Here are 100 books that The Spook Who Sat by the Door fans have personally recommended if you like
The Spook Who Sat by the Door.
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I’ve always been attracted to strange things. When I was a kid, I loved to picnic in graveyards and make up stories about the people buried there. I think I gravitate toward the strange because it’s an escape from the gray every day. The best horror writing fills readers with wonder, opens the door to that magical question, ‘what if?’ But being truly engaged depends on caring about what happens to the characters in a book. That’s why I chose Horror with A Heart as my theme. I like horror with well-developed characters, people that matter to me. People who I could imagine as my friends.
I was already writing stories inspired by H.P. Lovecraft but I wasn’t sure I had a place in the genre. Then Victor LaValle took one of Lovecraft’s most racist works, The Horror At Red Hook, and produced an alternate version.
Black Tomtouches on the events of Lovecraft’s original story but tells the tale from the point of view of a black musician named Tommy Tester. LaValle’s reimagining of Lovecraft is a revelation.
He showed me that I didn’t have to be like Lovecraft to write in his world. And LaValle perfectly captures the Harlem Renaissance of the 1920s, a world that Lovecraft’s racism prevented him from seeing, even though he lived in New York City at the time.
People move to New York looking for magic and nothing will convince them it isn't there.
Charles Thomas Tester hustles to put food on the table, keep the roof over his father's head, from Harlem to Flushing Meadows to Red Hook. He knows what magic a suit can cast, the invisibility a guitar case can provide, and the curse written on his skin that attracts the eye of wealthy white folks and their cops. But when he delivers an occult tome to a reclusive sorceress in the heart of Queens, Tom opens a door to a deeper realm of magic…
I'm a writer based in Wisconsin. I write in a genre that exists much like its subjects: lurking in the shadows. It's something I call Gothic Espionage, which is the intersection of the Gothic and Espionage/Spy genres. My first novel, Bite of the Wolf, was the first synthesis of these two worlds, and continues with the follow up, slated for release in September, Operation Frankenstein. Appropriately enough, spies are often referred to as “spooks,” and these selections will highlight both the spooky and the spooks of Gothic Espionage, and I’ll highlight why both horror and spy novels can both be described as “thrillers.”
Spies, a mysterious death with what could be construed as a “ghostly” sighting, and an atmosphere that could be considered modern Gothic. This is the setup of Graham Greene’s The Third Man.
Under the backdrop of darkness and devastation which was still lingering in postwar Vienna, Greene shows it as a once beautiful city cast in a foggy pall, the cursed cloud of death hanging over it, which also happens to the characters in the story. The Third Man mixes the dread of Gothic and the unfolding suspense and paranoia involving the shadowy people in a shadowy world of espionage in a memorable, haunting fashion.
Rollo Martins' usual line is the writing of cheap paperback Westerns under the name of Buck Dexter. But when his old friend Harry Lime invites him to Vienna, he jumps at the chance. With exactly five pounds in his pocket, he arrives only just in time to make it to his friend's funeral. The victim of an apparently banal street accident, the late Mr. Lime, it seems, had been the focus of a criminal investigation, suspected of nothing less than being "the worst racketeer who ever made a dirty living in this city." Martins is determined to clear his friend's…
I read history to better understand myself, others, and the world around me; I write historical fiction to share what I have learned. At New York University, I was the Jacob K. Javits Fellow in fiction. In addition to Our Man in the Dark, I am the author of The Abduction of Smith and Smith, one of Huffington Post's 25 Necessary Books By Black Authors (2015),andHuffington Post's 50 Amazing Books By Black Authors from the Past Five Years (2019).
Caren Gray, the manager of a historic plantation, learns the body of a migrant worker has been discovered on the grounds. Searching for answers, she stumbles upon another crime that occurred over a century ago in the era of slavery and may hold the key to unlocking revelations in the present. Locke does a fantastic job of balancing the two timelines for great effect. History can haunt us, but this book leaves you with the eerie feeling of being surveilled by the past.
By the prize-winning author of Heaven My Home, a taut crime novel perfect for reading groups.
Bury your bodies deep and your secrets deeper.
Just after dawn, Caren inspects the grounds of Belle Vie, the historic plantation house she manages. Back at her office, the gardener calls to tell her she missed something. Something terrible. At a distance, she didn't see. A young woman lying face down in a shallow grave, her throat cut clean.
