Here are 78 books that The Folded Clock fans have personally recommended if you like
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I’m the author of the short story collection I Meant It Once. I often say it’s a book about being a mess in your twenties, but to speak more personally, writing it was a necessity, a way to make sense of both the intensity and mundanity of my own experiences. I love a book where you can palpably feel the author working to make sense of their own life, through language—and, in turn, sorting out what it is for any of us to be a person. Books like these are essential reading when life feels thorny, beautiful, and impossible to make sense of, and all you can do is try to write it down.
I still remember, in the year 2010, reaching the end of the essay "Goodbye to All That" where the date of publication is noted—1967—and how startled I was to realize something that feels so contemporary and alive had been written decades earlier. As in so much of her work, in this collection Didion offers vivid details from her life and brings her extraordinary powers of analysis to understanding their meaning.
As she once put it herself—in another essay, "Why I Write"—"Had I been blessed with even limited access to my own mind there would have been no reason to write. I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means.”
Joan Didion's savage masterpiece, which, since first publication in 1968, has been acknowledged as an unparalleled report on the state of America during the upheaval of the Sixties Revolution.
We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were
In her non-fiction work, Joan Didion not only describes the subject at hand - her younger self loving and leaving New York, the murderous housewife, the little girl trailing the rock group, the millionaire bunkered in his mansion…
I’m the author of the short story collection I Meant It Once. I often say it’s a book about being a mess in your twenties, but to speak more personally, writing it was a necessity, a way to make sense of both the intensity and mundanity of my own experiences. I love a book where you can palpably feel the author working to make sense of their own life, through language—and, in turn, sorting out what it is for any of us to be a person. Books like these are essential reading when life feels thorny, beautiful, and impossible to make sense of, and all you can do is try to write it down.
This brief and atmospheric account of a year Levy left her marriage and began sorting out how to live a different life is one I return to again and again.
I can’t overstate my affection for the scene in which, traveling through London on her beloved electric bike with groceries in tow, Levy loses a raw whole chicken under the wheels of a passing car. Talk about someone who can turn even life’s most mundane frustrations into a totally transcendent piece of writing.
A GUARDIAN BEST BOOK OF THE 21ST CENTURY WINNER OF THE PRIX FEMINA ETRANGER 2020
Following on from the critically acclaimed Things I Don't Want to Know, discover the powerful second memoir in Deborah Levy's essential three-part 'Living Autobiography'.
'I can't think of any writer aside from Virginia Woolf who writes better about what it is to be a woman' Observer _________________________________
'Life falls apart. We try to get a grip and hold it together. And then we realise we don't want to hold it together . . .'
The final instalment in Deborah Levy's critically acclaimed 'Living Autobiography', Real…
I’m the author of the short story collection I Meant It Once. I often say it’s a book about being a mess in your twenties, but to speak more personally, writing it was a necessity, a way to make sense of both the intensity and mundanity of my own experiences. I love a book where you can palpably feel the author working to make sense of their own life, through language—and, in turn, sorting out what it is for any of us to be a person. Books like these are essential reading when life feels thorny, beautiful, and impossible to make sense of, and all you can do is try to write it down.
The narrator of Chang’s debut novel keeps referencing this project she’s working on, and it just might be the book we’re reading.
The novel brilliantly messes around in the gray area between life and art, author and narrator, truth and fiction—as our narrator, adrift in a new town after a cross-country move, writes as a way to make sense of where she’s been and where she’s going.
“Startlingly original and deeply moving.... Chang here establishes herself as one of the most important of the new generation of American writers.” — George Saunders
A Recommended Book From Buzzfeed * TIME * USA Today * NPR * Vanity Fair * The Washington Post * New York Magazine * O, the Oprah Magazine * Parade * Wired * Electric Literature * The Millions * San Antonio Express-News * Domino * Kirkus
A wry, tender portrait of a young woman—finally free to decide her own path, but unsure if she knows herself well enough to choose wisely—from a captivating new literary…
In Six Memos for the Next Millennium, Italo Calvino writes that “we can distinguish between two types of imaginative processes, one that begins with words and ends with the visual image, and another that begins with the visual image and ends with its verbal expression.” All of my writing projects begin with the visual image. It is difficult for me to verbalize what precisely about art that captivates me. But when I stand in front of certain artworks, I feel a magnetic pull, and something in the piece—the brushstrokes, the colors, the materiality—compels me to write something in response to it.
A brilliant blend of narrative and non-fiction, Optic Nerve follows the narrator, an art critic, as she frequents art galleries in Buenos Aires and reflects on the artworks, which act as prisms that refract her own memories and experiences.
This is a book that moves forward by dint of impressions and ekphrastic encounters, eschewing a conventional plot. It explores the interconnections between image and text by incorporating art criticism into the fictional space.
