Fans pick 97 books like Tears of Grief Hollow

I love a good coming-of-age story coupled with supernatural events in a period-piece setting, and that’s exactly what Polly Schattel serves up. Her cinematic style of story-telling (her filmmaking past is obvious) offers up a vivid picture of her protagonist, young Max Grahame as he journeys literally across the country from his home in Georgia and metaphorically as he discovers more about who he is and what his budding supernatural talents entail. Schattel is also a master of creating rich supporting characters ranging from the other children whom Max meets as he first undergoes his occult training to the mysterious adults whose spiritual machinations are woven into the history of this turn-of-the-century setting. This book begs to be made into a movie, but Schattel helps you create one in your head.

Through his magnificent prose, Andy Davidson reveals a wonderfully terrifying mythology as he tells the story of Miranda Crabtree, a strong young woman orphaned in the rugged bayou country of Arkansas. Aside from caring for herself in the harshest of environments, Miranda looks after one of the most unique characters I’ve ever experienced. I reluctantly refuse to say more about that relationship since I don’t want to give any spoilers. Despite its dark, fairy tale vibe, The Boatman’s Daughter includes modern threats for Miranda like drug-dealing thugs and corrupt cops, but the supernatural has a strong, constant brooding presence. If you especially like tough, female protagonists as I do, this story fits the bill.

“Blood on the sheets again.” If that opening line doesn’t get you, then nothing will. Jason Stokes’s precise diction and concise descriptions still give the reader clear visual images of the nightmarish scenes in his road trip ghost story. In the terrifying first scene Stokes sets up the premise—that 26-year-old Justin has been plagued with the presence of the dead throughout his life, but the frequency and intensity of his visitations have increased lately, and Justin doesn’t know why. A cross-country trip appears to be the only way Justin will find his answers, and the supernatural encounters he experiences in richly depicted locations like the streets of New Orleans, a cemetery in Key West, and even a dark stretch of road in the middle of nowhere gave me some of the best chills I’ve ever gotten from reading. The story is definitely enriched by Justin’s road companion, a character I’m… show more.

Rarely does a book that is beautifully written (so much so that I found myself jealous of Nicholas Day’s prose) also give me such a visceral punch in the gut. I don’t mean to suggest that the scenes in Day’s book are beautiful; they are anything but. The story includes the threat of flesh-eating donkeys for crying out loud, but as ridiculous as that might sound, they are truly terrifying. The scenes and events are hard, gritty, violent, and depressing, but somehow, I found them exhilarating. I often buy books to read on my Kindle for economic reasons, but after reading this one, I had to order a physical copy for my library. The setting of GYBTD strikes me as perhaps being appropriate in the universe of Stephen King’s gunslinger in the Dark Tower series (another of my very favorite pieces of literature). Just writing about Grind Your Bones… show more.

Haitian-born Edwidge Danticat’s linked short-story collections brilliantly balance a focus on detail, gesture, and situation with a cumulative vision of place and fateful circumstance.

In Claire of the Sea Light, the disappearance of a young girl frames a sequence of tales about several members of the small seaside community where the girl lives with her father.

After Claire’s sudden disappearance in the opening narrative, we follow the adults’ betrayals, sacrifices, and missteps to the final story, when the missing girl’s own perceptions provide a moral and imaginative frame for the family and community she must now choose to rejoin or escape permanently.

I love this book because of the intricate links between a variety of very distinct characters. Setterfield tells wonderful individual stories and then brings them all together in a surprising and satisfying way. I enjoyed trying to piece the mystery together.

The river itself is a character who can alter lives for better or worse, providing life and livelihood or taking them away. Setterfield really leans into the river’s atmosphere (mists, floods, and miasmas), so this is a novel that you feel and smell as well as read.

The author had me at the first line: “Boop loved her daughter to the moon and back, but Justine had a way of sucking the joy out of a room faster than a vampire bat.” This road trip story about three generations of women (Boop, her daughter, Justine—who’s not in the car, but her presence is—and Justine’s daughter, Eve) set against a background of family secrets, has a decidedly Southern tone. One imagines a narrator relating the story from a rocker on the front porch, a glass of sweet tea in her hand. Although there are lighthearted moments, this is a serious story, about familial expectations, mental illness, family secrets, estrangement, and three women trying to find their way back to themselves and to each other. Travelling with this unforgettable grandmother/granddaughter duo is a gift. 

When I went into this book, I sensed that Amelinda would pull zero punches. I was so right it was glorious. Skye is fed up. Fed up of being responsible for her insufferable little sister, Dierdre. Fed up with the stories, with the games, with their endless childhood fantasies. Moving halfway across the country seems like the perfect chance to start over. Finally, in this new, isolated neighbourhood, Skye is managing to fit in. Not Dierdre, though. No, Dierdre seems to be slipping more and more into a world of her own. And then one day: Dierdre vanishes. When a creature unlike anything Skye has ever seen comes scratching at her door claiming to know who took Dierdre, Skye is going to have to suspend her disbelief and re-enter a childhood of warped imagination.

Set on a treacherous sea voyage in 1634, this impossible crime is cloaked by an atmospheric setting. Is a demon hiding on the ship—or is there a very real killer stalking victims in the claustrophobic setting? This was unlike any locked-room mystery I’d ever read, and it was impossible not to get swept up in the adventure on the high seas. With detective Samuel Pipps accused of a crime and imprisoned in cramped quarters on the ship, it’s up to his bodyguard to act on his behalf and prove a human hand—not a demon—is responsible for the murder and mayhem aboard.

Emma Djan is a policewoman turned private investigator in Ghana. Her assignment is to track down the missing American who came out to Ghana to meet a woman who is almost certainly the fictional creation of internet scammers—the sakawa boys. We love Emma Djan’s combination of commitment and naiveté as she takes on the scammers, and the way Quartey weaves the local culture—complete with fetish priests and celebrities—into an intriguing plot. If you like to travel, visit Ghana. Great lead character, great plot, great sense of place. What’s not to like? A worthy Shamus Award winner.