Here are 100 books that The Fall fans have personally recommended if you like
The Fall.
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I am passionate about the subject of suicide because I have lived with suicidal thinking all of my life, have made multiple suicide attempts, have lost loved ones to suicide, and have so many new friends who are survivors of suicide attempts. I am a philosophy professor and writer who spends a lot of his time thinking about the meaning of life, and reading other philosophers, writers, and thinkers who have taught us about the meaning of life. I think the Buddha is especially smart and helpful on this question, as are the existentialist philosophers.
Look, you’re often going to feel like life is meaningless. Maybe you’re right. But don’t give up.
Like Quixote, you have the power of your noble heart, and the wealth of your imagination. But you also have your Sancho Paza, to keep you moving practically forward. It all will likely come to a ridiculous end. But that’s okay, so long as you’re laughing at yourself along the way.
It is funny. We’re allowed to be funny. We’re supposed to laugh at ourselves and at each other.
WITH AN INTRODUCTION BY HAROLD BLOOM. Widely regarded as the world's first modern novel, and one of the funniest and most tragic books ever written, Don Quixote chronicles the famous picaresque adventures of the noble knight-errant Don Quixote de La Mancha and his faithful squire, Sancho Panza, as they travel through sixteenth-century Spain. Unless you read Spanish, you've never read Don Quixote.
The worst of all deceptions, said Plato, is self-deception. Perhaps it is also the most common. I'm fascinated by the human capacity to believe nonsense, and also by the power of satire to weaken twaddle’s hold on us. As a political science professor, and as a political speechwriter, I often used humor to expose sloppy thinking, debunk untruths, and open minds. Especially today, satire is one of the best ways to show the high price we pay for our delusions. Satire alone will not end our collective folly, but laughing at rather than denying what we're doing to the natural environment can be a step on the road to change.
Candide is wonderful for many reasons, but above all because it is an equal opportunity parody.
Voltaire spares no one as he spoofs the usual suspects, such as religion, colonialism, and the nobility, but also the Enlightenment’s excessive optimism, philosophical speculation, and rationalism. Voltaire’s greatest setups are favored upon young Candide’s mentor, Dr. Pangloss who, in the face of every monstrous, absurd tragedy that befalls Candide, insists that all is well in this “best of all possible worlds.”
I also love that this crazy, tragic farce ends with a cautiously optimistic invitation to “cultivate our garden,” – to leave philosophical speculation to the philosophers, and instead to focus on concrete efforts to make the world a better place
Enriched Classics offer readers accessible editions of great works of literature enhanced by helpful notes and commentary. Each book includes educational tools alongside the text, enabling students and readers alike to gain a deeper and more developed understanding of the writer and their work.
A classic work of eighteenth century literature, Candide is Voltaire's fast-paced novella of struggle and adventure that used satire as a form of social critique. Candide enlists the help of his tutor, Dr. Pangloss, to help him reunite with his estranged lover, Lady Cunegonde. But the journey welcomes many unexpected challenges, and overcoming or outwitting the…
I am the Director of the High Pay Centre, a London-based think tank researching the causes and consequences of economic inequality. In most major economies, the richest 1% of the population now take up to a fifth of all income and something like a quarter to a third of all wealth. These rich jerks aren’t necessarily bad people, at least not in all cases, and we don’t literally need to eat them all. However, such extreme concentration of income and wealth is undeserved and unnecessary, and it should definitely be an overriding priority to share it in a fairer and more even way.
There are loads of good novels warning of the dangers of inequality and wealthy megalomaniacs, typically set against the backdrop of one of the many monstrous things that the super-rich have done to the rest of us throughout history.
In my view, the First World War was the worst of the lot. Society has moved on a bit since then, but I don’t doubt that the billionaire class that runs the modern world would have us all marching into the machine guns if they thought they could get away with it. Hasek’s good-humored but poignant tale of a Czech soldier serving in the army of the Habsburg Empire acts as a reminder of the need for vigilance.
The inspiration for such works as Joseph Heller's Catch-22, Jaroslav Hasek's black satire The Good Soldier Svejk is translated with an introduction by Cecil Parrott in Penguin Classics.
Good-natured and garrulous, Svejk becomes the Austro-Hungarian army's most loyal Czech soldier when he is called up on the outbreak of the First World War - although his bumbling attempts to get to the front serve only to prevent him from reaching it. Playing cards, getting drunk and becoming a general nuisance, the resourceful Svejk uses all his natural cunning and genial subterfuge to deal with the doctors, police, clergy and officers…
I consider myself not only a student of satire, but also as a master practitioner with an innate and instinctive aptitude for it—like those born with perfect pitch or hand-eye coordination, kind of like an idiot savant, only hopefully without the idiot part. Satire is the perfect literary platform because it allows both the writer and the reader to explore the landscape of the human experience, the absurdity, the grandeur, the mystery, the horror—not with a sermon or a polemic or a sigh, but with a laugh and a nodding smile of recognition.
