Here are 100 books that The Ghost Writer fans have personally recommended if you like
The Ghost Writer.
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I am on a self-discovery journey, and each day, I discover more of why I am here on earth. The books I mentioned all have themes related to the human condition. I write to express what I understand. I love writing about characters and their journeys. I love all animals, and dogs are a great comfort. I’d like to see animal abuse come to an end in my lifetime. I write about people who have fallen from great heights and how saving animals and others in need saves them. We need to love more.
This book is about defending justice, using a legal system to fight something you know is wrong, and sticking to what is right at all costs. It is about knowing what’s right and what’s wrong.
My main character, too—Miss Pink sticks to what is right at all costs. This touching, powerful story shows the worst of people and the best.
'Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.'
Atticus Finch gives this advice to his children as he defends the real mockingbird of this classic novel - a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues of race and class in the Deep South of the 1930s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steeped…
When I was nine years old, my first poem was ‘published’ in my elementary school’s annual creative writing booklet. It was such a thrill to see my poem in print and to know lots of people would be reading it. I was hooked on writing, but it would be many, many years before I was published again. While I know it’s never too late to publish a book, I regret how long I waited. Young writers, don’t be afraid to go for it and don’t ever feel you’re not old enough for your words to matter. Readers need your unique, fresh vision.
I love that this book was the result of a dare! In 1816, eighteen-year-old Mary Shelley and three friends held a contest to see who could write the scariest story. Mary’s story—like her monster—has since taken on a life of its own and today permeates all forms of storytelling.
I find it amusing that my favorite version of the monster is the one Mel Brooks gave us in Young Frankenstein. I wonder what Mary Shelley would think if she knew how much her acceptance of a dare would change storytelling forever.
I like to revisit the original story from time to time to savor the gothic drama and flowery writing. If I’m reading it on a dark and stormy night, all the better.
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
In the natural course as a young man, I became a husband and a father. I have four children and eleven grandchildren. Fatherhood has been the most difficult yet rewarding job of my life. You never stop being a parent. So, it was inevitable that this would become a subject of my writing. I have tried to be a compassionate caregiver and a positive role model to my children; you’ll have to ask them if I’ve succeeded. In my novel, I try to depict two fathers (and their two sons) as good yet flawed men, doing their best and finding their way. Just as all fathers do.
It took me two tries to finish this tremendously difficult novel about a father who desperately wants a son, and gets two. Considered by many to be Faulkner’s most challenging work, it defeated me on my first attempt. But I was captivated by this example of fatherhood gone obsessively wrong, so returned to it and soldiered through.
It was worth the effort. I hope I never find any commonality with the main character of this novel, and I’m not sure if I should take solace from Faulkner’s conclusion that we can never really understand another person, and may not want to. I read it as a cautionary tale of what a family can become.
This postbellum Greek tragedy is the perfect introduction to Faulkner's elaborate descriptive syntax.
Quentin Compson and Shreve, his Harvard roommate, are obsessed with the tragic rise and fall of Thomas Sutpen. As a poor white boy, Sutpen was turned away from a plantation owner's mansion by a black butler. From then on, he was determined to force his way into the upper echelons of Southern society. His relentless will ensures his ambitions are soon realised; land, marriage, children, his own troop to fight in the Civil War... but Sutpen returns from the conflict to find his estate in ruins and…
In the natural course as a young man, I became a husband and a father. I have four children and eleven grandchildren. Fatherhood has been the most difficult yet rewarding job of my life. You never stop being a parent. So, it was inevitable that this would become a subject of my writing. I have tried to be a compassionate caregiver and a positive role model to my children; you’ll have to ask them if I’ve succeeded. In my novel, I try to depict two fathers (and their two sons) as good yet flawed men, doing their best and finding their way. Just as all fathers do.
I didn’t think I could appreciate this memoir of a son searching for his imprisoned father in Gaddafi’s Libya until, suddenly, I did. This book showed me that the bonds between all fathers and their sons transcend things like nationality and religion. It is part of the core of what it means to be human.
I knew from the very first pages that the author would never again see his father, even as he tirelessly spends most of his adult life trying to. By extension, I understood that as much as we want to, we can never really know our fathers.
SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION SHORTLISTED FOR THE COSTA BIOGRAPHY AWARD SHORTLISTED FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR AUTOBIOGRAPHY WINNER OF THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE ONE OF THE NEW YORK TIMES' TOP 10 BOOKS OF 2016
The Return is at once a universal and an intensely personal tale. It is an exquisite meditation on how history and politics can bear down on an individual life. And yet Hisham Matar's memoir isn't just about the burden of the past, but the consolation of love, literature and art. It is the story of what…
I have written four novels that involve crime in one way or another, but I do not consider myself a crime novelist. I simply find crime stories offer a compelling way to explore universal human experiences. I was a prosecutor when I was younger, so I try to bring a level of fluency in criminal law to my novels, but the usual warning applies: this is fiction, and it is better that a story be authentic than actually true.
In the current media environment, it is hard for us to do the one essential thing that novel readers must do: suspend disbelief—to read something that we know is not true, yet accept it as if it were true. It is a cynical time. We have learned to mistrust what we read.
So what is a novelist to do? Well, one way to win over skeptical readers is by a simple trick, one that I love (as both reader and writer): the novelist appears in his own novel. My novel uses a similar device, beginning with a novelist-narrator who bears a striking resemblance to me. These five novels all use a similar strategy.
The first book, American Pastoral, is one of my favorites. Philip Roth frequently borrowed from his own life in his novels, but to me, this is his most effective blend of fact and fiction. The novel lifts…
Philip Roth's fiction has often explored the human need to demolish, to challenge, to oppose, to pull apart. Now, writing with deep understanding, with enormous power and scope and great storytelling energy, he focuses on the counterforce: the longing for an ordinary life. Seymour 'Swede' Levov - a legendary high school athlete, a devoted family man, a hard worker, the prosperous inheritor of his father's glove factory - comes of age in thriving, triumphant, postwar America. He has a beautiful wife - Miss New Jersey 1949 - and a lively, precocious daughter, Merry. She is the apple of his eye…
I have written four novels that involve crime in one way or another, but I do not consider myself a crime novelist. I simply find crime stories offer a compelling way to explore universal human experiences. I was a prosecutor when I was younger, so I try to bring a level of fluency in criminal law to my novels, but the usual warning applies: this is fiction, and it is better that a story be authentic than actually true.
Roth was a conservative writer in terms of prose style, but he was adventurous in bending the forms of narrative fiction, so let’s stick with him for a second novel: The Counterlife, from 1986.
Roth frequently appeared in his own novels, either undisguised as a character named Philip Roth or as one of his alter egos, notably the fictional novelist Nathan Zuckerman. Here a conventional Zuckerman novel goes steadily bonkers, with jumps in point of view and setting, until the term “novel” seems not quite to fit.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A “magnificent…splendid” novel (The New York Times Book Review) from the Pulitzer Prize–winning author of American Pastoral about people living out their dreams of renewal and escape, some of them even risking their lives to change their seemingly irreversible fates.
Illuminating these lives in transition and guiding us through the book's evocative landscapes, familiar and foreign, is the mind of the novelist Nathan Zuckerman. His is the skeptical, enveloping intelligence that calculates the price that's paid in the struggle to change personal fortune and reshape history, whether in a dentist's office in suburban…
Barrie is an historian specializing in early Christianity. Today we now know that there were many different movements within the first few centuries, each claiming to be Christian. James’ Jewish group differed from Paul’s Christ religion and both differed from Gnostic Christianity which saw Jesus as a teacher of insight. None was dominant. The discovery of the Dead Sea Scrolls and the Gnostic writings add an intriguing overlay. The books selected are those that open up new ways of understanding the historical development of Christianity. Each in its own way has created a paradigm shift.
A well-written, well researched book by a prominent American archeologist and New Testament scholar that examines what we can now reliably know about the Jesus of history. Tabor carefully sifts through the conflicting evidence in the gospels, written 40-70 years after the death of Jesus, and illuminates his discussion with contemporary archeological finds. A paradigm changer in our search for the historical Jesus, not the Christ of faith.
If you thought Dan Brown's fiction was gripping, try the truth. This controversial book pieces together new evidence on the real life of Jesus. The true inspiration behind Kathy Reich's bestselling thriller, "Crossbones", archaeologist and scholar James Tabor takes us on a startling journey that changes the story of Christianity as we know it. Based on hand-on archaeological experience and ground-breaking academic research, real-life Indiana Jones, James Tabor, has produced a compelling and bold new interpretation of the life of Jesus and the origins of Christianity. So impressive is his work that Kathy Reichs, bestselling mystery writer of the "Tempe…
Corey Mesler has been published in numerous anthologies and journals including Poetry, Gargoyle, Five Points, Good Poems American Places, and New Stories from the South. He has published over 25 books of fiction and poetry.His newest novel, The Diminishment of Charlie Cain, is from Livingston Press. He also wrote the screenplay for We Go On, which won The Memphis Film Prize in 2017. With his wife he runs Burke’s Book Store (est. 1875) in Memphis. I have a fondness for novels written by writers who are primarily poets. These five books are my favorites in that contracted genre.
