Here are 80 books that The Pull of the Moon fans have personally recommended if you like
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In the ‘60s, everyone was reading—or claiming to have read—Jack Kerouac’s On the Road. I faked reading it, to appear cool. The idea of a road trip, though—characters running away, running toward, or often both—and the self-discovery that ensues—was so intriguing, I made it the heart of the novel I first drafted decades ago. I wrote about a middle-aged woman who flees her life to find a lost love and her lost youth, then put the manuscript away. For 30 years. When I retired from my social work career, I pulled it from the closet, revised it, and became an author at 74.
When this astonishing debut novel about a complicated mother-daughter relationship came out, I wondered if the author had met my mother. Because Adele August believes there’s nothing for her in her small Wisconsin town, she sets off for Los Angeles with her twelve-year-old daughter and a dream—Ann will be a child star; Adele will make a wealthy marriage; they’ll live the lives they were meant to. Simpson’s writing is gorgeous: “My mother and I should have both been girls who stayed out on the porch a little longer than the rest… who strained to hear the long-distance trucks on the highway... girls who looked at the sky and wanted to go away… but who finally sighed, and calling the dog with a mixture of reluctance and relief, shut the door and went home.” Reality can’t live up to Adele’s delusions; mother-child roles are often reversed; but love underlies this tangled…
A national bestseller—adapted into a movie starring Natalie Portman and Susan Sarandon—Anywhere But Here is the heart-rending tale of a mother and daughter. A moving, often comic portrait of wise child Ann August and her mother, Adele, a larger-than-life American dreamer, the novel follows the two women as they travel through the landscape of their often conflicting ambitions. A brilliant exploration of the perennial urge to keep moving, even at the risk of profound disorientation, Anywhere But Here is a story about the things we do for love, and a powerful study of familial bonds.
In the ‘60s, everyone was reading—or claiming to have read—Jack Kerouac’s On the Road. I faked reading it, to appear cool. The idea of a road trip, though—characters running away, running toward, or often both—and the self-discovery that ensues—was so intriguing, I made it the heart of the novel I first drafted decades ago. I wrote about a middle-aged woman who flees her life to find a lost love and her lost youth, then put the manuscript away. For 30 years. When I retired from my social work career, I pulled it from the closet, revised it, and became an author at 74.
A YA novel must be every bit as well-written—with thoroughly developed characters and an absorbing plot—as an adult novel, and maybe more so, given an adolescent’s interest is often pulled to TikTok, Instagram, and Snapchat, not to books. Sixteen-year-old Jenna Boller’s only had her license for six months when Madeline Gladstone, president of the shoe store chain where Jenna works, taps her to be her driver for the summer. They set out on a cross-country road trip to check on the stores, but both learn unexpected lessons about each other and about themselves in the process. I love the cross-generational relationship that develops, and that gawky, self-conscious, and insecure Jenna comes into her own in a most surprising way: Like Dorothy with the ruby slippers, Jenna finds she’s had the power all along.
Meet Jenna Boller, star employee at Gladstone's Shoe Store in Chicago. Standing a gawky 5'11'' at 16 years old, Jenna is the kind of girl most likely to stand out in the crowd for all the wrong reasons. But that doesn't stop Madeline Gladstone, the president of Gladstone's Shoes 176 outlets in 37 states, from hiring Jenna to drive her cross country in a last ditch effort to stop Elden Gladstone from taking over his mother's company and turning a quality business into a shop-and-schlock empire. Now Jenna Boller shoe salesperson is about to become a shoe-store spy as she…
In the ‘60s, everyone was reading—or claiming to have read—Jack Kerouac’s On the Road. I faked reading it, to appear cool. The idea of a road trip, though—characters running away, running toward, or often both—and the self-discovery that ensues—was so intriguing, I made it the heart of the novel I first drafted decades ago. I wrote about a middle-aged woman who flees her life to find a lost love and her lost youth, then put the manuscript away. For 30 years. When I retired from my social work career, I pulled it from the closet, revised it, and became an author at 74.
