100 books like Two Old Fools on a Camel

This New York Times bestselling memoir of a veteran NASA flight director, tells riveting stories from the early days of the Mercury program through Apollo 11 (the moon landing) and Apollo 13, for both of which Kranz was flight director. As a child of the Apollo era, I was fascinated by the inside story of the moon landing and riveted by how Kranz and his team overcame the impossible and turned a near disaster into a triumph of ingenuity and determination.

A classic biography about one of the Royal Air Force’s most colorful fighter pilots during the early part of the war.  Robert Stanford Tuck was born into a wealthy family, but had an individualistic spirit that was sometimes at odds with that family.  Prior to the war, he went to sea aboard a tramp steamer where he did much growing up. Upon his return, he was drawn to the excitement of flight and joined the Royal Air Force. Not an intrinsically gifted pilot, he nearly washed out of training, but ultimately flourished. He excelled as a leader as one of the “few” during the Battle of Britain. 

I think it is an excellent example of how ingenuity and mutual loving support can overcome an otherwise devastating event.

When Beth Haslam and her hilariously grumpy husband, Jack, and their lovable dogs, set off to buy a second home in rural France, they didn't expect to become part-time foresters, raising rare breed pheasants and caring for wild boar. In this fourth episode of Beth's excellent five-part memoir series, the Haslam's have their lives turned upside-down when a raging storm devastates vast sections of their forest. As if this disaster wasn't already bad enough, the authorities then demanded that the 1,000s of fallen trees be removed. But at what cost? Is their idyllic French retirement over, or can they recover and rebuild without going bust?

With humor and grace, Valerie describes her trials and tribulations as she transitions from a divorce and corporate job in Johannesburg, to renting and eventually purchasing an old barge in the city of Rotterdam in the Netherlands. As she points out, “one of the first things you learn about living on a barge is that an awful lot of stuff is going to end up in the water.”

Author I.S. Berry’s debut is perfect for people like me who love a realistic spy story.

Her protagonist, Shane Collins, is straight out of a John le Carré novel, and his superpower is a dogged determination to end his long, questionable career by doing something right. This jaded spook is in Bahrain, caught up in the Arab Spring.

I adored how Berry captured the reality on the ground and the complexity of the modern world, and I loved the complexity of Shane Collins, a man on his way out who finds real love and something to fight for, maybe for the first time in his life. 

Besides being delighted by the title, I was keen to read this highly-recommended book about moving to Spain. Victoria and her long-suffering husband really did up sticks and buy a home in a tiny mountain village in Andalucía. I was dying to know how they got on.

What a treat. This exquisitely written book is packed with hilarious tales about their property restorations, the local folks, and the battles they have with a psychotic cockerel. Really, it’s true! I learned about the region, loved Victoria’s character descriptions and finished wanting more. Rumour has it that many folks wanted to dash over to Spain to join them after reading this gem – and I’m not surprised. Happily, ‘Chickens’ is the first in a best-selling series from this award-winning author. I have read every book so far, and each has been an absolute winner.

Tormented Voices often brings me close to tears. Although based on records from 800 years ago, it feels very immediate in its account of the lordly oppression that often blighted peasants’ lives.

The records detail villagers’ complaints against knights who had violently forced them to hand over grain, money, or animals. The villagers say that heads were broken, a woman’s nose cut off, houses made uninhabitable, and so on. The villagers employed scribes to write out these complaints to send to their Count-King in Barcelona, but we don’t know if he even replied, let alone if anything was ever done.

By restoring the peasants’ voices, the book does what it can to right the wrongs done to them so long ago. 

The Visigothic kingdom of Spain was long dismissed in older books as a barbaric backwater, the darkest point of the so-called Dark Ages. Yet it was, in truth, a vibrant cultural centre for more than two centuries, until falling to the forces of Islam in 711. Hillgarth’s fascinating book gives an excellent short survey of Visigothic history, and then explores how the legends surrounding the Goths were developed and exploited by later Spanish generations, from the Christian Reconquista and the sixteenth-century Golden Age to modern times. This creation of an idealized Gothic past provided inspiration and a sense of identity in Spain, in sharp contrast to Italy where the Goths were depicted during the Renaissance as the savage destroyers of classical civilization.

Set in 17th-century Spain, this one follows the lives of two very different women: one the daughter of a poor silk grower in love with a priest, and the other a pampered princess married to a king who just happens to be impotent.

Although the two barely connect, Harrison plays them off against each other; both are exploited and misused not only by the men around them but by the entire system that’s been stacked against them from the start.

Harrison’s writing is vivid, dense, and flat-out gorgeous; she skews dark but believe me, it’s worth the ride.

This is Andalusia at its most picturesque, with its castles and craggy mountains and a story with all the colour and brio of a medieval costume drama. It’s actually seriously researched history but written in the style of a romantic novel.

It was written in the mid-nineteenth century out of a fascination, which I share, for the story of the demise of the last Muslim kingdom in medieval Iberia. It’s full of heroic deeds, foolhardy escapades, chivalric episodes, and emotional scenes, all based on documentary evidence.

But what I especially like is the ironic stance the author achieves on the bigotry and intolerance characteristic of the victors in the conflict through the conceit of pretending his tale is written by a Spanish monk. It made me think about how history is written, who writes it, and how often we take for granted narratives that first emerged from political propaganda.