Here are 80 books that Starless fans have personally recommended if you like
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An avid reader my whole life, I jumped into epic fantasy at age eleven. Anne McCaffrey, David Eddings, and Robert Jordan were all high school favorites (and they are wonderful) but by the time I had reached the age that I was supposed to be reading their books, my palette was fairly jaded. The thrill of discovering new worlds and surprising magic was growing elusive, but wonder remains my favorite beat as a reader. I consider it the ultimate challenge in my own writing, and I greedily collect books that surprise me with their scope and imagination, leaving me awed and wonderstruck.
Probably the most traditional book on this list, I am starting withThe Elvenbane because it is my measuring stick for other fantasy. I read it first as a preteen, and I have revisited it many years since, always to be delighted by the world Norton and Lackey created. The detailed illusions, varied settings, the disparate magics, and the mischievous dragons all kept me guessing and in a haze of delight. There was so much that was familiar but with fresh twists that made it new again. It might not be as novel as the other books on my list, but a fantasy has hit the spot if it brings me back to the wonder I felt reading The Elvenbane.
Possessed of great magical abilities, the Elvenlords can change the very world around them to suit their will. They rule their human slaves with an iron hand but they also fear them. According to an ancient prophecy, one day the Elvenbane - a person half-elf and half-human will be born, and the elvenlords will be overthrown. Neither the elves nor the desperate humans know that the prophecy was created by a third, hidden race: the dragons. The dragonkin love to secretly manipulate the elven society and they get a fresh chance when a human woman, pregnant by an Elvenlord, flees…
An avid reader my whole life, I jumped into epic fantasy at age eleven. Anne McCaffrey, David Eddings, and Robert Jordan were all high school favorites (and they are wonderful) but by the time I had reached the age that I was supposed to be reading their books, my palette was fairly jaded. The thrill of discovering new worlds and surprising magic was growing elusive, but wonder remains my favorite beat as a reader. I consider it the ultimate challenge in my own writing, and I greedily collect books that surprise me with their scope and imagination, leaving me awed and wonderstruck.
I encountered Grace Lin’s middle-grade fantasy series as an adult, and I can assure you that they are worth reading regardless of your age! When the Sea Turned Silver is littered with metaphors that will make you catch your breath and yet also become literal as her whimsical magic manifests. Chinese folklore that has been stretched and recreated by Lin’s imagination, the book begins with wild tales that are dismissed by the characters as impossible only to culminate with boundless magic that feels inevitable and is even more splendid than the stories they first heard. If you haven’t read these, you’re missing out!
Pinmei's gentle, loving grandmother always has the most exciting tales for her granddaughter and the other villagers. However, the peace is shattered one night when soldiers of the Emperor arrive and kidnap the storyteller.
Everyone knows that the Emperor wants something called the Luminous Stone That Lights the Night. Determined to have her grandmother returned, Pinmei embarks on a journey to find the Luminous Stone alongside her friend Yishan, a mysterious boy who seems to have his own secrets to hide. Together, the two must face obstacles usually found only in legends to find the Luminous Stone and save Pinmei's…
History and legend: The actual past and all the myths and stories that ride along with it. I have an M.A. in history and have always been interested in old folklore and myth. So I write fantasy novels set in the 19th century. The flair is steampunk-ish, the setting strictly historical – except for the fact that magic and mythical creatures exist. Magic is taught in Arcane Lodges, mythical beings can be pretty much anything: vampire, body-snatcher, werewolf, dryad, nymph, etc. My first novel Obsidian Secrets (Das Obsidianherz) won the Deutscher Phantastik Preis. Wings of Stone of the same series won the SERAPH as the "Best Fantasy Novel" at Leipzig Book Fair.
I love Tanya Huff’s style of writing as much as I like her wonderful ideas.
The heroes and heroines in her novels are so well crafted you almost feel you know them personally, which to my mind is the key to a good read.
The Silvered has Steampunk elements. It is, however, set in an invented world that shows some resemblance to our 19th century. The book is a thrilling fantasy novel combining Steampunk with magic: I love the combination.
The Empire has declared war on the were-ruled kingdom of Aydori, capturing five women of the Mage-Pack, including the wife of the Pack- leader.
With the Pack off defending the border, it falls to Mirian Maylin and Tomas Hagen-she a low-level mage, he younger brother to the Pack- leader-to save them. But with every step into enemy territory, the odds against their survival grow steeper...
At heart, I believe every one of us is creative. It doesn’t matter if you express your creativity through words, notes, metal, wood, food, fabric, or paint. Personally, I love to sketch, paint, write, and sculpt. There is something magical about bringing your imagination to life and sharing it with the world! Our art allows us to share our emotions, dreams, memories, and culture with the world. As a fantasy author, I wanted to create a place where art can transform the physical world too.
If you haven’t read anything by Brian Sanderson, this novella is a great place to start.