So there will be police, asking questions. The family who own Belle Vie will have to be told. There's a school group on the way…
I read history to better understand myself, others, and the world around me; I write historical fiction to share what I have learned. At New York University, I was the Jacob K. Javits Fellow in fiction. In addition to Our Man in the Dark, I am the author of The Abduction of Smith and Smith, one of Huffington Post's 25 Necessary Books By Black Authors (2015),andHuffington Post's 50 Amazing Books By Black Authors from the Past Five Years (2019).
A Black attorney is forced to participate in a plot to bring back slavery—with a particular variation. What could go wrong? Taut writing and suspenseful storytelling carry the weight of history in Forty Acres. The concept is bold and audacious, and I never questioned a word of it. The execution is that impressive.
Martin Grey, a smart, talented young lawyer working out of a storefront in Queens, is taken under the wing of a secretive group made up of America's most powerful, wealthy, and esteemed black men. He's dazzled by what they have accomplished, and they seem to think he has the potential to be one of them. They invite him for a weekend away from it all - no wives, no cell phones, no talk of business. But what he discovers, far from home, is a disturbing organisation which challenges his deepest convictions...A novel of rage and compassion, trust and betrayal, Forty…
I am Professor Emeritus of History at Baruch College and the Graduate Center of the City University of New York. I grew up in Brooklyn, New York during the turbulent decades of the 1950s and 1960s where there were numerous social protest movements against the War in Vietnam, school segregation, and police brutality. My books explore the men and women who battled institutional racism.
Balto explores how the Chicago police, from 1910 to the 1970s “built an intricate, powerful carceral machinery whose most constitutive feature was an extreme racial selectivity.” Black people are over-policed and under-protected. Balto focuses on policing and anti-blackness. Black Chicagoans’ complaints of torture and “aggressive prevention patrol” by the police went on for decades and was essentially ignored by those in power. Balto tells the story of a racially repressive police force. In two decades, from 1945 to 1965 the Chicago police grew more punitive as the department doubled in size. Black communities were targeted by the CPD, in large part, because black was equated with criminality.
In July 1919, an explosive race riot forever changed Chicago. For years, black southerners had been leaving the South as part of the Great Migration. Their arrival in Chicago drew the ire and scorn of many local whites, including members of the city's political leadership and police department, who generally sympathized with white Chicagoans and viewed black migrants as a problem population. During Chicago's Red Summer riot, patterns of extraordinary brutality, negligence, and discriminatory policing emerged to shocking effect. Those patterns shifted in subsequent decades, but the overall realities of a racially discriminatory police system persisted.
I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
We often learn about African American history in the 20th Century in terms of a conflict between nonviolent resistance vs. violent radicalism, integrationism vs. separatism, Martin vs. Malcolm. But this is an over-simplification of a complex and dynamic moment in the history of our nation. More than any other work, Black is a Country helped me think differently about the period that I study, and see African American history and culture of the mid-20th Century in a new way.
Despite black gains in modern America, the end of racism is not yet in sight. Nikhil Pal Singh asks what happened to the worldly and radical visions of equality that animated black intellectual activists from W. E. B. Du Bois in the 1930s to Martin Luther King, Jr. in the 1960s. In so doing, he constructs an alternative history of civil rights in the twentieth century, a long civil rights era, in which radical hopes and global dreams are recognized as central to the history of black struggle.
It is through the words and thought of key black intellectuals, like…
I am a teacher, a mom, a bubbe, and a writer. I taught elementary school and college courses, directed a daycare, and owned a children’s bookstore, but my favorite job is scribbling words on paper. I have two grown children and four wonderful granddaughters who love to listen as I read to them. Many of my ideas come from my experiences with my granddaughters and from their questions. Our family and friends are a mix of religions and cultures, and most of my books reflect the importance of diversity, acceptance, and knowledge.
As Good as Anybody is the story of Martin Luther King, Jr. and Rabbi Abraham Joshua Heschel. Martin Luther King, Jr. grew up in the south and experienced racial discrimination.
Rabbi Abraham Joshua Heschel was born in Europe and experienced anti-Semitism. These two men formed a close friendship. They marched together and prayed together. They became leaders for social justice and acceptance.
I am recommending this book because it is a wonderful story about two men who tried to break the barriers of race and religion.
