Here are 100 books that The Practice of Deceit fans have personally recommended if you like
The Practice of Deceit.
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In second grade my teacher told me I should be a writer—I haven’t wavered in my path since. I was a voracious reader as a child and regularly snatched books off my mom’s night table. My love for flawed characters grew with each book I devoured. I felt a connection with these characters, which fueled my dream to become a writer. When I was twenty-one years old and studying writing, I wrote in my journal, “I want to write books that make people cry.” I love to explore the gray areas in life, and I’m honored that readers have told me my books do make them cry (and laugh).
I love this book because I love imperfect, flawed heroines…and as a fifty-something woman, Nan spoke to me.
How many times do we think of running away—even if just for a bit—but responsibilities and maybe even fear keep us from acting? Not Nan—she takes off, simply leaving an abrupt note for her husband, Martin (which takes place before the book opens). The narrative alternates between letters to Martin and journal entries (Nan spills her thoughts into a turquoise leather tooled journal with a black string fastener and a silver button—I love that detail).
The lyrical descriptions of each place Nan visits are so vivid I felt like I was riding shotgun. And I loved taking that journey with Nan and living in her head, because honestly…being in her head felt a lot like being in my own head, flaws and all.
“This is not a novel about a woman leaving home but rather about a human being finding her way back.”—Chicago Tribune
In the middle of her life, Nan decides to leave her husband at home and begin an impromptu trek across the country, carrying with her a turquoise leather journal she intends to fill. The Pull of the Moon is a novel about a woman coming to terms with issues of importance to all women. In her journal, Nan addresses the thorniness—and the allure—of marriage, the sweet ties to children, and the gifts and lessons that come from random encounters…
In second grade my teacher told me I should be a writer—I haven’t wavered in my path since. I was a voracious reader as a child and regularly snatched books off my mom’s night table. My love for flawed characters grew with each book I devoured. I felt a connection with these characters, which fueled my dream to become a writer. When I was twenty-one years old and studying writing, I wrote in my journal, “I want to write books that make people cry.” I love to explore the gray areas in life, and I’m honored that readers have told me my books do make them cry (and laugh).
I love this book because Edna Pontellier is perhaps the original flawed yet sympathetic heroine—a character ahead of her time and a symbol of the growing stirrings of feminism.
I underlined many passages in my dog-eared copy from college (my professor was the editor), including the line, “Mrs. Pontellier was not a mother-woman,” a contrast with the other mothers summering on Grand Isle who doted on their children. She’s not what a woman and mother was supposed to be in 1899—she’s in love with a man other than her husband; she eschews the trappings of motherhood; and ultimately she escapes in the most heartbreaking way.
This book was so explosive at the time, that it was pulled from shelves and didn’t enjoy success and a rightful place in the literary cannon until it was reissued in 1966. There’s a reason it’s had a treasured place on my bookshelf for nearly…
e Awakening, originally titled A Solitary Soul, is a novel by Kate Chopin, first published in 1899. Set in New Orleans and on the Louisiana Gulf coast at the end of the 19th century, the plot centers on Edna Pontellier and her struggle to reconcile her increasingly unorthodox views on femininity and motherhood with the prevailing social attitudes of the turn-of-the-century American South. It is one of the earliest American novels that focuses on women's issues without condescension. It is also widely seen as a landmark work of early feminism, generating a mixed reaction from contemporary readers and critics.The novel's…
In second grade my teacher told me I should be a writer—I haven’t wavered in my path since. I was a voracious reader as a child and regularly snatched books off my mom’s night table. My love for flawed characters grew with each book I devoured. I felt a connection with these characters, which fueled my dream to become a writer. When I was twenty-one years old and studying writing, I wrote in my journal, “I want to write books that make people cry.” I love to explore the gray areas in life, and I’m honored that readers have told me my books do make them cry (and laugh).