Leonard Cohen is one of my touchstones, an artist I take personally, someone who speaks to me deeply. He is best known as a singer/songwriter, the author of “Suzanne” and “Hallelujah.” He is not quite as well-known as a poet, but that’s how he started and he’d already published books of verse before his first album appeared. He also wrote two novels, the first when he was in his 20s. It is entitled The Favourite Game and it’s an autobiographical, Jewish, coming-of-age story. It’s so good it seems like an early Philip Roth novel.
In an interview, Cohen once said, “There’s no story so fantastic that I cannot imagine myself the hero. And there’s no story so evil that I cannot imagine myself the villain.” His protagonist is a little of both in this book. And the prose, as you might imagine is beautiful, simpler perhaps than in his poetry,…
In this unforgettable novel, Leonard Cohen boldly etches the youth and early manhood of Lawrence Breavman, only son of an old Jewish family in Montreal. Life for Breavman is made up of dazzling color - a series of motion pictures fed through a high-speed projector: the half-understood death of his father; the adult games of love and war, with their infinite capacity for fantasy and cruelty; his secret experiments with hypnotism; the night-long adventures with Krantz, his beloved comrade and confidant. Later, achieving literary fame as a college student, Breavman does penance through manual labor but ultimately flees to New…
I’ve always been curious about the human being behind the Christ character. Too often, Jesus is referred to as a judgmental bully who will save only His followers and let everyone else burn in hell. If He were divine, wouldn’t He love everyone? On a trip to India, I discovered a book called The Secret Life of Jesus Christ, and my passion was born. I’ve written two novels about Jesus and His disciples based on more than fifty reference books, ancient scrolls, and the most authentic historical scriptures about the era. I hope you enjoy my list of the best alternative fiction about Jesus and His disciples!
This book reads like a movie, so full of rich descriptions and emotions that I sometimes forget that these characters are not (necessarily) real. I read a lot and pride myself on discovering the best novels about Jesus and His disciples, especially those that question the traditional storyline, and this novel does just that.
I became completely invested in the Apostle John’s quest to comfort Jesus’s mother, Mary, after the loss of her second son, James. Heart-breaking and at the same time comforting, I would recommend this book to Christians and skeptics alike, anyone interested in learning more about first Century Judea and the fates of the disciples.
He was the Beloved Disciple… …and he would be the last. The mantle to tell the whole story has fallen on him.
From the Cross, Jesus entrusted John, son of Zebedee, the youngest disciple, with the welfare of Mary, Jesus’s mother. Over thirty years later, as Jerusalem becomes a cauldron of explosive tempers, John receives a calling he doesn’t want.
Will he listen and follow?
And if he does, will it be too late?
In 62 AD, the Jewish high priest executes James, the brother of Jesus, triggering a bitter fight for power in Jerusalem that shatters the quiet life…
Given my adolescent preoccupation with fundamentalist Christianity and its fixation upon Jesus as one’s “personal savior,” it was important to me, once I discovered that some doubted the historical accuracy of the gospels, to defend them. But the more I did so, the greater my doubts became. I found my former confidence untenable, and was pretty steamed about it, but I retained my fascination with the question!
This immensely learned expert in Old and New Testament, as well as Jewish and Christian history, shows how various items in the gospels make the best, most natural sense as clues that Jesus was first remembered as something like a Hasidic saint.
A very eye-opening rereading of the gospels through Jewish eyes. This book taught me some crucial things about the original meaning of the phrase “the son of man” and many other things.
And by the way, his name is pronounced “Ver-MESH.”
In this, Geza Vermes' best known book, there emerges perhaps the closest portrayal that we have of a genuinely historical Jesus. Freed from the weight and onus of Christian doctrine or Jewish animus, Jesus here appears as a vividly human, yet profoundly misunderstood, figure, thoroughly grounded and contextualised within the extraordinary intellectual and cultural cross currents of his day. Jesus the Jew is a remarkable portrait by a brilliant scholar writing at the height of his powers, informed by insights from the New Testament, Jewish literature, and the Dead Sea Scrolls alike.
