100 books like The Kingdom of Liars

Here is yet another book where at first it seems as though there are no heroes.

Abercrombie writes a masterful world filled with magic, politics, swordfights, and bleak attitudes. One of the main POV characters is a torturer—I mean a full-on break your toes and laugh about it torturer—but even still, I found myself wanting more of his story. He’s certainly not a hero, but he was at one point, and that’s even more intriguing.

The characters drive this fantasy series, but the world is also a gorgeous setting that Abercrombie clearly spent many long nights thinking through. Every detail feels like it matters, and throughout this trilogy, the smallest specks of plot come back to matter.

On top of it all, I loved the audiobook narrator and his particular performances for each character brought the world to life.

Autonomous is one of those books you finish reading and then just want to sit and stare off into space for a while.

The story takes place in a future world where Big Pharma runs basically the entire show. The main character is a drug pirate, fabricating expensive drugs to provide them to the population on the cheap… but when one of her fabbed drugs causes some horrible side effects, it kicks off a domino effect of chaos and death.

Other characters include a military agent sent to hunt our drug pirate down and his robotic, AI-powered partner. Every character is riddled with absolutely deal-breaking flaws, so if you’re looking for heroes, you’ve come to the wrong place. The story raises questions about morality, freedom, AI, and more. I can’t recommend it enough! 

Scott Lynch builds a lush world where Locke Lamora and his gang of Gentlemen Bastards operate alternately hidden from the civilized and the criminal.

Having grown up an orphan, saved from slavery by a master con artist, he holds Camorr and its denizens in more than some disdain until someone with higher, more devious intentions threatens it all. Camorr and its characters are richly developed as the Gentlemen Bastards find themselves contorting through plot twists as they try to save themselves and the city.

Ninth House is a bit of a departure from my normal choice of genre. This is a fantasy novel, but it takes place at Yale.

Focusing on the well-known “secret” societies that have been an institution at Yale for generations, Bardugo asks the question, what if there was more to these groups than just influence? What if they actually trafficked in black magic? Narrated by Galaxy (Alex) Stern, we see the school through the eyes of an outsider - Alex, a high school dropout, who was recruited by Yale because she has a very special gift.

The way Bardugo writes, you can feel the cold, gray winter of New Haven as though you are living it. No spoilers, but if you haven’t read this novel because it falls into the fantasy genre, read it immediately.

This Savage Song is a dark urban fantasy set in a world where violence creates monsters. Not human monsters (though there are plenty of those in the tale), but real, shadowy creatures that roam the cityscape in the wake of murders, assaults, and other dark deeds.

The story is told from dual points of view, with chapters from the viewpoint of a rebellious daughter of the city’s overlord and the point of view of one of the monsters living in the city. Schwab is best known for the Shades of Magic series, but I personally think This Savage Song and its sequel, Our Dark Duet are her best work. 

This story appealed to me at the outset because of my interest in people whose property was confiscated due to the turmoil of war. I have a grandfather who was a famous artist. Because he was painting in the 1930s, his original artworks were sold in their entirety to the major magazines of the day. Nowadays, artists sell the rights to their work, but retain the original paintings. I have spent much of my adult life tracking down his paintings that were lost to the family.

Susan Wiggs’ character, Tess Delaney, makes a living returning stolen or lost objects to their rightful owners. At the beginning of the book, she returns a valuable lavalier necklace to an elderly woman. Somewhat later, she is shocked to learn she has a grandfather she never knew about and that she has been named in his will to inherit half of Bella Vista, a… show more.

A widow with a new lease on life thanks to her secretly wealthy aunt becomes involved in a murder.

Multigenerational, with the Italian grandma, her newbie journalist granddaughter, plus an ex-nun sister and an ex-sister-in-law.

This story involves food, jokes, and family love, albeit with much more brashness and outspokenness than any of the other books I listed, and also a lot more Italian, though the book is set in New Jersey.

When it comes to Constance Greene, I hardly know where to begin.

She’s certainly the oldest and most deadly character in fiction writing today. I say she’s the oldest because she’s trapped in the body of a thirty-something-year-old woman even though she was born in 1873, long story.

She appears as a supporting character in multiple novels, as the love interest of Detective Aloysius Pendergast, but she is so much more than that. She’s eloquent, brilliant, and does not succumb to emotional distress under any threat of death.

In Blue Labyrinth, eight highly trained mercenaries pursue her and none of them live to tell the tale. At her most ruthless, she can kill with any tool at her disposal and she is loyal to the man she loves.

This story is a work of family saga art, honestly. In discovering the ins, outs, ups, and downs of Marilyn and David’s loving relationship, we come to know their four adult daughters who are each experiencing life-changing events of their own.

It is both a beautiful and heartbreaking depiction of family dynamics, coming of age, parenthood, and finding one’s way. It’s reconciliation with the past and finding the courage to face the future. It’s a love story, in the traditional sense, but also one between parents and children and among the sisters themselves…all intricately woven into one truly intriguing family story.

No skipping pages for me in this one: I didn’t want to miss a thing!

Sarah’s Key keeps us hoping in spite of ourselves—and despite the terrible odds facing a Jewish family in Paris, 1942. When the police come knocking one night, ten-year-old Sarah has no idea that her family is being rounded up for transport to an internment camp. She locks her little brother in a closet to save him, certain she’ll return the next day. That fateful choice will echo from WWII into the present, where the apartment’s new occupant uncovers long-ago choices and secrets in her own family. For me, though, the real question isn’t whether Sarah can rescue her brother. It’s about the many ways we justify our own ‘us’ and ‘them,’ and the hope that we can learn from history’s lessons.