Here are 89 books that The Bone Houses fans have personally recommended if you like
The Bone Houses.
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I have always been eager to read weird, speculative, sapphic stories, but they were difficult to find throughout my early life. As a teenager, I started to write them, creating what I hoped to see in the world, and I haven’t stopped since. I’m thrilled to see that this niche is becoming more common and celebrated, particularly in the more experimental short fiction space. As an adult, I’ve had many weird, speculative, sapphic short stories and novelettes published, including one that won the Best of the Net award and two that were shortlisted for Brave New Weird: The Best New Weird Horror.
I was pleasantly surprised by just how weird this book is.
It is, as it was often marketed to me, “gay necromancers in space,” but it’s so much more than that. Disorientation, cerebral puzzles, and intricate worldbuilding permeate this whole book from chapter one. Tamsyn Muir is unapologetic about writing exactly what she wants, even if it’s outside a lot of readers’ comfort zones.
I found the strangeness of the societies, the challenges, and the mysteries woven into this book intriguing. It’s a murder mystery! In a high-stakes competition! With queer female main characters who have a lot of friction but are nonetheless deeply devoted to each other!
I loved how new and fresh it felt and that I couldn’t predict what would happen next.
15+ pages of new, original content, including a glossary of terms, in-universe writings, and more!
A USA Today Best-Selling Novel!
"Unlike anything I've ever read. " --V.E. Schwab
"Lesbian necromancers explore a haunted gothic palace in space!" --Charles Stross
"Brilliantly original, messy and weird straight through." --NPR
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead nonsense.
Tamsyn Muir's Gideon the Ninth, first in The Locked Tomb Trilogy, unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as…
I am an art historian, curator, and speculative fiction writer from Croatia, and I’ve always been in love with folklore, mythology, and all things ancient. In my work, I always try to blend real historical details with magic, and I adore secondary worlds that are immersive and solid enough to walk into yet different from our own.
This is a perfect wintry read for me: a book set in the dark, snow-laden forests filled with dangerous creatures who stepped right out of the Russian folk tales.
I love the main protagonist, Vasya, a brave, stubborn girl who fights to protect her family. I found the story immersive and unputdownable, filled with darkness and enchanting beauty, and I wholeheartedly recommend it, as well as its two sequels in the Winternight Trilogy.
_____________________________ Beware the evil in the woods...
In a village at the edge of the wilderness of northern Russia, where the winds blow cold and the snow falls many months of the year, an elderly servant tells stories of sorcery, folklore and the Winter King to the children of the family, tales of old magic frowned upon by the church.
But for the young, wild Vasya these are far more than just stories. She alone can see the house spirits that guard her home, and sense the growing forces of dark magic in the woods. . .
Growing up in California, I was enchanted by the idea of New York City—largely due to the visions of it I found in the books on this list. I’ve now lived in NYC for 20 years and love matching real locations with their versions in my imagination. In my time in the city I’ve been a staff writer for Newsweek Magazine, an editor at Scholastic, and a freelancer for many publications including The New York Times and The Washington Post. I’m currently working on a second novel.
Miranda Sinclair is a latchkey kid who lives with her single mom on the Upper West Side of New York City in the late 1970s. I love the way Miranda navigates her dirty, dangerous, yet enchanting city – her street smarts, her fears, her relationships with the adults in the neighborhood who keep a watchful eye over her. And the book, while totally gritty and real, also has a lovely, melancholy element of magical realism that makes the story mysterious and poignant.
Miranda's life is starting to unravel. Her best friend, Sal, gets punched by a kid on the street for what seems like no reason, and he shuts Miranda out of his life. The key that Miranda's mum keeps hidden for emergencies is stolen. And then a mysterious note arrives: 'I am coming to save your friend's life, and my own. I ask two favours. First, you must write me a letter.'
The notes keep coming, and Miranda slowly realises that whoever is leaving them knows things no one should know. Each message brings her closer to believing that only she…
I always want to be where I am not. This was why I read sci-fi and fantasy as a child. This was why I left the country of my birth and became a professional nomad. This is why I am spellbound by mountains I will never climb and oceans I will never dive into. Imagination can take you everywhere. It took me to the academy, where speculative literature became my scholarly field, and to the publishing world, where I am now getting ready for the launch of my eighth novel. When you are at home nowhere, you are at home everywhere–including on the summits of impossible mountains.
In Svetlana's country, it’s a felony to break a mirror. Mirrors are conduits of the Voice, the deity worshiped by all who follow Light. The Voice protects humans of MotherLand from the dangers that beset them on all sides: an invading army of wolf-headed men on their borders and the infectious, ever-evolving, zombie-like Enemy that plagues them at home. When Svetlana meets Andrei, a traumatized and amnesiac soldier from another war, she embarks on a harrowing journey of adventure and self-discovery that leads her to question everything she was taught to…
A voice through Svetlana's mirror guides her beloved MotherLand from behind its' electric tower. The war with Wulfstan is not going as well as Sveta and her parents hope, but Sveta trusts the Voice. When her best friend Tattie goes missing, and Sveta saves Andrei, a soldier in summer uniform in the dead of winter, it takes Sveta through a crucible of Light, doubt, and back to the altar of true belief. Girl of Light unravels Sveta's beloved MotherLand in a war-torn adventure through monsters, missing eyes and broken mirrors.
