Here are 100 books that The Silent Majority fans have personally recommended if you like
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I developed a strong interest in current events, especially politics, in high school. What the government does, or does not do, struck me as a vital piece of the puzzle in trying to explain why things are the way they are. That soon led, however, to seeing how the past continues to influence the present. No decade is more important than the 1960s for understanding our current political climate.
Historians rightly stress that social movements and broad forces, often decades in the making, shape history, but Weisbrot and Mackenzie note that many of the monumental reforms of the 1960s that continue to define our society today resulted primarily from decisions made by liberal presidents, members of Congress, and the Supreme Court.
They vividly convey the confidence in government as a force for good that lay at the core of liberal thinking. They are sympathetic to much of the liberals’ efforts, yet they also acknowledge their shortcomings.
An engaging be hind-the-scenes look at the lesser-known forces that fueled the profound social reforms of the 1960s
Provocative and incisive , The Liberal Hour reveals how Washington, so often portrayed as a target of reform in the 1960s, was in fact the era's most effective engine of change. The movements of the 1960s have always drawn the most attention from the decade's chroniclers, but it was in the halls of government-so often the target of protesters' wrath-that the enduring reforms of the era were produced. With nuance and panache, Calvin Mackenzie and Robert Weisbrot present the real-life characters-from giants…
I developed a strong interest in current events, especially politics, in high school. What the government does, or does not do, struck me as a vital piece of the puzzle in trying to explain why things are the way they are. That soon led, however, to seeing how the past continues to influence the present. No decade is more important than the 1960s for understanding our current political climate.
Presidents matter, but they do not have magical powers.
Zelizer persuasively recounts how the Great Society reforms of the 1960s would not have been passed without the work of legislators whose names are largely forgotten today. Democrats achieved many of their goals, but Zelizer also surveys how they faced stern resistance from Republicans on Capitol Hill. A window of opportunity to transform the nation opened in the mid-1960s, and then soon closed.
A majestic big-picture account of the Great Society and the forces that shaped it, from Lyndon Johnson and members of Congress to the civil rights movement and the media
Between November 1963, when he became president, and November 1966, when his party was routed in the midterm elections, Lyndon Johnson spearheaded the most transformative agenda in American political history since the New Deal, one whose ambition and achievement have had no parallel since. In just three years, Johnson drove the passage of the Civil Rights and Voting Rights Acts; the War on Poverty program; Medicare and Medicaid; the National Endowments…
I developed a strong interest in current events, especially politics, in high school. What the government does, or does not do, struck me as a vital piece of the puzzle in trying to explain why things are the way they are. That soon led, however, to seeing how the past continues to influence the present. No decade is more important than the 1960s for understanding our current political climate.
Critchlow offers compelling portraits of four men (Richard Nixon, Nelson Rockefeller, Barry Goldwater, and Ronald Reagan) who sought to define the direction of the Republican Party during the 1960s, an era when the Democrats were firmly entrenched as the nation’s majority party.
This book reminds us of the role of contingency as we seek to explain the past. Critchlow stresses that although ideas are important, politics more often involves various figures responding pragmatically to shifting circumstances. The Republican Party of the 1960s was more ideologically diverse than it has been in recent decades.
"Politics makes for strange bedfellows," the old saying goes. Americans, however, often forget the obvious lesson underlying this adage: politics is about winning elections and governing once in office. Voters of all stripes seem put off by the rough-and-tumble horse-trading and deal-making of politics, viewing its practitioners as self-serving and without principle or conviction.
Because of these perspectives, the scholarly and popular narrative of American politics has come to focus on ideology over all else. But as Donald T. Critchlow demonstrates in his riveting new book, this obsession obscures the important role of temperament, character, and leadership ability in political…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I developed a strong interest in current events, especially politics, in high school. What the government does, or does not do, struck me as a vital piece of the puzzle in trying to explain why things are the way they are. That soon led, however, to seeing how the past continues to influence the present. No decade is more important than the 1960s for understanding our current political climate.
On May 8, 1970, just days after the killing of four college students at Kent State University, construction workers in New York City violently attacked a group that had gathered to protest the Vietnam War.
Kuhn offers a riveting account of the events (dubbed the “Hardhat Riot” by some and “Workers’ Woodstock” by others), but he also situates them into a broader story of how the war and other developments of the 1960s exacerbated divisions within the Democratic Party between white, heavily unionized blue-collar workers in the urban North and an emerging class of college-educated professionals.
Nixon successfully courted many of the blue-collar workers on the way to his landslide victory in 1972. Kuhn is no apologist for the workers, but he also avoids facile stereotypes about the white working class, some of which persist to this day.
