10 books like The Spook Who Sat by the Door

Readers of H.P. Lovecraft, and writers (like me) who have mined the Lovecraftian Mythos for decades, have struggled in recent years to square the inspiration they have derived from the work and the intensely problematic nature of the man’s white supremacy and xenophobia. Several recent books have addressed this ethical conflict head-on, and none so brilliantly and effectively as LaValle’s The Ballad of Black Tom, which reconstitutes Lovecraft’s “The Horror of Red Hook” from an African American POV. LaValle’s sharpness of prose, keen eye, and feel for environment grounds his tale of a street hustler in 1920s Harlem confronting horrors both cosmic and terrestrial, acting as the perfect answer to the insult of the original tale. This work stands as a landmark of contemporary cosmic horror that needs to be on every bookshelf. 

Greene wrote much of his screenplay-turned- iconic Cold War thriller at the Café Mozart overlooking the gorgeous Albertinaplatz in Vienna. Immortalized by the 1949 British film,  the story is a dark look at the craters and restoration of the Post-war years in the Allied-occupied city. When author Rollo Martins is invited to visit his old friend Harry Lime in the war-torn city, he finds himself embroiled in racketeering, the seedy schwartzmarkt, and even murder.  This atmospheric look at a city in tatters where cigarettes were a more secure currency than the defunct reichsmarks littering the bombed street, it is a classic of a Vienna still ghostly beautiful but in a period of shift and change. 

Caren Gray, the manager of a historic plantation, learns the body of a migrant worker has been discovered on the grounds. Searching for answers, she stumbles upon another crime that occurred over a century ago in the era of slavery and may hold the key to unlocking revelations in the present. Locke does a fantastic job of balancing the two timelines for great effect. History can haunt us, but this book leaves you with the eerie feeling of being surveilled by the past.

A Black attorney is forced to participate in a plot to bring back slavery—with a particular variation. What could go wrong? Taut writing and suspenseful storytelling carry the weight of history in Forty Acres. The concept is bold and audacious, and I never questioned a word of it. The execution is that impressive.

Balto explores how the Chicago police, from 1910 to the 1970s “built an intricate, powerful carceral machinery whose most constitutive feature was an extreme racial selectivity.” Black people are over-policed and under-protected. Balto focuses on policing and anti-blackness. Black Chicagoans’ complaints of torture and “aggressive prevention patrol” by the police went on for decades and was essentially ignored by those in power. Balto tells the story of a racially repressive police force. In two decades, from 1945 to 1965 the Chicago police grew more punitive as the department doubled in size. Black communities were targeted by the CPD, in large part, because black was equated with criminality.

We often learn about African American history in the 20th Century in terms of a conflict between nonviolent resistance vs. violent radicalism, integrationism vs. separatism, Martin vs. Malcolm. But this is an over-simplification of a complex and dynamic moment in the history of our nation. More than any other work, Black is a Country helped me think differently about the period that I study, and see African American history and culture of the mid-20th Century in a new way.

Faces at the Bottom of the Well is the book that created Critical Race Theory. It lays out the central problem of Critical Race Theory: how does racism consistently defeat law? For example, in 1954 Brown v. the Board of Education held that segregated schools are unlawful. Yet, sixty-nine years later, US schools, housing, and employment all remain segregated. This is the book that inspired every other critical race theory scholar.

This book is essential reading for anyone who wants to fully understand the century-long struggle after the Civil War to end legally-sanctioned discrimination against Black Americans. Prof. Klarman provides a richly detailed account of that century-long struggle, an account that describes the legal battles that took place in individual states and puts them in the context of the larger national debate. The book requires some effort on the reader's part, but the story that Klarman tells of the U.S. Supreme Court's gradual turn against segregation and its clashes with Southern state lawmakers and courts is ultimately a deeply moving one. 

Rosa Parks is an essential icon of the Civil Rights Movement, but the history of Black women and men turning segregation and discrimination during travel into a platform to negotiate the rights of citizenship has a long arc. Pryor gives us the longer backstory to the 20th-century Civil Rights Movement and 21st-century movement for Black lives when she traces how 19th-century Black men and women traveling in stage coaches, rail cars, and steam ships were often on the front lines of the struggle for Americans’ equal protection under the law.

The writings in this book illuminate the experience of African American women from the 17th through 20th century. Its pages inform and inspire. I enjoy the narratives and absorb wisdom from the amazing women whose stories are recorded within. A lot has happened since the book was published in 1984. Yet the narratives recorded and explored in Giddings’s book include heroines barely mentioned in present-day: Ida B. Wells and anti-lynching campaigns, the National Colored Women’s Club movement of which my great-grandmother was an enthusiastic participant, feminism, and African American women. Even the chapter and section titles captivate: “To Choose Again, Freely”, “Black Brainmaster: Mary McLeod Bethune”. “Inventing Ourselves” is a caption inspired, I believe, by Toni Morrison in describing African American women: “…she may well have invented herself.”