Here are 100 books that Living on Hope Street fans have personally recommended if you like
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I spent my adolescence reading young adult novels that featured characters who were nothing like me, and yearned to read about characters who shared my struggle in mediating my community’s cultural expectations as a first-generation Australia. This is the inspiration for writing own voices stories as these are the books I wished I’d been able to read. I draw on my Bosnian-Muslim cultural heritage to write own voices stories for young people, who like me, are searching to mediate their identity and take pride in their diverse culture. Own voices books are an opportunity to learn and celebrate culture and diversity, and to show young people that they are not alone in the world.
A fractured fairytale recreating the Rapunzel effect with 16 y.o. Karuna trapped in the tower, in this case a high-rise-commission flat, by her mother when she discovers her pregnancy.
This is beautifully written novel about the complicated relationships between mothers and daughters, and especially the fracture of being parented by migrant parents who hold to cultural expectations with their Australian-born offspring, a story that I could relate to on so many levels.
Reading this novel, I felt slightly claustrophobic and lost with Karuna’s mother being so well characterised; the things she was going were almost cruel, but you could feel the thick love just pouring from her, while Karuna’s struggle of independence and autonomy was so poignant and understandable.
This is a novel with so many layers and so much heart.
From one of Australia's most celebrated authors comes a mother-daughter drama exploring the faultlines between love and control.One hundred days. It's no time at all, she tells me. But she's not the one waiting.In a heady whirlwind of independence, lust and defiance, sixteen-year-old Karuna falls pregnant. Not on purpose, but not entirely by accident, either. Incensed, Karuna's mother, already over-protective, confines her to their fourteenth-storey housing-commission flat, to keep her safe from the outside world - and make sure she can't get into any more trouble.Stuck inside for endless hours, Karuna battles her mother and herself for a sense of…
I spent my adolescence reading young adult novels that featured characters who were nothing like me, and yearned to read about characters who shared my struggle in mediating my community’s cultural expectations as a first-generation Australia. This is the inspiration for writing own voices stories as these are the books I wished I’d been able to read. I draw on my Bosnian-Muslim cultural heritage to write own voices stories for young people, who like me, are searching to mediate their identity and take pride in their diverse culture. Own voices books are an opportunity to learn and celebrate culture and diversity, and to show young people that they are not alone in the world.
Drawing on his own experiences Sheppard has written about three invisible boys who are dealing with being gay in an unforgiving country town that reminds me of the culture I grew up in with the lack of understanding and support for LGBTQI youth.
This is a page turner that deals with everything real: identity, belonging, family dysfunction, and masculinity. It is a book that will be a beacon of light to young people who are dealing with their own coming out journey, and a handbook to those who are allies and wish to support LGBTQI youth on their journey. It broke my heart and healed it again and Sheppard is an author that is on my must read list.
An emotional tale of identity, sexuality and suicide derived from personal experience about three teenage boys who struggle to come to terms with their homosexuality in a small Western Australian town. On the surface, nerd Zeke, punk Charlie and footy wannabe Hammer look like they have nothing in common. But scratch that surface and you’d find three boys in the throes of coming to terms with their homosexuality in a town where it is invisible. Invisible Boys is a raw, confronting YA novel that explores the complexities and trauma of rural gay identity with painful honesty, devastating consequences and, ultimately,…
I spent my adolescence reading young adult novels that featured characters who were nothing like me, and yearned to read about characters who shared my struggle in mediating my community’s cultural expectations as a first-generation Australia. This is the inspiration for writing own voices stories as these are the books I wished I’d been able to read. I draw on my Bosnian-Muslim cultural heritage to write own voices stories for young people, who like me, are searching to mediate their identity and take pride in their diverse culture. Own voices books are an opportunity to learn and celebrate culture and diversity, and to show young people that they are not alone in the world.
This is a great dystopian young adult novel with red herrings and revelations that kept me reading to the end.