In May 1970, four days after Kent State, construction workers chased students through downtown Manhattan, beating scores of protestors bloody. As hardhats clashed with hippies, it soon became clear that something larger was happening; Democrats were at war with themselves. In The Hardhat Riot, David Paul Kuhn tells the fateful story-how chaotic it was, when it began, when the white working class first turned against liberalism, when Richard Nixon seized the breach, and America was forever changed. It was unthinkable one generation before: FDR's "forgotten man" siding with the party of Big Business and, ultimately, paving the way for presidencies…
I have always been drawn to community, meaning how people get together, live, love, and support each other. That love drew me into caring about cities, in all their various forms, because cities are places for people to gather and build lives together. This can be in an Italian hilltown from the 1000 AD, a 15th-century neighborhood in Barcelona, an elegant street on the Upper East Side of New York City, or a subdivision near a highway interchange in Phoenix. Once I started caring about cities, I started asking why these places are the way they are, and this produced my book.
Joel Garreau, a longtime reporter for The Washington Post, was one of the first people to take the sprawling suburbs, the collections of malls, subdivisions, and office parks seriously. He was one of the first people to call them cities. After publishing his book, academics, and professional urban planners began discussing “edge cities.”
Garreau gives many specifics because he is a reporter, which is how he works. He travels the country looking at different edge cities, starting with the one in his own backyard, Tyson’s Corner, outside Washington, D.C.
First there was downtown. Then there were suburbs. Then there were malls. Then Americans launched the most sweeping change in 100 years in how they live, work, and play. The Edge City.
I enjoyed writing The Karma Kaper. Just as there's tragedy and comedy in every aspect of our lives there's humor in crime. It's fun bringing that humor to my audience. I also believe in justice for all. Sadly, as American courts are currently more concerned with criminals' rights than victims' rights there are no guarantees victims will receive the justice they deserve. No one can predict if a jury of 12 will find a defendant who has committed a crime guilty. Then, there's the highest court of appeal - fiction! Between the covers of a novel, a crafty writer can ensure just verdicts and devise macabre punishments for the bad guys! It doesn't get any better!
Flannery O’Connor’s saturnine stories of the American South are jewels of American literature.
They are laced with humor and violence but are at the same time deeply spiritual. In fact, the Catholic Church banned her work until it was discovered that her stories were written to show Grace in the lives of her parochial characters.
In Everything That Rises Must Converge, a story from A Good Man is Hard to Find and Other Stories published in 1955, O'Connor writes about Julian, a young college-educated writer who lives with his mother in a decadent neighborhood that lost its prominence as the Old South faded.
His mother who believes she must uphold the dignity of her family's antebellum name insists on "keeping up appearances." For instance, she likes to tell folks that Jason's first job as a writer "selling typewriters" was a good sign because "Rome wasn't built in a day."
Flannery O'Connor was working on Everything That Rises Must Converge at the time of her death. This collection is an exquisite legacy from a genius of the American short story, in which she scrutinizes territory familiar to her readers: race, faith, and morality. The stories encompass the comic and the tragic, the beautiful and the grotesque; each carries her highly individual stamp and could have been written by no one else.
Tourists and local residents of St. Augustine will enjoy reading about the secret wonders of their ancient city that are right under their noses. Of course, that includes a few stray corpses and ghosts!
Much laughter is born out of sadness. Humor can be a way to cope or even reinvent our realities in ways that bring relief—and release. There's a misconception that “serious literature” should be humorless; crack a smile and you’re a fraud. However, the worlds and characters that emerge from this way of thinking do not ring true to me. Who among us hasn’t joked to help deal with sorrow? Or to satirize the outrageous? Or simply because life--however brutal—is also sometimes funny? The more a writer allows laughter to intermingle with tears, the more I believe in the story, and the more I enjoy it. That is why I wrote a “funny-sad” novel, The Australian.
Alice, Corvus, and Annabel, children without mothers, traverse air-conditioned buildings and desert landscapes, strewn with symbols and signs of mortality—from the preservation of those teetering on the brink of death at a nursing home to a wildlife museum full of taxidermies; and these teenagers are orbited by agitated, confused adults who seem wholly unaware of the strangeness—and messages—defining their lives. Joy Williams is a master at dark humor in literary fiction, and The Quick and the Dead is one of her finest achievements.
PULITZER PRIZE FINALIST • From one of our most heralded writers comes the “poetic, disturbing, yet very funny” (The Washington Post Book World) life-and-death adventures of three misfit teenagers in the American desert.
Alice, Corvus, and Annabel, each a motherless child, are an unlikely circle of friends. One filled with convictions, another with loss, the third with a worldly pragmatism, they traverse an air-conditioned landscape eccentric with signs and portents—from the preservation of the living dead in a nursing home to the presentation of the dead as living in a wildlife museum—accompanied by restless, confounded adults.
