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The Darlings of the Asylum.
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I’m Julia Buckley, a passionate lifelong reader, English teacher, and mystery writer. I gravitated toward mystery as a child when my mom read all the greats of 20th Century Mystery and Romantic Suspense and then passed them on to me. When I became an English teacher, I had the privilege of teaching some of the great Gothic classics like Jane Eyre, Rebecca, and The Castle of Otranto. Teaching these great works and researching the way that all Gothic literature stemmed from Horace Walpole and Ann Radcliffe, I realized that MANY of the books I read are tinged with the Gothic.
This is a Gothic suspense classic, but the suspense is gradual in the most delicious way. The book begins with a 1930s meet-cute in which a young paid companion to a rich and unpleasant woman meets a wealthy, unhappy widower at a resort. The young woman befriends the man while her employer is bedridden with a cold, and the two share some funny and touching moments.
The Gothic part comes when he unexpectedly proposes marriage, and they return to his gargantuan family estate, Manderley, which was formerly run by his late wife, Rebecca. Now, the spookiness permeates the story, from the shadowy corners of the mansion to the constant watchfulness of the very creepy housekeeper, Mrs. Danvers. Rebecca has been in print for almost a hundred years, and that alone is evidence of its awesomeness.
In this modern feminist era, Maxim DeWinter might seem horribly patriarchal, but it’s utterly believable…
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
I was named after my father’s aunt, who moved from Canada to Switzerland in the 1920s to join a travelling church. Family lore remembers she rode a bicycle in the mountains and when she was dying, her sisters sent her maple leaves in the mail to remind her where she started. As a child, I was fascinated by this mysterious other Katie. Why did my father choose her name for me? Would I be like her? Did I get to choose? As a novelist, I love choosing names. Their power is subtle but strong, and when a writer gives a character more than one name, new layers emerge and stories bloom.
Like Alias Grace, Falling Creatures is a reimagining of a famous Victorian murder, this time set in Cornwall on Bodmin Moor. In 1844, Charlotte Dymond was a pretty, domestic servant, working on a farm on the edge of the moor, and her murder was the news sensation of the day. Stansfield’s central character, the fictional Shilly, shares Charlotte’s name and work and, after her death, plays a significant role in revealing what happened, working alongside the enigmatic detective, Mr. Williams. Stansfield plays skillfully with names and shifts in identity throughout this novel, and I was compelled by the strange balance she creates between early scientific reasoning and the lasting folk traditions of supernatural awareness. Falling Creatures is the first in Stansfield’s Cornish Mysteries series.
Cornwall, 1844. On a lonely moorland farm not far from Jamaica Inn, farmhand Shilly finds love in the arms of Charlotte Dymond. But Charlotte has many secrets, possessing powers that cause both good and ill. When she's found on the moor with her throat cut, Shilly is determined to find out who is responsible, and so is the stranger calling himself Mr Williams who asks for Shilly's help. Mr Williams has secrets too, and Shilly is thrown into the bewildering new world of modern detection.
Visiting author houses and museums has always been a favored pastime of mine and was the inspiration to write the travel guide Novel Destinations. Complementary to writing nonfiction about classic writers, I love reading novels featuring them as characters. Fiction authors adhere to biographical details as well, but they have a freer hand with the narrative to color outside the lines and to color in details and explore feelings and motivations. Through their narratives they turn these literary figures into flesh-and-blood characters and allow the reader to step into their storied lives.
Daphnehas numerous elements that I particularly adore in a story: a classic writer as a character, an English manor house setting, and a mystery. Layer in a Brontë connection, and it’s a perfectly pleasing literary page-turner. In 1957, Daphne du Maurier is at her remote, seaside mansion in Cornwall, distracting herself from personal woes by researching a biography about Branwell Brontë, reprobate and possibly misunderstood brother of Charlotte, Emily, and Anne. Intertwined is a second storyline set in present-day London, as a lonely young woman, newly married to a mysterious older man seemingly still in thrall to his first wife, becomes caught up in a fifty-year-old mystery involving du Maurier and the Brontës.
It is 1957. The author Daphne du Maurier, beautiful, famous, despairing as her marriage falls apart, finds herself haunted by Rebecca, the heroine of her most famous novel, written twenty years earlier. Resolving to write herself out of her misery, Daphne becomes passionately interested in Branwell, the reprobate brother of the Bronte sisters, and begins a correspondence with the enigmatic bibliophile Alex Symington as she researches a biography. But behind Symington's respectable scholarly surface is a slippery character with much to hide, and soon truth and fiction have become indistinguishable.In present-day London, a lonely young woman, newly married after a…
I love second-chance romances and I am not in my twenties anymore; so I wrote what I wanted to read. Now, I've found other authors who write 35+, characters who have lived, been hurt, and moved on in life. I do read New Adult or younger than 35 characters and often, really smutty, erotic books as I need to get out of my head sometimes. I love Nora Roberts, Claudia Burgoa, Catharina Maura, Jolie Vines and I'll one-click quite a few indies.