Because it was not only a thick* book, but it proved that you can think a book is crap one day, and absolutely love it the next**.
I was going to have an impacted wisdom tool chiseled out and wanted a book for my convalescence. It had a great cover, so I flipped open to the first page and read the opening line—something like, “Amoebas don’t have bones…”.
I bought it and had the wisdom tooth removed, which evidently actually removed the wisdom needed to appreciate the writing.
Time passed, and I gave the book another try—evidently the wisdom had returned because what had once been chaotic and confusing and stupid, was now delightfully random and effortlessly insightful, and really really fun. I loved this book.
* At least it seemed thick to me at that age.
** Actually, it wasn’t the next day, it was actually about a year…
Starring Sissy Hanshaw-flawlessly beautiful, almost. A small-town girl with big-time dreams and a quirk to match-hitchhiking her way into your heart, your hopes, and your sleeping bags...
Featuring Bonanza Jellybean and the smooth-riding cowgirls of Rubber Rose Ranch. Chink; a lascivious guru of yams and yang. Julian; a Mohawk by birth; asthmatic aesthete and husband by disposition. Dr. Robbins, preventive psychiatrist and reality instructor...
Follow Sissy's amazing odyssey from Virginia to chic Manhattan to the Dakota Badlands, where FBI agents, cowgirls, and ecstatic whooping cranes explode in a deliciously drawn-out climax...
Given the state of the world today, laughter truly is the best coping mechanism. The best satire is all about excess in design, intention, characterization, and deployment of attitude. The more extreme, the better; leave restraint to the prudish moralists!
In the most elegant piss-take on the travel writing genre ever crafted, Swift’s hero traverses lands impossibly strange and, well, just impossible, giving satire a whole new modus operandus: expanding the cosmos!
Whenever I start to feel blue about living in an era that seems to underrate imaginativeness – especially in literature, I go back to Swift, who always reminds me that there is a path veering toward the limitless, and that path will never disappear.
'Thus, gentle Reader, I have given thee a faithful History of my Travels for Sixteen Years, and above Seven Months; wherein I have not been so studious of Ornament as of Truth.'
In these words Gulliver represents himself as a reliable reporter of the fantastic adventures he has just set down; but how far can we rely on a narrator whose identity is elusive and whoses inventiveness is self-evident? Gulliver's Travels purports to be a travel book, and describes Gulliver's encounters with the inhabitants of four extraordinary places: Lilliput, Brobdingnag, Laputa, and the country of the Houyhnhnms. A consummately skilful…
I’m an Irish novelist and occasional screenwriter. My latest book, Duffy and Son, is my sixth. I can be drawn in by any well-told tale, of course, but I’ve always had the strongest reaction to stories with at least some element of comedy. I don’t know, I just find books in which no one says anything funny to be deeply unrealistic. It infuriates me when any piece of fiction is viewed as ‘lesser’ because there’s a chance it might make you smile. The books listed here will definitely make you smile. If you give them a chance, I hope you find them as worthy of your time as I did.
I could have picked anything by George Saunders, really. He’s the closest thing I have to a personal deity. Such is the level of awe and wonder that he invokes in me, I actually find him difficult to discuss. It’s like trying to look directly at the sun.
Suffice it to say that CivilWarLand in Bad Decline—the title refers to a failing theme park—is like all of his other short story collections. It’s beautiful and wise and heart-breaking and deeply intelligent and, yes, desperately funny. I would pay a lot of money to be able to read it again for the first time.
Since its publication in 1996, George Saunders’s debut collection has grown in esteem from a cherished cult classic to a masterpiece of the form, inspiring an entire generation of writers along the way. In six stories and a novella, Saunders hatches an unforgettable cast of characters, each struggling to survive in an increasingly haywire world. With a new introduction by Joshua Ferris and a new author’s note by Saunders himself, this edition is essential reading for those seeking to discover or revisit a virtuosic, disturbingly prescient voice.
Praise for George Saunders and CivilWarLand in Bad Decline
I’m Steve Sheppard and I’m arguably the best person in the UK to create this list as I am myself the archetypal funny author whom nobody has heard of, having written three comedy spy thrillers, two out (A Very Important Teapot and Bored to Death in the Baltics) and one on the way (Poor Table Manners), all published by a genuine indie publisher, Claret Press. I would have loved to include a funny thriller in my list, but sadly, they are not to be found–not without resorting to farce and slapstick anyway.
