Here are 90 books that The Seventh Scroll fans have personally recommended if you like
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Before I was a writer, I was a reader. My mother was a primary school teacher, so I was encouraged to read from my earliest years. I wanted to be not only entertained but transported to another place, time, or world. When I finally decided to write my first novel, I settled on historical fiction, but I have since written both science fiction and fantasy. I always endeavour to emulate my literary heroes and create engaging characters, compelling plots, and an interesting, unusual, convincing world.
Forget the film 300. The Battle of Thermopylae has never been described with more power and authenticity than in Pressfield’s 1998 novel.
His immense knowledge and understanding of the era are evident on every page, and any reader will swiftly find themselves alongside Xeones, Leonidas, and the outnumbered Spartans as they defend their homeland against the Persian invaders. This is a bloody, brutal, brilliant classic of the historical fiction genre.
In the Sunday Times bestseller Gates of Fire, Steven Pressfield tells the breathtaking story of the legendary Spartans: the men and women who helped shaped our history and have themselves become as immortal as their gods.
'Breathtakingly brilliant . . . this is a work of rare genius. Savour it!' DAVID GEMMELL
'A tale worthy of Homer, a timeless epic of man and war, exquisitely researched and boldy written. Pressfield has created a new classic' STEPHEN COONTS
'A really impressive book - imaginatively framed, historically detailed and a really gripping narrative' ***** Reader review
My ultimate read is when the action is fast, but the character's discovery of self is slow. Besides, being engrossed in the challenges of others makes my own pale by comparison. The author needs to get me to empathize with the characters - even if their struggles are nothing like my own - and once they’ve done that, I’ll be in for the long haul! Journeying through life’s mire and finding the rainbow with a character you believe - and believe in - makes for the ultimate in vicarious living. And ‘Heck, YES’ to a satisfying ending!
OMG. I have recommended this book to more people than any other. It’s truly a historical fiction masterpiece. I read slowly but my eyes flew over these titillating pages as if I was a famished glutton and had to devour them quickly lest they disappear. The intrigue! The avarice! The anarchy!
It is an ambitious literary project that splashes over the colorful canvas set in 12th-century England. If, like me, you love the complexities of the human condition, read this book and prepare for the rapture that is virtuoso storytelling.
The "extraordinary . . . monumental masterpiece" (Booklist) that changed the course of Ken Follett's already phenomenal career-and begins where its prequel, The Evening and the Morning, ended.
"Follett risks all and comes out a clear winner," extolled Publishers Weekly on the release of The Pillars of the Earth. A departure for the bestselling thriller writer, the historical epic stunned readers and critics alike with its ambitious scope and gripping humanity. Today, it stands as a testament to Follett's unassailable command of the written word and to his universal appeal.
History always fascinated me and ancient history even more. I have strong feelings about ancient Greece, Egypt, and ancient Rome, but I also find the medieval times really fascinating and always search for books that are set during that period of time. I feel that by reading these kinds of books, I learn a lot. I do my own research and I’m in awe by how these authors have managed to recreate those times. Although I avoid writing historical fiction, I love the genre so much that I consider it to be my favorite even above romance, which I am an expert in.
If you love ancient Rome and a good murder mystery then this is the book you should read. The author has studied history and is considered an expert on ancient Rome, and judging by how accurate his descriptions are, it must be true. I am in love with this book (and the rest of the Roma Sub Rosa series) because it made me feel like I was walking down the Appian Way myself. Plus the mystery is so well given. A true must if you are in love with ancient Rome.
52 BC, and Rome is in turmoil. Rival gangs prowl the streets as Publius Clodius, a high-born populist politician, and his arch-enemy Titus Milo fight to control the consular elections. But when Clodius is murdered on the famed Appian Way and Milo is accused of the crime, the city explodes with riots and arson.
As accusations and rumours fly, Gordianus is charged by Pompey the Great with discovering what really happened on the Appian Way that dark January night. Was it murder? And if so, should the perpetrator be condemned as a villain - or hailed as the saviour of…
I’m a Roman historian (associate professor at the University of Birmingham, UK), who’s particularly interested in understanding the nature of Roman power and how Rome’s presence and impact within the Mediterranean changed over time. I’m dyslexic and I think this, in part, might explain why I am quite a visual learner and find material culture a really valuable way to engage with the past, just as much as through written sources. I really hope that my selection of books offers you various different (and perhaps new) ways to think about ancient Rome!
I love historical detective novels, and this one, set in AD 70, is a great way to immerse yourself in the Roman world. Lindsey Davis does her research, creating a real, lived-in space that makes the ancient past feel alive and present.
Another big plus is that it’s hilariously entertaining: I’m regularly guffawing out loud while reading it. Best of all? It’s the first book in a fantastic series, and I’ve enjoyed following private instigator Marcus Didius Falco, and then later his daughter, Flavia Alba, over a number of adventures across the city of Rome and the wider Empire.
