Here are 49 books that One Hundred Days fans have personally recommended if you like
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I spent my adolescence reading young adult novels that featured characters who were nothing like me, and yearned to read about characters who shared my struggle in mediating my community’s cultural expectations as a first-generation Australia. This is the inspiration for writing own voices stories as these are the books I wished I’d been able to read. I draw on my Bosnian-Muslim cultural heritage to write own voices stories for young people, who like me, are searching to mediate their identity and take pride in their diverse culture. Own voices books are an opportunity to learn and celebrate culture and diversity, and to show young people that they are not alone in the world.
Drawing on his own experiences Sheppard has written about three invisible boys who are dealing with being gay in an unforgiving country town that reminds me of the culture I grew up in with the lack of understanding and support for LGBTQI youth.
This is a page turner that deals with everything real: identity, belonging, family dysfunction, and masculinity. It is a book that will be a beacon of light to young people who are dealing with their own coming out journey, and a handbook to those who are allies and wish to support LGBTQI youth on their journey. It broke my heart and healed it again and Sheppard is an author that is on my must read list.
An emotional tale of identity, sexuality and suicide derived from personal experience about three teenage boys who struggle to come to terms with their homosexuality in a small Western Australian town. On the surface, nerd Zeke, punk Charlie and footy wannabe Hammer look like they have nothing in common. But scratch that surface and you’d find three boys in the throes of coming to terms with their homosexuality in a town where it is invisible. Invisible Boys is a raw, confronting YA novel that explores the complexities and trauma of rural gay identity with painful honesty, devastating consequences and, ultimately,…
I spent my adolescence reading young adult novels that featured characters who were nothing like me, and yearned to read about characters who shared my struggle in mediating my community’s cultural expectations as a first-generation Australia. This is the inspiration for writing own voices stories as these are the books I wished I’d been able to read. I draw on my Bosnian-Muslim cultural heritage to write own voices stories for young people, who like me, are searching to mediate their identity and take pride in their diverse culture. Own voices books are an opportunity to learn and celebrate culture and diversity, and to show young people that they are not alone in the world.
This is a great dystopian young adult novel with red herrings and revelations that kept me reading to the end.
Kwaymullina draws on her Aboriginal heritage to create a world in which people have lost touch with nature and digital technology is forbidden because it led to disconnection of society.
Citizens with special abilities are called Illegals and are assessed and locked up because government officials view them as a threat, with the treatment of Illegals symbolising the mistreatment of Indigenous people by the Australian government.
It reads like a prophecy about our possible future with themes of environmental destruction due to climate change even as it stands as a testament to the scars left by Colonisation. This is a perfect dystopian novel with all the tropes that readers love: the young female inspirational leader, a heartfelt romance, and found family.
In a post-apocalyptic world, Ashala Wolf must lead her Tribe in their fight for freedom and justice. But first she must survive an interrogation at the hands of the authorities who are determined to destroy her and everything she stands for.
The world has ended, and the society which emerged from the ruins of environmental catastrophe is obsessed with maintaining "the Balance": preserving harmony between humans and nature. But there is one problem. Anyone born with an ability is deemed an Illegal, a threat to the Balance. They are feared, controlled and detained. Ashala Wolf has run away to escape…
I spent my adolescence reading young adult novels that featured characters who were nothing like me, and yearned to read about characters who shared my struggle in mediating my community’s cultural expectations as a first-generation Australia. This is the inspiration for writing own voices stories as these are the books I wished I’d been able to read. I draw on my Bosnian-Muslim cultural heritage to write own voices stories for young people, who like me, are searching to mediate their identity and take pride in their diverse culture. Own voices books are an opportunity to learn and celebrate culture and diversity, and to show young people that they are not alone in the world.
As I am of Bosnian heritage, I always love reading books about my culture.
The name Amra is very common in Bosnia and yet is very uncommon everywhere else, so it was a particular thrill for me to read a book by another Amra. This memoir is about Amra's experiences living under siege in Bihac during the Balkan War of 1992-1995 which gives an amazing insight into the hardship and heartbreak of war.
Maci, the cat that Amra and her family adopted who arrived at their town as a refugee, was such a beautiful soul and helped give Amra hope and fight for life, when it seemed that none was to be found.
The writing was beautiful and evocative. I keep seeing Maci in my mind's eye.I also have to say that the cover was absolutely stunning, and I loved the use of the image in the novel to…
It is 1992 and Bihac, Amra's hometown, is a multicultural city with Muslims, Croats, and Serbs. But when tensions escalate, the Serbs turn on their Bosnian neighbors. The Serbs control the army, and now they have peaceful Bihac surrounded. Soon Amra and her family are dealing with starvation and the threat of brutal violence; school, friendships, and the attentions from a new boy have to take a back seat to finding food and the tragic fallout from rising bigotry and ethnic hatred. Through it all, a stray cat, Maci, serves as a guardian spirit to the entire family.
