Here are 100 books that The Guns of Navarone fans have personally recommended if you like
The Guns of Navarone.
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My parents had the travel bug and passed it on to me ten-fold—I’ve been to over 60 countries and counting. Each place has its own charm, hidden nooks and crannies that are completely unique. Even more so, the cultures I’ve been able to experience have shown me that while stereotypes can have a grain of truth, they never give you the whole picture of a place or people. I’ve tried to build this into my writing with settings and characters that showcase this. I love and appreciate it so much when I see it in books that I read.
The best way to describe this book and the entire Heroes of Olympus series is fun. The world in which it takes place is fascinating, with the Greek and Roman gods. I love the characters, and this book in particular because we get to see the perspectives of two extra characters on top of the original seven ‘chosen’ heroes. Riordan builds each character into a full person, and while I don’t usually read much YA, I absolutely love this series. The female characters are particularly amazing – totally different from each other, and a real combination of strong and vulnerable. The dialogue and plot are funny and it doesn’t take itself too seriously, despite the high stakes.
On top of that, I love what Riordan does with the setting. The book travels from Greece to New York and I recognize many of the different places where it takes place…
The Blood of Olympus is the fifth book in the bestselling Heroes of Olympus series - set in the high-octane world of Percy Jackson.
Though the Greek and Roman crew members of the Argo II have made progress in their many quests, they still seem no closer to defeating the earth mother, Gaea. Her giants have risen - all of them - and they're stronger than ever.
They must be stopped before the Feast of Spes, when Gaea plans to have two demigods sacrificed in Athens. She needs their blood -the blood of Olympus - in order to wake. The…
My parents had the travel bug and passed it on to me ten-fold—I’ve been to over 60 countries and counting. Each place has its own charm, hidden nooks and crannies that are completely unique. Even more so, the cultures I’ve been able to experience have shown me that while stereotypes can have a grain of truth, they never give you the whole picture of a place or people. I’ve tried to build this into my writing with settings and characters that showcase this. I love and appreciate it so much when I see it in books that I read.
This book takes place from 1916-1921 in Bombay and Calcutta, following the protagonist in an alternating timeline. The story that is set in the past is my favorite part of the book, when you get to see how the protagonist, a young Parsi woman, became who she is. I loved watching her first fall in love, then grapple with gender roles and expectations until the past timeline eventually catches up with the present-day mystery. The setting itself is fascinating and unusual, and the protagonist’s journey is particularly compelling.
1920s India: Perveen Mistry, Bombay's only female lawyer, is investigating a suspicious will on behalf of three Muslim widows living in full purdah when the case takes a turn toward the murderous. The author of the Agatha and Macavity Award–winning Rei Shimura novels brings us an atmospheric new historical mystery with a captivating heroine.
This Deluxe Paperback Edition features: an interview with the author, discussion questions, essays on the real-life inspirations behind the novel, delicious recipes taken from the story, and previews of The Satapur Moonstone.
Perveen Mistry, the daughter of a respected Zoroastrian family, has just joined her father's…
My parents had the travel bug and passed it on to me ten-fold—I’ve been to over 60 countries and counting. Each place has its own charm, hidden nooks and crannies that are completely unique. Even more so, the cultures I’ve been able to experience have shown me that while stereotypes can have a grain of truth, they never give you the whole picture of a place or people. I’ve tried to build this into my writing with settings and characters that showcase this. I love and appreciate it so much when I see it in books that I read.
This book combines a terrorism thriller with a mystery, as Brett, the protagonist, learns of his brother’s death. As he learns more about the murder/suicide, it connects to Sirocco, a terrorist organization planning a bio-terror plot in the US. The pacing and interweaving of the terrorist plot with Brett’s investigation are really well done, keeping you interested in both parts of the plot and guessing up till the end. I especially loved the twist the author put in—I’m usually pretty good at seeing those, but in this case, it really caught me by surprise.
D.L. Wilson's SIROCCO delves into the very real danger of bioterrorism.
Sirocco, a secret organization within the Palestinian Islamic Jihad, threatens to unleash a bioweapon at the heart of the United States unless Congress funds a new Palestinian government and convinces Israel to cede strategic occupied land.
Brett Reynolds, an attorney representing the pharmaceutical lobby, is summoned to Washington for an urgent meeting by Homeland Security to investigate the threat.
With a bio-terror looming that could devastate the U.S., Brett learns of his brother's death in a bizarre murder/suicide. He discovers connections between his brother and Sirocco's terrorist plot. His…
When I was at school, reading was a chore. We were given books that held no interest and told to dissect the author’s words to find a deeper meaning. It put me off reading for years. It wasn’t until I came across a thriller that I discovered my love of books, and I’ve been hooked ever since. There’s nothing like mounting tension to get you flipping the pages, and I try to do that in my books.