As someone who grew up a child of the sixties amidst suburban conformity but with a decidedly nonconformist gothic sensibility, I have wanted to find a way to combine these contradictory forces. Happily, as a professor of literature and film studies at Hofstra University, I was able to achieve my goal last year when I taught "(Un)Dead Girls and (Un)Safe Spaces: The Suburban Gothic in Film" and "Suburban Horrors" (a literature class). Unaware however that a global pandemic would mean teaching these courses via Zoom, my students and I found ourselves trapped within the confines of our own boxes in a suburban nightmare while discussing fictional and film narratives about sinister neighbors, monsters in closets, murderous family members, conspiratorial racists, and uncanny house hauntings. Oh, the horrible irony.
The possibility of evil. Not only is this the title of the first selection in this collection of classic and newly printed stories by the queen of suburban gothic – it is the essence of her uncanny literary witchcraft, where subtle twists and sudden turns force readers to confront a creeping unease in post-WWII America. No hideous monsters or grotesque horrors here. Instead, sinister insinuation and irrational fears invade the “safe” suburban spaces. A man believes someone is stalking him on his way home from work. Anonymous poison pen letters threaten a community. A runaway teenager reappears several years later … and seems to be someone else.
The deconstruction of so-called normality is what makes these stories so unsettling. Who knows what evil lurks behind the white picket fences? Shirley Jackson does.
The perfect read for Hallowe'en, this new hardback volume of Jackson's finest stories reveals the queen of American gothic at her unsettling, mesmerising best
There's something nasty in suburbia. In these deliciously dark tales, the daily commute turns into a nightmarish game of hide and seek, the loving wife hides homicidal thoughts and the concerned citizen might just be an infamous serial killer. In the haunting world of Shirley Jackson, nothing is as it seems and nowhere is safe, from the city streets to the country manor, and from the small-town apartment to the dark, dark woods...
I grew up in Brooklyn in a family that often faced financial difficulties and started working in my early teens in my father’s grocery store. These experiences made me painfully aware of the great disparities in education, security, material well-being, and opportunity in our society. I saw how these inequalities caused some people to become cynical, resigned, or indifferent—while others became determined to overcome them. I became fascinated by them. I felt that if I wanted to live in a more just and productive society, I first had to understand how it worked. My recommended books inspired me further and helped me to gain that understanding.
This book brings together economics, education, and urban development by showing how our public policies advantaged wealthy suburbanites over less wealthy urban dwellers after World War II. Many people think there is a natural migration to the suburbs after couples have children. Jackson does a masterful job of showing why that is not the natural order of things. It is the result of specific policy choices such as how we fund infrastructure, what tax incentives we provide, who has access to credit, and how we draw political boundaries. His insights offer a blueprint for a more equitable society.
The winner of the Bancroft Prize and the Francis Parkman Prize, this book is the first detailed history of suburban life in America from its origin to the drive-in culture of today.
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of…
In second grade my teacher told me I should be a writer—I haven’t wavered in my path since. I was a voracious reader as a child and regularly snatched books off my mom’s night table. My love for flawed characters grew with each book I devoured. I felt a connection with these characters, which fueled my dream to become a writer. When I was twenty-one years old and studying writing, I wrote in my journal, “I want to write books that make people cry.” I love to explore the gray areas in life, and I’m honored that readers have told me my books do make them cry (and laugh).
I love smart thrillers like The Practice of Deceit—thrillers that keep me turning the pages even if my alarm is going off early the next morning; thrillers that don’t rely on violence to propel the story forward but rather on interesting, richly drawn, complex characters who are not portrayed in black and white.
Charming bachelor Eric Lavender, a psychotherapist, falls for Colleen O’Brien Golden, a lawyer, but when a conflict of interest with Colleen’s client implodes Eric’s idyllic suburban life as a husband and father to an adorable stepdaughter and a newborn, he learns the dark truth about Colleen’s past. Eric’s flaw is, to me, the one that makes a character most sympathetic—being blinded by love and desire. I love that this book is in the male point of view, and it’s done so well that when Colleen tries to destroy Eric, it is a gut punch.
This smart psychological thriller about a therapist who marries the wrong woman is “a lot of wicked fun” (Alan Cheuse, NPR’s All Things Considered).
When Eric Lavender meets the attorney Colleen O’Brien Golden, his position as one of Manhattan’s chic psychotherapists and most eligible bachelors suddenly loses its appeal. The sexy, stylish Colleen lures him to live with her and her young daughter in the exclusive suburb of Scarsdale. To his amazement, Eric is besotted and soon settles into the unexpected bliss of marriage and domesticity with their new baby and his loving stepdaughter. He even becomes a local hero…