I spent my adolescence reading young adult novels that featured characters who were nothing like me, and yearned to read about characters who shared my struggle in mediating my community’s cultural expectations as a first-generation Australia. This is the inspiration for writing own voices stories as these are the books I wished I’d been able to read. I draw on my Bosnian-Muslim cultural heritage to write own voices stories for young people, who like me, are searching to mediate their identity and take pride in their diverse culture. Own voices books are an opportunity to learn and celebrate culture and diversity, and to show young people that they are not alone in the world.
A stunning novel that represents the true beating heart of Australia I grew up with cultures that represent all the different waves of migration in Australia.
Divaroren has created such distinct voices for each of her characters which is a feat as each perspective is written in first person, from seven-year-old Sam who is terrorised by his father, to 70-year-old Mr. Bailey who is a Vietnam vet and struggling with the changing face of Australia.
I fell in love with the characters and loved that there was so much reality and heart, but most importantly hope in this beautiful novel that celebrates multiculturalism and belonging.
'Living on Hope Street is a big-hearted, compassionate work. Divaroren is a ferociously good storyteller and every character breathes life, every character convinces. This book is an absolute joy to read.' CHRISTOS TSIOLKAS" We all love someone. We all fear something. Sometimes they live right next door - or even closer. Kane will do everything he can to save his mother and his little brother Sam from the violence of his father, even if it means becoming a monster himself. Mrs Aslan will protect the boys no matter what - even though her own family is in pieces. Ada wants…
Jane Finch lives in Norfolk, England and is married with one son. Jane has travelled extensively and has also lived in Canada, Spain, and the Caribbean. Having spent over twenty-five years working in English Law, Jane decided to try her hand at writing crime thrillers. Her first novel, Due Process, is based in her hometown in Norfolk. Her book, The Black Widows, published by Solstice Publishing, reached the top ten of Amazon’s crime thriller list. Jane is a member of International Thriller Writers Inc. Now retired, Jane is free to write full-time, when inspired to do so, although she says, “None of my friends tell me anything anymore because they know I’ll write about it!”
When John Darwin got into debt and ran out of money-making ideas, he decided to fake his own death so that his wife could claim the life insurance. The plan was to move to another country and live off the proceeds of his crime. But things didn’t go to plan. The arrogance and ineptitude of John Darwin, and his complete disregard for his family, defies belief. I couldn’t wait to read this book and was not disappointed. It has now been made into a drama by the BBC in the UK.
When Anne Darwin told the world and her family that her husband, John, had disappeared while canoeing in the North Sea, her life changed forever.
She had just lied to the police, the press, her friends and neighbours, insurance companies and her own sons.
While her husband hid in a bedsit in their rental house next door, Anne had to face the music. She claimed the life insurance payouts, endured the police questioning, accepted the consolations and left the country she loved to start her life again.
But why, when she had been perfectly happy with her lifestyle, knowing her…
Since adolescence, I have been fascinated by Slavonic languages, literature, cultures, and history, and by what can be retrieved from archives all over Eastern Europe. And because so much has been suppressed or distorted in everything from biographies of writers to atrocities by totalitarian governments, there has been much to expose and write about. Studying at Cambridge in the 1960s gave me an opportunity to learn everything from Lithuanian to Slovak: I have been able to write histories of Stalin and of Georgia, biographies of Russians such as Chekhov, Suvorin, and Przhevalsky, and the field is still fresh and open for future work.
Like Felix Krull, or Jonathan Wild, this is the story of a con-man, murderer, traitor, somehow redeemed by his charm and incidents of bravery The novel is at its best when Javakhishvili starts to describe Kvachi’s experiences with the Russians during the Revolution, the civil war and the early years of the Soviet state; it becomes clear that what has seemed a send-up of morality and a celebration of the picaresque is in fact equally valid as a cold assessment of revolutionary realpolitik. This is a wonderful novel, subtle and extravagant at the same time, seeming to fly by the seat of its pants but in fact consistently aware of exactly how to tread the line between structure and improvisation. It is extremely generous, bursting out of what appear to be its narrow confines to give us far more than we initially expected.
This is, in brief, the story of a swindler, a Georgian Felix Krull, or perhaps a cynical Don Quixote, named Kvachi Kvachantiradze: womanizer, cheat, perpetrator of insurance fraud, bank-robber, associate of Rasputin, filmmaker, revolutionary, and pimp. Though originally denounced as pornographic, Kvachi's tale is one of the great classics of twentieth-century Georgian literature--and a hilarious romp to boot.
I am a Caribbean-American literary scholar who has spent many years studying, lecturing and writing about the interrelated fields of African Diaspora literature and culture, meaning the creative and theoretical productions of writers from Africa, the United States, Latin America, Brazil, and the Caribbean. I teach a variety of these subjects and enjoy the combinations of politics, creativity, and cultural expression that they contribute. These books provide you with a good cross-section of what is available in the Caribbean and the Caribbean diaspora.