This is another fictional diary but different again. To say I enjoyed it is an understatement. This is a witty, engaging, satirical romp of a journal with laugh-out-loud moments, an empathetic everyman protagonist, a full cast of colourful supporting characters, and a rich background, mainly in Amsterdam.
I whipped through the book in a couple of days and was left hoping that we might find out what happens to Gerard "next year." All in all, thoroughly entertaining.
I love most all genre fiction, but I’m a sucker for dark fiction—and I have a particular fondness for dark fiction that explores the hidden shadows of men and women as they make dubious choices that lead to consequences rife with fear, despair, and unflinching terror. Whether it’s young men meeting in a basement to engage in a secret barbaric club or a world gone mad following the literal death of God, my favorite dark fiction is woven with sly satire and subversive social commentary.
Max Barry’s satirical science-fiction novel, Machine Man, is a dark and funny mediation on contemporary society’s compulsive over-reliance on technology. The narrator, Charles Neumann, is a mechanical engineer who, while obsessively searching for his phone, loses his leg in an industrial accident. After building himself a new machine leg, Charles purposely loses his other leg, so he can replace it with another machine leg. After seeing how great his new legs work, Charles wonders if maybe he should replace more of his body parts with machine parts, begging the question: Where does humanity end and technology begin?
Scientist Charles Neumann loses a leg in an industrial accident. It's not a tragedy. It's an opportunity. Charlie always thought his body could be better. He begins to explore a few ideas. To build parts. Better parts.
Prosthetist Lola Shanks loves a good artificial limb. In Charlie, she sees a man on his way to becoming artificial everything. But others see a madman. Or a product. Or a weapon.
A story for the age of pervasive technology, Machine Man is a gruesomely funny unraveling of one man's quest for ultimate self-improvement.
I was born a polymath in Cheam, Surrey, England. Even as a child I had a passionate interest in music, architecture, film, poetry, drama, and storytelling. I lived very much in the world of my imagination and was able to apply it to a wide variety of projects. I have worked in Film, TV, Theatre, and have written scripts, plays, novels, songs, a musical, and an opera, all different in feeling. I have therefore had a special interest in innovative artistic work, and story-telling which pushes the boundaries of the imagination.
People who read The Master and Margarita will tell you that it is one of the greatest books they have ever read, but few can tell you why. It defies description. It is truly unique.
It opens on a blistering hot day in Moscow, a paradox in itself. The devil, seemingly out of Goethe’s Faust, is on a visit to the town. He and his strange entourage would be laughable, if they were not so lethal. Only the madness of Stalin’s paranoid Communism could have created such a story.
Bulgakov has an uncanny way of investing even the most unlikely scenes with intense realism. You never doubt him. At times hilarious, at times terrifying, the book shows us what a fragile hold we have on reality.
'Bulgakov is one of the greatest Russian writers, perhaps the greatest' Independent
Written in secret during the darkest days of Stalin's reign, The Master and Margarita became an overnight literary phenomenon when it was finally published it, signalling artistic freedom for Russians everywhere. Bulgakov's carnivalesque satire of Soviet life describes how the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow one Spring afternoon. Brimming with magic and incident, it is full of imaginary, historical, terrifying and wonderful characters, from witches, poets and Biblical tyrants to the beautiful, courageous Margarita, who will…
I have been a writer for more than twenty years and have favored pursuing “truth in fiction” rather than “money in formula.” As author Edward St. Aubyn quotes: “Money has value because it can be exchanged for something else. Art only has value because it can’t.” I find books about writers are closer to my lived experience and connect me intimately with both the characters and their author.
A story about a biographer who pokes into the corners of a Nobel-winning author’s salacious life to write an exposé is juicy enough, but what happens when the latter uses the opportunity to write a counter-exposé on the former? Unstructured in plot and other novel-craft, this book is laden with pithy quotes on the writing life. The biographer and his subject are libidinous, adulterous, and self-absorbed, a testament to the fact that a writer has to be appreciated separately from their work. Also on display are the strategies employed by the publishing industry to keep the reputation and marketability of a once best-selling author alive, long after their effective shelf-life.
Mamoon is an eminent Indian-born writer who has made a career in England -- but now, in his early seventies, his reputation is fading, his book sales have dried up and his new wife has expensive tastes. Harry, a young writer, is commissioned to write a biography to revitalise Mamoon's career. He greatly admires Mamoon's work and wants to uncover the truth of the artist's life, but Harry's publisher seeks a more salacious tale of sex and scandal to generate headlines. Meanwhile, Mamoon himself is mining a different truth altogether -- but which one of them will have the last…