Here are 100 books that The Birth of Venus fans have personally recommended if you like
The Birth of Venus.
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I love a well-written historical fiction novel that immerses me in the time period and introduces a female character I can relate to. We may live in different times, but women in all eras feel love, attempt and fail, find strength, perform heroic deeds, suffer mishaps, and experience life. Escaping into their stories makes me question what I would have done in their shoes as well as think about how my own story is still being written. As a historical fiction author, I seek to create those relationships between my characters and readers.
I finished this novel quickly as the story and writing are engaging.
I knew something of Hedy Lamarr’s wartime efforts and intelligence going in, but this story shed much more light on the woman and highlighted the difficulties she faced.
I recommend it for readers who enjoy historical fiction, WW2 stories, and novels about strong women.
Bestselling author Marie Benedict reveals the story of a brilliant woman scientist only remembered for her beauty.
Her beauty almost certainly saved her from the rising Nazi party and led to marriage with an Austrian arms dealer. Underestimated in everything else, she overheard the Third Reich's plans while at her husband's side and understood more than anyone would guess. She devised a plan to flee in disguise from their castle, and the whirlwind escape landed her in Hollywood. She became Hedy Lamarr, screen star.
I love a well-written historical fiction novel that immerses me in the time period and introduces a female character I can relate to. We may live in different times, but women in all eras feel love, attempt and fail, find strength, perform heroic deeds, suffer mishaps, and experience life. Escaping into their stories makes me question what I would have done in their shoes as well as think about how my own story is still being written. As a historical fiction author, I seek to create those relationships between my characters and readers.
Berlin, 1989. Anne Simpson, an American who works as a translator at the Joint Operations Refugee Committee, thinks she is in a normal marriage with a charming East German. But then her husband disappears and the CIA and Western German intelligence arrive at her door. Nothing about her marriage is as it seems. Anne had been targeted by the Matchmaker - a high level East German counterintelligence officer - who runs a network of Stasi agents. These agents are his 'Romeos' who marry vulnerable women in West Berlin to provide them with cover as they report back to the Matchmaker.…
Only in my recent life as a reader did I realize that my favorite novels often follow a precise pattern: either the author or the main character is a woman. Or both. So, why this sort of bias from a male reader? I found a plausible answer in my belief that female protagonists, more than male ones, serve as the ideal lever for compelling plot twists—the deae ex machina of contemporary storytelling. No wonder the protagonist of the first novel I wrote is a woman. No wonder she’s gifted (or, rather, cursed) with supernatural powers. As for my choice of topic, could it possibly have turned out differently?
This is one of the very few novels that managed to conquer me in every aspect—the plot, the characters, the settings, and the writing. All credits go to the author, of course. But—as I now see her as a living person rather than a fictional character—I think I owe a special tribute to Big Ammachi, the female protagonist of this family saga.
She grabs the scene on page one, and although there comes a moment when she leaves (the story spans some eighty years), her profound sense of humanity keeps lingering throughout the book. More than that—she continues to linger now, even two months after I finished reading. And I suspect she will stay with me forever.
OPRAH’S BOOK CLUB PICK • INSTANT NEW YORK TIMES BESTSELLER • SUBJECT OF A SIX-PART SUPER SOUL PODCAST SERIES HOSTED BY OPRAH WINFREY
From the New York Times-bestselling author of Cutting for Stone comes a stunning and magisterial epic of love, faith, and medicine, set in Kerala, South India, following three generations of a family seeking the answers to a strange secret
“One of the best books I’ve read in my entire life. It’s epic. It’s transportive . . . It was unputdownable!”—Oprah Winfrey, OprahDaily.com
The Covenant of Water is the long-awaited new novel by Abraham Verghese, the author of…
I love a well-written historical fiction novel that immerses me in the time period and introduces a female character I can relate to. We may live in different times, but women in all eras feel love, attempt and fail, find strength, perform heroic deeds, suffer mishaps, and experience life. Escaping into their stories makes me question what I would have done in their shoes as well as think about how my own story is still being written. As a historical fiction author, I seek to create those relationships between my characters and readers.
Imagine a former slave working in the White House before and after Emancipation. What conversations were heard? How was she treated? Did she feel safe or threatened?
Chiaverini dives into the interiority of Mrs. Lincoln's dressmaker's story, the conflicts, the battles, the personal dreams and aspirations, the friendship and falling out around a historical figure few know.
The New York Times bestselling author of Mrs. Lincoln's Sisters and Canary Girls unveils the private lives of President Abraham Lincoln and his wife, Mary Todd Lincoln, through the eyes of the First Lady's most trusted confidante and friend in this compelling historical novel.
In a life that spanned nearly a century and witnessed some of the most momentous events in American history, Elizabeth Hobbs Keckley was born a slave. A gifted seamstress, she earned her freedom by the skill of her needle, and won the friendship of First Lady Mary Todd Lincoln by her devotion.