Kwaymullina draws on her Aboriginal heritage to create a world in which people have lost touch with nature and digital technology is forbidden because it led to disconnection of society.
Citizens with special abilities are called Illegals and are assessed and locked up because government officials view them as a threat, with the treatment of Illegals symbolising the mistreatment of Indigenous people by the Australian government.
It reads like a prophecy about our possible future with themes of environmental destruction due to climate change even as it stands as a testament to the scars left by Colonisation. This is a perfect dystopian novel with all the tropes that readers love: the young female inspirational leader, a heartfelt romance, and found family.
In a post-apocalyptic world, Ashala Wolf must lead her Tribe in their fight for freedom and justice. But first she must survive an interrogation at the hands of the authorities who are determined to destroy her and everything she stands for.
The world has ended, and the society which emerged from the ruins of environmental catastrophe is obsessed with maintaining "the Balance": preserving harmony between humans and nature. But there is one problem. Anyone born with an ability is deemed an Illegal, a threat to the Balance. They are feared, controlled and detained. Ashala Wolf has run away to escape…
I spent my adolescence reading young adult novels that featured characters who were nothing like me, and yearned to read about characters who shared my struggle in mediating my community’s cultural expectations as a first-generation Australia. This is the inspiration for writing own voices stories as these are the books I wished I’d been able to read. I draw on my Bosnian-Muslim cultural heritage to write own voices stories for young people, who like me, are searching to mediate their identity and take pride in their diverse culture. Own voices books are an opportunity to learn and celebrate culture and diversity, and to show young people that they are not alone in the world.
As I am of Bosnian heritage, I always love reading books about my culture.
The name Amra is very common in Bosnia and yet is very uncommon everywhere else, so it was a particular thrill for me to read a book by another Amra. This memoir is about Amra's experiences living under siege in Bihac during the Balkan War of 1992-1995 which gives an amazing insight into the hardship and heartbreak of war.
Maci, the cat that Amra and her family adopted who arrived at their town as a refugee, was such a beautiful soul and helped give Amra hope and fight for life, when it seemed that none was to be found.
The writing was beautiful and evocative. I keep seeing Maci in my mind's eye.I also have to say that the cover was absolutely stunning, and I loved the use of the image in the novel to…
It is 1992 and Bihac, Amra's hometown, is a multicultural city with Muslims, Croats, and Serbs. But when tensions escalate, the Serbs turn on their Bosnian neighbors. The Serbs control the army, and now they have peaceful Bihac surrounded. Soon Amra and her family are dealing with starvation and the threat of brutal violence; school, friendships, and the attentions from a new boy have to take a back seat to finding food and the tragic fallout from rising bigotry and ethnic hatred. Through it all, a stray cat, Maci, serves as a guardian spirit to the entire family.
I am an African Australian author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’. I have a master's degree with distinction in distributed computer systems, a master's degree in creative writing, and a PhD in creative writing. The short story is my sweetest spot. I have a deep passion for the literary speculative, and I write across genres and forms, with award-winning genre-bending works. I am especially curious about stories of culture, diversity, climate change, writing the other, and betwixt.
It’s rare that you’ll find someone who’s mastered the craft of short story writing with such precision as Susan Midalia. Miniatures is exactly that: a collection of short short stories. Midalia is an expert in capturing with bladelike sharpness profound awkwardness in the everyday. Herein: ordinary people, you and me, in the mundanity of suburbia—then she yanks the ground off your feet with the most perverse ending that leaves you brooding. Miniatures is an intelligent and relatable book with its whisper of simple language that roars the biggest ideas. It’s a book that’s as coyly subversive as it’s fulsomely entertaining.
