100 books like Don't Blame Us

Both major political parties formed much bigger ideological tents during most of the post-World War II period than they do today.

Kabaservice’s book is fascinating because it depicts a time and place in the 1960s when the Republican Party was extremely heterogenous and featured large and politically potent moderate and liberal wings.  Geographically, the Party of Lincoln still held great sway in its original base in New England and the Midwest. As a result, centrists like New York’s Nelson Rockefeller, Michigan’s George Romney, and Massachusetts’ Ed Brooke were power brokers in the GOP of that era.

Kabaservice also shows how conservatives ascended to power as the liberal and moderate wings gradually declined and disappeared by the early 21st century, giving us the contemporary Republican Party.

The 1988 election was the last contest in which the three broadcast networks (ABC, NBC, and CBS) and the major mainstream newspapers like The New York Times dominated political coverage. 

Over the next three decades, a more diverse media environment emerged where cable channels, talk radio and other sources would play a central role. Rosenwald lays out the rise of Rush Limbaugh and other conservative talk radio hosts in the 1990s and how they helped shape the modern Republican Party and the more partisan and tribalized political climate of the early 21st century.

Williams’ book is an excellent look at an earlier election with many similarities to 1988. 

As opposed to today’s elections where candidates work to motivate their bases, Democrat Jimmy Carter and Republican Gerald Ford worked to build broad electoral coalitions in 1976. They had to concern themselves with both liberal and conservative constituencies within their own parties. 

In the end, Carter was able to unite the old New Deal coalition for one last hurrah while Ford nearly provided a last gasp for traditional establishment conservatism. By 1988, the two parties were not the same big tents they were in 1976 but still featured much greater ideological diversity than they do today.

This book is interesting because it shows how a traditional New Deal/Great Society liberal like Vice President Mondale adapted to the changing politics of the 1970s and 1980s. 

To a certain extent, he saw how some Democratic policies needed to be reformed for the new circumstances of a more conservative era. During his 1984 run for the president, he famously proposed raising taxes to combat the Reagan-era deficits. 

Though this proposal is recalled as a misguided attempt to campaign as a conventional progressive, Mondale was trying to show that Democrats could be responsible fiscal stewards. Four years later, Dukakis continued this effort through his own repeated mentions of the multiple budgets he balanced while governor of Massachusetts.

This book brings together economics, education, and urban development by showing how our public policies advantaged wealthy suburbanites over less wealthy urban dwellers after World War II. Many people think there is a natural migration to the suburbs after couples have children. Jackson does a masterful job of showing why that is not the natural order of things. It is the result of specific policy choices such as how we fund infrastructure, what tax incentives we provide, who has access to credit, and how we draw political boundaries. His insights offer a blueprint for a more equitable society.

A stunning novel that represents the true beating heart of Australia I grew up with cultures that represent all the different waves of migration in Australia.

Divaroren has created such distinct voices for each of her characters which is a feat as each perspective is written in first person, from seven-year-old Sam who is terrorised by his father, to 70-year-old Mr. Bailey who is a Vietnam vet and struggling with the changing face of Australia.

I fell in love with the characters and loved that there was so much reality and heart, but most importantly hope in this beautiful novel that celebrates multiculturalism and belonging. 

This book had one basic message, and it came down to this: Take time to put yourself first because you matter too. I love this message so much because it took me years (and I’m still working on it) to learn the importance of self-care.

Challenging relationships within my own family structure have taken a toll over the years. However, reading this book reminded me that I can take control of my own happiness and that it is not selfish to make a “Me List” and make myself happy, too. 

I love a book rich with flawed characters; this one is full of them. Perrotta’s peek into the mundane life of a stay-at-home mother at war with her lot in life is delicious. Sarah once coined herself a feminist, and now, she’s wiping noses. It’s a struggle many mothers of little children face, and while most don’t go to the lengths Perrotta’s characters explore, it’s a valiant example of losing oneself for the sake of a higher calling: motherhood. 

I first read this book at graduate school, with two babies at home. Perrotta taught me that exploring the human condition is necessary for connecting with readers. I’ve received many letters from readers citing that they connected with Veronica on the pages of Trespassing, and that’s the best accolade.

The possibility of evil. Not only is this the title of the first selection in this collection of classic and newly printed stories by the queen of suburban gothic – it is the essence of her uncanny literary witchcraft, where subtle twists and sudden turns force readers to confront a creeping unease in post-WWII America. No hideous monsters or grotesque horrors here. Instead, sinister insinuation and irrational fears invade the “safe” suburban spaces. A man believes someone is stalking him on his way home from work.  Anonymous poison pen letters threaten a community. A runaway teenager reappears several years later … and seems to be someone else.

The deconstruction of so-called normality is what makes these stories so unsettling. Who knows what evil lurks behind the white picket fences? Shirley Jackson does.

D.J. Waldie’s writing reminds me of a Raymond Carver short story. His short, deliberate style draws the reader in immediately. You are hooked.

He walks to work. He lives in his parent’s original tract home, part of a planned development built in the 1950s in Lakewood, CA. It was the first one on the west coast. Waldie observes his friends and neighbors, the neighborhood, and its unique place in Southern California history.

After my parent’s divorce, my father lived in Lakewood and Long Beach, so I spent a lot of time down there when I was a kid. Does anyone remember Buffums department store?