MARTIN LUTHER KING, Jr. and Abraham Joshua Heschel. Their names stand for the quest for justice and equality.Martin grew up in a loving family in the American South, at a time when this country was plagued by racial discrimination. He aimed to put a stop to it. He became a minister like his daddy, and he preached and marched for his cause.Abraham grew up in a loving family many years earlier, in a Europe that did not welcome Jews. He found a new home in America, where he became a respected rabbi like his father, carrying a message of peace…
I’m a Philadelphia-based journalist and new author. I’m the Editor at Large for Philadelphia Magazine and President of the Philadelphia Association of Black Journalists. As an openly Black gay journalist, I’ve headlined for speaking frankly about intersectional issues in society regarding race, LGBTQIA, and pop culture. Such experiences have awakened my consciousness as an underrepresented voice in the media and have pushed me to explore societal topics. My new book The Case for Cancel Culture, published by St. Martin's Press, is my way of staking my claim in the global conversation on this buzzworthy topic.
This book was the kind of post-Trump election awakening that made me feel unapologetic about the way I saw myself as a Black American.
The writing vividly expresses the rage and determination of marginalized voices in a way that’s beyond poignant, but intentional.
Blow, a respected journalist in his own right, pulls from history and current events to make a case for something ambitious: Reverse Black migration as a means of combating racial injustice in the South.
A New York Times Editor's Choice | A Kirkus Best Nonfiction Book of the Year
From journalist and New York Times bestselling author Charles Blow comes a powerful manifesto and call to action, "a must-read in the effort to dismantle deep-seated poisons of systemic racism and white supremacy" (San Francisco Chronicle).
Race, as we have come to understand it, is a fiction; but, racism, as we have come to live it, is a fact. The point here is not to impose a new racial hierarchy, but to remove an existing one. After centuries of waiting…
I'm a retired trial lawyer and a legal history professor and fellow at Marquette Law School in Wisconsin. As a young lawyer, I was struck by how much Americans focus on federal lawmakers and judges at the expense of their state counterparts, even though state law has a much greater effect on people's daily lives than federal law. The scholar Leonard Levy once said that without more study of state legal history, “there can be no … adequate history of [American] civilization.” I want to help fill that need through my books and articles, and I enjoy sharing this fascinating world with my readers.
This book is essential reading for anyone who wants to fully understand the century-long struggle after the Civil War to end legally-sanctioned discrimination against Black Americans. Prof. Klarman provides a richly detailed account of that century-long struggle, an account that describes the legal battles that took place in individual states and puts them in the context of the larger national debate. The book requires some effort on the reader's part, but the story that Klarman tells of the U.S. Supreme Court's gradual turn against segregation and its clashes with Southern state lawmakers and courts is ultimately a deeply moving one.
A monumental investigation of the Supreme Court's rulings on race, From Jim Crow To Civil Rights spells out in compelling detail the political and social context within which the Supreme Court Justices operate and the consequences of their decisions for American race relations. In a highly provocative interpretation of the decision's connection to the civil rights movement, Klarman argues that Brown was more important for mobilizing southern white
opposition to racial change than for encouraging direct-action protest. Brown unquestioningly had a significant impact-it brought race issues to public attention and it mobilized supporters of the ruling. It also, however, energized…
Every author writing about race and tax in the United States uses my article with William Whitford, “A Black Critique of the Internal Revenue Code.” Using census data, Bill and I showed that blacks and whites who earn the same income, live in the same geographic areas, have the same education and marital status, pay different amounts of federal income tax because of the race and wealth disparities outlined in Race and Wealth Disparities: A Multidisciplinary Discourse edited by Beverly Moran.
Faces at the Bottom of the Well is the book that created Critical Race Theory. It lays out the central problem of Critical Race Theory: how does racism consistently defeat law? For example, in 1954 Brown v. the Board of Education held that segregated schools are unlawful. Yet, sixty-nine years later, US schools, housing, and employment all remain segregated. This is the book that inspired every other critical race theory scholar.
The noted civil rights activist uses allegory and historical example to present a radical vision of the persistence of racism in America. These essays shed light on some of the most perplexing and vexing issues of our day: affirmative action, the disparity between civil rights law and reality, the racist outbursts of some black leaders, the temptation toward violent retaliation, and much more.
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