89 books like The Winter Sea

I’ve always been an avid reader and loved different genres from the beginning. I started out reading historical fiction as a child, including the Little House books, Anne of Green Gables, and Where the Red Fern Grows. I soon discovered that science fiction and fantasy did the same thing, transporting me to different words and places instead of times. Many of my favorite books have elements of these as well as action, tension, thrills, and romance. These things transcend genre, and by reading books that combine genres, I find some of the most interesting and original stories. 

I’ve been heavily immersed in the fantasy and sci-fi world since the age of nine, across fiction novels, role-playing games, tabletop miniature gaming, and movies. My first love was fantasy, and that’s one of the reasons why the post-apocalyptic genre particularly appeals to me when it comes to sci-fi. It plays in that dark, gritty place between futuristic, sci-fi, technology, and dark-age style fantasy. In addition, I’ve always felt socially conscious and value writing that highlights themes that are relevant today. This is another place that the post-apocalyptic genre slides comfortably into. And, of course, there’s the zombies. Another fantasy element that works beautifully in post-apocalyptic, sci-fi settings.

I’ve admired old buildings, hotels in particular, for many years. When immersed in a historic building, I find myself leaning in to discover what the walls might tell me if only I could listen closely enough. When I began writing The Hotel Hamilton series, I scoured the archives for historic hotels, learning how they came to be and how they've evolved through the years. One of the most fascinating aspects of hotel life for me is the juxtaposition of experiences felt by the guests versus those of the hotel staff. The upstairs/downstairs vibe of hotel life is ripe for creating tension within a novel, and that always intrigues me.

I’ve lived a long, richly varied, well-traveled, international life, and I can truly say my education has been worldly. Despite advancements in science and technology, two millennia of patriarchal religious brainwashing have prevented humanity from achieving gender balance in power and peace on earth. Today, more than ever, women who confront societal norms are essential to humanity’s progression and the preservation of our planet. People often open up to me about their most daring and dangerous experiences because they know I won’t judge. Their most intimate and romantic revelations have particularly inspired me, and I have namelessly infused many of them into my books, alongside my own. Empowerment begins with education.

I’ve always been an avid reader and loved different genres from the beginning. I started out reading historical fiction as a child, including the Little House books, Anne of Green Gables, and Where the Red Fern Grows. I soon discovered that science fiction and fantasy did the same thing, transporting me to different words and places instead of times. Many of my favorite books have elements of these as well as action, tension, thrills, and romance. These things transcend genre, and by reading books that combine genres, I find some of the most interesting and original stories. 

I’m an accidental historian, one that stumbled over a love of history in spite of myself. In school, history was all just dates and places—not the kind of thing to inspire a kid that loved stories about people, not dusty old battles. But then a funny thing happened on the way to an English degree. A few history electives suddenly seemed way more appealing than another round of Austen, and led me to a BA History with Distinction. The first half of the twentieth century is a favorite period, but I say bring on the Renaissance and Viking ships too!

I’ve always loved history, but there’s something extra-special about a novel that shows history and how that history is still relevant today. Dual timeline novels tell an historical event through the eyes of a character living it and through the story of a present-day character connected to that history. I'm the author of two published dual timeline novels. One of my greatest passions is to learn about the history of a place I'm visiting so that I can practically see the history all around me. I currently live near Seattle with my husband and two sons and, when I’m not writing, can be found outside walking or boating the Salish Sea.

I’ve always loved history. When I wrote The Brilliant Life of Eudora Honeysett in 2019, I particularly enjoyed writing Eudora’s flashback scenes set during the Second World War and decided, in my wisdom, to write a novel entirely set during that time. After a lot of research (disappearing down the occasional rabbit hole), I began to write The Air Raid Book Club, creating a cast of female characters who show quiet courage and incredible resilience as they support their community by forming a book club during the course of the war. It was a joy to write and I hope readers derive similar joy from reading it and the books I’ve recommended!

I dropped out of law school to pursue a PhD in music at the University of Glasgow and to write the history of the flute in Scotland. Essentially, I wanted to know that if Scotland was a leader in Enlightenment thought, and if there were hundreds of publications with flute on the title page, and since the flute was the most popular amateur instrument in the eighteenth century, why was nothing written about the flute. I obsessively read Scottish mythology as a child, and was always drawn to the stereotypical wild misty landscapes of Scotland without knowing much about it. 

Growing up in the former Jacobite heartland of Aberdeen, I've had an interest in the Jacobites for almost as long as I can remember. When I was about six, my father was explaining to me on a bus in King Street in the city that Charles Edward could never have won, when another passenger walked the length of the top deck to contradict him. Lost, excluded, and alternative histories fascinated me and still do. History’s winners still too often present partial and excluding stories. Even in Scotland, Jacobitism is still misunderstood, but understanding is much better than it was thirty years ago, and I'm pleased to have done my bit to change that.