This book is set in Cornwall, Nat's favourite county. She builds up such a strong world that's realistic. The characters deal with life, angst, fright, flight, and situations that are just horrible and real. This is the first of a three-part series and I devoured it all. Now, I want to visit that town (wish it were real) and just sit on that coastal path.
I remember like it was yesterday, how he promised he would find me if I ever tried to leave him... Lou has only one plan-run as far away as possible from her abusive boyfriend. She chooses the only place he wouldn't think to look. Seeking refuge with the only person who has ever made her feel safe. As Lou tries to put the broken pieces of herself back together, a need for her best friend reignites. Jay has loved Lou since they were building sandcastles on the beach. When fate throws them back together, he is determined not to let…
Part-Cornish, as a child I spent family holidays in Cornwall and was told family stories of Cornish relatives, especially of great grandfather Philip Henry Hammer and his numerous children who left Cornwall for destinations near – London and Wales – and far–South Africa, Australia, and Tasmania – to make a living. Old family photographs, some from the 1870s helped to bring these men and women alive and inspired me to write The Hammers of Towan. The more I research Cornish history, the more I learn, and the more I want to write about Cornish people and their place in the world.
Just love reading James Stevens words as he wrote them: "February 23 – Cut a batten 20 ft long and made trough and rack for the calves. Much rain falling this last week. Great war on with South Africa." "October 26 – Drove mare and trap to St Ives. Bought 500 pilchards at 1s 4d per 120."
This diary gave me a great insight into the daily life of a 19th-century Cornish farmer, which I needed as I began to write my book.
I love horses and I love the magic that exists in the world. I have always been drawn to both. My maternal grandmother had the ‘second sight’ as they called it, and I have inherited that from her. My books and poetry reflect my sincere belief that magic and wonder are alive and well and that we need to nourish them by acknowledging their existence in our everyday lives. The miracle of life, the sun rising and setting every day, the dance of the stars and moon across the sky, the glory of the northern lights—who can claim that isn’t magic?
de Lint creates a magical mix of myth and reality that is totally believable, his characters stay with you long after the book is done. The glowing mists of magic lingering long after the pages are closed. He makes you wonder if what you thinkyou saw out of the corner of your eye is actually real.
When Celtic folk musician Janey Little discovers a secret manuscript in an old attic trunk, strange and frightening things begin to happen. Janey’s perilous story, and the one she is reading—about spunky adolescent Jodi Shepherd, beset by the witchery of the evil Widow Pender—expertly weave two separate plot threads. A steadily mounting tension makes two small seaside villages in Cornwall come alive with danger, magic, and mystery. One of de Lint’s best-loved novels, The Little Country is a fantastic escape dealing with ancient standing stones, the power of music, and the warmth of true friendship.
I am a Finnish-born writer-journalist and photographer who, for the past 12 years, has lived in and around Dunster, traditionally described as one of the best-preserved medieval villages in the UK. The title of Dunster being “Britain’s most haunted place” came about after the British media got wind of my book launch in September 2023. I was brought up in a family where my mother, aunt, and grandmother strongly believed they had had otherworldly encounters. With such a background and armed with an MA in English Literature, Cultural History, Comparative Religions, and Journalism, it is no wonder that the first book I wrote focuses on these “long-term” interests of mine.
The concept of this book is simple but extremely effective in shedding light on the superstitions the Cornish country folk still held in the 19th and 20th centuries.
The author has collected old newspaper clippings, which reveal a fascinating variety of reports on how people tried to protect their belongings, dwellings, and themselves from illnesses and misfortunes caused by spells or “ill-wishes”. The reports talk of ‘witch bottles’ and pierced animal hearts being used to counter-act spells, and how the practitioners of magic, the cunning folk, were frequently taken to court when the purchased cures did not work.
The reports also shed light on the undoubtedly hard lives of those who were believed to be witches. There are several reports of “witch scratchings” ending up in courts when the supposed witches claimed compensation for the injuries caused by villagers trying to draw their blood to counteract spells.
