Here are 90 books that And the Trees Crept In fans have personally recommended if you like
And the Trees Crept In.
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I’ve been a fan of horror—specifically, supernatural horror—for as long as I can remember. Though the topic of life after death is perhaps one of the most long-standing debates in existence, almost every family has a story or two about things that can’t be explained. I’ve turned my lifelong interest in death, the occult, and how the two can coexist, into slow-burn horror stories for people who like a little weird with their fear. Stories that explore the beautiful complexity of queer people. Stories for the strange at heart.
This book is a must-read for all horror writers, horror fans, and those who love to find humor in the strangest, most unexpected places. It’s nonfiction, and Roach will take you on a journey across time and cultures that’ll have you gasping, gagging, and rolling with laughter. Beware the snap, crackle, pop.
Stiff is an oddly compelling, often hilarious exploration of the strange lives of our bodies postmortem. For two thousand years, cadavers-some willingly, some unwittingly-have been involved in science's boldest strides and weirdest undertakings. In this fascinating account, Mary Roach visits the good deeds of cadavers over the centuries and tells the engrossing story of our bodies when we are no longer with them.
I am an astrophysicist with a passion for narratives that stare unflinchingly at the inherent hostility of outer space. Professionally, I study graduate astrophysics and research the ways high-energy celestial objects impact cosmic evolution. Creatively, I use my training to write science fiction horror exploring the spookiest things the universe has to offer. I particularly love stories that throw wrenches in the best-laid plans of star-faring protagonists, and will never get tired of a good old space mission gone terribly and tragically awry.
Deep space can be scary, but I consider deep caves to be much more terrifying.
The Luminous Dead has an eerie mission to the depths of a cave on a distant exoplanet—the worst of both worlds! This book follows a non-regulation diver on a dangerous job shrouded in secrets and the enigmatic, untrustworthy voice in her helmet guiding her through the darkness.
Unsurprisingly, it doesn’t take long for the characters to descend into antagonism and uncertainty about whether the other things lurking in the cave are figments of paranoia or dangerously real. If you like feeling queasy, secondhand claustrophobia, The Luminous Dead is for you.
"This claustrophobic, horror-leaning tour de force is highly recommended for fans of Jeff VanderMeer's Annihilation and Andy Weir's The Martian." -- Publishers Weekly (starred review)
A thrilling, atmospheric debut with the intensive drive of The Martian and Gravity and the creeping dread of Annihilation, in which a caver on a foreign planet finds herself on a terrifying psychological and emotional journey for survival.
When Gyre Price lied her way into this expedition, she thought she'd be mapping mineral deposits, and that her biggest problems would be cave collapses and gear malfunctions. She…
There's no particular reason why I'm the right person to talk about intrusive narrators. I studied math, not literature, in school, though variables can be as tricky as any imaginary character. As an unpopular child, I read a developmentally unhealthy number of books, but tragic backstories are a dime a dozen. I pepper my life with ironic asides to the Reader, but anyone with a devoted Reader (better yet, a dozen of them) can do that. To be honest, you'd probably have come up with a better list than I did. You should give it a shot.
This book lives in my Brain rent-free, ironic since my brain is also not a space in which anyone should take Up residence.
I love the layers of narraTors, Johnny, Zampanò, and Navidson, all of Them unreliable, telling lies from cOnscious design, from iNability to face the truth, from shifting realities. Maybe one day I'll find my way through to someone who loves my ironieS.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations,…
To be honest, and this will sound strange, but suspense is the air I breathe. I’m a pretty calm, boring human being, and the only thing that gets my heart pumping are films, TV, books, and video games in this genre. Suspense and thrillers are genres that make up ninety percent of the entertainment that I consume, and one hundred percent of the entertainment that I write.
What can I say about Annihilation? It’s a novel where the reader isn’t quite sure what is going on, nor can any two readers agree on what they just read and that’s the amazing part about it.
Hypnosis, genetic deviation, and something utterly alien make this such an intense read. And that suspense is heightened because there is a level of mystery and weirdness in Jeff VanderMeer’s world, where things aren’t quite grounded in the reality that we are used to.
THE FIRST VOLUME OF THE EXTRAORDINARY SOUTHERN REACH TRILOGY - NOW A MAJOR MOTION PICTURE WRITTEN AND DIRECTED BY ALEX GARLAND (EX MACHINA) AND STARRING NATALIE PORTMAN AND OSCAR ISAAC
For thirty years, Area X has remained mysterious and remote behind its intangible border - an environmental disaster zone, though to all appearances an abundant wilderness.
