, before the ghosts between the pages could escape to haunt me.
Wintergirls is heart-wrenching and repulsive. Laurie Halse Anderson uses evocative, jarring language to tell a story about deadly friendship and an almost insurmountable eating disorder. This book pried open my eyes to the harsh struggles of people who live with eating disorders, teaching me about a reality I have mercifully never had to face. My heart ached for the main character as she descended farther into her illness, but left me with that cruel but vital ingredient: hope.
"Dead girl walking," the boys say in the halls. "Tell us your secret," the girls whisper, one toilet to another. I am that girl. I am the space between my thighs, daylight shining through. I am the bones they want, wired on a porcelain frame.
Lia and Cassie are best friends, wintergirls frozen in matchstick bodies, competitors in a deadly contest to see who can be the skinniest. But what comes after size zero and size double-zero? When Cassie succumbs to the demons within, Lia feels she is being haunted by her friend's restless spirit.
I’ve been in love with cozy, low-stakes fantasy ever since my mother first handed me a copy of The Hobbit—so for most of my life. I love the focus on place and small comforts, the humble (and often unwilling!) heroes, the slower pace that builds to an emotional crescendo (as well as an action-packed one!), and the way these stories always leave me feeling warm, like I’ve just shared a coffee with a loved one. It should come as no surprise, then, that these are the kinds of stories I love writing best.
The older I get, the more I appreciate fantasy stories with lower, more personal stakes than, for example, saving the world from impending doom. I want the escapism of fantasy and magic grounded in emotions and scenarios I can relate to in some small way.
The Bone Houses is, amongst the walking corpses, the undead goat, the Welsh folklore, and the magic cauldron, a story about a young woman grieving for her father, and a young man searching for family. I found this book when I was still working through the grief of losing my own father—a Welshman and a miner just like the father in the story—and it felt like it had been written just for me.
Seventeen-year-old Aderyn ("Ryn") only cares about two things: her family, and her family's graveyard. And right now, both are in dire straits. Since the death of their parents, Ryn and her siblings have been scraping together a meager existence as gravediggers in the remote Welsh village of Colbren, which sits at the foot of a harsh and deadly mountain range that was once home to fae creatures known as the Otherfolk. The problem with being a gravedigger in Colbren, though, is that the dead don't always stay dead.
The risen corpses are known as "bone houses," and legend says that…
I’ve been fascinated by haunted houses and the lore behind them ever since childhood. I spent my summers walking our neighborhood cemetery and devouring novels by Stephen King, Dean Koontz, and Shirley Jackson. It was only natural, then, that my debut novel had to be a haunted house story—my own love letter to the genre. Having lived in a haunted house myself, the experiences I had within those walls did little to discourage my fascination with the paranormal. While I may have left my ghosts behind me, you can still sense their lingering presence inside Parting the Veil.
I love a classic, gothic haunted house story with an unexpected twist, and Priory delivers. When Oliver Hardacre returns to his namesake home, located outside the gloriously atmospheric Yorkshire town of Whitby, he opens the door to his past. The narrative is told from Oliver’s modern perspective and his mother’s point of view in the 1970s, when Oliver and his brother were children at Hardacre Priory. Replete with dark, twisted secrets and multi-layered, complex characters, Wright’s sentient, menacing estate comes alive under her masterful touch. This is a short read, easily finished in one sitting. Crack it open on a foggy morning, with a spot of tea and a blanket to cut the chill.
Memories are like ghosts. They linger in doorways, whisper with the howling wind when lightning strikes. They are the dark phantoms of my youth. My mind buried my memories for good reason, and I spent forty years believing I could escape them.
Until with one phone call, I found myself in my childhood home: Hardacre Priory.
I knew from the first step through the door that it was all over. The forgotten events of 1979 leapt to the surface and screamed their truths. Everything I thought to be true was a lie.…
Artist Nilda Ricci could use a stroke of luck. She seems to get it when she inherits a shadowy Victorian, built by an architect whose houses were said to influence the mind—supposedly, in beneficial ways. At first, Nilda’s new home delivers, with the help of its longtime housekeeper. And Nilda…
I have always been fascinated by stories that use darkness in plot and character growth. As a former funeral director, I find stories with death—whether it’s the power of death, the death of a loved one, or something similar—to be really poignant. I always write books that embrace the darkness, and I love to see how characters come out on the other side. I hope you enjoy these books as much as I do!
Accidental necromancy is my cup of tea, so I was immediately drawn into the story of Tea—yes, that’s her name—and her resurrected brother.
I loved how Tea felt pulled in so many directions and how she was just looking for her own path. I found the inclusion of her power of necromancy to be such a strong commentary on how isolating it can be to be different. And how people fear differences, to begin with.