Although known more generally as a mum of four and teacher, I am also a lover of story (with a First Class degree in English Literature from the University of Cambridge, and a Masters of Education). According to Tolkien, an internally consistent reality should allow you to immerse yourself in another world so as to return to your own with refreshed sight. In this, he discerned between ‘the flight of the deserter’ (a criticism often levelled at sci-fi and fantasy) and ‘the escape of the prisoner’. These novels achieve inner consistency with sophistication and charm, allowing you to regain your courage, hope, and curiosity when you return to real life.
It seems that there is no detail of life in the late 1700s and early 1800s that Winston Graham doesn’t know. From aspects of history, geography, social class culture, medicine, ship-building, mining… Graham is ‘The Man’. But he is also a composite storyteller, weaving a compelling, generations-spanning narrative that charts the turmoils and triumphs of Ross Poldark and his family. One detail that I love is the representation of genuine female experience in a mode that is not about feminist agendas; Graham writes his women with compassion and complexity, making them far more than the housewives and bodice-rippers characteristic of some historical fiction. Quintessentially English, but never rose-tinted, these novels are a treasure that deserve greater acknowledgment.
This beautiful Macmillan Collector's Library edition of Ross Poldark features an afterword by novelist Liz Fenwick.
Ross Poldark is the first novel in Winston Graham's sweeping saga of Cornish life in the eighteenth century. First published in 1945, the Poldark series has enthralled readers ever since serving as the inspiration for hit BBC TV series, Poldark,
Returning home from grim experiences in the American Revolutionary War, Ross Poldark is reunited with his beloved Cornwall and family. But the joyful homecoming he had anticipated turns sour; his father is dead, his estate derelict, and the girl he loves has become engaged…
As an avid reader growing up, this list of books was influential in not only fostering my love of story, but also for inspiring me to become a writer. These books showed me what makes a page-turning story; from creating a rich setting to developing authentic characters with tension-filled dialogue, to heart-pounding twists and turns. In the end, the readers are taken on a suspenseful journey that will keep them up all night.
A slight genre shift from the typical romantic suspense novel is the Gothic romance, and Victoria Holt (the pen name for Eleanor Hibbert) was one of the best. Like many of the stories published in this genre, there is a young woman, Martha Leigh, hired on as a governess to a troubled widow whose wife died under mysterious circumstances. Settings—as in all gothic novels—play a strong role in this story with its foreboding mansion and the untamed cliffs of Cornwall.
Mount Mellyn stood as proud and magnificent as she had envisioned...But what bout its master--Connan TreMellyn? Was Martha Leigh's new employer as romantic as his name sounded? As she approached the sprawling mansion towering above the cliffs of Cornwall, an odd chill of apprehension overcame her. TreMellyn's young daugher, Alvean, proved as spoiled and difficult as the three governesses before Martha had discovered. But it was the girl's father whose cool, arrogant demeanor unleashed unfimiliar sensations and turmoil--even as whispers of past tragedy and present danger begin to insinuate themselves into Martha's life. Powerless against her growing desire for the…
I love writing about the dark side of human nature, and the devastating secrets and resentments that can simmer beneath the surface between friends before reaching boiling point in the most dramatic and sinister way. It’s a theme pivotal to my latest thriller, which sees friends reuniting in a beautiful yet isolated location for the seemingly perfect celebration, but where things go horribly wrong. I enjoy exploring this topic through multiple characters, all with their own dubious backstories that stir suspicion in readers’ minds and keeps them guessing, while the settings I use play a key role in enhancing that sense of unease and tension conducive to the classic whodunnit.
I really enjoyed this clever Young Adult whodunnit mystery centering on three families reuniting for their annual summer holiday in Cornwall.
When one of the teenage daughters goes missing following a game of hide and seek, her doting, yet secretly envious, best friend tries to piece together what happened.
The story is told between present and past events, but also through letters written by the main protagonist to the missing girl, phrased in such a way I wasn’t quite sure how much or little she really knew about what happened to her friend, which elevated the mystery.
The families are brimming with resentments, tensions & jealousies, heightening the intrigue and potential culprits, but what I loved most was the hugely unexpected denouement. A very clever twist I didn’t see coming!
Shared family holidays at Creek House have been the backdrop to Millie's summers since forever. Hanging out with the other kids - Matt, Charlie, Jem and her best friend Kat - has made it her favourite time of the year.
But this holiday things are different - the childhood games that once filled their days have lost their appeal to everyone except Millie. It's not until the final night that the others agree to a game of hide and seek. But in the time it takes Millie to count to twenty, Kat vanishes.
One year on, and struggling to come…