The author had me at the first line: “Boop loved her daughter to the moon and back, but Justine had a way of sucking the joy out of a room faster than a vampire bat.” This road trip story about three generations of women (Boop, her daughter, Justine—who’s not in the car, but her presence is—and Justine’s daughter, Eve) set against a background of family secrets, has a decidedly Southern tone. One imagines a narrator relating the story from a rocker on the front porch, a glass of sweet tea in her hand. Although there are lighthearted moments, this is a serious story, about familial expectations, mental illness, family secrets, estrangement, and three women trying to find their way back to themselves and to each other. Travelling with this unforgettable grandmother/granddaughter duo is a gift.
Eve Prince is done-with college, with her mom, with guys, and with her dream of fashion design. But when her best friend goes MIA, Eve must gather together the broken threads of her life in order to search for her.
When Eve's grandmother, Boop, a retiree dripping with Southern charm, finds out about the trip, she-desperate to see her sister, and also hoping to alleviate Eve's growing depression-hijacks her granddaughter's road trip. Boop knows from experience that healing Eve will require more than flirting lessons and a Garlic Festival makeover. Nevertheless, Boop is frustrated when her feeble efforts yield the…
In the ‘60s, everyone was reading—or claiming to have read—Jack Kerouac’s On the Road. I faked reading it, to appear cool. The idea of a road trip, though—characters running away, running toward, or often both—and the self-discovery that ensues—was so intriguing, I made it the heart of the novel I first drafted decades ago. I wrote about a middle-aged woman who flees her life to find a lost love and her lost youth, then put the manuscript away. For 30 years. When I retired from my social work career, I pulled it from the closet, revised it, and became an author at 74.
Whenever I re-read this book, I’m gob-smacked that it’s a debut novel. Taylor Greer just wants to avoid the fate of her peers—unwanted pregnancies and dead-end lives in the small Kentucky town where she was born—when she points her Volkswagen Bug due West in search of something different. She has no idea how different her life will become when she stops at a gas station in Oklahoma and a stranger puts a small child in the passenger seat of her car. The story of how Taylor and the child become a family with the help of some unlikely friends, is one that’s stayed with me from first read. Kingsolver’s writing is quietly and deeply dazzling and paints a stunning picture of what it means to find sanctuary, family, and home in a way you never imagined.
The Bean Trees is bestselling author Barbara Kingsolver's first novel, now widely regarded as a modern classic. It is the charming, engrossing tale of rural Kentucky native Taylor Greer, who only wants to get away from her roots and avoid getting pregnant. She succeeds, but inherits a 3-year-old native-American little girl named Turtle along the way, and together, from Oklahoma to Tucson, Arizona, half-Cherokee Taylor and her charge search for a new life in the West.
Written with humour and pathos, this highly praised novel focuses on love and friendship, abandonment and belonging as Taylor, out of money and seemingly…
In second grade my teacher told me I should be a writer—I haven’t wavered in my path since. I was a voracious reader as a child and regularly snatched books off my mom’s night table. My love for flawed characters grew with each book I devoured. I felt a connection with these characters, which fueled my dream to become a writer. When I was twenty-one years old and studying writing, I wrote in my journal, “I want to write books that make people cry.” I love to explore the gray areas in life, and I’m honored that readers have told me my books do make them cry (and laugh).
I love this book because Edna Pontellier is perhaps the original flawed yet sympathetic heroine—a character ahead of her time and a symbol of the growing stirrings of feminism.
I underlined many passages in my dog-eared copy from college (my professor was the editor), including the line, “Mrs. Pontellier was not a mother-woman,” a contrast with the other mothers summering on Grand Isle who doted on their children. She’s not what a woman and mother was supposed to be in 1899—she’s in love with a man other than her husband; she eschews the trappings of motherhood; and ultimately she escapes in the most heartbreaking way.