A historical/legal/poetic examination of the way that African bodies were treated and disposed of in the context of transatlantic slavery and how the author simultaneously advances a process of reclamation. NourbeSe provides a meditation in which silence and space advance our understanding of the gravity and horror of the subject which in no way compares with what the unnamed victims experienced. She recalls them and names them into existence.
In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship's owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert-the only extant public document related to the massacre of these African slaves-Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition,…
I developed an interest in classical literature while at university, folklore in particular. It’s fascinating how fairy tales originated in oral form before being written and rewritten all over the world for generations, and as such, many of them don’t have a single founding author. But each adaption generally maintains the basic plot points of the original tale, and it’s interesting to see how time, culture, and perspective affect a retelling. There’s always room for interpretation, especially when the traditional narratives often involve exhausted themes and stereotypes, and so with my latest novel, I didn’t hold back when it came to the creative possibilities of more than one fairy tale.
Rapunzel meets Snow White, and this encounter will reveal the true colours of all those involved. The Fairest of Them Allacts as a continuation of one classic tale that eventually intrudes on another, making for a creative “what if” narrative while maintaining a strict fairy tale atmosphere. A more mature tone adds a layer of depth to this story, where characters are not limited to purely virtuous or villainous qualities, and happily ever afters are neither simple nor guaranteed. As a reader, you really feel for Rapunzel as she struggles to overcome hardship, betrayal, jealousy, and regret—she’s human after all—and the author doesn’t hold back when it comes to unexpected plot twists and dark themes.
What if Rapunzel was Snow White’s evil stepmother?
In this kingdom, only one fairy tale can end with happily ever after.
In an enchanted forest, the maiden Rapunzel’s beautiful voice captivates a young prince hunting nearby. Overcome, he climbs her long golden hair to her tower and they spend an afternoon of passion together, but by nightfall the prince must return to his kingdom, and his betrothed.
Now king, he weds his intended and the kingdom rejoices when a daughter named Snow White is born. Beyond the castle walls, Rapunzel waits in her crumbling tower, gathering news of her beloved…
I love the experience of reading a book that combines a known (to me or not!) story combined with elements that make it new again. It could be a parody, a “fractured fairy tale,” or a new retelling, funny or serious. For my book Little Red and the Cat Who Loved Cake, I read so many nursery rhymes and fairy tales in order to populate the town with fun versions of recognizable characters for Little Red to encounter, it makes me appreciate these books even more.
In this graphic novel adventure (followed by the equally compelling Calamity Jack), the twist is that the story of Rapunzel is set in a magical fantasy version of the Wild West. Yes, you read that right: Fairy Tale + Wild West + High Fantasy. Oh, and humor too. With incredible and satisfyingly dense world-building, all of Hale’s work seamlessly combines to create a complex and believable landscape, unlike anything I’ve seen. The story is gripping, since Rapunzel must basically save the world from magical destruction with her wits, weaponized braids, and her new buddy Jack, the lovable rascal of beanstalk fame.
This stunning, hilarious, and action-packed graphic novel co-written by New York Times bestselling and Newbery Honor winning author Shannon Hale re-imagines Rapunzel's story . . . in the wild west!
Rapunzel escapes her tower-prison all on her own, only to discover a world beyond what she'd ever known before. Determined to rescue her real mother and to seek revenge on her kidnapper would-be mother, Rapunzel and her very long braids team up with Jack (of Giant killing fame) and together they preform daring deeds and rescues all over the western landscape, eventually winning the justice they so well deserve.
I loved books as a kid, especially fantasy books, but could never find anyone like me within their pages. I’m a lesbian Chinese writer who adores stories about messed-up, complicated queer people. I’m thrilled by the range of books available now that feature queer, messy characters. We all deserve representation, and to me that means representation that’s complex, that encompasses the ugly and the beautiful. One of my goals as an author is to make you fall in love with monsters—brutal, flawed women who may not deserve love, but who demand it all the same.
The Witch’s Daughter is the third book in the Amendyr quartet, but can be read on its own. It’s a sapphic fantasy romance told from the point of view of Mother Gothel’s witchy daughter, Ailynn, who falls in love with Rapunzel.
It’s my favorite book of the quartet, possibly because Ailynn has a somewhat complicated relationship with Rapunzel, further harmed by an instance of betrayal (content warnings apply, although they’re also spoilers—seek them out before reading if it concerns you). The Witch’s Daughter is a tale of two damaged girls trying to grow beyond their trauma bond, with found family and major parental issues.
Ailynn Gothel has always been the perfect daughter. Thanks to her mother's teachings, she knows how to heal the sick, conjure the elements, and take care of Raisa, her closest and dearest friend. But when Ailynn's feelings for Raisa grow deeper, her simple life falls apart. Her mother hides Raisa deep in a cave to shield her from the world, and Ailynn must leave home in search of a spell to free her. While the kingdom beyond the forest is full of dangers, Ailynn’s greatest fear is that Raisa will no longer want her when she returns. She is a…