I've always been fascinated by people and the life stories that shape who they are. From a young age, I’ve observed people’s idiosyncrasies closely and as I grew older, I wondered about nature versus nature debate (how much of your personality is innate versus how much life events and familial patterns shape who you become). My background in child protection social work and studies of sociology, psychology and human development have also strengthened my understanding of the theories behind each human emotion. I have almost 20 years of experience working in child protection, and as such, I have a well-rounded understanding of trauma, and the ongoing effects of this throughout the life span.
This is a nail-biting thriller set in rural Australia that centres around the protagonist Jarrod O'Connor, a weary detective who is exhausted due to the harrowing case he is investigating. Three children lose their parents in the most brutal way and the man responsible is more dangerous than O'Connor could ever begin to imagine. The antagonist is presented as a well-rounded character whom the reader gets to psychoanalyse as we consider whether this man was simply born evil, or whether he is an abomination of human nature. From derelict farmhouses to cosy suburbia, the settings are vividly described in each scene. The cast of characters is well defined and the story unravels at just the right pace to keep the reader turning the pages which is a must!
A DEATH PACT AND SHOCKING BETRAYAL. A DELUDED KILLER. A SMALL TOWN DETECTIVE PUSHED TO THE BRINK.
A double homicide. A detective racing against time to protect three innocent lives. A madman hellbent on revenge.
This riveting suspense thriller is set in the rural Australian town of Lockyer. Detective Sergeant Jarrod O'Connor is thrust into the centre of a baffling double homicide case. A couple are gunned down inside their idyllic country homestead in the dead of night. Three children barely escape with their lives and hold the key to breaking the case wide open. In search of a motive,…
I’m a horror writer to the core, always have been, so few things get me as interested as a great collection of short stories. I can remember a few corkers that really put the wind up me as a kid, and it seems I’ve been chasing that feeling ever since! Australia is my home, and it has a broad and diverse genre scene that deserves a lot more attention – I’ve befriended a great many authors of horror, fantasy, SF, and all points in between, and to a person they are lovely, generous, and talented. I’m doing my part to draw attention to the proliferation of vital voices down here.
Kirstyn is another stalwart of the Australian scene whom I have always admired, and this recent collection of her stellar short work is so overdue it’s almost insulting.
Like the best of our number, she delves deep into the heart of her characters to present tales that never feel rote or disengaged, and her tales have teeth in the most unexpected places.
Her weirdness is never dispassionate, her horror never tame, and she returns from the darkness with gifts of many hues.
These are modern fairy tales for the grimy backstreets and dimly lit suburban kitchens down here at the bottom end of our haunted globe.
"Kirstyn McDermott's prose is darkly magical, insidious and insistent. Once her words get under your skin, they are there to stay." -Angela Slatter, author of All the Murmuring Bones and The Path of Thorns
Hard Places collects the very best of Kirstyn McDermott's short fiction written over the past twenty years along with a previously unpublished novella. From unsettling obsessions and brutal body horror to unexpected monsters and ghosts drifting through suburbia, these stories run the gamut of horror and the contemporary gothic. By turns harrowing, provocative and poignant, this collection will haunt you long after the last page is…
I'm a history professor at the University of Mississippi and I've been a political junkie for a long time. I really began following politics during the 1988 presidential election and I vividly remember reading about the race in the newspaper every morning and then watching the evening news coverage each night. Thus, it seemed like the perfect topic for my second book. It was really fascinating to see the similarities and differences between my memories and the sources from the time.
This book is engaging because it shows how the base of the Democratic party has changed since Franklin Roosevelt first assembled the New Deal political coalition in the 1930s.
Today, it is increasingly the party of college-educated suburban voters and reflects their cultural and political priorities. From the Great Depression until the 1960s, however, working-class urban voters formed the heart of the party. Geismer uses metropolitan Boston as a template to depict this important transition, which helped produce suburban candidates such as Massachusetts Governor Michael Dukakis, whose political career emerged from and was shaped by his life in Brookline, MA.