"A high-fantasy Memoirs of a Geisha, Chupeco's latest excels in originality" -Kirkus Reviews A story of scorned witches, sinister curses, and resurrection, The Bone Witch is the start of a dark fantasy trilogy, perfect for fans of Serpent & Dove and The Cruel Prince. Tea can raise the dead, but resurrection comes at a price... When Tea accidentally resurrects her brother, Fox, from the dead, she learns she is different from the other witches in her family. Her gift for necromancy means that she's a bone witch, a title that makes her feared and ostracized by her community. But Tea…
Two of my favorite things to read about are horror stories and mental health. I have a Master’s Degree in mental health counseling and have worked with kids and adults with various mental health challenges. I’m passionate about talking about mental health to help demystify and destigmatize some of the conversations around these issues. It’s been frustrating to me how often, in the past, books have gotten mental health “wrong.” So whenever I find books with an accurate picture of mental health challenges, told in speculative fiction, I get super excited. I most enjoy stories when they’re entertaining but also mean something and have strong characters with challenges I can relate to.
The first time I read this book, I was blown away by how twisty and creepy it was.
Silla is a wonderfully complex heroine. Is she paranoid, or is the manor really cursed? How much is she imagining and how much is real? Every time I thought I knew where the book was going, I was wrong. It just gets weirder and more unsettling as the book progresses.
As I read it, I just kept thinking that things didn’t make sense. But it was so compelling that I couldn’t stop, even when I was very confused. The ending pulls it all together with a completely satisfying ending that explained every question I had. It goes darker than most YA, but I loved it for going all in.
When Silla and Nori arrive at their aunt's home, it's immediately clear that the "blood manor" is cursed. The creaking of the house and the stillness of the woods surrounding them would be enough of a sign, but there are secrets too--the questions that Silla can't ignore: Who is the beautiful boy that's appeared from the woods? Who is the man that her little sister sees, but no one else? And why does it seem that, ever since they arrived, the trees have been creeping closer? Filled with just as many twists and turns as The Dead House, and with…
I’ve been an avid fantasy reader since I was old enough to read—starting with a Greek mythology book beloved by young adults everywhere—and my love with reading translated into my love of writing. After years of scouring for the perfect story, I have indie-published three fantasy romance books. I see reading as the gateway to all creative endeavors and a rekindling of the imagination. After almost two decades of storytelling, I have established a commitment to finding good stories and sharing them with others. I use my platform to uplift authors, especially marginalized writers or fellow indies, knowing that community is what makes reading fun.
Retellings are some of my favorite fantasy stories as they rely on new, inventive ways to spin the same yarn. Little Thievesis a reimagining of the Goose Girl from the perspective of the original villain as our main character. Vanja is the goddaughter of Death and Fortune, two of the goddesses in a pantheon with deities who represent abstract concepts like Time and Justice.
Vanja has spent her life conning and stealing like when she steals the identity of her former friend, Princess Giselle, and steals from the haughty nobles. She maintains these three identities by using magic pearls that change her appearance. But the story truly begins when Vanja is cursed to either return what she has stolen or be consumed by her greed.
Kids' Indie Next pick for November/December! Amazon Best Book of October 2021!
A scrappy maid must outsmart both palace nobles and Low Gods in a new YA fantasy by Margaret Owen, author of the Merciful Crow series.
Once upon a time, there was a horrible girl...
Vanja Schmidt knows that no gift is freely given, not even a mother’s love—and she’s on the hook for one hell of a debt. Vanja, the adopted goddaughter of Death and Fortune, was Princess Gisele's dutiful servant up until a year ago. That was when Vanja’s otherworldly mothers demanded a terrible price for their…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan. The US government has agreed to provide Taiwan with a weapons system so advanced, it can disrupt the balance of power in the region. But what pilot would be crazy enough to run the…
I am a writer and all-around nerd living in California. When I was a kid, I loved scaring myself silly with ghost stories. My school’s tiny library had a stock of Goosebumpsbooks that I devoured like candy. Ever since, I’ve loved stories about the things we are afraid of—especially the ones that make us question where that fear comes from. The books on my list blend my love of horror and fantasy. They are stories to make you shiver, and stories to make you think. I hope you enjoy them as much as I have.
The Good Demon is unlike anything else I’ve read. It’s eerie, intimate, and spellbinding. Clare’s demon was her best friend, her Only, right up until her parents called a priest to cast the demon out. Now the only thing Clare wants is to get her demon back. It’s hard to say more about this book other than that it is very, very, good. The horror elements are scary in the way of abandoned houses and shadows seen from the corner of your eye. If you like your stories strange and moody and your characters flawed, you should definitely give this book a try.
It wasn't technically an exorcism, what they did to Clare. When
the reverend and his son ripped her demon from her, they called it a
"deliverance." But they didn't understand that Clare and her demon-known
simply as Her-were like sisters. She comforted Clare, made her feel
brave, helped to ease her loneliness. They were each other's Only.
Now, Clare's only comforts are the three clues that She left behind:
Be nice to him
June 20
Remember the stories
Clare will do anything to get Her back, even if it means teaming up with
the reverend's son and scouring every inch…