Here are 100 books that The Escape Room fans have personally recommended if you like
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I’ve enjoyed dark fiction ever since I picked up Dracula for school. But I mostly avoided crime and thriller fiction. I couldn’t relate to a rogue detective with an alcohol problem or an FBI agent on the heels of the next Hannibal Lector. Police procedural books just aren’t my thing. But then Gone Girl came out and changed the genre. The domestic suspense subgenre has exploded over the last decade, and now there’s an abundance of books centered around the dangers within our family and friendship circle. And isn’t that the scariest part of life? Serial killers are rare, but domestic violence is, unfortunately, not rare. Where is more dangerous than in our own homes?
If you enjoyed Gone Girl, I’m guessing you have a soft spot for a well-written sociopath. Jane Doe will be right up your street and then some. Jane is the kind of sociopath you can’t help but love. She’s funny, she’s misanthropic and she doesn’t care about what anyone else thinks. But best of all, Jane is on a revenge mission and despite every horrible thing she does, you’ll still love her.
Jane's days at a Midwest insurance company are perfectly ordinary. She blends in well, unremarkably pretty in her floral-print dresses and extra efficient at her low-level job. She's just the kind of woman middle manager Steven Hepsworth likes-meek, insecure, and willing to defer to a man. No one has any idea who Jane really is. Least of all Steven.
But plain Jane is hiding something. And Steven's bringing out the worst in her.
Nothing can distract Jane from going straight for his heart: allowing herself to be seduced…
I’ve enjoyed dark fiction ever since I picked up Dracula for school. But I mostly avoided crime and thriller fiction. I couldn’t relate to a rogue detective with an alcohol problem or an FBI agent on the heels of the next Hannibal Lector. Police procedural books just aren’t my thing. But then Gone Girl came out and changed the genre. The domestic suspense subgenre has exploded over the last decade, and now there’s an abundance of books centered around the dangers within our family and friendship circle. And isn’t that the scariest part of life? Serial killers are rare, but domestic violence is, unfortunately, not rare. Where is more dangerous than in our own homes?
Gone Girl started the domestic suspense trend and showed us that suspense can be driven by family/household dynamics. Louise Candlish takes this to another level in Our House when the main character comes home to find another family moving into her house. She soon discovers that her husband has sold the house from under her feet and disappeared. This is a fantastic, slow-burn literary thriller with a great ending.
On a bright morning in the London suburbs, a family moves into the house they've just bought on Trinity Avenue. Nothing strange about that. Except it's your house. And you didn't sell it. 'If 2018 brings a better book than Our House I will eat my hat. Addictive, twisty and oh so terrifyingly possible' Clare Mackintosh, author of I See You
'Property-porn looks set to become a staple of crime fiction and Our House is an excellent example of this burgeoning subgenre. Husband and wife pass the narrative baton between them in this masterfully plotted, compulsive page-turner' Laura Wilson, Guardian…
Thrillers are just that—thrilling. But thrillers with lots of explosions and gunfights aren’t that appealing to me since I know the hero will make it. With realistic domestic, at-home-style thrillers, the thrilling nature is how the scenarios could really happen. Those are the most thrilling ideas, the ones I can see how they could actually happen to someone—or to me. That makes it exciting. This is why I read many of them and have written quite a few, too, because there’s nothing more thrilling than thinking your home, or the people in it, isn’t as safe as you thought.
The twists kept on coming—literally until the final pages. Just when I thought I had it all sorted out, pow comes another, then another!
The plot might have seemed straightforward once I got into it, but it’s anything but. It’s complex yet easy to digest and piece together. Unbelievably addicting. One of my all-time favorites.
'A fiendishly clever thriller in the vein of Gone Girl and The Girl on the Train. This one will keep you guessing.' - Anita Shreve, author of The Stars are Fire
The Wife Between Us by Greer Hendricks and Sarah Pekannen is the shocking Richard and Judy Bookclub bestseller with twists you won't see coming.
Marrying a man with a past was always going to come with problems, but you never expect to become the focus of another woman's obsession.
Nellie just wanted to live the life she'd always dreamed about with Richard. But who is his ex-wife, Vanessa? Wasn't…
I’ve enjoyed dark fiction ever since I picked up Dracula for school. But I mostly avoided crime and thriller fiction. I couldn’t relate to a rogue detective with an alcohol problem or an FBI agent on the heels of the next Hannibal Lector. Police procedural books just aren’t my thing. But then Gone Girl came out and changed the genre. The domestic suspense subgenre has exploded over the last decade, and now there’s an abundance of books centered around the dangers within our family and friendship circle. And isn’t that the scariest part of life? Serial killers are rare, but domestic violence is, unfortunately, not rare. Where is more dangerous than in our own homes?
