Here are 100 books that The Silent Majority fans have personally recommended if you like
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I developed a strong interest in current events, especially politics, in high school. What the government does, or does not do, struck me as a vital piece of the puzzle in trying to explain why things are the way they are. That soon led, however, to seeing how the past continues to influence the present. No decade is more important than the 1960s for understanding our current political climate.
Historians rightly stress that social movements and broad forces, often decades in the making, shape history, but Weisbrot and Mackenzie note that many of the monumental reforms of the 1960s that continue to define our society today resulted primarily from decisions made by liberal presidents, members of Congress, and the Supreme Court.
They vividly convey the confidence in government as a force for good that lay at the core of liberal thinking. They are sympathetic to much of the liberals’ efforts, yet they also acknowledge their shortcomings.
An engaging be hind-the-scenes look at the lesser-known forces that fueled the profound social reforms of the 1960s
Provocative and incisive , The Liberal Hour reveals how Washington, so often portrayed as a target of reform in the 1960s, was in fact the era's most effective engine of change. The movements of the 1960s have always drawn the most attention from the decade's chroniclers, but it was in the halls of government-so often the target of protesters' wrath-that the enduring reforms of the era were produced. With nuance and panache, Calvin Mackenzie and Robert Weisbrot present the real-life characters-from giants…
I developed a strong interest in current events, especially politics, in high school. What the government does, or does not do, struck me as a vital piece of the puzzle in trying to explain why things are the way they are. That soon led, however, to seeing how the past continues to influence the present. No decade is more important than the 1960s for understanding our current political climate.
Presidents matter, but they do not have magical powers.
Zelizer persuasively recounts how the Great Society reforms of the 1960s would not have been passed without the work of legislators whose names are largely forgotten today. Democrats achieved many of their goals, but Zelizer also surveys how they faced stern resistance from Republicans on Capitol Hill. A window of opportunity to transform the nation opened in the mid-1960s, and then soon closed.
A majestic big-picture account of the Great Society and the forces that shaped it, from Lyndon Johnson and members of Congress to the civil rights movement and the media
Between November 1963, when he became president, and November 1966, when his party was routed in the midterm elections, Lyndon Johnson spearheaded the most transformative agenda in American political history since the New Deal, one whose ambition and achievement have had no parallel since. In just three years, Johnson drove the passage of the Civil Rights and Voting Rights Acts; the War on Poverty program; Medicare and Medicaid; the National Endowments…
I developed a strong interest in current events, especially politics, in high school. What the government does, or does not do, struck me as a vital piece of the puzzle in trying to explain why things are the way they are. That soon led, however, to seeing how the past continues to influence the present. No decade is more important than the 1960s for understanding our current political climate.
Critchlow offers compelling portraits of four men (Richard Nixon, Nelson Rockefeller, Barry Goldwater, and Ronald Reagan) who sought to define the direction of the Republican Party during the 1960s, an era when the Democrats were firmly entrenched as the nation’s majority party.
This book reminds us of the role of contingency as we seek to explain the past. Critchlow stresses that although ideas are important, politics more often involves various figures responding pragmatically to shifting circumstances. The Republican Party of the 1960s was more ideologically diverse than it has been in recent decades.
"Politics makes for strange bedfellows," the old saying goes. Americans, however, often forget the obvious lesson underlying this adage: politics is about winning elections and governing once in office. Voters of all stripes seem put off by the rough-and-tumble horse-trading and deal-making of politics, viewing its practitioners as self-serving and without principle or conviction.
Because of these perspectives, the scholarly and popular narrative of American politics has come to focus on ideology over all else. But as Donald T. Critchlow demonstrates in his riveting new book, this obsession obscures the important role of temperament, character, and leadership ability in political…
I developed a strong interest in current events, especially politics, in high school. What the government does, or does not do, struck me as a vital piece of the puzzle in trying to explain why things are the way they are. That soon led, however, to seeing how the past continues to influence the present. No decade is more important than the 1960s for understanding our current political climate.
On May 8, 1970, just days after the killing of four college students at Kent State University, construction workers in New York City violently attacked a group that had gathered to protest the Vietnam War.
Kuhn offers a riveting account of the events (dubbed the “Hardhat Riot” by some and “Workers’ Woodstock” by others), but he also situates them into a broader story of how the war and other developments of the 1960s exacerbated divisions within the Democratic Party between white, heavily unionized blue-collar workers in the urban North and an emerging class of college-educated professionals.
Nixon successfully courted many of the blue-collar workers on the way to his landslide victory in 1972. Kuhn is no apologist for the workers, but he also avoids facile stereotypes about the white working class, some of which persist to this day.