This book was so explosive at the time, that it was pulled from shelves and didn’t enjoy success and a rightful place in the literary cannon until it was reissued in 1966. There’s a reason it’s had a treasured place on my bookshelf for nearly…
e Awakening, originally titled A Solitary Soul, is a novel by Kate Chopin, first published in 1899. Set in New Orleans and on the Louisiana Gulf coast at the end of the 19th century, the plot centers on Edna Pontellier and her struggle to reconcile her increasingly unorthodox views on femininity and motherhood with the prevailing social attitudes of the turn-of-the-century American South. It is one of the earliest American novels that focuses on women's issues without condescension. It is also widely seen as a landmark work of early feminism, generating a mixed reaction from contemporary readers and critics.The novel's…
In second grade my teacher told me I should be a writer—I haven’t wavered in my path since. I was a voracious reader as a child and regularly snatched books off my mom’s night table. My love for flawed characters grew with each book I devoured. I felt a connection with these characters, which fueled my dream to become a writer. When I was twenty-one years old and studying writing, I wrote in my journal, “I want to write books that make people cry.” I love to explore the gray areas in life, and I’m honored that readers have told me my books do make them cry (and laugh).
I love this short story collection by Jill McCorkle, because Jill is a master of complex yet subtle emotions—it left me laughing out loud on one page and crying on the next. The characters in each story are flawed and multi-dimensional and so gloriously human that I rooted for them, despite any shortcomings.
In Your Husband Is Cheating on Us, I sympathized with the unnamed narrator/speaker because her humanity shines through, even though she’s the other woman coming clean to her affair partner’s wife (and I was even hoping for her morally murky proposal to succeed). I love the short story form, and this is one of my favorites, but they’re all stellar in this collection. It’s a Funeral! RSVP feels like chatting with a best friend who’s made some questionable decisions, but you love her anyway—especially when the narrator divulges her dark secret. It’s funny and tender and heartbreaking.
When Jill McCorkle feels a short story coming on, she goes right ahead and "wastes" wonderful ideas instead of hoarding them for a novel. The result is another extraordinary collection of stories and characters. In "It's a Funeral! RSVP," the storyteller is a woman who takes up self-styled "careers" that suit her circumstances. Now she's stumbled onto one that's so successful that she just can't quit. It's planning funerals, what she calls Going Out Parties, in which the clients are the soon-to-be-deceased themselves. In "Life Prerecorded," perhaps McCorkle's finest short piece to date, the pregnant narrator finds the real meaning…
In second grade my teacher told me I should be a writer—I haven’t wavered in my path since. I was a voracious reader as a child and regularly snatched books off my mom’s night table. My love for flawed characters grew with each book I devoured. I felt a connection with these characters, which fueled my dream to become a writer. When I was twenty-one years old and studying writing, I wrote in my journal, “I want to write books that make people cry.” I love to explore the gray areas in life, and I’m honored that readers have told me my books do make them cry (and laugh).
I love smart thrillers like The Practice of Deceit—thrillers that keep me turning the pages even if my alarm is going off early the next morning; thrillers that don’t rely on violence to propel the story forward but rather on interesting, richly drawn, complex characters who are not portrayed in black and white.
Charming bachelor Eric Lavender, a psychotherapist, falls for Colleen O’Brien Golden, a lawyer, but when a conflict of interest with Colleen’s client implodes Eric’s idyllic suburban life as a husband and father to an adorable stepdaughter and a newborn, he learns the dark truth about Colleen’s past. Eric’s flaw is, to me, the one that makes a character most sympathetic—being blinded by love and desire. I love that this book is in the male point of view, and it’s done so well that when Colleen tries to destroy Eric, it is a gut punch.
This smart psychological thriller about a therapist who marries the wrong woman is “a lot of wicked fun” (Alan Cheuse, NPR’s All Things Considered).
When Eric Lavender meets the attorney Colleen O’Brien Golden, his position as one of Manhattan’s chic psychotherapists and most eligible bachelors suddenly loses its appeal. The sexy, stylish Colleen lures him to live with her and her young daughter in the exclusive suburb of Scarsdale. To his amazement, Eric is besotted and soon settles into the unexpected bliss of marriage and domesticity with their new baby and his loving stepdaughter. He even becomes a local hero…
In second grade my teacher told me I should be a writer—I haven’t wavered in my path since. I was a voracious reader as a child and regularly snatched books off my mom’s night table. My love for flawed characters grew with each book I devoured. I felt a connection with these characters, which fueled my dream to become a writer. When I was twenty-one years old and studying writing, I wrote in my journal, “I want to write books that make people cry.” I love to explore the gray areas in life, and I’m honored that readers have told me my books do make them cry (and laugh).