Rome. AD 70. Private eye Marcus Didius Falco knows his way round the eternal city. He can handle the muggers, the police and most of the girls. But one fresh 16 year old, Sosia Camillina, finds him a case no Roman should be getting his nose into . . . Sosia's uncle is a Senator with suspicions. Some friends, Romans and countryment are doing a highly profitable, if highly illegal, trade in silver ingots or pigs. For Falco it's the start of a murderous trail that leads far beyond the seven hills. To a godforsaken land called Britain, to Emperor…
I became interested in the art and written language of ancient Egypt due to its beauty and antiquity. Writing is art and art often contains text in this oldest written African language. I am fascinated with the process of religious change, intercultural interaction, and resistance to colonization. All of these themes are present in the study of the last functioning Egyptian temple, Philae, which is dedicated to the worship of Isis. What is often omitted from the history of this exceptional Egyptian temple is the fact that it was Nubians who defended and sustained the traditional religious practices long after most Egyptians had converted to Christianity. I wrote my book to research and share this neglected history.
Can you tell I am a fan of Chester Higgins? This book traces the flow of the Sacred Nile from south to north, connecting the highlands of Ethiopia, the heartland of the kingdoms of Kush (Kerma, Napata, Meroe), and the better-known treasures of ancient Egypt. All of this is depicted in stunning photographs, while the cultural and historical connections between these lands that border the Nile are lovingly described as a spiritual connection to the waters of the sacred Nile.
Sacred Nile is the story of our collective spiritual imagination and practice. Chester Higgins celebrates the agency of people of African descent and their influence on the foundation of Western religion. His images illustrate how faith migrated up and down the River Nile from Ethiopia to Egypt leaving vestiges of ancient practice in today’s worship. This visual portrayal of faith reexamines our spiritual beginnings.
For many years, I’ve been creating visual nonfiction books for adults. These books are about climate change, indigenous sovereignty, and nuclear physics—not typical kids’ book fare. But because my books include artwork, everyone always asked me when I would write and illustrate a book for children. Once I had my own children, I was suddenly full of ideas. Children’s books are often underestimated. The best books of the genre are accessible enough to interest a young person, sophisticated enough to engage the adults reading them aloud, and multidimensional enough to reward countless re-readings. I believe books that meet this standard fit alongside civilization’s great works of literature.
This book has been on steady bedtime rotation in my house for the past four years—an eternity in a child's life. Every time we turn a page, my son or I say, “This is my favorite page!”
The author’s father was a beekeeper, and that level of intimate, insider knowledge is conveyed throughout. The images are exquisite—a combination of scientific accuracy and goofy playfulness. Socha never talks down to his readers, and every page is dense with information—about how bees communicate, build honeycombs, and select a queen; about what foods are dependent on bees for pollination (hint: seemingly every common fruit and vegetable); about what dangers bees face in an era of global warming, and on and on.
There is also a second book by this author called Trees, which is equally wonderful.
One part science, one part cultural history, and countless parts fascination, Bees celebrates the important role that these intriguing insects have played in our ecosystem throughout the ages. From Athena to Alexander the Great and from Egypt to Ethiopia, Bees explores different methods of beekeeping and uncovers the debt that humans owe this vital species. With beautifully accessible illustrations depicting everything from bee anatomy to the essentials of honey making, readers will be captivated by the endless wonders of this seemingly small speck of the animal kingdom.
I had visited many Eastern Orthodox churches across Eastern Europe and the Middle East for a research project, and finally came to Ethiopia. Here I encountered a large and thriving Christian community which reached back to the earliest days of the church. Its location between the Middle East and East Asia and Africa as well as Europe has given it a distinctive way of living and worshipping which is unique in the Christian world – and overlooked by other churches. I’ve spent the last twenty years exploring this tradition which gives the rest of us a radically different understanding of faith.
Ethiopia is a country with the second largest population in Africa. There are over 80 ethnic groups and languages, living in a region that includes the largest area of mountains in Africa and also the lowest point on the earth’s land surface. While this book tells the history of the Christian north, including the national epic which tells how Ethiopian kings are descended from Solomon of Israel, it also describes the culture and traditions of other societies which make up this fascinating country, and shows both the tensions and the creativity within Ethiopian society.
Combines history, anthropology and sociology to answer two major questions. Why did Ethiopia remain independent under the onslaught of European expansionism while other African political entities were colonized? And why must Ethiopia be considered a single cultural region despite its political, religious and linguistic diversity? Donald Levine's interdisciplinary study seeks to make a contribution both to Ethiopian interpretive history and to sociological analysis. In his preface, Levine examines Ethiopia since the overthrow of the monarchy in the 1970s.