I love this short story collection by Jill McCorkle, because Jill is a master of complex yet subtle emotions—it left me laughing out loud on one page and crying on the next. The characters in each story are flawed and multi-dimensional and so gloriously human that I rooted for them, despite any shortcomings.
In Your Husband Is Cheating on Us, I sympathized with the unnamed narrator/speaker because her humanity shines through, even though she’s the other woman coming clean to her affair partner’s wife (and I was even hoping for her morally murky proposal to succeed). I love the short story form, and this is one of my favorites, but they’re all stellar in this collection. It’s a Funeral! RSVP feels like chatting with a best friend who’s made some questionable decisions, but you love her anyway—especially when the narrator divulges her dark secret. It’s funny and tender and heartbreaking.
When Jill McCorkle feels a short story coming on, she goes right ahead and "wastes" wonderful ideas instead of hoarding them for a novel. The result is another extraordinary collection of stories and characters. In "It's a Funeral! RSVP," the storyteller is a woman who takes up self-styled "careers" that suit her circumstances. Now she's stumbled onto one that's so successful that she just can't quit. It's planning funerals, what she calls Going Out Parties, in which the clients are the soon-to-be-deceased themselves. In "Life Prerecorded," perhaps McCorkle's finest short piece to date, the pregnant narrator finds the real meaning…
In second grade my teacher told me I should be a writer—I haven’t wavered in my path since. I was a voracious reader as a child and regularly snatched books off my mom’s night table. My love for flawed characters grew with each book I devoured. I felt a connection with these characters, which fueled my dream to become a writer. When I was twenty-one years old and studying writing, I wrote in my journal, “I want to write books that make people cry.” I love to explore the gray areas in life, and I’m honored that readers have told me my books do make them cry (and laugh).
I love this book because, beyond the fabulous, richly layered story, it takes what should be unlikeable characters and makes you root for them. April Epner is flawed—brittle, sarcastic and closed off at times—but I love her.
As a reader, I can understand why she is the way she is, and that’s the key to making her sympathetic and likable. The payoff is so satisfying when April makes a deep emotional connection and opens up. Bernice Graverman, April’s newfound biological mom, is tacky, loud and over the top, and yet, I was rooting for her. She has a tough shell, but there’s a touching hidden vulnerability.
One more thing I loved about this book…I lived in Quincy, MA (outside of Boston), where this story is set, for five years—it perfectly captures what life was like there in the nineties.
April Epner teaches high school Latin, wears flannel jumpers, and is used to having her evenings free. Bernice Graverman brandishes designer labels, favors toad-sized earrings, and hosts her own tacky TV talk show: Bernice G!
But behind the glitz and glam, Bernice has followed the life of the daughter she gave up for adoption thirty-six years ago. Now that she's got her act together, she's aiming to be a mom like she always knew she could. And she's hurtling straight for April's quiet little life....
I’m a writer, forever tap-tap-tapping away on my computer, looking to create that lyrical rhythm on the page that I feel in my heart. I’m also usually singing, whether it’s made up ditties to my dogs, 80s indie pop, or Broadway showtimes. Bottom line, I’m a storyteller, and nothing thrills me as much as a great tale well told, either on the page, on the stage, or around a table. Here are a few stories I’ve loved along the way that include a nod to Broadway, another love of mine long before I was hired to write the book for Legally Blonde the Musical.
I read that Matt Weiner wouldn’t have had the courage to write Mad Men if he’d read this before he worked on the series.
Revolutionary Road is set in the world of New York advertising during the martini lunch era, and it’s one of my favorite books of all time. It doesn’t exactly have that Singin’ in the Rain optimism, but it’s darkly hilarious. The opening scene is literary perfection, set at the dress rehearsal for the Laurel Players.
Yates masterfully captures that Waiting for Guffman sincerity (and inherent comedy) of community theater, and the novel sets the stage for the deeply human tale of longing. It is deeply American and deeply perfect.