The Southern Reach, a secretive government agency, has sent eleven expeditions to investigate Area X. One has ended in mass suicide, another in a hail of gunfire, the eleventh in a fatal cancer epidemic.
I’ve been fascinated by haunted houses and the lore behind them ever since childhood. I spent my summers walking our neighborhood cemetery and devouring novels by Stephen King, Dean Koontz, and Shirley Jackson. It was only natural, then, that my debut novel had to be a haunted house story—my own love letter to the genre. Having lived in a haunted house myself, the experiences I had within those walls did little to discourage my fascination with the paranormal. While I may have left my ghosts behind me, you can still sense their lingering presence inside Parting the Veil.
I love a classic, gothic haunted house story with an unexpected twist, and Priory delivers. When Oliver Hardacre returns to his namesake home, located outside the gloriously atmospheric Yorkshire town of Whitby, he opens the door to his past. The narrative is told from Oliver’s modern perspective and his mother’s point of view in the 1970s, when Oliver and his brother were children at Hardacre Priory. Replete with dark, twisted secrets and multi-layered, complex characters, Wright’s sentient, menacing estate comes alive under her masterful touch. This is a short read, easily finished in one sitting. Crack it open on a foggy morning, with a spot of tea and a blanket to cut the chill.
Memories are like ghosts. They linger in doorways, whisper with the howling wind when lightning strikes. They are the dark phantoms of my youth. My mind buried my memories for good reason, and I spent forty years believing I could escape them.
Until with one phone call, I found myself in my childhood home: Hardacre Priory.
I knew from the first step through the door that it was all over. The forgotten events of 1979 leapt to the surface and screamed their truths. Everything I thought to be true was a lie.…
I’ve been a fan of horror—specifically, supernatural horror—for as long as I can remember. Though the topic of life after death is perhaps one of the most long-standing debates in existence, almost every family has a story or two about things that can’t be explained. I’ve turned my lifelong interest in death, the occult, and how the two can coexist, into slow-burn horror stories for people who like a little weird with their fear. Stories that explore the beautiful complexity of queer people. Stories for the strange at heart.
This book is fast and punchy. It’s filled with twists and a high level of unnerving emotions. Set during autumn harvest, this is an absolutely perfect Halloween read. It is rather short, which means a fast reader or someone with some time could devour it in a day or two. There’s also an upcoming film adaptation.
It is Halloween, 1963. They call him the October Boy, or Ol' Hacksaw Face, or Sawtooth Jack. Whatever the name, everybody in this small Midwestern town knows who he is. How he rises from the cornfields every Halloween, a butcher knife in his hand, and makes his way toward town, where gangs of teenage boys eagerly await their chance to confront the legendary nightmare. Both the hunter and the hunted, the October Boy is the prize in an annual rite of life and death. Pete McCormick knows that killing the October Boy is his one chance to escape a dead-end…
I'm a horror writer based in Colorado, and I spent my childhood in a variety of wild, untamed places. Horror that uses location as its antagonist is one of my favorite things because I understand how quickly–and easily–a beautiful place can become sinister. It’s not enough to go to a scary place; these books are about what happens when the scary place starts to grow roots inside you, how it changes you. I have written two books that deal with this to some extent, the first about an abandoned coal mine, and the second about Antarctica, and if you like any of these, I hope you’ll consider trying one of mine!
The Hollow Places follows Kara, who has returned to her childhood home in North Carolina, as she takes over running her uncle’s museum of eccentricities after he’s injured. If you love nature-based horror as much as I do, this is a must-read–when a portal opens up in the museum, Kara goes through it into a willow-filled, marshy world of rivers and doors and terrifying, hungry creatures. She has to find a way to protect her home from this new world, which seems desperate to spill into hers and consume it, leaving it hollow.
Recently divorced and staring down the barrel of moving back in with her parents, Carrot really needs a break. And a place to live. So when her Uncle Earl, owner of the eclectic Wonder Museum, asks her to stay with him in exchange for cataloguing the exhibits, of course she says yes.