A cracking action thriller. A friend recommended this to me, saying my pulse would rise within the first few pages. He wasn’t wrong. It shot up and barely came down. Jet is an Israeli agent who wants out, but it’s never that easy. Such a good first book that the author wrote about 20 more in the series. Guess who read them all!
Code name: Jet Twenty-eight-year-old Jet was once the Mossad's most lethal operative before faking her own death and burying that identity forever. But the past doesn't give up on its secrets easily. When her new life on a tranquil island is shattered by a brutal attack, Jet must return to a clandestine existence of savagery and deception to save herself and those she loves. A gritty, unflinching roller-coaster of high-stakes twists and shocking turns, JET features a new breed of protagonist that breaks the mold. Fans of Lisbeth Salander, SALT, and the Bourne trilogy will find themselves carried along at…
As a thriller writer, I have a simple goal: I want to entertain. I'm not the kind of writer whose name is coupled with the Pulitzer Prize or the National Book Award. I write the kind of stories people read to divert themselves on a rainy afternoon or on the beach or on airplanes.My hope is that I can divert and delight my readers. Help them forget the real world for a while. Give them an enjoyable reading break. If people have fun while reading my thrillers, I've done my job.
Alistair MacLean’s thrillers have been a guilty reading pleasure of mine since high school, when MacLean churned out bestsellers like The Guns of Navarone and Where Eagles Dareevery year. MacLean creates tough, grim heroes who do whatever they have to do to get the job done. The writing is clumsy but effective, with heavy-handed humor and world-weary cynicism. The women are barely defined. And yet...
The plot, mood, and setting of each book provide one heck of an adventure. Like the crash-landing of a passenger airliner on the Greenland ice cap in Night Without End. A nearby team of scientists rushes to save the survivors.Among whom are the murderous criminals who caused the plane crash. A thoroughly riveting tale of survival in an Arctic wilderness.
From the acclaimed master of action and suspense. The all time classic.
400 miles north of the Arctic Circle, an airliner crashes in the polar ice-cap. In temperatures 40 degrees below zero, six men and four women survive.
For the members of a remote scientific research station who rescue them, there are some sinister questions to answer - the first one being, who shot the pilot before the crash?
Then, with communications cut and supplies running low, the station doctor must lead the survivors on a desperate bid to reach the coast, knowing all the while that there is a…
I’ve now written three histories of World War 2. A Very Rude Awakening tells the story of the Japanese midget submarine raid into Sydney Harbour on the night of 31 May 1942. An Awkward Truth deals with the Japanese air raid on the town of Darwin in northern Australia on 19 February 1942. (The raid was carried out by the same force that hit Pearl Harbor ten weeks earlier.) These two books have both been filmed. My third book, A Good Place To Hide, is my pairing for this page. Last but not least, if you want a signed copy of my books, then do my friend Gary Jackson and me a favour by going hereand clicking on the link "Buy Books and DVDs."
This is, quite simply, the greatest escape story of all time.
I’ve chosen this book because I’ve read it so often, at least five times, mostly when I was a teenager. It is brilliant storytelling, and it may just be the book that most got me hooked on World War 2 history.
It tells the story of a tunnel dug from under a vaulting horse in the middle of an exercise yard in a German POW camp. The original plan was for a mass escape of prisoners through the tunnel, but in the end, only three prisoners made it back to England and freedom. All brilliantly told.
Eric Williams, Royal Air Force bomber captain, was shot down over Germany in 1942 and imprisoned in Stalag Luft III, the infamous German POW camp. Digging an underground tunnel hidden beneath a wooden vaulting horse, he managed to escape after ten months and, accompanied by a fellow officer, made his way back to England. In this thinly fictionalized retelling, Williams relates his story in three distinct phases: the construction of a tunnel (its entrance camouflaged by the wooden vaulting horse in the exercise yard) and hiding the large quantities of sand he dug; the escape; and the journey on foot…
I became passionate about ancient Greece as a teenager when I studied the ancient languages and history at school. I was also lapping up ancient Greece on film—back then the so-so Burton-Taylor Cleopatra really impressed. I got enthused by historical novels too, Mary Renault’s especially. My first visit to Greece as a university student hooked me on modern Greece as well. Since then, I’ve become a professional academic specialising in ancient Greece and have been lucky enough to develop a lifelong relationship with modern as well as ancient Greeks. I lived in Greece for six years in my twenties, and have gone back repeatedly ever since. I’ve published widely on Greece’s ancient history and archaeology.
This is a dreamer’s book—notes about life, literature, and the universe written by the author after accepting on the spur of the moment a Greek friend’s invitation to go island-hopping in a little sailing boat.
I like it not just because I knew the author’s late daughter and treasure his affectionate references to her, but also for its erudite musings and reflections. They remind me of how, even from the deck of one of today’s decidedly unromantic ferries, the glinting sea and island silhouettes induce a state of semi-trance or reverie, pushing your thoughts into overdrive.
The author was a heavyweight figure on Greece’s literary scene, but this little book is charming, short, and accessible.
