Fans pick 100 books like The Mirror Empire

Magical doors that appear out of nowhere, a fantastical book that may not be fiction, some truly sketchy villains, a quest, and an intrepid heroine.

The author had me at fantastical book, but what I love about this novel is the world and character building, that feeling of opening the cover and being somewhere that has nothing to do with ordinary life.

And yet, there is mystery. And romance. A lost father. A daring daughter. You’ll want to race through it, but slow down at the same time, just to savor the ride.

Have you ever read a sequel that was better than the first novel?

The Subtle Knife is that book for me.

While it falls in the middle of the complete trilogy known as His Dark Materials, The Subtle Knife takes the story in a new direction by centering it on a knife with the power to cut a path between worlds.

The series follows young Lyra, her daemon Pantalaimon, and Will, a boy she meets who happens to be from a parallel universe. The worldbuilding of this series is some of the best I’ve ever seen, and it truly sets these books apart.

The concept revolves around how Lyra and Pantalaimon are connected. They are two creatures who share a soul. Lyra’s a person, and Pantalaimon is her daemon (think “soul made manifest”) with the power to transform into a fox, hawk, lizard—or any animal he so chooses. At… show more.

When a retired army infantryman knocks down a double brick wall in the basement of his new house, he discovers a doorway and a note pinned on the other side.

Fastened by a knife, the note tells the story of a man who lost his son in this portal. He bricked it up so no one would have to suffer as he has.

Does our soldier listen? Of course not.

Alex Hawke doesn’t go through the doorway unprepared, but he is certainly not ready for what he finds.

A tribe of giants who don't speak a lick of English. 

Massive pterodactyl-like creatures that make a concerted effort to quarter and eat him.

All Alex was trying to do by removing that brick wall was make his new house into a home for his young daughter.

Instead, he finds himself pulled through into another world, forced into the adventure of a… show more.

The doorway in this novel is a departure from the usual.

And though it is unusual, yet it ties to humankind's fascination with portals.

The first portal in storytelling history, really, is the threshold a person must pass through to get from life to death.

That threshold has been epitomized in mythology as long as human beings have been using stories to explain the strangeness of existence.

In this sci-fi story, death is once again the portal between worlds. What would you do if, right before you died, an alien entity asks if you’d like to be saved?

Would you do it?

That’s exactly what happens to Meredith Gale. She regrets jumping off that bridge, so she says yes.

The story that follows is surprising and witty and full of heart. A friendly robot pulls the girl from the sea, along with a dozen others like her, every one of… show more.

The very name “Zanzibar” has a sort of magic to it—and I certainly fell under its spell when I read M.M. Kaye’s book for what would be the first of many, many times back in the 80s.

I had never heard of Zanzibar; I knew nothing of the ruling family, the Sayyids of Muscat and Oman, but by the time I was a hundred pages into M.M. Kaye’s epic story of an American woman who plunges into intrigues she thinks she understands but doesn’t, I felt I knew them all intimately. This book is a coming-of-age story, a brilliant evocation of place, and so much more.

The author and I live near each other and we got to know each other at local writer events. So when I heard that her book won Lee and Low’s New Voices Award, I just had to get Glenda’s book. And I did! She autographed a copy for me which I treasure. This is a tender, powerful, and inspiring picture book. It tells the true story of how Frederick Douglass’s mother would visit him. He was a young child working on a plantation. His mother lived and worked six miles away. At night, she would walk six miles through the dark woods to come to visit Frederick, then head back home before dawn. He knew his mother loved him—it was a love that stretched 12 miles long.

The 1960s and 70s were periods of Black Consciousness, both in Africa and the diaspora. At the heart of this was Pan-Africanism, a political ideology built on historical and cultural links between Black people everywhere. At the heart of these ideas was a psychical and physical “return” to Africa, the “motherland”. This short, but powerful play, explore these politics in the marriage of Ato Yawson and Eulalie Rush, a Ghanaian man and an African-American woman who emigrate from the US to Ghana in search of racial and cultural harmony. What occurs is a dramatization of what happens when political ideologies are applied to private lives. What I love about this text is its confrontation of slavery as traumas that cannot be easily erased by political rhetoric and national endeavors to “move on.”

Although broaching many more themes than slavery, this book gives us a unique insight into how local patterns of enslavement linked up with the growing colonial presence of the Dutch and Portuguese in Timor (East Indonesia). The book has been thoroughly researched by the world’s most knowledgeable scholar on this subject. For me, it is a source of inspiration for how local forms of enslavement can be studied in interaction with European colonial expansion.  

I was on the Guggenheim committee that awarded The Reaper’s Garden the prize for the best book on the eighteenth century in 2010.

The eighteenth century marked the climax of the slave trade and the plantation system in European colonies in the Americas and elsewhere. Brown’s book brings the plantation world of eighteenth-century Jamaica alive like no other that I have read.

This was a world filled with death, not only the mortality of the African slaves but just as commonly of the white plantation owners and their families who seldom lasted two years before dying of tropical diseases. Funerals became competing sites for display between blacks and whites.

The funerals of black people became such powerful vehicles of protest and cultural identity that the plantation owners tried to repress them. Brown’s book stands out in my mind as a powerful study of the evils of slavery and morbid culture… show more.

I no longer remember how, around 2018, I discovered this remarkable 1850 travelogue and presentation of observations on slavery by the man most people know as a landscape architect. Before his landscaping, Olmstead was hired by the now New York Times to travel the South interviewing and recording all he could from whites, whether rich or poor, slave owners or not, and enslaved Blacks. An added treasure: I loved reading about his travel experiences by boat, horse, train, and stagecoach, as well as the challenges of finding places to overnight. 

The horrors of slavery come through without any preaching. I still think about this book a lot and what I learned from it–aspects of Southern life in the 1850s presented by someone trying to be fair and observant without a special agenda.