100 books like The Great Escape

An amazing imaginative blend of nonfiction and reportage, The Postcard sets a mystery in motion.

In 2003, with the rest of the Christmas holiday mail, a postcard arrives at the Paris home of Annie Berest. The card is blank but for the names of her maternal great-grandparents and their two children – all killed at Auschwitz. 

Fifteen years later, Annie and her chain-smoking mother embark on a journey: discovering the fates of the Rabinovitch family who flee the Russian revolution for Latvia, Palestine, and Paris. Annie and her mother discover secrets that shatter the present; mother and daughter question the past and accept a new reality in their own distinct ways. 

I loved both the mystery revealed and the unshakable resolve of these women, who spent years finding the truth.

Patenaude focuses just on the Mexican period, from January 1937 to August 1940, of Trotsky’s exile, although the previous stages of his exile — Kazakhstan in 1928, then Turkey for four years, France for another three, followed by interment in Norway — are dealt with in a series of flashbacks. In fact, the whole book is written as if Trotsky in Coyoacán were recalling his past, from his prosperous farmer’s boyhood to his underground militancy, his Civil War military brilliance, and his blundering incompetence as a Bolshevik power-broker. The danger that Patenaude flirts with is to let Trotsky’s charisma and undoubted genius charm him into overlooking his subject’s monstrous indifference to the suffering and deaths of others, sometimes even of those close to him, as well as his overweening conceit.

By dealing with the last phase of the tragedy, nemesis, Trotsky is seen to pay in fear, resignation, failure, and… show more.

One of the most original books I have ever read, and as such impossible to classify by genre—a dizzying mix of memoir, history, and travel writing. As the separate stories of four apparently unrelated individuals unfold, Sebald exposes a common theme: the loss of identity through trauma and displacement. The stories are devastating and yet there is something hopeful in Sebald’s melancholic and vivid writing, the powerful case he makes for these stories being heard.

I wish I’d read this book before visiting Lebanese friends there.

The story of a man who returns to his native Lebanon years after the civil war, it portrays the complexity of their society through the impact the war had on a group of university friends.

It gives a wonderfully accurate feel of the sights, sounds, and tastes of the country, and an astute description of the psyche of the Lebanese people from the point of view of a returnee.

I loved this book because it shows generations of family sacrifice and how the decisions we make in our lifetime can live on for decades after we pass.

I rushed to read this book every evening and had to pull myself away. It was so amazing to me that this author could weave through years and years of family history in a clear, coherent, and powerful way. 

If you only ever read one Palestinian memoirist, it should be Fawaz Turki.

He published three book-length memoirs, all excellent, but this is his most comprehensive autobiography and as such the must-read of all his works. It covers his early years in Haifa, his family’s displacement to Lebanon in 1948, and his subsequent adolescence in Burj al-Barajneh refugee camp; as well as his later studies and career in the US.

Exile’s Return is organized around his first return visit to Palestine in the 1990s, where he comes face-to-face with the realities of the Israeli occupation and continuing Palestinian dispossession. There are now many brilliant memoirs and autobiographies by Palestinian refugees, but Turki remains the memoirist par excellence in this genre. 

Being Palestinian is a collection of essays by Palestinians reflecting on their identity and experiences living outside of their homeland.

I’ve chosen it here because few works are so effective in conveying both the commonalities and the diversity of the Palestinian refugee experience. The contributors range from Ivy League professors to activists campaigning for justice in the Middle East today; they include figures who grew up in refugee camps and those raised in some of the wealthiest cities in the world.

In many ways Being Palestinian is the perfect introduction to learning more about the subject, because it is accessible and highly personal without being simplistic. 

The Roman poet Ovid was one of the most popular writers of his day, but the defining tragedy of his life – his lifelong exile from Rome at the very height of his powers – remains as mysterious today as it was in his own time. In The Love-Artist, Jane Alison provides that tragedy with a back story, when Ovid, on holiday on the shores of the Black Sea, meets and is enchanted by the witch-like Xenia and persuades her to return with him to Rome, with dire consequences. But it’s the book’s dream-like atmosphere – the sense that we are seeing the world through the eyes of a great poet with one foot in the ambitious world of empire and the other in an unstable netherworld of imagination and mythology – that will remain with the reader.

This book made me a traveling companion of Lenin. Together with him we go on an incredible journey: from Switzerland across Europe via Finland to Petrograd. This journey changed the world, because it brought Lenin back to Russia, Russia the October coup, and the century of a Soviet regime. Merridale depicts the unique moment of the dawn of a new age as banally and grotesquely as if she had really been there. The best part: just before he left, Lenin called the American embassy because he would have preferred to be transported by the Americans rather than the Germans. But it was Easter Sunday and no one could be reached at the embassy, and so the story took its course....

Cristina Garcia has become the definitive chronicler of both Cuba and Cuban exiles. King of Cuba tells the story of two men: El Comandante (also called the despot, the tyrant, or El Líder—clearly this is Fidel) and a Miami exile, Goyo Herrera, who is as old and infirm as Castro himself. Garcia’s portrait of the desperation and ignominies these two old guys suffer, and of their hopeless attempts to cleave to past glories, transcends Cuban history and brings us two men I found cantankerous and self-inflating, but irresistible.