For whatever reason, I have always been interested in sad men. Successful men can be boring. It is failure, and how men manage it when success is the primary marker of masculinity, that I find interesting as a subject for fiction. Even when I was in my 20s, I liked reading novels about men suffering mid-life crisis. And now that I am squarely in middle age, novels that were about the future are now novels about the present.
I have returned to many of these stories over and over again through the years—for Cheever’s prose, for his sense of what makes men tick. On one level, I can’t quite relate to white suburban husbands in upstate New York in the 1950s and 60s. And yet, somehow, they seem profoundly familiar.
John Cheever's Collected Stories explores the delicate psychological frameworks of 20th century suburbia.
WITH AN INTRODUCTION BY HANIF KUREISHI
This outstanding collection by Pulitzer Prize-winning novelist John Cheever shows the power and range of one of the finest short story writers of the last century. Stories of love and of squalor, they include masterpieces such as 'The Swimmer' and 'Goodbye, My Brother' and date from the time of his honourable discharge from the Army at the end of the Second World War.
I’m a Korean American author who believes life is too short to read books that bore you, classics or otherwise. I’ve always had eclectic tastes and like to pick out books the way customers choose bonbons at my chocolate shop (which I’ve co-owned since 1984). And while I do read and often write longer works, I’ve always preferred to fall into a world from the opening line and bow out soon thereafter. By nature, I’m a minimalist – and maybe don’t have the greatest attention span – so I’m in awe of short works that stand on their own. They’re just more dramatic and memorable to me.
This seven-story collection serves as a great introduction to Chekov, period. I was first introduced to his work in a Russian literature course – and ended up writing my final paper on his “The Kiss”, a work that has always stayed with me. I’ve always taken an interest in a theory known as “the looking-glass self,” coined by sociologist Charles Cooley – which hypothesizes that your behavior is based on how you perceive others see you. So, if you were ridiculed in elementary school, you’ll always revert to how you felt back then when you see former schoolmates. On the other hand, if you were idolized in high school, you’ll still feel like prom queen or king at your 40th class reunion. This behavior was artfully displayed in “The Kiss,” a sad tale about a wallflower of a Russian soldier who develops a sense of confidence if not bravado…
A selection of ten stories written when Chekhov had reached his maturity as a short storywriter, between 1887 and 1902. They show him as a master of compression and a probing analyst, unmasking the mediocrity, lack of ideals, and spiritual and physical inertia of his generation. In these grim pictures of peasant life, and telling portraits of men and women enmeshed in trivialities, in the finely observed, suffocating atmosphere of provincial towns with their pompous officials, frustrated, self-seeking wives, spineless husbands, Chekhov does not expound any system of morality, but leaves the reader to draw what conclusion he will.
I’m a Korean American author who believes life is too short to read books that bore you, classics or otherwise. I’ve always had eclectic tastes and like to pick out books the way customers choose bonbons at my chocolate shop (which I’ve co-owned since 1984). And while I do read and often write longer works, I’ve always preferred to fall into a world from the opening line and bow out soon thereafter. By nature, I’m a minimalist – and maybe don’t have the greatest attention span – so I’m in awe of short works that stand on their own. They’re just more dramatic and memorable to me.
Every work I’ve read by Carver reminds me of his singular gift; others may write in the same vein by creating stories with characters whose cigarettes and drinks lure them deeper into their desperation. But these writers, however good, lack the gift, the blood, to run so deeply that, well, one line in and you’re haunted. This particular collection contains my two favorite Carver stories: “Cathedral” and “A Small, Good Thing.” Indeed, in everyday conversation, I often use the phrase a small, good thing – as if everyone knows the story.
A collection of short stories which includes 'Vitamins' and 'A Small Good Thing', which were used in Robert Altman's film, 'Short Cuts'. First published in the US and now available in paperback in the UK.
I’m a Korean American author who believes life is too short to read books that bore you, classics or otherwise. I’ve always had eclectic tastes and like to pick out books the way customers choose bonbons at my chocolate shop (which I’ve co-owned since 1984). And while I do read and often write longer works, I’ve always preferred to fall into a world from the opening line and bow out soon thereafter. By nature, I’m a minimalist – and maybe don’t have the greatest attention span – so I’m in awe of short works that stand on their own. They’re just more dramatic and memorable to me.
Years ago, someone gave this book to me for Valentine’s Day; and I literally drowned in the pages, the naked emotion. The next Valentine’s Day I bought copies for several friends. I would call this collection more beautiful than romantic; with each love letter, you hear love from various perspectives and time periods.
