80 books like The Cutting Season

The Ballad of Black Tom rocked my world.

I was already writing stories inspired by H.P. Lovecraft but I wasn’t sure I had a place in the genre. Then Victor LaValle took one of Lovecraft’s most racist works, The Horror At Red Hook, and produced an alternate version.

Black Tom touches on the events of Lovecraft’s original story but tells the tale from the point of view of a black musician named Tommy Tester. LaValle’s reimagining of Lovecraft is a revelation.

He showed me that I didn’t have to be like Lovecraft to write in his world. And LaValle perfectly captures the Harlem Renaissance of the 1920s, a world that Lovecraft’s racism prevented him from seeing, even though he lived in New York City at the time.

Spies, a mysterious death with what could be construed as a “ghostly” sighting, and an atmosphere that could be considered modern Gothic. This is the setup of Graham Greene’s The Third Man.

Under the backdrop of darkness and devastation which was still lingering in postwar Vienna, Greene shows it as a once beautiful city cast in a foggy pall, the cursed cloud of death hanging over it, which also happens to the characters in the story. The Third Man mixes the dread of Gothic and the unfolding suspense and paranoia involving the shadowy people in a shadowy world of espionage in a memorable, haunting fashion.

A Black attorney is forced to participate in a plot to bring back slavery—with a particular variation. What could go wrong? Taut writing and suspenseful storytelling carry the weight of history in Forty Acres. The concept is bold and audacious, and I never questioned a word of it. The execution is that impressive.

In the late ’60s, Dan Freeman, a Black token hire at the CIA shares spy-craft with Black revolutionaries. The book may claim to be a satire, but it demands to be taken seriously. The historical implications of the novel are obvious; there are plenty of exhilarating thrills, and the writing bops with a jazz-like cool. The mystery, however, is subterranean and internal. Freeman has perfected many masks to survive in America, to infiltrate the CIA, and to earn the respect of revolutionaries. The amazing thing is that there is so much suspense in discovering which identity will truly take hold.

This book is so much more than a police procedural set in the South with a Black female detective as its protagonist. Snowden writes Southern Gothic stories with all the wonderful emotional obsessions and foreboding suspense that anchor that genre. As the child of a serial killer, Detective Raven Burns witnessed many of her father’s deadly attacks, including the murder of Raven’s mother. Haunted by her past, Raven struggles with both real life and personal demons to secure justice for victims in the present.

James Lee Burke is now 85 as of the date of this submission and writes every day. As I just turned 76 this month, his remarkable work habits are a goal to which I can aspire. 

James Lee Burke’s writing is filled with memorable metaphors and similes that no one uses quite as well as this Southern man of letters

In Robicheaux: A Novel, Burke reminds us that Robicheaux is plagued by the acts he committed in Vietnam, now manifested in the ghosts of his alcoholism and tendency to violence. Complicating his life even more is the sudden death of his beloved wife, Molly. The New Iberia man who killed Molly is also killed, and colleagues accuse Robicheaux of murdering the man who killed Molly.

Dave Robicheaux is a good man who does not tolerate evil deeds by others, even though he must battle his tendency to react violently when… show more.

The first in the series of Dave Robicheaux novels, this is handled quite well. The main character is very human, flawed by his own admission by a battle with an addiction to alcohol, but nonetheless is a tough and competent cop who definitely sees—and knows well—the seedier side. Set in the deep south, Burke takes you there with description that is so evocative that you can feel it with every sense, and the danger as the story unravels into a tale of corruption and bloody violence. I really wanted the main character to win this battle and it was one almost literally to the death. If you like great writing and to sit on the edge of your seat (near the bayou, so be careful), this is a must-read.

Dark and Shallow Lies is the perfect atmospheric thriller if you crave a mystery festering with swampy paranormal undercurrents. Set in a small coastal Louisiana town, Grey returns home intent on finding out what happened to her best friend Elora who disappeared six months earlier. You get to meet the Summer Children, eleven (but there used to be more!) psychic children who all have different gifts, like Evie’s ability to listen to the dead, Hart’s empathy, and Case’s knack to be in two places at once. This is another one where I wasn’t sure who was the bad guy. The plot twists are thicker than a mosquito swarm and faster than Willie Nelson’s alligator death roll.

Real-life P.I. Ethan Brown pulls no punches with this wrenching exposé of deep-South police corruption.

Murder in the Bayou parts the curtain on inescapable connections between eight women killed in a rural Louisiana parish between 2005-2009..

Clocking in at less than 250 pages, this one is thick as swamp fog with the backgrounds and rap sheets of all players, indicted and unindicted. Brown's boots-on-the-ground approach to this story is evident in the interviews he scored with the central characters of this backwoods underworld.

The result is not just a triumph of journalism; it's a triumph of courage. I was inspired by Brown's devotion to the story and, more importantly, to the families and friends of these marginalized women.

Marzano-Lesnevich was a Harvard law student working a summer internship when they encountered the case of Ricky Langley, who was being held on death row in Louisiana. That case opened up a personal wound for the author, and they vividly and powerfully intertwine the two stories. The author uses speculation and imagination to attempt to fill in blanks that are unanswerable. I recently taught this book in a seminar at Columbia on creative license in nonfiction, and my students were floored.