Here are 57 books that Forty Acres fans have personally recommended if you like
Forty Acres.
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I’ve always been attracted to strange things. When I was a kid, I loved to picnic in graveyards and make up stories about the people buried there. I think I gravitate toward the strange because it’s an escape from the gray every day. The best horror writing fills readers with wonder, opens the door to that magical question, ‘what if?’ But being truly engaged depends on caring about what happens to the characters in a book. That’s why I chose Horror with A Heart as my theme. I like horror with well-developed characters, people that matter to me. People who I could imagine as my friends.
I was already writing stories inspired by H.P. Lovecraft but I wasn’t sure I had a place in the genre. Then Victor LaValle took one of Lovecraft’s most racist works, The Horror At Red Hook, and produced an alternate version.
Black Tomtouches on the events of Lovecraft’s original story but tells the tale from the point of view of a black musician named Tommy Tester. LaValle’s reimagining of Lovecraft is a revelation.
He showed me that I didn’t have to be like Lovecraft to write in his world. And LaValle perfectly captures the Harlem Renaissance of the 1920s, a world that Lovecraft’s racism prevented him from seeing, even though he lived in New York City at the time.
People move to New York looking for magic and nothing will convince them it isn't there.
Charles Thomas Tester hustles to put food on the table, keep the roof over his father's head, from Harlem to Flushing Meadows to Red Hook. He knows what magic a suit can cast, the invisibility a guitar case can provide, and the curse written on his skin that attracts the eye of wealthy white folks and their cops. But when he delivers an occult tome to a reclusive sorceress in the heart of Queens, Tom opens a door to a deeper realm of magic…
What I look for in a book is something that triggers my serious side. So be it if that removes a whole range of fantasy books or those that merely titillate. Because I’ve traveled a lot, ‘feasible fiction’ is what I write and what I look for in other books. A story might be entirely fictitious, but as long as it’s not far-fetched, has a cast of realistic characters, an international or historic location, and keeps me on my toes to the very end, that’s great. If it’s got some politics and science thrown in, that’s even better. I hope my list lives up to expectations.
I like books from guys who’ve traveled and been around a while before sitting down to write them. I suppose I’m one, but Graham Greene remains a hero of mine even though he died over twenty years ago. In this book, Greene masterfully creates the atmosphere of dark, damp, smoky post-war side streets in post-war Vienna.
That the criminal element involves a crime syndicate selling diluted penicillin also appeals to me, as I’ve written three novels about fraud and corruption in the pharmaceutical industry.
Green’s book led to a series of films, and this book's signature tune still resonates with me.
Rollo Martins' usual line is the writing of cheap paperback Westerns under the name of Buck Dexter. But when his old friend Harry Lime invites him to Vienna, he jumps at the chance. With exactly five pounds in his pocket, he arrives only just in time to make it to his friend's funeral. The victim of an apparently banal street accident, the late Mr. Lime, it seems, had been the focus of a criminal investigation, suspected of nothing less than being "the worst racketeer who ever made a dirty living in this city." Martins is determined to clear his friend's…
I read history to better understand myself, others, and the world around me; I write historical fiction to share what I have learned. At New York University, I was the Jacob K. Javits Fellow in fiction. In addition to Our Man in the Dark, I am the author of The Abduction of Smith and Smith, one of Huffington Post's 25 Necessary Books By Black Authors (2015),andHuffington Post's 50 Amazing Books By Black Authors from the Past Five Years (2019).
Caren Gray, the manager of a historic plantation, learns the body of a migrant worker has been discovered on the grounds. Searching for answers, she stumbles upon another crime that occurred over a century ago in the era of slavery and may hold the key to unlocking revelations in the present. Locke does a fantastic job of balancing the two timelines for great effect. History can haunt us, but this book leaves you with the eerie feeling of being surveilled by the past.
By the prize-winning author of Heaven My Home, a taut crime novel perfect for reading groups.
Bury your bodies deep and your secrets deeper.
Just after dawn, Caren inspects the grounds of Belle Vie, the historic plantation house she manages. Back at her office, the gardener calls to tell her she missed something. Something terrible. At a distance, she didn't see. A young woman lying face down in a shallow grave, her throat cut clean.
So there will be police, asking questions. The family who own Belle Vie will have to be told. There's a school group on the way…
I read history to better understand myself, others, and the world around me; I write historical fiction to share what I have learned. At New York University, I was the Jacob K. Javits Fellow in fiction. In addition to Our Man in the Dark, I am the author of The Abduction of Smith and Smith, one of Huffington Post's 25 Necessary Books By Black Authors (2015),andHuffington Post's 50 Amazing Books By Black Authors from the Past Five Years (2019).