In May 1970, four days after Kent State, construction workers chased students through downtown Manhattan, beating scores of protestors bloody. As hardhats clashed with hippies, it soon became clear that something larger was happening; Democrats were at war with themselves. In The Hardhat Riot, David Paul Kuhn tells the fateful story-how chaotic it was, when it began, when the white working class first turned against liberalism, when Richard Nixon seized the breach, and America was forever changed. It was unthinkable one generation before: FDR's "forgotten man" siding with the party of Big Business and, ultimately, paving the way for presidencies…
I have always been drawn to community, meaning how people get together, live, love, and support each other. That love drew me into caring about cities, in all their various forms, because cities are places for people to gather and build lives together. This can be in an Italian hilltown from the 1000 AD, a 15th-century neighborhood in Barcelona, an elegant street on the Upper East Side of New York City, or a subdivision near a highway interchange in Phoenix. Once I started caring about cities, I started asking why these places are the way they are, and this produced my book.
Joel Garreau, a longtime reporter for The Washington Post, was one of the first people to take the sprawling suburbs, the collections of malls, subdivisions, and office parks seriously. He was one of the first people to call them cities. After publishing his book, academics, and professional urban planners began discussing “edge cities.”
Garreau gives many specifics because he is a reporter, which is how he works. He travels the country looking at different edge cities, starting with the one in his own backyard, Tyson’s Corner, outside Washington, D.C.
First there was downtown. Then there were suburbs. Then there were malls. Then Americans launched the most sweeping change in 100 years in how they live, work, and play. The Edge City.
I enjoyed writing The Karma Kaper. Just as there's tragedy and comedy in every aspect of our lives there's humor in crime. It's fun bringing that humor to my audience. I also believe in justice for all. Sadly, as American courts are currently more concerned with criminals' rights than victims' rights there are no guarantees victims will receive the justice they deserve. No one can predict if a jury of 12 will find a defendant who has committed a crime guilty. Then, there's the highest court of appeal - fiction! Between the covers of a novel, a crafty writer can ensure just verdicts and devise macabre punishments for the bad guys! It doesn't get any better!
Flannery O’Connor’s saturnine stories of the American South are jewels of American literature.
They are laced with humor and violence but are at the same time deeply spiritual. In fact, the Catholic Church banned her work until it was discovered that her stories were written to show Grace in the lives of her parochial characters.
In Everything That Rises Must Converge, a story from A Good Man is Hard to Find and Other Stories published in 1955, O'Connor writes about Julian, a young college-educated writer who lives with his mother in a decadent neighborhood that lost its prominence as the Old South faded.
His mother who believes she must uphold the dignity of her family's antebellum name insists on "keeping up appearances." For instance, she likes to tell folks that Jason's first job as a writer "selling typewriters" was a good sign because "Rome wasn't built in a day."
Flannery O'Connor was working on Everything That Rises Must Converge at the time of her death. This collection is an exquisite legacy from a genius of the American short story, in which she scrutinizes territory familiar to her readers: race, faith, and morality. The stories encompass the comic and the tragic, the beautiful and the grotesque; each carries her highly individual stamp and could have been written by no one else.
I have always been drawn to community, meaning how people get together, live, love, and support each other. That love drew me into caring about cities, in all their various forms, because cities are places for people to gather and build lives together. This can be in an Italian hilltown from the 1000 AD, a 15th-century neighborhood in Barcelona, an elegant street on the Upper East Side of New York City, or a subdivision near a highway interchange in Phoenix. Once I started caring about cities, I started asking why these places are the way they are, and this produced my book.
New sections of cities, new neighborhoods, and big infrastructure projects are aspirational for societies. They aren’t just about problem-solving. In this great book, historian Robert Fishman shows how London and Paris developed differently because they had different ideals and different aspirations.
As it began to grow due to industrialization in the late 18th century, London prioritized the development of townhouses, its urban ideal. This caused it to become a sprawling, low-rise city. Paris developed in the mid-19th century as a city of glamorous, stylish apartment buildings because this was Paris’s ideal.
Parisians valued the street and cultural life that apartment life generated. The title of this book is off-putting for me because it sounds so academic. But Fishman, a trained historian, writes well and gives you big ideas and details in a readable package.
A noted urban historian traces the story of the suburb from its origins in nineteenth-century London to its twentieth-century demise in decentralized cities like Los Angeles.
My life, in particular, has been a series of challenges to overcome, from an attempted kidnapping at age eight to surviving breast cancer (twice!) before the age of forty-five. I believe in a world of equal opportunity, but I know the pursuit of happiness takes hard work. As a general contractor in the male-dominated construction industry, I’m well aware of gender biases in our world and the dedication it takes to overcome them. However, the struggle empowers us all, and even small victories inspire us to overcome adversity. Life is a survival story, and art imitates life. So I crave, read, and write novels starring empowered women.