This book is difficult to describe. One part crime, the other part literary fiction and narrated by a child, Dead Girls is unlike any other thriller I’ve read. I couldn’t put it down. When Thera’s best friend goes missing, despite being eleven years old, she decides the grown-ups are doing a bad job at finding Billie and begins investigating on her own. This is a super dark tearjerker about violence towards girls and women. But do check trigger warnings because this one is disturbing.
When her best friend Billie is found murdered, eleven-year-old Thera - fearless and forthright - considers it her duty to find the killer.
Aided by a Ouija board, Billie's ghost, and the spirits of four other dead girls, she's determined to succeed. The trouble with Thera, though, is that she doesn't always know when to stop - and sometimes there's a fine line between doing the right thing and doing something very, very bad indeed.
Tense, visceral and thought-provoking, Dead Girls is the new novel from Abigail Tarttelin, the critically acclaimed author of Golden Boy.
After completing a psychology degree, I became an interventions facilitator in a prison and worked with offenders who'd committed serious violent crimes. It was while I was in this role that my fascination for criminal psychology grew. Once I left the profession, I put my experiences to good use in fiction, going on to write The Serial Killer series of three psychological thrillers. With the most recent, The Serial Killer’s Sister, I incorporated my love of puzzles and games into a twisted story of a serial killer who uses a childhood game known to his sister as ‘The Hunt’ to track her down and torment her.
With a creepy cover and an endorsement from Stephen King, this novel immediately grabbed my attention.
I’d say this was a psychological thriller with a crime element and a dose of horror and that mix really drew me into this book and kept me trapped within its pages. Together with the nostalgic 80s thread, this read is down as one of my all-time favourites.
The seemingly innocent chalk stick figures the kids leave for each other like a secret game only they can decode, begin to appear on their own with a more sinister message. A bone-chilling read!
After completing a psychology degree, I became an interventions facilitator in a prison and worked with offenders who'd committed serious violent crimes. It was while I was in this role that my fascination for criminal psychology grew. Once I left the profession, I put my experiences to good use in fiction, going on to write The Serial Killer series of three psychological thrillers. With the most recent, The Serial Killer’s Sister, I incorporated my love of puzzles and games into a twisted story of a serial killer who uses a childhood game known to his sister as ‘The Hunt’ to track her down and torment her.
Now, I’m not a fan of gory movies, so to begin with, when Eeny Meeny gave me Saw vibes I almost closed the book.
I’m glad I didn’t because not only did I enjoy the building tension, but I loved the character of DI Helen Grace in this, her first outing.
The victims in the sadistic game being played in this novel are pitted against each other in a ‘you’ or ‘me’ scenario, with their captor forcing them to make a decision. I’m intrigued with how people who are ultimately trying to survive a situation make morally tough choices, so this was a fascinating exploration and made me question: what would I do?
The international best seller that "grabs the reader by the throat" (Crime Time).
First in the new series featuring Detective Inspector Helen Grace.
Two people are abducted, imprisoned, and left with a gun. As hunger and thirst set in, only one walks away alive.
It's a game more twisted than any Detective Inspector Helen Grace has ever seen. If she hadn't spoken with the shattered survivors herself, she almost wouldn't believe them.
Helen is familiar with the dark sides of human nature, including her own, but this case - with its seemingly random victims - has her baffled. But as…
After completing a psychology degree, I became an interventions facilitator in a prison and worked with offenders who'd committed serious violent crimes. It was while I was in this role that my fascination for criminal psychology grew. Once I left the profession, I put my experiences to good use in fiction, going on to write The Serial Killer series of three psychological thrillers. With the most recent, The Serial Killer’s Sister, I incorporated my love of puzzles and games into a twisted story of a serial killer who uses a childhood game known to his sister as ‘The Hunt’ to track her down and torment her.
As I’d ended up enjoying Eeny Meeny I didn’t hesitate to pick up The Players.
Following a similar vein of psychological manipulation and exploitation of secrets, the game in this novel refers to a series of dangerous activities orchestrated by ‘The Host’ who carefully chooses two ‘players’ to fight to the death. And if that’s not twisted enough, the fights are posted to social media. This gives a modern edge to the novel and plays on fears about the far-reaching implications of the internet.
I felt a sense of unease all the way through and particularly enjoyed the underlying dilemma of whether you would be able to live with the guilt of killing someone to protect your family or make the decision to sacrifice yourself for another’s sake.
'Saw meets I See You. Dark, twisted and deadly' CL Taylor
'A psychological thriller that packs a real punch' Choice
In this game it's kill or be killed...
A stranger has you cornered. They call themselves The Host. You are forced to play their game. In it one person can live and the other must die.
You are the next player.
You have a choice to make.
This is a game where nobody wins...
