Here are 92 books that And the Trees Crept In fans have personally recommended if you like
And the Trees Crept In.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I am an astrophysicist with a passion for narratives that stare unflinchingly at the inherent hostility of outer space. Professionally, I study graduate astrophysics and research the ways high-energy celestial objects impact cosmic evolution. Creatively, I use my training to write science fiction horror exploring the spookiest things the universe has to offer. I particularly love stories that throw wrenches in the best-laid plans of star-faring protagonists, and will never get tired of a good old space mission gone terribly and tragically awry.
Deep space can be scary, but I consider deep caves to be much more terrifying.
The Luminous Dead has an eerie mission to the depths of a cave on a distant exoplanet—the worst of both worlds! This book follows a non-regulation diver on a dangerous job shrouded in secrets and the enigmatic, untrustworthy voice in her helmet guiding her through the darkness.
Unsurprisingly, it doesn’t take long for the characters to descend into antagonism and uncertainty about whether the other things lurking in the cave are figments of paranoia or dangerously real. If you like feeling queasy, secondhand claustrophobia, The Luminous Dead is for you.
"This claustrophobic, horror-leaning tour de force is highly recommended for fans of Jeff VanderMeer's Annihilation and Andy Weir's The Martian." -- Publishers Weekly (starred review)
A thrilling, atmospheric debut with the intensive drive of The Martian and Gravity and the creeping dread of Annihilation, in which a caver on a foreign planet finds herself on a terrifying psychological and emotional journey for survival.
When Gyre Price lied her way into this expedition, she thought she'd be mapping mineral deposits, and that her biggest problems would be cave collapses and gear malfunctions. She…
PoppyHarp has at its heart the mystery of a forgotten children’s TV show from the 70s, so I wanted to share books that explore a similar idea–the fiction in fiction–be it an invented book, movie, or TV show that drives the narrative in some way. These five books all feature the enigmatic quality of something lost or some kind of age-old mystery waiting to be unraveled by its protagonists. They are also five books that I absolutely adore.
This is a love-it or hate-it novel. Either you find it tiresome, or you give yourself over whole-heartedly to its unique madness. It has at its heart a film, The Navidson Record, a documentary about a photojournalist who moves his family into a pretty house and discovers that the house is bigger on the inside than the outside, and getting bigger.
As he and his friends try to explore the limits of the house, it rearranges itself around them. The film is described in the text by an old man, complete with a mountain of scholarly footnotes by a tattoo artist. But this book is also powered by a genuinely unsettling, often terrifying descent into hell. It’s a deranged funhouse of a novel that you will probably never forget.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations,…
Throughout my life, I’ve moved around quite a bit, and in the process, members of my family and I have encountered many wildly strange people and things. The universe itself is a wild place when you delve into the more exotic aspects: black holes, quantum physics, and measurable differences in subjective realities. It’s hard to say what the real boundaries are, and so I look for stories that stretch my ability to conceive what could be–and that help me find wonder in all the darkness and strangeness around me.
This is the first book in the Southern Reach Trilogy, but it also stands alone as a mysterious and haunting exploration of the way we attempt to navigate a world that is both familiar and alien at the same time.
Mysteries abound, and answers are elusive, but you can revisit Area X again and again and feel like answers lie just beyond the reach of your fingertips.
THE FIRST VOLUME OF THE EXTRAORDINARY SOUTHERN REACH TRILOGY - NOW A MAJOR MOTION PICTURE WRITTEN AND DIRECTED BY ALEX GARLAND (EX MACHINA) AND STARRING NATALIE PORTMAN AND OSCAR ISAAC
For thirty years, Area X has remained mysterious and remote behind its intangible border - an environmental disaster zone, though to all appearances an abundant wilderness.
The Southern Reach, a secretive government agency, has sent eleven expeditions to investigate Area X. One has ended in mass suicide, another in a hail of gunfire, the eleventh in a fatal cancer epidemic.
Travel and writing are my two great passions. Since I was a child, I escaped reality by escaping into my own mind. I had relied on my stories of the warrior queens ever since I learned about them as a child. It was only a few years ago, when I lived in Geneva, that I had a memory flash at me of the statue of Queen Lakshmi Bai of Jhansi on a rearing horse with a curved sword held in one hand. I knew then that it was time to tell a story—my own story and that of my favorite warrior queens.
This is a surprising book because while it is certainly macabre, it’s not morbid (at least not for me) and is strangely entertaining. It demystifies the human body and the process of death and dying.