In the late ’60s, Dan Freeman, a Black token hire at the CIA shares spy-craft with Black revolutionaries. The book may claim to be a satire, but it demands to be taken seriously. The historical implications of the novel are obvious; there are plenty of exhilarating thrills, and the writing bops with a jazz-like cool. The mystery, however, is subterranean and internal. Freeman has perfected many masks to survive in America, to infiltrate the CIA, and to earn the respect of revolutionaries. The amazing thing is that there is so much suspense in discovering which identity will truly take hold.
A classic in the black literary tradition, The Spook Who Sat by the Door is both a comment on the civil rights problems in the United States in the late 1960s and a serious attempt to focus on the issue of black militancy.
Dan Freeman, the ""spook who sat by the door,"" is enlisted in the CIA's elitist espionage program. Upon mastering agency tactics, however, he drops out to train young Chicago blacks as ""Freedom Fighters"" in this explosive, award-winning novel.
As a story of one man's reaction to ruling-class hypocrisy, the book is autobiographical and personal. As a tale…
I like to read about people pursuing their dream because that’s not an easy thing to do. When I was working as a lawyer at a corporate law firm, I was sure I wanted to become a partner. But eventually I realized that being in-house counsel at a company was a much better fit for me so I changed jobs. And similarly, I’d always wanted to write a romantic comedy and so, after many years as a lawyer, I started taking courses at night, and eventually I found the courage to quit my legal job and pursue this passion. The underlying theme of all of my books is to encourage readers to pursue their dreams.
This is one of my favorite books—probably because I was a stressed-out corporate lawyer who definitely can’t iron.
The Undomestic Goddess is the story of a workaholic lawyer who is trying to become a partner at her law firm—only to get fired for an egregious mistake that she can’t believe she made. In her shock, she agrees to become a housekeeper. The only problem is she has no idea how to do any housework, which leads to some hilarious scenes.
I also loved how she figured out the mystery leading to her dismissal. This book made me feel less alone as a stressed-out workaholic lawyer and also made me consider that maybe being a partner at a law firm was not what I really wanted in life.
The hilarious romantic comedy from NUMBER ONE BESTSELLING AUTHOR Sophie Kinsella
Samantha thrives under pressure. A high-powered London lawyer, all she can concentrate on is taking the next step in her career; eating, sleeping, seeing friends - even taking a breath - will have to wait.
But just when she's about to get everything she has ever wanted, Samantha makes a mistake. A fifty-million-pound, career-destroying mistake. Unable to face the consequences, she does the unimaginable and runs away...
Catching the first train she can, she finds herself in the countryside, outside…
I am a retired lawyer and judge with a long-held concern about access to justice, especially as we face the need for stepped-up activism to protect minority rights today. I first became fascinated by Fay Stender’s pioneering career as a board member of California Women Lawyers, which she helped found in 1974. I related to her passion for justice, which led me to research and write her biography and two books on “the trial of the century” of Black Panther Party co-founder Huey Newton. That trial took place in my home city of Oakland over half a century ago, yet its focus on systemic racism remains just as important now.
Charles Garry was a legendary Bay Area criminal defense lawyer from the 1940s through the 1980s, most famous for his aggressive courtroom tactics and for never losing a client to the death penalty. I was fascinated by Garry’s early cases that resulted in establishing a “diminished capacity” defense to murder in California. Garry’s reputation prompted the leadership of the Black Panther Party to reject calls for a black lawyer and instead turn to this white Lefty to represent their co-founder Huey Newton faced with execution for killing a white policeman. Streetfighter in the Courtroom proved a great source for me as I wrote two books on the Newton trial and the biography of Garry’s pioneering female co-counsel in the Newton trial, Fay Stender.
By legendary radical lawyer, Charles R. Garry and Art Goldberg. ISBN 978-0525211105. "Art Goldberg, who assisted Charles Garry on this book, was a reported and editor of Ramparts (magazine) during the politically active sixties. He is the coauthor, with Bobby Seale, of Seize the Time."
The American Southwest never gets old. Exploring any of the Ancestral Pueblo sites is like walking back in time. Anasazi Medium takes the reader there. I love the land and the culture that has brought us to the present. My character, Santa Fe reporter Rachel Blackstone, reflects this. She is sarcastic at times, can be funny, and has her poignant moments as she copes with a “talent” she never wanted. In Anasazi Medium, I concocted a mixture of mystery, Hopi traditions and a journalist’s eye to entertain and inform. What resulted is a climate mystery in the most water-challenged state in the U.S. and a high adventure read.