A nerve-shredding cat-and-mouse serial killer thriller that will keep you guessing and reading into the night, perfect for fans of Adrian McKinty, John Marrs and Steve…
After completing a psychology degree, I became an interventions facilitator in a prison and worked with offenders who'd committed serious violent crimes. It was while I was in this role that my fascination for criminal psychology grew. Once I left the profession, I put my experiences to good use in fiction, going on to write The Serial Killer series of three psychological thrillers. With the most recent, The Serial Killer’s Sister, I incorporated my love of puzzles and games into a twisted story of a serial killer who uses a childhood game known to his sister as ‘The Hunt’ to track her down and torment her.
This story centres on four friends who met and forged their friendship at boarding school where they played a lying game – targeting others and gaining points for an elaborate lie successfully believed. These were sometimes harmless… but sometimes not.
Years later, summoned by one of the friends, they reunite. A buried secret from their past now threatens to resurface. I thought this was an intense read with the tension slowly building and with some great revelations that kept me turning the pages. I love the way the author paints such a vivid, atmospheric picture so you can become fully immersed in the story.
'To read [The Lying Game] is to have your nerves slowly but inexorably shredded as, over and again, the tension builds and then evaporates until the final, unexpected denouement' Metro
'A gripping, unpredictable narrative that shifts like sand underfoot, and a plot that turns like the tide.' ERIN KELLY bestselling author of HE SAID SHE SAID
'Thank goodness for Ruth Ware...[The Lying Game is] gripping enough to be devoured in a single sitting' Independent
Four friends. One promise. But someone isn't telling the truth. The twisting new mystery from bestselling phenomenon Ruth Ware.
I began my career as a business journalist writing about Arab finance and oil at a time when few women were in that industry. Rather improbably, perhaps, I became well-known for correctly predicting trends – geopolitical and geo-economical. In my thirties, I shifted to the academy, becoming a director of energy research at Rice University in Houston and subsequently a sought-after advisor to government, corporations, and financial institutions. I wrote my first paper on oil crises while in high school (winning third prize in a state term paper contest) and have never left the subject. Now more than ever, the public needs to understand the real facts behind oil and financial crises.
One of the disadvantages to writing a book with any economics in it is just that, readers need to know a little economics to get the most out of your book.
But to grasp how oil and the dollar interact and why we wind up in repeating financial crises, you don’t have to go back and reread Keynes and Irving Fischer (on interest rates). In 2009, Nobel Prize-winning economists George Akerlof and Robert Shiller wrote this easy-to-read and easy-to-understand book that critiques traditional economics (e.g. it’s dependence on “rational” actors) and dissects the building blocks one needs to know to grasp the ins and outs of economic cycles.
Importantly, they explain why people continue to believe they can make a fortune by investing at the top of the market (the confidence multiplier and contagion). Their book leads the reader through the basics on how bubbles (irrational exuberance) and panics ensue…
The global financial crisis has made it painfully clear that powerful psychological forces are imperiling the wealth of nations today. From blind faith in ever-rising housing prices to plummeting confidence in capital markets, "animal spirits" are driving financial events worldwide. In this book, acclaimed economists George Akerlof and Robert Shiller challenge the economic wisdom that got us into this mess, and put forward a bold new vision that will transform economics and restore prosperity. Akerlof and Shiller reassert the necessity of an active government role in economic policymaking by recovering the idea of animal spirits, a term John Maynard Keynes…
I’ve been interested in investing for over four decades since I started as a finance PhD student at Wharton. Since then my research has focused on understanding the stock market. Early on, I tried applying my research to my investing. For example, I was convinced that a recently listed stock called Google was way overvalued—was I ever wrong! That got me to reflect on my investment philosophy—what did I truly believe about how markets really behaved? That brought me back to understanding and appreciating the contributors to Modern Portfolio Theory, which led to a fun decade-long book project. Currently I enjoy writing about investing through my blog.
Peter Bernstein was one of the great investment writers.
This book is where I got my first taste into the great theorists whose works revolutionized Wall Street such as Harry Markowitz, Bill Sharpe, Myron Scholes, and Bob Merton, all of whom I later had the pleasure of getting to know. I had read about their theories, but hadn’t appreciated the impact they had on the investment industry. Bernstein showed how these luminaries changed the way we think about investments.
Capital Ideas traces the origins of modern Wall Street, from the pioneering work of early scholars and the development of new theories in risk, valuation, and investment returns, to the actual implementation of these theories in the real world of investment management. Bernstein brings to life a variety of brilliant academics who have contributed to modern investment theory over the years: Louis Bachelier, Harry Markowitz, William Sharpe, Fischer Black, Myron Scholes, Robert Merton, Franco Modigliani, and Merton Miller. Filled with in-depth insights and timeless advice, Capital Ideas reveals how the unique contributions of these talented individuals profoundly changed the practice…