I love a book rich with flawed characters; this one is full of them. Perrotta’s peek into the mundane life of a stay-at-home mother at war with her lot in life is delicious. Sarah once coined herself a feminist, and now, she’s wiping noses. It’s a struggle many mothers of little children face, and while most don’t go to the lengths Perrotta’s characters explore, it’s a valiant example of losing oneself for the sake of a higher calling: motherhood.
I first read this book at graduate school, with two babies at home. Perrotta taught me that exploring the human condition is necessary for connecting with readers. I’ve received many letters from readers citing that they connected with Veronica on the pages of Trespassing, and that’s the best accolade.
Unexpectedly suspenseful, but written with all the fluency and dark humor of Tom Perrotta's The Wishbones and Joe College, Little Children exposes the adult dramas unfolding amidst the swingsets and slides of an ordinary American playground.
Tom Perrotta's thirty-ish parents of young children are a varied and surprising bunch. There's Todd, the handsome stay-at-home dad dubbed "The Prom King" by the moms of the playground; Sarah, a lapsed feminist with a bisexual past, who seems to have stumbled into a traditional marriage; Richard, Sarah's husband, who has found himself more and more involved with a fantasy life on the internet…
I’m a writer, forever tap-tap-tapping away on my computer, looking to create that lyrical rhythm on the page that I feel in my heart. I’m also usually singing, whether it’s made up ditties to my dogs, 80s indie pop, or Broadway showtimes. Bottom line, I’m a storyteller, and nothing thrills me as much as a great tale well told, either on the page, on the stage, or around a table. Here are a few stories I’ve loved along the way that include a nod to Broadway, another love of mine long before I was hired to write the book for Legally Blonde the Musical.
I read that Matt Weiner wouldn’t have had the courage to write Mad Men if he’d read this before he worked on the series.
Revolutionary Road is set in the world of New York advertising during the martini lunch era, and it’s one of my favorite books of all time. It doesn’t exactly have that Singin’ in the Rain optimism, but it’s darkly hilarious. The opening scene is literary perfection, set at the dress rehearsal for the Laurel Players.
Yates masterfully captures that Waiting for Guffman sincerity (and inherent comedy) of community theater, and the novel sets the stage for the deeply human tale of longing. It is deeply American and deeply perfect.
Hailed as a masterpiece from its first publication, Revolutionary Road is the story of Frank and April Wheeler, a bright young couple who are bored by the banalities of suburban life and long to be extraordinary. With heartbreaking compassion and clarity, Richard Yates shows how Frank and April's decision to change their lives for the better leads to betrayal and tragedy.
As someone who grew up a child of the sixties amidst suburban conformity but with a decidedly nonconformist gothic sensibility, I have wanted to find a way to combine these contradictory forces. Happily, as a professor of literature and film studies at Hofstra University, I was able to achieve my goal last year when I taught "(Un)Dead Girls and (Un)Safe Spaces: The Suburban Gothic in Film" and "Suburban Horrors" (a literature class). Unaware however that a global pandemic would mean teaching these courses via Zoom, my students and I found ourselves trapped within the confines of our own boxes in a suburban nightmare while discussing fictional and film narratives about sinister neighbors, monsters in closets, murderous family members, conspiratorial racists, and uncanny house hauntings. Oh, the horrible irony.
The possibility of evil. Not only is this the title of the first selection in this collection of classic and newly printed stories by the queen of suburban gothic – it is the essence of her uncanny literary witchcraft, where subtle twists and sudden turns force readers to confront a creeping unease in post-WWII America. No hideous monsters or grotesque horrors here. Instead, sinister insinuation and irrational fears invade the “safe” suburban spaces. A man believes someone is stalking him on his way home from work. Anonymous poison pen letters threaten a community. A runaway teenager reappears several years later … and seems to be someone else.
The deconstruction of so-called normality is what makes these stories so unsettling. Who knows what evil lurks behind the white picket fences? Shirley Jackson does.
The perfect read for Hallowe'en, this new hardback volume of Jackson's finest stories reveals the queen of American gothic at her unsettling, mesmerising best
There's something nasty in suburbia. In these deliciously dark tales, the daily commute turns into a nightmarish game of hide and seek, the loving wife hides homicidal thoughts and the concerned citizen might just be an infamous serial killer. In the haunting world of Shirley Jackson, nothing is as it seems and nowhere is safe, from the city streets to the country manor, and from the small-town apartment to the dark, dark woods...