The anthology form unites diverse voices around a common theme—in the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationships—of mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributor’s notes enables the reader to see the story behind the story and how life informs art—life furnishing the raw material or day residue of the story.
The prevailing narrative regarding adoption, at least in the U.S., is crafted by adoption professionals and adoptive parents and largely overlooks the experiences of the parties directly impacted—the adoptees themselves. As an adoptee—one who undertook a search for and was reunited with my first family, reassuming the name I was given at birth—I am always on the lookout for the work of other adoptees. Only we truly understand what it is like to be “split” between two families, to lose our roots and culture, and—perhaps most devastating—not to have our losses acknowledged. These stories, by Ethiopian adoptees, challenge traditional narratives that cast adoption as a benevolent practice, revealing the racist, classist, and colonialist roots that give rise to the modern institution. The stories speak to themes of displacement, bewilderment, and what it is like to grow up estranged from one’s culture, identity, and roots.
Lions Roaring Far From Home: An Anthology by Ethiopian Adoptees includes the essays and poems of 33 writers, ages 8 to over 50, raised in six countries (the US, Canada, Sweden, France, the Netherlands, and Australia). It is the first ever anthology by Ethiopian adoptees.
This anthology shares Ethiopian adoptees’ wide range of experiences, from childhood into adulthood, through the voices of the adoptees themselves. There is more than one mention of grief, confusion, and loss. The writers also talk about their strengths, hopes, happiness, and love for family. Along with sadness and anger, there is also compassion, grace, and…
Steven Casey is Professor in International History at the LSE. A specialist in US foreign policy, he is the author of ten books, including Cautious Crusade, which explored American attitudes toward Nazi Germany during World War II; Selling the Korean War, which won both the Truman Book Award and the Neustadt Prize for best book in American Politics; and When Soldiers Fall which also won the Neustadt Prize. In 2017, he published War Beat, Europe: The American Media at War against Nazi Germany, which won the American Journalism Historians Association 2018 book of the year, the panel judging it “a landmark work.”
A savage counterpoint to Pyle’s brave frontline reporting. The English novelist made two trips to the Ethiopia to cover the war launched by Mussolini in 1935. While in Africa, Waugh complained bitterly about a rival reporter who “never set foot in Abyssinia . . . he sits in his hotel describing an entirely imaginary campaign.” And in this satire, he gave savage voice to this incendiary allegation, describing a group of reporters who spent the bulk of their time far from the front, writing stories based on either misleading briefings by local propaganda chiefs or ingenious inventions that fit the prejudices of their editors and proprietors back home. A hilarious romp.
Evelyn Waugh's brilliantly irreverent satire of Fleet Street, now in a beautiful hardback edition with a new Introduction by Alexander Waugh
Lord Copper, newspaper magnate and proprietor of The Daily Beast, has always prided himself on his intuitive flair for spotting ace reporters. That is not to say he has not made the odd blunder, however, and may in a moment of weakness make another. Acting on a dinner party tip from Mrs Algernon Stitch, he feels convinced that he has hit on just the chap to cover a promising little war in the African Republic of Ishmaelia. But for,…
When I was bored or stressed out at school as a kid, I used to pretend that I was an alien posing as a person and that I’d come to earth to learn about humans. It was fun and helped me to relax. (Look, we all have our own ways of relaxing, I don’t know why “pretending to be an alien” isn’t on more self-care lists these days). Given my tendency to drift toward other worlds, it’s amazing that it took me so long to write a book featuring aliens! The trouble-making Sneaks provide the action in my most recent MG book, which also deals with very real middle-school struggles with friendships and family.
Funny and fast-paced, this story of a boy and his bionic cat will charm avid sci-fi fans and reluctant readers alike. Did I mention the bionic cat? Besa is the star, as far as I’m concerned. Protagonist Yared skips school (with his bionic cat!) to take part in an augmented reality tournament and finds himself at the center of a massive galactic war. Intricate world-building influenced by Ethiopian legend, a tight plot, and an engaging lead trio (including: bionic cat!) make this a delightful read.
I loved Yared’s voice! Few readers will be able to resist his charm and humor. I certainly couldn’t.
The Aliens: The Werari – terrifying golden-eyed alien invaders with a bionic monster, the Bulgu.
From Kwame Mbalia and Prince Joel David Makonnen comes an action-packed Afrofuturist adventure about a mythical Ethiopian empire. Sci-fi and fantasy combine in this epic journey to the stars.
Yared Heywat lives an isolated life in Addis Prime - a hardscrabble city with rundown tech, lots of rules, and not much to do. His worrywart Uncle Moti and bionic lioness Besa are his only family... and his only friends.
Often in trouble for his thrill-seeking antics and smart mouth, those same qualities make Yared a star player of the underground augmented reality game, The Hunt for Kaleb's Obelisk. But when…