Zissimos Lorenzatos (1915-2004), essayist, thinker and poet, was arguably Greece's most significant man of letters in the twentieth century. In the Aegean Notebooks, a record of his observations and reflections while sailing among the Greek islands in the 1970s and 1980s, the special quality of his literary and philosophical gifts, and of the man himself, are vividly present. Along with everything a mariner yearns to bring ashore, all he has felt and experienced at sea with the wake of the boat unfurling behind him, Lorenzatos brings us in addition a lifetime's learning and contemplation. For him, life, and the living…
I consider myself not only a student of satire, but also as a master practitioner with an innate and instinctive aptitude for it—like those born with perfect pitch or hand-eye coordination, kind of like an idiot savant, only hopefully without the idiot part. Satire is the perfect literary platform because it allows both the writer and the reader to explore the landscape of the human experience, the absurdity, the grandeur, the mystery, the horror—not with a sermon or a polemic or a sigh, but with a laugh and a nodding smile of recognition.
Once again, I’d never read anything like it before. He was having a conversation with me. I was now a character in an Amsterdam bar with him, the war had just ended, we were smoking cigarettes and drinking gin.
He would respond to my silent questions, and wax and wane philosophically, metaphysically, morally, ethically, and occasionally comically.
And the beauty was that it had happened so randomly—a roommate had thrown the book in the trash, declaring it to be “bullshit.” I knew the lad to be an imbecile (an acceptable term at the time), so I fished the book out of the trash, read the first sentence, and loved it.
It was the quantumly entangled counter particle to Candide: one particle from the age of reason, the other particle from the age of existentialism.
Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith
Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.
Jean-Baptiste Clamence - refined, handsome, forty, a former successful lawyer - is in turmoil. Over several drunken…
I’m a psychiatrist and philosopher who lives and teaches in Oxford, England. I’ve long held that there is much more to mental health than the mere absence of mental disorder. Mental health is not just about surviving, limping from crisis to crisis, but about thriving, about developing and expressing our highest, fullest potential as human beings. The Stoic attitude is a path not just to sanity but to hypersanity, at a time when more than one in five adults are suffering from some form of depression. Unlike many modern interventions, Stoicism is no sticking plaster, but a total and radical reappraisal of our relationship to ourselves and to the world.
Musonius was a celebrated teacher who was thrice banished from Rome. He would often turn would-be students away, explaining to a young Epictetus that “the more one pushes the intelligent person away from the life he was born for, the more he inclines towards it.” His school, he often said, was not some concert hall, where people come to be entertained, but a hospital, where they come, in trepidation, to be treated. Thus, he measured the success of his lectures not by the applause that they received, but by the shock and awe to which they gave rise. The twenty-one lectures preserved in Stobaeus were recorded by one of his students. They are full of practical, everyday advice aimed at instilling virtue, and include a lecture on household furnishings and even one on hair.
Gaius Musonius Rufus (c. AD 30–100) was one of the four great Roman Stoic philosophers, the other three being Seneca, Marcus Aurelius, and Musonius’s pupil Epictetus. Rufus taught philosophy in Rome during the reign of Nero, as a consequence of which he was sent into exile in 65 AD to Gyaros, a barren island in the Aegean Sea. Because Stoicism was, for Musonius, not merely a philosophy but a guide to daily living, he has been called “The Roman Socrates.” The opinions of Musonius were collected by two of his students, Lucius…
The Mediterranean is in my family’s history. My dad was a naval officer who worked in the sea in peace and war and took us to Malta when I was nine. I was entranced by the island’s history, by an evocative sensory world of sunlight, brilliant seas, and antiquity. I’ve been travelling in this sea ever since, including a spell living in Turkey, and delved deep into its past, its empires, and its maritime activity. I’m the author of three books on the subject: Constantinople: the Last Great Siege, Empires of the Sea, and Venice: City of Fortune.
Logue’s modernist reworking of the Iliad – the Trojan war - mother of all Mediterranean contests, is quite unlike anything you’ll ever read. Logue doesn’t translate, he remakes. It’s as cinematic as a film script, cast in a poetic language as brilliant as anything in modern times, full of jump cuts, staccato effects, and startling contemporary references. The violence of the fighting has a slamming immediacy (‘Dust like red mist/Pain like chalk on slate’), the Mediterranean – ‘the sea that is always counting’ - glimmers and sighs, the Gods behave like spoiled children, helicopters go whumping over the dunes.
A remarkable hybrid of translation, adaptation, and invention
Picture the east Aegean sea by night, And on a beach aslant its shimmering Upwards of 50,000 men Asleep like spoons beside their lethal Fleet.
“Your life at every instant up for― / Gone. / And, candidly, who gives a toss? / Your heart beats strong. Your spirit grips,” writes Christopher Logue in his original version of Homer’s Iliad, the uncanny “translation of translations” that won ecstatic and unparalleled acclaim as “the best translation of Homer since Pope’s” (The New York Review of Books).
