100 books like The United States of Epic Fails

I’m an emeritus professor of psychology (University of Washington) who has long been intrigued by the mistakes that people have made throughout history. I’ve long been struck by Oppenheimer’s observation, immediately after the Trinity explosion, that “I am become Death, the destroyer of worlds.” This led me to look into the wide array of mistakes, from the mythic, literary, athletic, business, political, medical, and military. In writing OOPS!, I let myself go in a way that I’ve never before, writing with a critical and wise-ass style that isn’t strictly academic, but is factually accurate and, frankly, was a lot of fun!

I’m an emeritus professor of psychology (University of Washington) who has long been intrigued by the mistakes that people have made throughout history. I’ve long been struck by Oppenheimer’s observation, immediately after the Trinity explosion, that “I am become Death, the destroyer of worlds.” This led me to look into the wide array of mistakes, from the mythic, literary, athletic, business, political, medical, and military. In writing OOPS!, I let myself go in a way that I’ve never before, writing with a critical and wise-ass style that isn’t strictly academic, but is factually accurate and, frankly, was a lot of fun!

I’m an emeritus professor of psychology (University of Washington) who has long been intrigued by the mistakes that people have made throughout history. I’ve long been struck by Oppenheimer’s observation, immediately after the Trinity explosion, that “I am become Death, the destroyer of worlds.” This led me to look into the wide array of mistakes, from the mythic, literary, athletic, business, political, medical, and military. In writing OOPS!, I let myself go in a way that I’ve never before, writing with a critical and wise-ass style that isn’t strictly academic, but is factually accurate and, frankly, was a lot of fun!

I’m an emeritus professor of psychology (University of Washington) who has long been intrigued by the mistakes that people have made throughout history. I’ve long been struck by Oppenheimer’s observation, immediately after the Trinity explosion, that “I am become Death, the destroyer of worlds.” This led me to look into the wide array of mistakes, from the mythic, literary, athletic, business, political, medical, and military. In writing OOPS!, I let myself go in a way that I’ve never before, writing with a critical and wise-ass style that isn’t strictly academic, but is factually accurate and, frankly, was a lot of fun!

I was born in 1947, in the first wave of the baby boom, and was part of the first generation to grow up immersed in television, movies, and popular music. I have always felt the force of pop culture in my life.  But it was only at a certain point that it became something that I felt I could write about and be taken seriously. Writers like Pauline Kael made it possible for me because they obviously adored popular culture but they neither puffed it up nor dumbed it down. They wrote about it with intelligence, honesty, and curiosity and also as a barometer of where people were at and where society was going. That’s what I’ve aimed at in my own writing, from my books on the male and female body to those on politics and the media to my most recent exploration of the impact of television on our lives.

Like most writers, I’ve been a voracious reader since I was a child; but my preferences were witches and haunted houses, rather than princesses and talking frogs. As I developed my own writing, I wanted to tell stories that were reflective of my world but with a dark twist. My first completed story was "Patchwork", about a woman emptying the marital home after the breakdown of her marriage. I went on to participate in several popular horror anthologies. I really enjoy the challenge of writing a great short story because you have to get the reader in a chokehold early and then deliver that gut punch sooner than later.

Maureen Callahan is a New York Times bestselling author, award-winning investigative journalist, columnist, and commentator. She has covered everything from pop culture to politics. Her writing has appeared in Vanity Fair, New York, Spin, and the New York Post, where she is Critic-at-Large. She lives in New York. For Shepherd, Callahan has selected her favorite books about American pop culture, which is currently dominated by her favorite subgenre, true crime.

A couple who have been claimed by Korea—Bruce as a US Peace Corps volunteer there and Ju-Chan as a native Korean and an English teacher—and its culture, society, history, and especially literary heritage. We have been translating modern Korean fiction into English since 1980. Bruce was fated to become involved with Korean literature by virtue of being born on October 9, the day in 1446 when Great King Sejong promulgated (officially announced) the creation of the Korean alphabet, hangŭl, to the people of Korea.

Maureen Callahan is a New York Times bestselling author, award-winning investigative journalist, columnist, and commentator. She has covered everything from pop culture to politics. Her writing has appeared in Vanity Fair, New York, Spin, and the New York Post, where she is Critic-at-Large. She lives in New York. For Shepherd, Callahan has selected her favorite books about American pop culture, which is currently dominated by her favorite subgenre, true crime.

My interests as a historian involve examining how Americans organize to change policy or politics through affiliations beyond political parties and, by extension, thinking about how culture is made and supported through institutions and businesses. These messy networks and relationships ultimately define how we relate to one another in the U.S. Indie music scenes are one way to trace all of these relationships, from federal policy governing radio stations and what goes out over the airwaves to the contours of local music scenes, to the business of record labels, to ordinary DJs and music fans trying to access information and new sounds that they love.