I’m an award-winning and USA Today Best-Selling author whose work includes everything from short stories in school journals to horror and epic fantasy. But I’ve long been obsessed with books that work as well for adults as they do for children. The prose must be beautiful and designed to read aloud; the plot must be on point, and the characters must be compelling. And all of this with a PG rating. A tricky ask, even when the authors haven’t added Easter egg extras for adults. It’s because of this that I believe these are some of the best fantasy books ever written. So, enjoy!
“Doors are very powerful things. Things are different on either side of them”’
I love this quote. There’s nothing like the threshold of a door when it comes to story magic! It’s steeped in tradition since long before Roman times. And Diana Wynne Jones is the underrated Queen of this whimsical genre. Her words flow so beautifully, and not only that, her characters are the cutest. I fell in love with Calcifer, the little fire demon, and the headstrong Sophie.
Now an animated movie from Studio Ghibli and Hayao Miyazaki, the oscar-winning director of Spirited Away
In this beloved modern classic, young Sophie Hatter from the land of Ingary catches the unwelcome attention of the Witch of the Waste and is put under a spell...
Deciding she has nothing more to lose, Sophie makes her way to the moving castle that hovers on the hills above her town, Market Chipping. But the castle belongs to the dreaded Wizard Howl, whose appetite, they say, is satisfied only by the souls of young girls...
There Sophie meets Michael, Howl's apprentice, and Calcifer…
As a writer who's struggled through building a lot of worlds and making them credible, I always admire a writer who can make me believe their world from the first paragraph. That conviction should go beyond belief. The reader should have great anticipation watching this world unfold, in learning how it works. All the writers I've mentioned achieved this goal, and exceeded it. My hat is off to them.
I loved The Rook for its amazing originality, the bizarre forms of magic shown by the various employees of the Checquy, and the true grit of the Rook, a young woman whose magic simply explodes when she's threatened. Though she's lost her memory, she's left herself notes in anticipation of that very thing! You have to admire her.
The body you are wearing used to be mine.' So begins the letter Myfanwy Thomas is holding when she awakes in a London park surrounded by bodies all wearing latex gloves. With no recollection of who she is, Myfanwy must follow the instructions her former self left behind to discover her identity and track down the agents who want to destroy her. She soon learns that she is a Rook, a high-ranking member of a secret organization called the Chequy that battles the many supernatural forces at work in Britain. She also discovers that she possesses a rare, potentially deadly…
I’m a Black woman who writes stories about Black girls who aren’t all that nice. And, to me, that means writing stories where Black girls are at the forefront of their stories and given the space to be whoever they are, wholly and without minimizing their character to make them fit into neat boxes next to others. I do this because being able to take up space as you are is, oftentimes, a privilege. And I want to make sure the stories I write offer that space to every reader who picks up one of my books.
I would not be a writer had I not read this book. It was the first time I saw a Black girl be the main character in a fantasy novel, and she doesn’t limit herself to playing by the rules.
Jane McKeene is a troublemaker with a smart mouth, but she’s fearless against the shamblers (zombies), resourceful, and her complicated friendship with Kate was something I loved every minute of.
Trained at Miss Preston's School of Combat for Negro Girls in both weaponry and etiquette, Jane McKeene is poised for a successful career protecting the wealthy from the encroaching plague of walking dead. But when families begin to go missing, Jane uncovers a conspiracy that pits her against some powerful enemies. Sent far from home, Jane will need all her resourcefulness, wit and strength of character to survive.
A powerful, compelling tale of a young girl's journey through a hostile world, Jane McKeene is an unforgettable protagonist, and Dread Nation is an unforgettable book.
I’ve spent pretty much my entire adult life as a journalist, a dining critic, or a humor columnist. But over the past ten years, my reading choices have been influenced less by, say, The New Yorker, than by my daughter, Hannah. As she grew from Knuffle Bunny to Junie B. Jones to Judy Moody, so did I. And when she began reading middle-grade novels, I did too. Then I began writing them. There is something amazing about the endless possibilities of a kid’s imagination before they get cynical and start to care about things like being cool that makes middle-grade the sweet spot for ideas. It’s like Hannah came along and recalibrated my brain—for reading and writing alike.
This madcap book, about a boy and girl who discover a crazy mansion in the forest that looks like it was built by a drunken madman, made me laugh out loud. As they join forces with the house’s unforgettably weird inhabitants to try to save the house from the wrecking ball of a “crazed bureaucrat,” it’s impossible not to be drawn in. It’s one of those quirky adventure stories where every twist and turn comes from seemingly nowhere, while also making perfect sense. Plus: wild boars! Graff has made a career out of creative stories populated with memorably eccentric characters, and this one is my favorite.
A wild and whimsical adventure story, perfect for fans of Escape from Mr. Lemoncello’s Library
Brian can think of a few places he'd rather spend his summer than with his aunt and uncle in Boring, Illinois. Jail, for example. Or an earplug factory. Anything would be better than doing summer school on a computer while his scientist dad is stationed at the South Pole.