The Wonder Museum is packed with taxidermy, shrunken heads, and an assortment of Mystery Junk. For Carrot, it's not creepy at all: she grew up with it. What's creepy is the hole that's been knocked in one of the museum walls, and the corridor behind it. There's just…
I have written nine crime novels, mostly psychological thrillers, but some blend procedural and PI elements and two are gangland stories. I went to the BRIT school in the 90’s and studied Drama and English Literature at University. I always think that my Performing Arts background gave me a great tool kit for ‘getting into character’ which is useful for writing. I also have an MA in journalism but I definitely prefer fiction to fact. I love the immediacy of first person prose and I am a sucker for an unreliable narrator.
This is a book told from the point of view of Mother Rob and her daughter Callie.
It deals with topics of child psychopathy and innate evil and is beautifully written. I’m a huge fan of Catriona Ward’s and was torn between this book or The Last House On Needless Street but I really enjoyed the exploration of motherhood and childhood here and found myself rooting for the characters long after I turned the last page.
Like all of Ward’s books, Sundial has strong horror vibes and the world we are drawn into is full of lush descriptions but it is the characters that really stand out to me. This book also has some really good twists.
“DO NOT MISS THIS BOOK. Authentically terrifying.” —Stephen King
Sharp as a snakebite, Sundial is a gripping novel about the secrets we bury from the ones we love most, from Catriona Ward, the author of The Last House on Needless Street.
You can't escape what's in your blood...
Rob has spent her life running from Sundial, the family’s ranch deep in the Mojave Desert, and her childhood memories.
But she’s worried about her daughter, Callie, who collects animal bones and whispers to imaginary friends. It reminds her of a darkness that runs in her family, and Rob knows it’s time…
Since I was a child, stories steeped in secrets have fascinated me. I spent many hours devouring books about detectives and spies, shadows and deceit. As an adult, it is a rare treat to discover one that is so engaging I must know how it unfolds as soon as possible, and is told in a way that leaves me surprised by how it ends. Each of these books is deliciously tricky, inspiring me to read quickly, before the ghosts between the pages could escape to haunt me.
An allegedly haunted house, an evil step-sister, an abandoned and rotting town, and distrustful neighbors crowd together in this sharply told story about a girl running from her past. With each page, my paranoia grew until there was no easy way to tell what was real, and what was a red herring. This book was freaky. I was afraid to read it late at night because if I did, my over-active imagination would absolutely torture me with sinister nightmares.
The Haunting of Hill House meets Get Out in this chilling YA psychological thriller and modern take on the classic haunted house story from New York Times bestselling author Tiffany D. Jackson!
Marigold is running from ghosts. The phantoms of her old life keep haunting her, but a move with her newly blended family from their small California beach town to the embattled Midwestern city of Cedarville might be the fresh start she needs. Her mom has accepted a new job with the Sterling Foundation that comes with a free house, one that Mari now has to share with her…
I’ve been fascinated by haunted houses and the lore behind them ever since childhood. I spent my summers walking our neighborhood cemetery and devouring novels by Stephen King, Dean Koontz, and Shirley Jackson. It was only natural, then, that my debut novel had to be a haunted house story—my own love letter to the genre. Having lived in a haunted house myself, the experiences I had within those walls did little to discourage my fascination with the paranormal. While I may have left my ghosts behind me, you can still sense their lingering presence inside Parting the Veil.
There’s no place like home, especially when it’s Wakefield Manor, where ghosts and memories are trapped in an endless loop. When the introverted, quirky protagonist Sam (who reminded me of my favorite Shirley Jackson character—Merricat Blackwood) is forced to welcome her estranged, pregnant sister back to the decaying family manor, Sam’s already-frayed nerves are pushed to the limit. But when her sister’s arrival becomes the catalyst for disturbing visions of a faceless boy with a penchant for cruelty, Sam seeks answers in the claustrophobic halls of her ancestral home. Who is this monstrous, cruel boy? What does he want? Seething with tumultuous family dynamicsand a plot as complex as it is unsettling, the atmosphere of It Will Just Be Ushad me enraptured from the very first pages and didn’t let go until the gasp-inducing ending.
A terrifying new gothic horror novel about two sisters and a haunted house that never sleeps, perfect for fans of Shirley Jackson's We Have Always Lived in the Castle.
They say there's a door in Wakefield that never opens...
Sam Wakefield's ancestral home, a decaying mansion built on the edge of a swamp, isn't a place for children. Its labyrinthine halls, built by her mad ancestors, are filled with echoes of the past: ghosts and memories knotted together as one. In the presence of phantoms, it's all Sam can do to disentangle past from present in her daily life.
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