100 books like Spending

Set in Victorian England, this novel begins where romances often start—with a beleaguered heroine. She is a brilliant cook with a questionable past. Her patron dies. His brother takes over the estate where—let’s say—she’s been multi-tasking. The brother has perversely cut all pleasure from his life. But oh, that food. Complications develop, including his desire to not desire the food or the cook. There are dark secrets and dark hungers including a hunger for revenge on both the hero’s and heroine’s parts. I love a sexy, twisty story that I can’t put down. This one meets all of my marks. 

I confess that almost everything Baxter has written is too intellectually frigid for me. But this novel is one of my favorites. At times sweet, at times intense, it is a meditation on the ways we love, and the various stages of love based on our ages and the duration of our relationships. Baxter explores romantic love, first love, old love, love for our children, and sexual obsession. Grief and hope figure prominently. At first, seemingly a series of short stories, the novel’s characters gradually drift into one another’s orbits and their stories become integrated. I love the author’s mastery of form while telling a brilliantly humane—and sexy—story about what it means to love.

A teenage girl in Maine steals a dictionary at the mall and is sentenced to do community service in her small town’s library. The middle-aged head librarian there has exiled herself from a divorce accompanied by public scandal. A much younger New York City stockbroker who had piles of money turns up in town after losing everything in the 2008 crash. He believes his aunt’s savings booklet from a bank long subsumed by another—he just needs to figure out which one—will put him back on his feet. I love how gently this novel reveals these damaged characters’ foibles and hopes. They seem to have nothing in common, yet they heal each other. And there is (spoiler alert) a sexy little romance between the librarian and the stockbroker.

Ms. Wesley didn’t publish until she was seventy, which I find inspiring. She produced ten slim interconnected novels. Like the heroine of Delicious although a century later, this one cooks. She cooks for elderly ladies, visiting for a week or two to stock their freezers with fabulous meals. Her less innocent sideline is “visiting” with men. These occupations earn her enough to keep her fatherless son in an excellent private school. Then, the unthinkable happens: two men who were previously unknown to each other discover they may be sharing the same mistress. The problem is they thought their arrangements were exclusive. A comedy of manners ensues. Wesley’s prose cuts like a finely honed knife. And she does her cutting with very few words. I so admire that skill!  

For me this is undoubtably the best biography of Francis Bacon.

It illuminates in detail the life of my mysterious and exotic neighbour, who lived only a stone's throw away over the wall from my flat in Manson Place, South Kensington, in the early 1960s.

Bacon's early struggles, to eventually becoming the lauded and celebrated genius in later life, encompass in this fascinating account, a plethora of characters from both high and low life, a cavalcade of lovers, an addiction to gambling and drinking spanning Soho to Tangier, with sojourns in Paris and the South of France on the way. He religiously painted in the mornings.

Many of the episodes and vignettes are unforgettable and a valuable insight into the machinations of the 'art world' in the 20th century.

This compelling and exhausting portrait of the artist, born in Dublin to Anglo-Irish gentry in 1909 and living to the age… show more.

This noir pastiche is one long joke, a satire on art, art criticism, and art collecting.

James Figueras, a cad bachelor freelance art critic in 1960s Palm Beach, is tasked with stealing a painting by the (fictional) French artist Jacques Deberiue.

Deberiue was the founder of the Nihilistic Surrealism movement who retired after the creation of one work, No. One: an empty frame mounted around a crack in a wall. The trail leads to the dusty outskirts of Miami and a bloody murder in the Everglades, but the real mystery surrounds the artist and his art.

And the fun is in the comedy: "The fact that he used the English No. One instead of Nombre une may or may not've influenced Samuel Beckett to write in French instead of English, as the literary critic Leon Mindlin has claimed."

I love stories about artists, and I loved the creativity of the whole idea behind this adult fantasy set against an Asian-inspired backdrop, where art is magic and can be used to make things happen in the physical world.

But even better is the fact that the main character—a skilled artist roped into working for a corrupt entity—is nonbinary, and this is nothing more than a mundane fact. It’s a clear reminder that gender is just one part of a person’s existence—and probably not the most important one. 

I was hungry for a great piece of comic writing when a friend handed me this book, and it delivered so much more than laughter.

Once I’d tuned in to the language, I ended up shambling through 30s London alongside impecunious painter Gulley Jimson. A humble man, driven by a holy need to make the sort of art which, it turns out, nobody wants, he encounters a world of squalor and beauty, both physical and moral.

I grew to love him and his daily observations on the play of weather and light on the Thames, which form a sort of sketchbook. As Jimson’s physical health declines, he grips beauty wherever he finds it. Theroux, Lessing, and Updike all rated this author.

I liked this historical fiction novel for many reasons. First, I recently visited Florence and was introduced to the story of the monk Savonarola, so I enjoyed the mentioned sights and historical context. Secondly, I appreciated the structure of the novel, with the main point of view being a young well-to-do woman married off to a much older man.

Through the conversations of husband and wife and those of the wife and her slave/maid, the political, religious, and societal events unfold. There's tension throughout as the rising puritanical tide overwhelms Florentine society.

Really well done and a fascinating story of the Renaissance.

The brand of possession is fairly standard: a Drakhaoul possesses a man, enabling him to transform into a dragon—but the man must replenish his strength vampirically.

I like the interplay of personal responsibility and victimization, the use of supernatural powers to protect one’s friends at the cost of innocent suffering.

The Drakhaoul has a name and personality; it’s definitely a discrete being, but it’s also a part of the hero. But then the hero successfully exorcises his demon. But the demon’s memories are left behind, and the hero starts to wonder if he’s going mad.

The demon’s absence, not its presence, drives the hero to madness and despair (even though he hates the demon). The hero simultaneously hates and longs for a dark power, which is and is not uniquely his.