Even as the author delves into every aspect of dead bodies, she does so with compassion and humor. Rooted and backed up with science, this book held my interest from beginning to end, and I read it non-stop for over a day and a half. Despite its grave subject matter, this book is not dark or scary. It’s matter-of-fact and very educational.
For two thousand years, cadavers - some willingly, some unwittingly - have been involved in science's boldest strides and weirdest undertakings. They've tested France's first guillotines, ridden the NASA Space Shuttle, been crucified in a Parisian laboratory to test the authenticity of the Shroud of Turin, and helped solve the mystery of TWA Flight 800. For every new surgical procedure, from heart transplants to gender confirmation surgery, cadavers have helped make history in their quiet way. "Delightful-though never disrespectful" (Les Simpson, Time Out New York), Stiff investigates the strange lives of our bodies postmortem and answers the question: What should…
I’ve been fascinated by haunted houses and the lore behind them ever since childhood. I spent my summers walking our neighborhood cemetery and devouring novels by Stephen King, Dean Koontz, and Shirley Jackson. It was only natural, then, that my debut novel had to be a haunted house story—my own love letter to the genre. Having lived in a haunted house myself, the experiences I had within those walls did little to discourage my fascination with the paranormal. While I may have left my ghosts behind me, you can still sense their lingering presence inside Parting the Veil.
I love a classic, gothic haunted house story with an unexpected twist, and Priory delivers. When Oliver Hardacre returns to his namesake home, located outside the gloriously atmospheric Yorkshire town of Whitby, he opens the door to his past. The narrative is told from Oliver’s modern perspective and his mother’s point of view in the 1970s, when Oliver and his brother were children at Hardacre Priory. Replete with dark, twisted secrets and multi-layered, complex characters, Wright’s sentient, menacing estate comes alive under her masterful touch. This is a short read, easily finished in one sitting. Crack it open on a foggy morning, with a spot of tea and a blanket to cut the chill.
Memories are like ghosts. They linger in doorways, whisper with the howling wind when lightning strikes. They are the dark phantoms of my youth. My mind buried my memories for good reason, and I spent forty years believing I could escape them.
Until with one phone call, I found myself in my childhood home: Hardacre Priory.
I knew from the first step through the door that it was all over. The forgotten events of 1979 leapt to the surface and screamed their truths. Everything I thought to be true was a lie.…
I’ve been a fan of horror—specifically, supernatural horror—for as long as I can remember. Though the topic of life after death is perhaps one of the most long-standing debates in existence, almost every family has a story or two about things that can’t be explained. I’ve turned my lifelong interest in death, the occult, and how the two can coexist, into slow-burn horror stories for people who like a little weird with their fear. Stories that explore the beautiful complexity of queer people. Stories for the strange at heart.
This book is fast and punchy. It’s filled with twists and a high level of unnerving emotions. Set during autumn harvest, this is an absolutely perfect Halloween read. It is rather short, which means a fast reader or someone with some time could devour it in a day or two. There’s also an upcoming film adaptation.
It is Halloween, 1963. They call him the October Boy, or Ol' Hacksaw Face, or Sawtooth Jack. Whatever the name, everybody in this small Midwestern town knows who he is. How he rises from the cornfields every Halloween, a butcher knife in his hand, and makes his way toward town, where gangs of teenage boys eagerly await their chance to confront the legendary nightmare. Both the hunter and the hunted, the October Boy is the prize in an annual rite of life and death. Pete McCormick knows that killing the October Boy is his one chance to escape a dead-end…
I'm a horror writer based in Colorado, and I spent my childhood in a variety of wild, untamed places. Horror that uses location as its antagonist is one of my favorite things because I understand how quickly–and easily–a beautiful place can become sinister. It’s not enough to go to a scary place; these books are about what happens when the scary place starts to grow roots inside you, how it changes you. I have written two books that deal with this to some extent, the first about an abandoned coal mine, and the second about Antarctica, and if you like any of these, I hope you’ll consider trying one of mine!
The Hollow Places follows Kara, who has returned to her childhood home in North Carolina, as she takes over running her uncle’s museum of eccentricities after he’s injured. If you love nature-based horror as much as I do, this is a must-read–when a portal opens up in the museum, Kara goes through it into a willow-filled, marshy world of rivers and doors and terrifying, hungry creatures. She has to find a way to protect her home from this new world, which seems desperate to spill into hers and consume it, leaving it hollow.
Recently divorced and staring down the barrel of moving back in with her parents, Carrot really needs a break. And a place to live. So when her Uncle Earl, owner of the eclectic Wonder Museum, asks her to stay with him in exchange for cataloguing the exhibits, of course she says yes.