I love this book because, beyond the fabulous, richly layered story, it takes what should be unlikeable characters and makes you root for them. April Epner is flawed—brittle, sarcastic and closed off at times—but I love her.
As a reader, I can understand why she is the way she is, and that’s the key to making her sympathetic and likable. The payoff is so satisfying when April makes a deep emotional connection and opens up. Bernice Graverman, April’s newfound biological mom, is tacky, loud and over the top, and yet, I was rooting for her. She has a tough shell, but there’s a touching hidden vulnerability.
One more thing I loved about this book…I lived in Quincy, MA (outside of Boston), where this story is set, for five years—it perfectly captures what life was like there in the nineties.
April Epner teaches high school Latin, wears flannel jumpers, and is used to having her evenings free. Bernice Graverman brandishes designer labels, favors toad-sized earrings, and hosts her own tacky TV talk show: Bernice G!
But behind the glitz and glam, Bernice has followed the life of the daughter she gave up for adoption thirty-six years ago. Now that she's got her act together, she's aiming to be a mom like she always knew she could. And she's hurtling straight for April's quiet little life....
I’m the author of the short story collection I Meant It Once. I often say it’s a book about being a mess in your twenties, but to speak more personally, writing it was a necessity, a way to make sense of both the intensity and mundanity of my own experiences. I love a book where you can palpably feel the author working to make sense of their own life, through language—and, in turn, sorting out what it is for any of us to be a person. Books like these are essential reading when life feels thorny, beautiful, and impossible to make sense of, and all you can do is try to write it down.
I don’t set much store by orderly chronology, in life or writing—as might be clear from my book, where old memories live vividly alongside the present moment!
More interesting to me is how memory accumulates and morphs over time, and how stories live in our minds. Needless to say I adore Julavits’s non-chronological diary The Folded Clock (and what a title)! In gorgeously detailed individual sections, she immerses us in her life without regard for the precise sequence of events. We’re left with a beautiful jumble, which is surely truer than how life is anyway.
Rereading her childhood diaries, Heidi Julavits hoped to find incontrovertible proof that she was always destined to be a writer. Instead, they “revealed me to possess the mind of a phobic tax auditor.” Thus was born a desire to try again, to chronicle her daily life—now as a forty-something woman, wife, mother, and writer. A meditation on time and self, youth and aging, friendship and romance, faith and fate, and art and ambition, in The Folded Clock one of the most gifted prose stylists in American letters explodes the typically confessional diary form with…
I am a writer and a filmmaker who has lived in New York City since 1982. In 1986 I started my own independent film production company, Starfish Productions, through which I produced and directed documentary films that won multiple awards, including an American Film Institute grant, a Rockefeller Fellowship, and an Emmy Award in 1997. I started writing fiction full-time in 2010. My debut novel, We Shall See the Sky Sparkling (Kensington Books) was published in 2/2019; my second novel The Weight of the Heart (Kensington Books) came out in 5/2020.
After worshiping Leo Tolstoy and his writing for long decades, the much later discovery of Sophia’s diaries came to me as a huge revelation: I learnt that no writer or artist is an island, but always part of a human ecosystem that nurtures and feeds their art. In the case of Tolstoy, it was his family and most particularly his wife. In her personal writings we meet the woman behind the great writer, married to him for 48 years, and who bore him 13 children. She was pivotal to his work, encouraging and supporting his literary career. Through her pages, we find out about her love for Tolstoy and their tormented marriage, in which she often felt neglected and provoked. We see the hidden, dark side of the great man of letters, a vastly gifted but troubled individual, and we also learn about Sophia’s undying vital energy that allowed her…
When Sofia Behrs married Count Leo Tolstoy, the author of "War and Peace", husband and wife regularly exchanged diaries covering the years from 1862 to 1910. Sofia's life was not an easy one: she idealized her husband, but was tormented by him; even her many children were not an unmitigated blessing. In the background of her life was one of the most turbulent periods of Russian history: the transition from old feudal Russia to the three revolutions and three major international wars. Yet it is as Sofia Tolstoy's own life story, the study of one woman's private experience, that the…