If a picture speaks a thousand words, a love letter speaks a thousand more . . .
Even in this age of e-mail, faxes, and instant messaging, nothing has ever replaced the power of a love letter. Much the way light displays every color when passed through a prism, love letters express the spectrum of our emotions, offering a colorful glimpse into the soul of the writer, and of the writer’s beloved. For passionate readers and lovers of words, a letter is irresistible.
Internationally renowned collector David Lowenherz sifted through hundreds and hundreds of historical and contemporary epistles and selected…
Memory is capricious and impacts our view of the past. That’s why I do what I do! I am a twenty-year museum professional who began my career at Conner Prairie Interactive History Park, worked at the Denver Museum of Nature & Science for almost ten years, and am now part of the Arts & History department at the City and County of Broomfield. I have designed and developed programs and events, as well as managed teams in each of these stops. I seek to illuminate stories, elevate critical voices, and advocate for equity through the unique pathways of the arts, history, and museum magic.
I attended a university just down the road from Marion, Indiana, the site of an infamous lynching of two Black men (and the attempted lynching of a third) in 1930.
The prison from which these men were forcibly taken still stands on the main square in Marion. Many textbooks use the grisly photograph that Lawrence Beitler took of this event to illustrate the horrors of violence against African-Americans in postbellum United States.
Madison deftly weaves the lives, stories, and memories of resilient Black residents of Marion today with the story of the hate-filled mob that lynched Abram Smith and Thomas Shipp and the aftermath of the event in the community to illustrate that individual choices matter, and that how we view the past is shaped profoundly by historical trauma.
On a hot summer night in 1930, three black teenagers accused of murdering a young white man and raping his girlfriend waited for justice in an Indiana jail. A mob dragged them from the jail and lynched two of them. No one in Marion, Indiana was ever punished for the murders. In this gripping account, James H. Madison refutes the popular perception that lynching was confined to the South, and clarifies 20th century America's painful encounters with race, justice, and memory.
For the past two decades, I have written about the intersection of people and place, particularly as viewed through the lens of geology and how it influences our lives. My nine books include Too High and Too Steep: Reshaping Seattle’s Topography, Cairns: Messengers in Stone, and Homewaters: A Human and Natural History of Puget Sound. All of them have a goal of helping people develop a better connection with the natural world around them.
Not only does geology shape the land, it can also shape the lives of those who quarry the stone. Rarely is this relationship between human and rock better portrayed than in Scott Russell Sanders’ thoughtful essays about the limestone country around Bedford, Indiana. With graceful and respectful prose, he tells the stories of a “piece of earth where the accidents of geology have yielded a special kind of stone, and where landscapes, towns, and the people themselves bear the mark of that stone.” And, if you seek to see this story on film, I can also recommend one of my favorite movies, Breaking Away, a humorous and passionate portrayal of life and biking in limestone country.
From a patch of land in southern Indiana has come the stone for many of the country's most famous buildings, including the Washington Cathedral, the Pentagon, the Empire State Building, and Chicago's Tribune Tower. If you live anywhere within the lower forty-eight states you probably live within walking distance of library, bank, monument, church, house or skyscraper built with Indiana limestone. In Limestone Country is the story of the stone, from its geologic origins through its mining history to the present. Sanders records the folklore, the craft, the distinct culture that has grown up around Indiana limestone. Above all we…
I’m a storyteller and jack of all trades who grew up on a family farm in Indiana. I can operate a combine, analyze data, or edit a book. Writing about sports can create great stories, but the true beauty lies in the people and circumstances, not the stats and game highlights. Most of my works are nonfiction—personal interest, sports, history, and sports history. I enjoy unearthing untold stories, especially when they involve equal rights, underdogs, hidden history, and non-famous people. Everyone has a story to tell.
Mike Roos did a great job telling this true story of Indiana high school basketball. Roos’s father was the high school principal that hired that crazy coach referenced in the title. He used extensive interviews and years of rewrites to recreate meetings, locker room pep talks, and dialogue. Not only is this a good story, but Roos showed readers what is wonderful about creative nonfiction. It reads like a novel, but it’s genuine nonfiction.
