98 books like A Lynching in the Heartland

By turns funny, poignant, and incisive, the late author Tony Horwitz tours the South with a journalist’s eye and a sociologist’s heart.

He bravely takes on the memory of the Civil War through the eyes of reenactors, angry neo-Confederates in bars, and Black museum guides (among many others). I recently re-read this book through the lens of the Black Lives Matter movement and the killing of George Floyd, which touched off numerous protests against monuments to Confederate leaders.

When Horwitz wrote this book in the late 1990s, it seemed unlikely that Monument Avenue in Richmond would ever change. In the case of monuments to problematic historic figures, at least, people’s perspectives have indeed shifted over time. Horwitz’s book is a great reminder that change is possible!

No Dark Academia list would be complete without The Secret History—Donna Tartt’s 1992-debut (!) has come to define the genre.

Among the many things I love about this novel are that it’s a mystery told in reverse, and a meditation on toxic friendships between students at a top-tier institution, which explores the darker corners of the human psyche contained within classical texts.

It’s a book I come back to again and again, and Tartt’s effortless style has influenced my own writing. There’s an intimacy here, and readers will feel as if they, too, are starting their campus journey together with newcomer Richard Papen, at a college based on Tartt’s own alma mater, Bennington.

Dee Brown’s landmark 1970 book Bury My Heart at Wounded Knee provided a beautiful and much-needed antidote to the ‘march of the pioneers’ and Manifest Destiny narratives that held sway over much of the history of the western United States from 1850s-1890.

Over time, however, Brown’s book (and more specifically the massacre at Wounded Knee) became calcified as the ‘end point’ of histories about indigenous people. Treuer challenges this perspective by showcasing native resistance, resilience, and flourishing in the wake of Wounded Knee. Indigenous history is deep, varied, and filled with fascinating people and events—Treuer shows us how to find hope and joy in history even though there is also profound pain.

Born in 1979, I’m part of the final gasp of Generation X. Klosterman uses pop culture trends and the rise of the internet and cellphones as framing for understanding how Generation X formed its view of the world and its place in it.

A fun musing on the profound changes to society and communication that took place over the decade of the 1990s, The Nineties reminds us that it wasn’t all that long ago that we got most of our news from the TV, magazines, or the newspaper, and that the 90s shaped my generation in a multitude of ways.

Like all the young girls in this shortlist of coming-of-age stories, Ashley C. Ford (one of Angelou’s literary children) is a survivor hell-bent on finding a life better than the one she was handed, and, like the others, she is remarkably sensitive, imaginative, and able to paint her world for us in the most tender and unique shapes and colors. How does a young girl weather such brutal realities, experience beauty, and splice together a space for her soul? Ford’s memoir is one such contemporary story. 

Throughout the 1960s, NASA tried in vain to lure Black engineers to its Southern Centers.

The agency had its excuses, but as I began to talk to NASA’s Black pioneers, I began hearing vivid descriptions of the terror that kept their friends from going to work with them at NASA. This thought-provoking examination of one of the darkest chapters in American history helps lay out a source of their reticence.

The book delves deep into the socio-political, racial, and cultural factors that led to the widespread practice of lynching. Brundage skillfully portrays the complex web of prejudice, fear, and power dynamics that fueled this brutal form of violence. Through his detailed analysis, we gain a chilling picture and the backstory of what kept NASA so White.

Have you ever dreamed of being someone and somewhere else? I remember being a kid in the summertime when the hot summer in Omaha, Nebraska felt sooooo long and there was nothing to do. Styx Malone (foster child & the cool kid) and brothers Caleb and Bobby Gene are feeling that angst too. To make life more exciting, they concoct a plan to exchange one small thing for something better until they achieve their “wildest dreams” (motorbike). Sometimes it’s the baby sister that’s exchanged for fireworks (I mean, that’s pretty funny, but don’t worry, the baby sister is given back and they get to keep the fireworks). Of course, everything goes awry and gets dangerous and…well, read this book and you’ll be turning the pages at a mad pace, too!

Not for the faint of heart, this collection of lynching images bears witness to the extreme violence used to enforce segregation. Leon Litwack’s introduction contextualizes these displays as violence aimed to reinforce white supremacy and leads the reader through the reality of these events and their lasting consequences on race relations. The photographs are irrefutable evidence of how such events must be recorded to ensure they never again occur. Despite the horror of the images within, this book will forever change your understanding of our past.

We must remember that 1919 also saw unprecedented widespread bloodshed in attacks on Black communities. This wave of violence is remembered as the Red Summer not because it coincided with the Red Scare, but because the worst of it occurred in and around that summer. Krugler gives us the national saga but helpfully zooms in to some of the major clashes to help us understand why and how they occurred – and most of all – how Blacks fought back through self-defense, the Black press, and the courts.

This is a brilliant, harrowing book that should be must-reading for anyone who might still be swayed by the worn-out moonlight-and-magnolias mythology of the “Old South.”

Drawing heavily on a wealth of remarkable first-person testimony, Williams chronicles the systematic brutalization of usually helpless Black women by white men. In particular, she makes all too clear that rape and other forms of sexual abuse were not just incidental but central to the terrorism of the Ku Klux Klan in its campaign to assert power over freed people.

Although women couldn’t vote, the abuse of wives, daughters, sisters, and mothers was a way to intimidate the Black men who could. Williams also shows how that abuse continued long after Reconstruction to become part of the repressive fabric of the Jim Crow era that followed.

I found some of the accounts in Williams’s book difficult to read, but I don’t think the full… show more.