'A highly original, piercingly beautiful work, full of beautiful shocks... I felt like a door had been kicked open in my brain' Johanna Thomas-Corr, Observer
A woman searches Buenos Aires for the paintings that are her inspiration and her refuge. Her life -- she is a young mother with a complicated family -- is sometimes overwhelming. But among the canvases, often little-known works in quiet rooms, she finds clarity and a sense of who she is . . .
'I was reminded of John Berger's Ways of Seeing, enfolded in tender and exuberant personal narratives' Claire-Louise Bennett
In second grade my teacher told me I should be a writer—I haven’t wavered in my path since. I was a voracious reader as a child and regularly snatched books off my mom’s night table. My love for flawed characters grew with each book I devoured. I felt a connection with these characters, which fueled my dream to become a writer. When I was twenty-one years old and studying writing, I wrote in my journal, “I want to write books that make people cry.” I love to explore the gray areas in life, and I’m honored that readers have told me my books do make them cry (and laugh).
I love this book because I love imperfect, flawed heroines…and as a fifty-something woman, Nan spoke to me.
How many times do we think of running away—even if just for a bit—but responsibilities and maybe even fear keep us from acting? Not Nan—she takes off, simply leaving an abrupt note for her husband, Martin (which takes place before the book opens). The narrative alternates between letters to Martin and journal entries (Nan spills her thoughts into a turquoise leather tooled journal with a black string fastener and a silver button—I love that detail).
The lyrical descriptions of each place Nan visits are so vivid I felt like I was riding shotgun. And I loved taking that journey with Nan and living in her head, because honestly…being in her head felt a lot like being in my own head, flaws and all.
“This is not a novel about a woman leaving home but rather about a human being finding her way back.”—Chicago Tribune
In the middle of her life, Nan decides to leave her husband at home and begin an impromptu trek across the country, carrying with her a turquoise leather journal she intends to fill. The Pull of the Moon is a novel about a woman coming to terms with issues of importance to all women. In her journal, Nan addresses the thorniness—and the allure—of marriage, the sweet ties to children, and the gifts and lessons that come from random encounters…
I’ve been running for a quarter of a century now, ever since I got the irresistible urge in high school to quit the soccer team and make my way over to cross-country practice junior year. In that time, running has been a source of mental clarity and physical expression for me, a source of joy and even of meaning. Naturally, it has become one of the focuses of my writing life, too. I’ve written three books about running and now write the On the Run column forSport Literate. It is gratifying to write about a sport that has such a rich literature.
Drawing from a year of entries in his running journal and writing beautiful, compressed prose, Gardner explores the relationship between the inner and the outer world of a runner. A veteran of the sport—he’s been at it for decades—and something like a disciple of its spiritual esoterica, he captures those running moments that so many of us struggle to articulate: “One of the reasons you slog through the summer is to be in shape when a day like this appears. A day when you step away from your body and take the body in, this gliding presence no longer yours, though once, you think, it might have been.” Poverty Creek Journal is a meditation on the profundities of a body in motion.
"That rush in between when it all comes undone. Knowing its edge like your own pulse and breathing. As I knew them this morning, racing a 10K in late-spring heat, the taste of panic in the last two miles as everything slipped away, losing time and barely finishing. A tingling in my limbs as if I were driving on ice, the road beneath me suddenly gone, the feeling of that in my hands. Deeper than words, being lost for a moment and then being done. Left with a pounding, stiff-legged stagger."
Spiritual improvisations, radiant acts of attention: echoing Thoreau's Walden,…
I’m an Australian USA Today bestselling romance author who writes contemporary romance and uses the pen name Alyssa James to write medieval romance. I think the makeover trope resonates with me because although I’m no beauty queen now, I was definitely an ugly duckling in my teens. For reasons best known to him, my father insisted on close-cropped hair, and financial circumstances dictated out-of-style hand-me-down clothing. After university, I found my own style, but it wasn’t until I was accepted as an international flight attendant that I believed that I couldn’t be all that ugly if Qantas employed me!
Cinderella was probably the first romance I ever encountered where a makeover took place, but the second most memorable from my youth was definitely this story.
Mia’s journey to the throne in Genovia is such a roller coaster. Resistant to the initial plan, I love Mia’s growth, and I adore her personality. A bit of a misfit with geeky looks (prior to the makeover, of course!), I love how engaging her character is, and I love the uplifting laugh-out-loud moments that leave me with a light, feel-good vibe.
I also love that she ends up falling for someone who’s been a constant support in her life and who knows and loves Mia for herself rather than her royal title.
'You're not Mia Thermopolis any more, honey,' Dad said. 'You're Amelia Mignonette Grimaldi Thermopolis Renaldo. Princess of Genovia.'
A PRINCESS?? ME??? Yeah. Right.