In the summer of 1962, the peripatetic and irrepressible Pete Gill was hired on a whim to coach basketball at tiny Ireland High School. There he would accomplish, against enormous odds, one of the great small-town feats in Indiana basketball history. With no starters taller than 5'10", few wins were predicted for the Spuds. Yet, after inflicting brutal preseason conditioning, employing a variety of unconventional motivational tactics, and overcoming fierce opposition, Gill molded the Spuds into a winning team that brought home the town's first and only sectional and regional titles. Relying on narrative strategies of creative nonfiction rather than…
I had a rotten childhood. Stuck in bed with asthma, I couldn’t do sports; but I could roam space and time with books, especially science fiction. Yet when I tried to re-read my beloved sci-fi titles as an adult, I got a shock. The books with sound science had terrible writing; the well-written books were full of scientific schlock. I realized that if I wanted sci-fi that was both technically astute and rewarding to read, I’d have to write it myself. And so I did.
My friends and I discovered Raintree County as undergrads, and found in it everything that matters – history, character, politics, and above all action. Here is life with all its pleasure and horror, apostasy and faith, sacrifice and victory. Here too is the core of American democracy, its glories and fiascos: a love letter to the Republic, more than ever relevant in the factional bitterness of today. An unforgettable novel from a man who killed himself at 34.
Throughout a single day in 1892, John Shawnessy recalls the great moments of his life—from the love affairs of his youth in Indiana, to the battles of the Civil War, to the politics of the Gilded Age, to his homecoming as schoolteacher, husband, and father. Shawnessy is the epitome of the place and period in which he lives, a rural land of springlike women, shady gamblers, wandering vagabonds, and soapbox orators. Yet here on the banks of the Shawmucky River, which weaves its primitive course through Raintree County, Indiana, he also feels and obeys ancient rhythms. A number-one bestseller when…
I was introduced to sports, specifically basketball, at a very young age and have been obsessed ever since. My first dream was to make it to the NBA, but I realized fairly early on that 1) I’m of average height, which means I’m very small for basketball, and, more importantly, 2) I’m not good enough to play in the NBA. So, I pivoted to writing and have been extremely fortunate to carve out a career that combines my two greatest passions. I’ve worked for SLAM Magazine, Sports Illustrated, the New York Post, and the NBA. I don’t know much, but I know sports books. Really hope you enjoy these!
This book is what happens when you give an incredible writer incredible access to an incredible subject.
The late Bob Knight allowed John Feinstein to essentially join his team, the Indiana Hoosiers, for the 1985-86 season, and the result is a deeply compelling and extremely engaging profile of the legendary coach, whose style was… unorthodox, to say the least.
Decades after it spent weeks at #1 on the New York Times bestseller list, A Season on the Brink remains the most celebrated basketball book ever written—an unforgettable chronicle of his year spent following the Indiana Hoosiers and their fiery coach Bob Knight.
Granted unprecedented access to legendary coach Bob Knight and the Indiana Hoosiers during the 1985–86 season, John Feinstein saw and heard it all—practices, team meetings, strategy sessions, and midgame huddles—as the team worked to return to championship form. The result is an unforgettable chronicle that not only captures the drama and pressure of big-time college basketball but…
I read my first crime thriller at the age of 12, and since then I’ve always had a passion to write my own stories. Although I’ve never worked as a police officer, I spent close to 10 years working as an IT consultant to multiple police forces in Australia before retiring to write full-time. The time spent working closely with law enforcement gave me a ‘feel’ for how police forces operate and helped me gravitate towards the police procedural genre. A book that moved at the pace of most police investigations would never sell and I love the challenge of making the stories authentic but still moving at a pace to keep the reader captivated.
The Jack Reacher character is arguably the best-known protagonist in the mystery thriller genre. In most novels I’ve ever read, the main character has a character arc where the protagonist learns from his adventures, trials, and tribulations and becomes a better person (or in some cases the opposite). Whatever the trajectory, the character changes over time, but in Lee Childs’ books, the Jack Reacher character never changes. Reacher is your quintessential flat line – nothing phases him and nothing ever changes him. He's a drifter, who walks the USA with a toothbrush in one pocket and an ATM card in the other. Reacher likes to stay out of trouble, but he’s not afraid to confront it either when it finds him. It's very hard not to like Jack Reacher and it's even harder not to like Lee Childs books (he's written 27 so far). I always read a Jack Reacher…
A heartland city thrown into terror. But within hours the cops have it solved. A slam-dunk case. Apart from one thing. The accused gunman refuses to talk except for a single phrase:
Get Jack Reacher for me.
Reacher lives off the grid. He's not looking for trouble. But sometimes trouble looks for him. What could connect the noble Reacher to this psychopathic killer?
_________
Although the Jack Reacher can be read in any order, One Shot is the 9th in the series.
And be sure not to miss Reacher's newest adventure, no.27, No Plan B! ***OUT…
