94 books like Claire of the Sea Light

I didn’t think I could appreciate this memoir of a son searching for his imprisoned father in Gaddafi’s Libya until, suddenly, I did. This book showed me that the bonds between all fathers and their sons transcend things like nationality and religion. It is part of the core of what it means to be human.

I knew from the very first pages that the author would never again see his father, even as he tirelessly spends most of his adult life trying to. By extension, I understood that as much as we want to, we can never really know our fathers.

I raced through the pages.

Aimee Baker’s Doe is a diptych: poems in the first section focus on missing women, while those in the second section reimagine the lives of unidentified women.

Baker creates recurrent, multiple patterns of imagery that celebrate the beauty and dignity of each woman – in argument, essentially, with the ways true crime sometimes exploits and objectifies victims’ lives. At the same time, Doe is about North America as a captivating space of the imagination: the poet creates a geography by turns intimate and vast, familiar and strange, beautiful and terrible.

The finely-crafted textures of the poems in Doe, as well as the apparent dedication to investigation and research in the work overall, make for a rare combination.

I love this book because nothing is as it seems, especially Autumn, the unreliable narrator, who is searching for her missing twin sister, Summer, who disappeared in a way that defies all reason.

It kept me guessing until the very end. And even though the answer Autumn uncovers about what happened to Summer is completely unexpected, given the circumstances of Autumn’s life experiences, it made perfect sense. I thought about this book for a long time after reading it.

This book expertly navigates the topics of mental health and sexual violence, as well as the plight of missing black women, which largely go unnoticed and underreported by the media. 

This is a collection after my own heart as a reader and writer. I love how tenderly Porter portrays his characters—people so much like ones I’ve known—as they try to come to terms with who they’ve become and who they used to be.

I felt like these stories spoke directly to the way I often find myself tripping through time, mourning friendships or romantic relationships that were suddenly cut short, and others that simply faded over time.

I love this book because of the intricate links between a variety of very distinct characters. Setterfield tells wonderful individual stories and then brings them all together in a surprising and satisfying way. I enjoyed trying to piece the mystery together.

The river itself is a character who can alter lives for better or worse, providing life and livelihood or taking them away. Setterfield really leans into the river’s atmosphere (mists, floods, and miasmas), so this is a novel that you feel and smell as well as read.

I think author Shawn Burgess loves Halloween as much as I do, and it shows in his writing. We connected, as many writers do, through social media before I had read his debut novel. I was thrilled to find that I did not have to offer only polite compliments after reading it; I genuinely loved it! The story involves a group of boys who are drawn into the mystery surrounding the death of an autistic girl in their small Appalachian community. The feel of the group is reminiscent of the pre-teen characters in Stephen King’s short story, “The Body” (later made into the Rob Reiner’s movie Stand By Me) but unlike King’s story, this one definitely has otherworldly elements. Note: The title of this novel has just recently changed from The Tear Collector as Burgess has expanded the storyline into a series. I’ll definitely keep reading.

The author had me at the first line: “Boop loved her daughter to the moon and back, but Justine had a way of sucking the joy out of a room faster than a vampire bat.” This road trip story about three generations of women (Boop, her daughter, Justine—who’s not in the car, but her presence is—and Justine’s daughter, Eve) set against a background of family secrets, has a decidedly Southern tone. One imagines a narrator relating the story from a rocker on the front porch, a glass of sweet tea in her hand. Although there are lighthearted moments, this is a serious story, about familial expectations, mental illness, family secrets, estrangement, and three women trying to find their way back to themselves and to each other. Travelling with this unforgettable grandmother/granddaughter duo is a gift. 

When I went into this book, I sensed that Amelinda would pull zero punches. I was so right it was glorious. Skye is fed up. Fed up of being responsible for her insufferable little sister, Dierdre. Fed up with the stories, with the games, with their endless childhood fantasies. Moving halfway across the country seems like the perfect chance to start over. Finally, in this new, isolated neighbourhood, Skye is managing to fit in. Not Dierdre, though. No, Dierdre seems to be slipping more and more into a world of her own. And then one day: Dierdre vanishes. When a creature unlike anything Skye has ever seen comes scratching at her door claiming to know who took Dierdre, Skye is going to have to suspend her disbelief and re-enter a childhood of warped imagination.

Set on a treacherous sea voyage in 1634, this impossible crime is cloaked by an atmospheric setting. Is a demon hiding on the ship—or is there a very real killer stalking victims in the claustrophobic setting? This was unlike any locked-room mystery I’d ever read, and it was impossible not to get swept up in the adventure on the high seas. With detective Samuel Pipps accused of a crime and imprisoned in cramped quarters on the ship, it’s up to his bodyguard to act on his behalf and prove a human hand—not a demon—is responsible for the murder and mayhem aboard.

Emma Djan is a policewoman turned private investigator in Ghana. Her assignment is to track down the missing American who came out to Ghana to meet a woman who is almost certainly the fictional creation of internet scammers—the sakawa boys. We love Emma Djan’s combination of commitment and naiveté as she takes on the scammers, and the way Quartey weaves the local culture—complete with fetish priests and celebrities—into an intriguing plot. If you like to travel, visit Ghana. Great lead character, great plot, great sense of place. What’s not to like? A worthy Shamus Award winner.