Hailed as a masterpiece from its first publication, Revolutionary Road is the story of Frank and April Wheeler, a bright young couple who are bored by the banalities of suburban life and long to be extraordinary. With heartbreaking compassion and clarity, Richard Yates shows how Frank and April's decision to change their lives for the better leads to betrayal and tragedy.
My life, in particular, has been a series of challenges to overcome, from an attempted kidnapping at age eight to surviving breast cancer (twice!) before the age of forty-five. I believe in a world of equal opportunity, but I know the pursuit of happiness takes hard work. As a general contractor in the male-dominated construction industry, I’m well aware of gender biases in our world and the dedication it takes to overcome them. However, the struggle empowers us all, and even small victories inspire us to overcome adversity. Life is a survival story, and art imitates life. So I crave, read, and write novels starring empowered women.
I love a book rich with flawed characters; this one is full of them. Perrotta’s peek into the mundane life of a stay-at-home mother at war with her lot in life is delicious. Sarah once coined herself a feminist, and now, she’s wiping noses. It’s a struggle many mothers of little children face, and while most don’t go to the lengths Perrotta’s characters explore, it’s a valiant example of losing oneself for the sake of a higher calling: motherhood.
I first read this book at graduate school, with two babies at home. Perrotta taught me that exploring the human condition is necessary for connecting with readers. I’ve received many letters from readers citing that they connected with Veronica on the pages of Trespassing, and that’s the best accolade.
Unexpectedly suspenseful, but written with all the fluency and dark humor of Tom Perrotta's The Wishbones and Joe College, Little Children exposes the adult dramas unfolding amidst the swingsets and slides of an ordinary American playground.
Tom Perrotta's thirty-ish parents of young children are a varied and surprising bunch. There's Todd, the handsome stay-at-home dad dubbed "The Prom King" by the moms of the playground; Sarah, a lapsed feminist with a bisexual past, who seems to have stumbled into a traditional marriage; Richard, Sarah's husband, who has found himself more and more involved with a fantasy life on the internet…
I spent my adolescence reading young adult novels that featured characters who were nothing like me, and yearned to read about characters who shared my struggle in mediating my community’s cultural expectations as a first-generation Australia. This is the inspiration for writing own voices stories as these are the books I wished I’d been able to read. I draw on my Bosnian-Muslim cultural heritage to write own voices stories for young people, who like me, are searching to mediate their identity and take pride in their diverse culture. Own voices books are an opportunity to learn and celebrate culture and diversity, and to show young people that they are not alone in the world.
A stunning novel that represents the true beating heart of Australia I grew up with cultures that represent all the different waves of migration in Australia.
Divaroren has created such distinct voices for each of her characters which is a feat as each perspective is written in first person, from seven-year-old Sam who is terrorised by his father, to 70-year-old Mr. Bailey who is a Vietnam vet and struggling with the changing face of Australia.
I fell in love with the characters and loved that there was so much reality and heart, but most importantly hope in this beautiful novel that celebrates multiculturalism and belonging.
'Living on Hope Street is a big-hearted, compassionate work. Divaroren is a ferociously good storyteller and every character breathes life, every character convinces. This book is an absolute joy to read.' CHRISTOS TSIOLKAS" We all love someone. We all fear something. Sometimes they live right next door - or even closer. Kane will do everything he can to save his mother and his little brother Sam from the violence of his father, even if it means becoming a monster himself. Mrs Aslan will protect the boys no matter what - even though her own family is in pieces. Ada wants…
When my children were 1, 3, and 5, my husband and I adopted two teenage boys. Suddenly, I was a mom to five, trying to keep my head above water. I turned to other women for advice, friendship, and compassion. While bonding over our chaotic lives, I found stories. My friends offered new perspectives on my world. I learned that every woman is living life on her own terms, and no two tales are the same. This is the magic of listening to another woman. I'm passionate about telling these stories so we can all see the world from a unique perspective and look at our situations with new understanding.