The Wonder Museum is packed with taxidermy, shrunken heads, and an assortment of Mystery Junk. For Carrot, it's not creepy at all: she grew up with it. What's creepy is the hole that's been knocked in one of the museum walls, and the corridor behind it. There's just…
I have written nine crime novels, mostly psychological thrillers, but some blend procedural and PI elements and two are gangland stories. I went to the BRIT school in the 90’s and studied Drama and English Literature at University. I always think that my Performing Arts background gave me a great tool kit for ‘getting into character’ which is useful for writing. I also have an MA in journalism but I definitely prefer fiction to fact. I love the immediacy of first person prose and I am a sucker for an unreliable narrator.
This is a book told from the point of view of Mother Rob and her daughter Callie.
It deals with topics of child psychopathy and innate evil and is beautifully written. I’m a huge fan of Catriona Ward’s and was torn between this book or The Last House On Needless Street but I really enjoyed the exploration of motherhood and childhood here and found myself rooting for the characters long after I turned the last page.
Like all of Ward’s books, Sundial has strong horror vibes and the world we are drawn into is full of lush descriptions but it is the characters that really stand out to me. This book also has some really good twists.
“DO NOT MISS THIS BOOK. Authentically terrifying.” —Stephen King
Sharp as a snakebite, Sundial is a gripping novel about the secrets we bury from the ones we love most, from Catriona Ward, the author of The Last House on Needless Street.
You can't escape what's in your blood...
Rob has spent her life running from Sundial, the family’s ranch deep in the Mojave Desert, and her childhood memories.
But she’s worried about her daughter, Callie, who collects animal bones and whispers to imaginary friends. It reminds her of a darkness that runs in her family, and Rob knows it’s time…
Since I was a child, stories steeped in secrets have fascinated me. I spent many hours devouring books about detectives and spies, shadows and deceit. As an adult, it is a rare treat to discover one that is so engaging I must know how it unfolds as soon as possible, and is told in a way that leaves me surprised by how it ends. Each of these books is deliciously tricky, inspiring me to read quickly, before the ghosts between the pages could escape to haunt me.
An allegedly haunted house, an evil step-sister, an abandoned and rotting town, and distrustful neighbors crowd together in this sharply told story about a girl running from her past. With each page, my paranoia grew until there was no easy way to tell what was real, and what was a red herring. This book was freaky. I was afraid to read it late at night because if I did, my over-active imagination would absolutely torture me with sinister nightmares.
The Haunting of Hill House meets Get Out in this chilling YA psychological thriller and modern take on the classic haunted house story from New York Times bestselling author Tiffany D. Jackson!
Marigold is running from ghosts. The phantoms of her old life keep haunting her, but a move with her newly blended family from their small California beach town to the embattled Midwestern city of Cedarville might be the fresh start she needs. Her mom has accepted a new job with the Sterling Foundation that comes with a free house, one that Mari now has to share with her…
I’ve been fascinated by haunted houses and the lore behind them ever since childhood. I spent my summers walking our neighborhood cemetery and devouring novels by Stephen King, Dean Koontz, and Shirley Jackson. It was only natural, then, that my debut novel had to be a haunted house story—my own love letter to the genre. Having lived in a haunted house myself, the experiences I had within those walls did little to discourage my fascination with the paranormal. While I may have left my ghosts behind me, you can still sense their lingering presence inside Parting the Veil.
There’s no place like home, especially when it’s Wakefield Manor, where ghosts and memories are trapped in an endless loop. When the introverted, quirky protagonist Sam (who reminded me of my favorite Shirley Jackson character—Merricat Blackwood) is forced to welcome her estranged, pregnant sister back to the decaying family manor, Sam’s already-frayed nerves are pushed to the limit. But when her sister’s arrival becomes the catalyst for disturbing visions of a faceless boy with a penchant for cruelty, Sam seeks answers in the claustrophobic halls of her ancestral home. Who is this monstrous, cruel boy? What does he want? Seething with tumultuous family dynamicsand a plot as complex as it is unsettling, the atmosphere of It Will Just Be Ushad me enraptured from the very first pages and didn’t let go until the gasp-inducing ending.
A terrifying new gothic horror novel about two sisters and a haunted house that never sleeps, perfect for fans of Shirley Jackson's We Have Always Lived in the Castle.
They say there's a door in Wakefield that never opens...
Sam Wakefield's ancestral home, a decaying mansion built on the edge of a swamp, isn't a place for children. Its labyrinthine halls, built by her mad ancestors, are filled with echoes of the past: ghosts and memories knotted together as one. In the presence of phantoms, it's all Sam can do to disentangle past from present in her daily life.