It is a fast read with a hopeful tone and satisfying ending. In this story, Shai is caught forging a priceless artifact. As punishment, she must forge a soul for the emperor who is in a coma. If her forgery doesn’t work, the empire will fall into chaos.
The magic of Shai’s forging is very cool; she creates stamps that can rewrite the nature of an object’s existence. The Emperor’s Soul spoke to me on a personal level. My stepmother is a Japanese artist, and I grew up watching her carefully seal her pieces with her custom, red stamp.
Highly recommended to anyone looking for that quick, feel-good punch that great fantasy can provide!
From the bestselling author of the Mistborn Trilogy and co-author of the final three books of Robert Jordan's Wheel of Time series comes the tale of a heretic thief who may be an Empire's only hope for survival.
Shai is a Forger: a foreigner who can flawlessly re-create any item by rewriting its history using skillful magic . . . although she's currently condemned to death after trying to steal the emperor's sceptre, she has one last opportunity to save herself. The emperor has barely survived an assassination attempt, he needs a new soul and, despite viewing her skill as…
I’m a professor at Cambridge University, and following years of training in ancient languages and linguistics, I am currently running a research project on the visual aspects of writing systems. Recently, I’ve become passionate about using research on ancient languages and writing to try to help communities today who are in danger of losing their linguistic traditions (I've started an Endangered Writing Network)–which is why the fragility of human culture is high on my agenda. Ultimately, I’d like the world to be a better place for my baby son to grow up in, and I hope to use my academic work to help people in some small way.
This story has always struck me as a quest to identify and regain humanity, as its hero repeatedly faces strange and powerful obstacles to his voyage home. I first read it as a child and then again, but in Greek, as a student—a time in life when anyone is trying to find their feet as a human being!
Perhaps the most comforting thing is that amongst all the gods and monsters and cursing and fighting, eating habits often characterize the work’s characters. Odysseus is always looking for sitophagoi, bread eaters, i.e. civilized people who make their own food, rather than man-eating monsters. I can identify with a hero looking for nice people to share a nice meal with.
The first great adventure story in the Western canon, The Odyssey is a poem about violence and the aftermath of war; about wealth, poverty and power; about marriage, family and identity; and about travellers, hospitality and the changing meanings of home in a strange world.
This vivid new translation-the first by a woman-matches the number of lines in the Greek original, striding at Homer's sprightly pace. Emily Wilson employs elemental, resonant language and an iambic pentameter to produce a translation with an enchanting "rhythm and rumble" that avoids proclaiming its own grandeur. An engrossing tale told in a compelling new…
I don't write within received categories: our lives aren't lived in categories, but are full of varying realities, whether of home, childhood, marriage, parenthood, fantasy, dream, work, or relaxation, and more all mixed together. I can't write in any other way, however dominant a particular strand or age may be on the surface in a given work.Orpheus Rising may have a child hero, and a fantastic, elegant Edwardian Elephant as a spirit guide, but it let me tell a story of love lost and regained, of family broken and remade, of a father in despair and remade, themes of real importance in any life.
This is my favorite novelin Rieu's prose translation which has a real freshness, as if the very first book. I wanted that sense of freshness for my book, as well as the story of a man desperately trying to get home to his wife. The story takes place in the framework of Sam's 11-year-old imagination, and so carries him and his father through fantastic adventures as trying as those Odysseus faces in The Odyssey.
'The Odyssey is a poem of extraordinary pleasures: it is a salt-caked, storm-tossed, wine-dark treasury of tales, of many twists and turns, like life itself' Guardian
The epic tale of Odysseus and his ten-year journey home after the Trojan War forms one of the earliest and greatest works of Western literature. Confronted by natural and supernatural threats - ship-wrecks, battles, monsters and the implacable enmity of the sea-god Poseidon - Odysseus must use his bravery and cunning to reach his homeland and overcome the obstacles that, even there, await him. E. V. Rieu's translation of The Odyssey was the very…
For as long as I can remember, I have been deeply interested in how people understand and use the past. Whether it is a patient reciting a personal account of his or her past to a therapist or a scholar writing a history in many volumes, I find that I am consistently fascinated by the importance and different meanings we assign to what has gone before us. What I love about Herodotus is that he reveals something new in each reading. He has a profound humanity that he brings to the genre that he pretty much invented. And to top it all off, he is a great storyteller!
For fantasy, adventure, and humanity, I find no book like Homer’s Odyssey. Some prefer the Iliad, but for me, the Odyssey has greater depth, resonance, and experience of life. Most of us know about Odysseus’ wonderful adventures, but the whole second half of the epic is about his attempts to get home and, once home, to reintegrate himself into his family and society, from which he has been absent for twenty years.
I love the way the epic relates stories but also makes you think about what stories mean, why people tell them, and how to tell false ones from true. There are many fine translations of the Odyssey, including Emily Wilson’s recent one; my favorite, however, though a bit dated, remains that of Lattimore.