This book had one basic message, and it came down to this: Take time to put yourself first because you matter too. I love this message so much because it took me years (and I’m still working on it) to learn the importance of self-care.
Challenging relationships within my own family structure have taken a toll over the years. However, reading this book reminded me that I can take control of my own happiness and that it is not selfish to make a “Me List” and make myself happy, too.
"Balko's writing is pure magic and it's a must-read for today's divided world." –J.D. Greyson, founder of Move Me Poetry
Ziplining despite being scared of heights. Learning yoga when you're afraid of downward anything. Facing your strained relationship with your mother.
When Olivia writes a ME List, she picks 10 things to get her out of her suburban mom funk. But what she really needs is to figure out how to deal with her next-door neighbor, nemesis, and new boss-Patricia. Patricia is the top realtor in their town and has the perfect life. But when Olivia agrees to be Patricia's…
I’ve always been interested in art and architecture. I studied Fine Arts at CalArts. I’ve written three books on Mid-century home builders and designers, William Mellenthin, Jean Vandruff, and Robert Byrd, whose life and work in Southern California had gone mostly unnoticed during their lifetimes—with very little information written about them in the press. I spent three years on each book working with the families to uncover their lives and place in local history. This is information that would have otherwise been lost. When you research the life of one person in this profession, you inevitably learn about the life and work of others—some famous, some not.
D.J. Waldie’s writing reminds me of a Raymond Carver short story. His short, deliberate style draws the reader in immediately. You are hooked.
He walks to work. He lives in his parent’s original tract home, part of a planned development built in the 1950s in Lakewood, CA. It was the first one on the west coast. Waldie observes his friends and neighbors, the neighborhood, and its unique place in Southern California history.
After my parent’s divorce, my father lived in Lakewood and Long Beach, so I spent a lot of time down there when I was a kid. Does anyone remember Buffums department store?
Since its publication in 1996, Holy Land has become an American classic. In "quick, translucent prose" (Michiko Kakutani, New York Times) that is at once lyrical and unsentimental, D. J. Waldie recounts growing up in Lakewood, California, a prototypical post-World War II suburb. Laid out in 316 sections as carefully measured as a grid of tract houses, Holy Land is by turns touching, eerie, funny, and encyclopedic in its handling of what was gained and lost when thousands of blue-collar families were thrown together in the suburbs of the 1950s. An intensely realized and wholly original memoir about the way…
Much laughter is born out of sadness. Humor can be a way to cope or even reinvent our realities in ways that bring relief—and release. There's a misconception that “serious literature” should be humorless; crack a smile and you’re a fraud. However, the worlds and characters that emerge from this way of thinking do not ring true to me. Who among us hasn’t joked to help deal with sorrow? Or to satirize the outrageous? Or simply because life--however brutal—is also sometimes funny? The more a writer allows laughter to intermingle with tears, the more I believe in the story, and the more I enjoy it. That is why I wrote a “funny-sad” novel, The Australian.
Alice, Corvus, and Annabel, children without mothers, traverse air-conditioned buildings and desert landscapes, strewn with symbols and signs of mortality—from the preservation of those teetering on the brink of death at a nursing home to a wildlife museum full of taxidermies; and these teenagers are orbited by agitated, confused adults who seem wholly unaware of the strangeness—and messages—defining their lives. Joy Williams is a master at dark humor in literary fiction, and The Quick and the Dead is one of her finest achievements.
PULITZER PRIZE FINALIST • From one of our most heralded writers comes the “poetic, disturbing, yet very funny” (The Washington Post Book World) life-and-death adventures of three misfit teenagers in the American desert.
Alice, Corvus, and Annabel, each a motherless child, are an unlikely circle of friends. One filled with convictions, another with loss, the third with a worldly pragmatism, they traverse an air-conditioned landscape eccentric with signs and portents—from the preservation of the living dead in a nursing home to the presentation of the dead as living in a wildlife museum—accompanied by restless, confounded adults.