Divorce lawyer Neil Hamel always seems to do more PI work than law. In Parrot Blues (A Neil Hamel Mystery) by Judith Van Gieson, she tries to locate a missing woman—and an indigo parrot. Oddly, the husband seems more concerned about the bird than his wife, who may be on her way out of the marriage anyway. But with the parrot as the only witness, it’s a tough case to crack. There’s plenty of New Mexico history and vistas to satisfy, but I found the information about birds and smuggling to be eye-opening. Her relationship with the “Kid” adds to Neil’s character. She’s her own woman, doing things her way. That alone gained my respect.
She may be a divorce lawyer, but Neil Hamel uses her PI's instincts when a millionaire's rare indigo macaw and newly endangered wife are kidnapped together. The unusual search puts her right in the heart of New Mexico's breathtaking Plains of San Agustin, for a dangerous game of bird smuggling and one-upmanship. Armed with high-tech surveillance equipment and a backpack full of her client's money, Neil treks to a remote exchange point. Alas, she returns with the indigo, but no wife, and she's beginning to get ideas. When she learns that one of her chief suspects has suspiciously expired in…
I’m a seventh-generation West Virginian. My husband and I own the farm that’s been in my family since before the Civil War. My Appalachian roots are sunk deep, so when it comes to “writing what you know,” this is it! I was baptized in stories by my father who transformed my ancestors and my history into a living, breathing cast of characters I longed to meet. So, I began to write their stories in the guise of novels about made-up people. My seven novels (and two novellas) are love letters to the place that shaped me.
Don’t you love that title?!? And the novel is based on a true story about a ghost who testified at her own trial. Seriously. Testimony from the Greenbrier Ghost was accepted in a court of law. I’m just sorry I didn’t get around to writing about this one before Sharyn did!
From New York Times bestselling author Sharyn McCrumb comes this finely wrought novel set in nineteenth-century West Virginia, based on the true story of one of the strangest murder trials in American history-the case of the Greenbrier Ghost.
Lakin, West Virginia, 1930-Following a suicide attempt and consigned to a segregated insane asylum, attorney James P.D. Gardner finds himself under the care of Dr. James Boozer. Eager to try the new talking cure for insanity, Boozer encourages his elderly patient to reminisce about his experiences as the first black attorney to practice law in nineteenth-century West Virginia. In his forty-year career,…
Ian Zack is a New York-based journalist who has written two critically acclaimed biographies. The subjects of both his books—Say No to the Devil: The Life and Musical Genius of Rev. Gary Davis and Odetta: A Life in Music and Protest—began their lives in the Jim Crow South before venturing North and making their voices heard.
Before Dr. Martin Luther King Jr. and the Southern Christian Leadership Conference, there was Thurgood Marshall. As a young lawyer and head of the NAACP’s Legal Defense Fund, Marshall spearheaded the civil rights organization’s slow but steady legal course in challenging and defeating segregation in the courts. Risking his life to represent black plaintiffs in the South and slowly building the legal precedents that led to Brown vs. Board of Education, Marshall had a profound effect on the course of history. This excellent biography takes you there.
A NEW YORK TIMES NOTABLE BOOK • The definitive biography of the great lawyer and Supreme Court justice, from the bestselling author of Eyes on the Prize
“Magisterial . . . in Williams’ richly detailed portrait, Marshall emerges as a born rebel.”—Jack E. White, Time
Thurgood Marshall was the twentieth century’s great architect of American race relations. His victory in the Brown v. Board of Education decision, the landmark Supreme Court case outlawing school segregation in the United States, would have made him a historic figure even if he had never been appointed as the first African-American to serve on…
I'm a retired trial lawyer and a legal history professor and fellow at Marquette Law School in Wisconsin. As a young lawyer, I was struck by how much Americans focus on federal lawmakers and judges at the expense of their state counterparts, even though state law has a much greater effect on people's daily lives than federal law. The scholar Leonard Levy once said that without more study of state legal history, “there can be no … adequate history of [American] civilization.” I want to help fill that need through my books and articles, and I enjoy sharing this fascinating world with my readers.
Although he is virtually unknown today, New York chancellor James Kent ranks as one of America's greatest state judges. Kent was an old-time Federalist, a believer in government by gentlemen. During his lifetime his views steadily lost ground to Jeffersonian and Jacksonian democracy, but he made a permanent imprint on American law. Among other things, he authored the first general treatise on American law and arranged for national circulation of New York judicial decisions, thus giving his state an outsize role in shaping American law, and he helped preserve the central place of federal authority and protection of private property in the law. Kent deserves a modern biography, but until one is written, readers interested in New York history and legal history will find John Horton's older 1939 biography a lively and easy-to-read book, well worth their time.
Reprint of the first and only edition. Originally published: New York: D. Appleton-Century Co., [1939]. xi, 354 pp. Well-annotated, with a thorough bibliography and index.