This is Homer's epic chronicle of the Greek hero Odysseus' triumph over Troy and arduous journey home: Odysseus survives a storm and shipwreck, the cave of the Cyclops and the isle of Circe, the lure of the Sirens' song and a trip to the Underworld, only to find his most difficult challenge at home, where treacherous suitors seek to steal his kingdom and his loyal wife, Penelope.
As a kid, I was fascinated by Greek mythology. Through myth, I encountered many powerful female characters—Athena was my favorite—but I felt frustrated by how women’s lives were told in my books. My interest in Greek myth and curiosity about untold stories led me to become a Classics professor. I love teaching and writing about women in the ancient world, helping people to understand how they navigated their lives. Luckily for me, many recent books across various genres, from novels to translations to histories, have illuminated the lives of ancient women. There’s so much more to read than when I was growing up!
This book is an epic about a war fought over a woman (Helen, the “face that launched a thousand ships”), yet this is the first major translation by one. Emily Wilson’s translation sounds fresh and up-to-date yet stays closer to Homer than the versions I encountered growing up.
I love how Wilson treats Homer’s women, avoiding the clichés and derogatory language used by previous translators. And her work has the narrative drive that Homer deserves, making this very old, very familiar story a real page-turner.
When Emily Wilson's translation of The Odyssey appeared in 2017-revealing the ancient poem in a contemporary idiom that "combines intellectual authority with addictive readability" (Edith Hall, The Sunday Telegraph)-critics lauded it as "a revelation" (Susan Chira, The New York Times) and "a cultural landmark" (Charlotte Higgins, The Guardian) that would forever change how Homer is read in English. Now Wilson has returned with an equally revelatory translation of the first great Homeric epic: The Iliad.
In Wilson's hands, this exciting and often horrifying work now gallops at a pace befitting its battle scenes, roaring with the clamour of arms, the…
I have been writing poetry for over 50 years and realized that as soon as I read Milton’s Paradise Lost – which blew my mind and emotions with its power of language – that epic poetry is the highest and greatest form of poetry. Thus, I have been assiduously reading epics ever since! I love them. And I write books on poetry writing (e.g. The Poetry Show: Macmillan, 1987), write on poetry for New York’s The Epoch Times, and am on the Advisory Board of The Society of Classical Poets. My own HellWard demonstrates a lifetime’s distillation about writing epic poetry, and shortly volume 2, StairWell, will be available.
This is a remarkable book, truly a modern epic poem. The verse is not strictly formal but somehow throughout its length Glaysher maintains interest, so that although his language can seem archaic in places, yet because the poetry is about such current issues that concern us – the fate of planet Earth and humanity more specifically – and because the linguistics are so varied and skillful, we realize that this is a poet working for deliberate effects, and not one who has only read poetry from three hundred years ago. One fabulous quality of this poem is its clarity and luminous quality. I love the fact that this poem is easy to understand and follow: it is a poet writing for people, not one trying to show off.
"Gazing from the moon, we see one Earth, without borders, Mother Earth, her embrace encircling one people, humankind."
Thirty years in the making, The Parliament of Poets: An Epic Poem, by Frederick Glaysher, takes place partly on the moon, at the Apollo 11 landing site, the Sea of Tranquility.
Apollo, the Greek god of poetry, calls all the poets of the nations, ancient and modern, East and West, to assemble on the moon to consult on the meaning of modernity. The Parliament of Poets sends the main character, the Poet of the Moon, on a Journey to the seven continents…
I have been writing poetry for over 50 years and realized that as soon as I read Milton’s Paradise Lost – which blew my mind and emotions with its power of language – that epic poetry is the highest and greatest form of poetry. Thus, I have been assiduously reading epics ever since! I love them. And I write books on poetry writing (e.g. The Poetry Show: Macmillan, 1987), write on poetry for New York’s The Epoch Times, and am on the Advisory Board of The Society of Classical Poets. My own HellWard demonstrates a lifetime’s distillation about writing epic poetry, and shortly volume 2, StairWell, will be available.
From two great past epic classics, I now move to the contemporary present: Benson Brown’s is a mock epic a la Byron (think, Don Juan). Brilliantly funny, witty, exposing the American War of Independence in ways you have never seen before – a laugh-out-loud poem, and full of rich historical details as well as mythological conceits which makes it a unique reading experience. Weirdly, for all its parody, I probably learnt more about the American War from it than from actual historical texts. The back page blurb says: "Thomas Jefferson is sent to Hell for a mysterious sin." Find out what – get the poem!
A mock-epic poem about the American Revolution featuring supernatural twists, historical icons with extraordinary powers, and action-filled battle scenes.
Thomas Jefferson is sent to Hell, where, guided by Dante, he meets old friends and tries to figure out which among his many mortal sins will determine his final punishment. An ailing, world-weary Mercury passes his herald’s wand to Paul Revere, who saddles up for his midnight ride with the fastest horse on earth. Apollo, handicapped and traumatized by modern warfare, comes out of retirement to fire a shot that sends shock waves around the planet. The minutemen at Lexington and…