Boring lives up to its name until Brian and his cousin Nora have a fight, get lost, and discover a huge, wooden house in the forest. With balconies, turrets, and windows seemingly stuck on at random,…
I’ve spent pretty much my entire adult life as a journalist, a dining critic, or a humor columnist. But over the past ten years, my reading choices have been influenced less by, say, The New Yorker, than by my daughter, Hannah. As she grew from Knuffle Bunny to Junie B. Jones to Judy Moody, so did I. And when she began reading middle-grade novels, I did too. Then I began writing them. There is something amazing about the endless possibilities of a kid’s imagination before they get cynical and start to care about things like being cool that makes middle-grade the sweet spot for ideas. It’s like Hannah came along and recalibrated my brain—for reading and writing alike.
Lois Ruby is a YA veteran who has more than 20 books to her name, many of them historical fiction, including the beloved Steal Away Home, which appeared on basically every year-end best list back in 1994. She also happens to be my mom. And her latest book, which takes place during the “red scare” of the 1950s, is among her best. It’s a tense story about a baseball-crazy 13-year-old boy whose parents are accused of being communist sympathizers, turning his life upside down when he’s supposed to be studying for his bar mitzvah. The clock-ticking backdrop, leading up to the notorious execution of Julius and Ethel Rosenberg for supposedly passing on nuclear secrets to the Soviets, gives the whole book terrifyingly high stakes.
A suspenseful and heartfelt story about an era whose uncertainties, controversies, and dangers will seem anything but distant to contemporary readers.
If thirteen-year-old Marty Rafner had his way, he'd spend the summer of 1953 warming the bench for his baseball team, listening to Yankees games on the radio, and avoiding preparations for his bar mitzvah. Instead, he has to deal with FBI agents staking out his house because his parents―professors at the local college―are suspected communist sympathizers. Marty knows what happens to communists, or Reds, as his friends call them: They lose their jobs, get deported...or worse. Two people he's…
I’ve spent pretty much my entire adult life as a journalist, a dining critic, or a humor columnist. But over the past ten years, my reading choices have been influenced less by, say, The New Yorker, than by my daughter, Hannah. As she grew from Knuffle Bunny to Junie B. Jones to Judy Moody, so did I. And when she began reading middle-grade novels, I did too. Then I began writing them. There is something amazing about the endless possibilities of a kid’s imagination before they get cynical and start to care about things like being cool that makes middle-grade the sweet spot for ideas. It’s like Hannah came along and recalibrated my brain—for reading and writing alike.
I admit I have never entirely warmed to most graphic novels, but this one, the first in the Bone series, is timeless. The epic adventures of cousins Fone Bone, Smiley Bone, and Phoney Bone—all of whom look like a cross between Casper the Friendly Ghost and a giant tooth—start here with lots of slapstick and cutesy animals. But there’s a lot going on under the surface. It’s a twisted fairy tale with striking art, endearing characters, and swashbuckling adventure. The whole thing is packed with so many whimsical ideas and situations that whenever I read it, I find myself energized and eager to write.
Jeff Smith's New York Times and USA Today bestselling, award-winning BONE books are one of the most popular graphic novel series of all time. Read the first book in this thrilling adventure!After being run out of Boneville, the three Bone cousins -- Fone Bone, Phoney Bone, and Smiley Bone -- are separated and lost in a vast, uncharted desert. One by one, they find their way into a deep, forested valley filled with wonderful and terrifying creatures.Eventually, the cousins are reunited at a farmstead run by tough Gran'ma Ben and her spirited granddaughter, Thorn. But little do the Bones know,…
I grew up in a small town full of ghosts. They broke plates in a doctor’s office-turned-restaurant, feuded in a house built by twins, emerged from cornfields to stand in our headlights, and turned headstones blue in a cemetery where tombstones protruded from the ground like jagged teeth. The stories that surrounded me while I was a teen still bleed into my writing. And as reader, I gravitate toward books that are atmospheric, rich in moments of magic or the unreal, and riddled with stories of the past and long-forgotten.
As one of four sisters, I appreciate a good sister story because there’s always something going on under the surface. House of Hollow is no different. There’s the complicated dynamic of the three sisters—the model and fashion designer, the grunge musician, and the loner high school student—revealed when the eldest goes missing and the two younger sisters search for her. And then there’s the twist of something otherworldly—the fact that the girls disappeared for a month as children, reappearing with black eyes, white hair, mysterious scars, and the ability to entrance others with their scent and touch. I couldn’t stop turning the pages.
'A gorgeous, grisly modern fairy tale.' - THE GUARDIAN
'Dark and delicious. House of Hollow hums with malice and mystery. I devoured it whole.' - KIRAN MILLWOOD HARGRAVE
** SHORTLISTED FOR THE YA BOOK PRIZE 2022 **
The Hollow sisters - Vivi, Grey and Iris - are as seductively glamorous as they are mysterious. They have black eyes and hair as white as milk. The Hollow sisters don't have friends - they don't need them. They move through the corridors like sharks, the other little fish parting around them, whispering behind their backs.
