100 books like The Ghost Writer

Perhaps the most famous Southern novel of all time, To Kill a Mockingbird, is the pinnacle of American literature. Covering heavy themes such as racial bigotry, death in families, and the loss of childhood innocence, Lee spins a tale of Tom Robinson, a black man who is accused of rape by a local white woman and her father.

The conclusion of the trial and the events following it stand as a terrible warning to this day, reminding readers of the dangers of prejudice. It’s truly a must-read novel.

Perhaps the most classic work of horror fiction in both literature and cinema. As an English teacher, I find that there is so much fodder for lessons prevalent in this book–nature vs nurture, the dangers of forbidden knowledge and playing God, the arrogance of science, and who the real monster is. I particularly love the difference between The Monster in the novel and the film, its articulation, desires, abilities, and even its physical appearance. Few written works have been more seminal.

It took me two tries to finish this tremendously difficult novel about a father who desperately wants a son, and gets two. Considered by many to be Faulkner’s most challenging work, it defeated me on my first attempt. But I was captivated by this example of fatherhood gone obsessively wrong, so returned to it and soldiered through.

It was worth the effort. I hope I never find any commonality with the main character of this novel, and I’m not sure if I should take solace from Faulkner’s conclusion that we can never really understand another person, and may not want to. I read it as a cautionary tale of what a family can become.

I didn’t think I could appreciate this memoir of a son searching for his imprisoned father in Gaddafi’s Libya until, suddenly, I did. This book showed me that the bonds between all fathers and their sons transcend things like nationality and religion. It is part of the core of what it means to be human.

I knew from the very first pages that the author would never again see his father, even as he tirelessly spends most of his adult life trying to. By extension, I understood that as much as we want to, we can never really know our fathers.

I raced through the pages.

I’ve always loved how Philip Roth populates his fiction with transgressors. It’s hard not to envy their boldness, bad as they may be. Narrated by Roth’s stand-in, bad boy Nathan Zuckerman, American Pastoral focuses on Zuckerman’s high school idol, ‘Swede’ Levov. Swede’s triumphs on the sporting field and later in business, anoint him for a life marked by pure American success. His inevitable fall from grace feels moving and tragic and infuriating. Swede can’t comprehend how his darling teenage daughter has become an anti-Viet Nam War terror bomber, responsible for bystander death. No happy lessons here. Read American Pastoral if you like books that leave you with as many questions as answers—the way life does.

A well-written, well researched book by a prominent American archeologist and New Testament scholar that examines what we can now reliably know about the Jesus of history. Tabor carefully sifts through the conflicting evidence in the gospels, written 40-70 years after the death of Jesus, and illuminates his discussion with contemporary archeological finds. A paradigm changer in our search for the historical Jesus, not the Christ of faith.

Leonard Cohen is one of my touchstones, an artist I take personally, someone who speaks to me deeply. He is best known as a singer/songwriter, the author of “Suzanne” and “Hallelujah.” He is not quite as well-known as a poet, but that’s how he started and he’d already published books of verse before his first album appeared. He also wrote two novels, the first when he was in his 20s. It is entitled The Favourite Game and it’s an autobiographical, Jewish, coming-of-age story. It’s so good it seems like an early Philip Roth novel.

In an interview, Cohen once said, “There’s no story so fantastic that I cannot imagine myself the hero. And there’s no story so evil that I cannot imagine myself the villain.” His protagonist is a little of both in this book. And the prose, as you might imagine is beautiful, simpler perhaps than in his poetry,… show more.

The glamour and excitement of the films distract somewhat from this book’s true message. A young Jewish prince named Judah Ben-Hur longs for a Jewish king to vanquish Rome, but suffers injustice through no fault of his own and is brutally enslaved. After perilous experiences on land and sea, he returns to Jerusalem and witnesses the last days of Jesus’s life: healing of outcasts, gracious forgiveness, and a mercilessly cruel death. Ben-Hur finally comes to faith in this divine anti-hero.

The historic, geographic, and cultural detail in this long book is stunning, as are the realistically portrayed characters and the romantic side story. But it is the spiritual message that impressed me most: a downtrodden slave finally chooses to follow Jesus rather than pursue worldly riches and fame. He experiences redemption, learns to forgive, and starts a new life.

If we only had Paul to rely on for our knowledge of Jesus’ life, all we’d know is that he was born, was Jewish, had brothers and died. Written by a British academic, The Mythmaker is a break-through book that shows how Paul created Christianity by developing a mythology/theology about the significance of the death of Jesus as a Christ. Maccoby’s thought is further developed in my book, How Jesus Became Christian (2008) that demonstrates how different Paul’s religion was from that of Jesus.

This immensely learned expert in Old and New Testament, as well as Jewish and Christian history, shows how various items in the gospels make the best, most natural sense as clues that Jesus was first remembered as something like a Hasidic saint.

A very eye-opening rereading of the gospels through Jewish eyes. This book taught me some crucial things about the original meaning of the phrase “the son of man” and many other things.

And by the way, his name is pronounced “Ver-MESH.”