One minute Mia's a totally normal Manhattan fourteen-year-old. Next minute she's heir to the throne of Genovia, being trailed by a bodyguard, taking princess lessons with her uncontrollable old grandmere, and having a makeover with someone called Paolo. Well, her dad can lecture her till he's royal blue in the face, but no way is Mia going to turn herself into a style-queen. And they think she's moving to Genovia? Er, hello?
Steve Patschke is a retired elementary school library media teacher of over thirty years, now living in Woodstock, N.Y. In November of 2022, his essay appeared in The New York Times' “Tiny Love Stories.” In February of 2023, his essay appeared in Chicken Soup For The Soul: Cat Lovers Edition. He has published six children’s picture books. His most recent is Don’t Look At It, Don’t Touch It. Steve’s rendition of the classic Nutcracker and the Mouse King will be published as a pop-up book through Templar books in the fall of 2023.
I choose my fifth recommendation, Dairy of a Worm for its creative parody of both diary writing and insect life.
The main character of a worm, describing his parents, home life, and school life from a ground-level perspective is hilarious and cute.
The illustrations by Harry Bliss masterfully show the world through the tiny perspective of insects. Giant girls playing jump rope are a terror. And Worm's best friend Spider, is wonderful as an off-shoot side-kick.
In my library I would often follow up the story with a discussion on how life can be viewed from many different perspectives. And I can think of no better spring-board for just such discussion, than Diary of a Worm.
Amazon Editors recommend this book for children reading with help and building independent reading skills.
#1 New York Times Bestseller!
This hilarious picture book from the bestselling, acclaimed author-illustrator team of Doreen Cronin and Harry Bliss tells the adventures of a worm through his daily diary entries.
This is the diary of a worm. This worm lives with his parents, plays with his friends, and even goes to school. But unlike you or me, he never has to take a bath, he gets to eat his homework, and because he doesn't have legs, he just can't do the hokey pokey—no…
Literary agents often say they are looking for books about ‘quirky’ female protagonists. I’m more entertained by female characters who feel real to me. When I write, I make myself uncomfortable a lot of the time, trying to express the many ways people both disguise and reveal the truth. I blame my devotion to my parents for this because when I left home in Massachusetts for college in the foreign land of Indiana, studied for a year in China, then studied in Italy, then worked in Taiwan, then moved to Japan, and later to Singapore, I wrote them copious descriptive, emotional letters. My parents are gone now, but in a way, I’m still doing that.
There are similarities between this novel and mine – the woman at its heart is an American named Lilia, she’s had adventures, and she is taking stock. But then the fascinating differences begin. She is 81, not 57; she’s had marriages and children; above all, the narrative about Lilia is only one layer of the story, as within the book is another book, the diary of a man she had an affair with when very young, and she annotates his revelations with her own. This resonant novel’s strata – like limestone folds, the sediment of a life brought back to the surface – give Lilia, initially hard and sharp, more and more texture as the story unfolds.
Richly expansive and deeply moving, an intimate novel of secret lives and painful histories from one of the finest storytellers we have
'This brilliant novel examines lives lived, losses accumulated, and the slipperiness of perception. Yiyun Li writes deeply, drolly, and with elegance about history, even as it's happening. She is one of my favorite writers, and Must I Go is an extraordinary book.' Meg Wolitzer
Lilia Liska is 81. She has shrewdly outlived three husbands, raised five children and seen the arrival of seventeen grandchildren. Now she has turned her keen attention to a strange little book published by…
I’m a fiction and humor writer whose imagination was initially sparked by superheroes and comic books. The idea of an otherwise average person who could turn themselves into a superbeing was transformative and powerful. As a teenager, these early heroes faded, and I became fascinated by The Twilight Zone’s compact and poignant storytelling that contained moral messages. This eventually led me to the fiction of Stephen King where the idea of average people encountering the supernatural and overcoming obstacles was a recurring theme. In my own work, I have tried to carry forward the idea that our everyday lives are more absurd, complex, and magical than they appear.
Adler’s book depicts a woman’s life through a series of moments, incidents, bits of speech that come at the journalist narrator. The short passages perfectly capture the neurotic energy, humor, and horror of New York City. When I first read it, I was blown away. It showed there is great latitude in ways to approach writing. The short, choppy format is the closest a book has come to mirror my experience as a writer who seeks to find meaning and/or humor in everyday life. It’s a jagged mosaic of a book when put together is a delightful treasure.
When Speedboat burst on the scene in the late ’70s it was like nothing readers had encountered before. It seemed to disregard the rules of the novel, but it wore its unconventionality with ease. Reading it was a pleasure of a new, unexpected kind. Above all, there was its voice, ambivalent, curious, wry, the voice of Jen Fain, a journalist negotiating the fraught landscape of contemporary urban America. Party guests, taxi drivers, brownstone dwellers, professors, journalists, presidents, and debutantes fill these dispatches from the world as Jen finds it.
A touchstone over the years for writers as different as David…
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