Don't Blame Us traces the reorientation of modern liberalism and the Democratic Party away from their roots in labor union halls of northern cities to white-collar professionals in postindustrial high-tech suburbs, and casts new light on the importance of suburban liberalism in modern American political culture. Focusing on the suburbs along the high-tech corridor of Route 128 around Boston, Lily Geismer challenges conventional scholarly assessments of Massachusetts exceptionalism, the decline of liberalism, and suburban politics in the wake of the rise of the New Right and the Reagan Revolution in the 1970s and 1980s. Although only a small portion of…
As someone who grew up a child of the sixties amidst suburban conformity but with a decidedly nonconformist gothic sensibility, I have wanted to find a way to combine these contradictory forces. Happily, as a professor of literature and film studies at Hofstra University, I was able to achieve my goal last year when I taught "(Un)Dead Girls and (Un)Safe Spaces: The Suburban Gothic in Film" and "Suburban Horrors" (a literature class). Unaware however that a global pandemic would mean teaching these courses via Zoom, my students and I found ourselves trapped within the confines of our own boxes in a suburban nightmare while discussing fictional and film narratives about sinister neighbors, monsters in closets, murderous family members, conspiratorial racists, and uncanny house hauntings. Oh, the horrible irony.
The possibility of evil. Not only is this the title of the first selection in this collection of classic and newly printed stories by the queen of suburban gothic – it is the essence of her uncanny literary witchcraft, where subtle twists and sudden turns force readers to confront a creeping unease in post-WWII America. No hideous monsters or grotesque horrors here. Instead, sinister insinuation and irrational fears invade the “safe” suburban spaces. A man believes someone is stalking him on his way home from work. Anonymous poison pen letters threaten a community. A runaway teenager reappears several years later … and seems to be someone else.
The deconstruction of so-called normality is what makes these stories so unsettling. Who knows what evil lurks behind the white picket fences? Shirley Jackson does.
The perfect read for Hallowe'en, this new hardback volume of Jackson's finest stories reveals the queen of American gothic at her unsettling, mesmerising best
There's something nasty in suburbia. In these deliciously dark tales, the daily commute turns into a nightmarish game of hide and seek, the loving wife hides homicidal thoughts and the concerned citizen might just be an infamous serial killer. In the haunting world of Shirley Jackson, nothing is as it seems and nowhere is safe, from the city streets to the country manor, and from the small-town apartment to the dark, dark woods...
Much laughter is born out of sadness. Humor can be a way to cope or even reinvent our realities in ways that bring relief—and release. There's a misconception that “serious literature” should be humorless; crack a smile and you’re a fraud. However, the worlds and characters that emerge from this way of thinking do not ring true to me. Who among us hasn’t joked to help deal with sorrow? Or to satirize the outrageous? Or simply because life--however brutal—is also sometimes funny? The more a writer allows laughter to intermingle with tears, the more I believe in the story, and the more I enjoy it. That is why I wrote a “funny-sad” novel, The Australian.
Alice, Corvus, and Annabel, children without mothers, traverse air-conditioned buildings and desert landscapes, strewn with symbols and signs of mortality—from the preservation of those teetering on the brink of death at a nursing home to a wildlife museum full of taxidermies; and these teenagers are orbited by agitated, confused adults who seem wholly unaware of the strangeness—and messages—defining their lives. Joy Williams is a master at dark humor in literary fiction, and The Quick and the Dead is one of her finest achievements.
PULITZER PRIZE FINALIST • From one of our most heralded writers comes the “poetic, disturbing, yet very funny” (The Washington Post Book World) life-and-death adventures of three misfit teenagers in the American desert.
Alice, Corvus, and Annabel, each a motherless child, are an unlikely circle of friends. One filled with convictions, another with loss, the third with a worldly pragmatism, they traverse an air-conditioned landscape eccentric with signs and portents—from the preservation of the living dead in a nursing home to the presentation of the dead as living in a wildlife museum—accompanied by restless, confounded adults.