I’m a Scottish writer, based in the USA after living in eight countries. I spent thirty years following work, family, and love, and my experiences seep into everything I write—so there are often elements of travel in my books. Thirteen years ago, I was diagnosed with a brain tumor, and underwent life-saving surgery. That experience gave me a new perspective on the power of the human spirit, and our ability to forge new and unexpected paths, in the face of adversity. I love to read about and create characters that take on life’s challenges and find inner strength they didn’t know they had. That’s why feisty female protagonists appeal to me.
Artemisia Gentileschi was a 17th-century Italian Baroque painter. One of the most fascinating and progressive artists of her time, she was also the first woman ever accepted into the prestigious Accademia di Arte del Disegno in Florence. Her personal life was riddled with turmoil—from rape to torture and public humiliation, but she endured it all to pursue her passion for painting. Many artists sacrifice for their art, but this woman took on an entire city and the Inquisition, and still went on to paint what are considered some of the most brilliant paintings of all time. For me, she is the quintessential feisty female protagonist, beating the odds and the establishment and standing tall.
"Susan Vreeland set a high standard with Girl in Hyacinth Blue.... The Passion of Artemisia is even better.... Vreeland's unsentimental prose turns the factual Artemisia into a fictional heroine you won't soon forget." —People
A true-to-life novel of one of the few female post-Renaissance painters to achieve fame during her own era against great struggle. Artemisia Gentileschi led a remarkably "modern" life. Vreeland tells Artemisia's captivating story, beginning with her public humiliation in a rape trial at the age of eighteen, and continuing through her father's betrayal, her marriage of convenience, motherhood, and growing fame as an artist. Set against…
Like many readers, I am fascinated by strong creative women in the past and how their lives can inspire women today. As an academic, before my Creative Writing Diploma and transformation into a creative writer, I taught historical novels of many kinds. I now enjoy devising fascinating women whose lives have significance for today’s issues. To talk about my favourite writer Virginia Woolf and favourite artist Gwen John, I have enjoyed invitations from book festivals, galleries, and universities from around the world, including several in the US and Europe as well as Brazil, Egypt, Israel, Mexico, and Norway. BBC Radio, France Culture, and Turkey TRT television also featured my writing.
Letters to Gwen John is the artist’s mixture of memoir and fictional letters to Gwen John the artist.
Once a partner of the much older artist Lucian Freud, Paul’s life resembles Gwen’s love for the older French sculptor Auguste Rodin. Paul’s fictional letters provide moving insights into Paul’s life, Gwen’s life, and the role of art.
Uncannily Paul’s letters resemble Gwen’s to Rodin in their shared simplicity and devotion to art.
I just wish Paul’s book had been published before I wrote my book because Paul has so many insights into art techniques. 2023 is definitely Gwen’s year with the opening of the major exhibition of Gwen’s work at Pallant House Gallery, UK.
With original artworks throughout, an extraordinary fusion of memoir and artistic biography from the acclaimed artist and author of Self-Portrait.
Dearest Gwen, I know this letter to you is an artifice. I know you are dead and that I’m alive and that no usual communication is possible between us but, as my mother used to say, “Time is a strange substance” and who knows really, with our time-bound comprehension of the world, whether there might be some channel by which we can speak to each other, if we only knew how.
I am a Templar history enthusiast with a penchant for spiritual surprises hiding in plain sight. I believe words are vessels of spirit and that writing opens a channel of communication for manifesting thoughts into reality. Traveling throughout Europe, Scotland, and England has deepened my confidence that there was so much more to the Middle Ages than crusades and feudalism. The Templars facilitated many societal transformations, including a flowering of mysticism under their guardianship. The mystery is… why have we not connected these dots before? And I suspect there’s much more to discover! My books gather research threads from seemingly isolated historic characters, places, and events into cohesive, inspired, and vibrant stories.
I love books that validate spiritual creativity and ‘realign’ misconceptions in the annals of history. This inspiring biography documents the life of a 19th-century female artist, who not only dedicated her life to unique spiritual creativity, but also, is currently upending art history. It turns out that her art predates the establishment of the Modern Art Movement, which academia has attributed to men who painted several decades later. Hilma af Klint was a woman before her time. I also love the book’s color plates displaying her mastery of geometry and biology. This book is a well-researched jewel and a gift to art history.
A highly anticipated biography of the enigmatic and popular Swedish painter.
The Swedish painter Hilma af Klint (1862-1944) was 44 years old when she broke with the academic tradition in which she had been trained. While her naturalistic landscapes and botanicals were shown during her lifetime, her body of radical, abstract works never received the same attention. Today, it is widely accepted that af Klint produced the earliest abstract paintings by a trained European artist. But this is only part of her story. Not only was she a successful woman artist, but she was also an avowed clairvoyant and mystic.…
My training is in Classics (especially Greek drama), which has given me an appreciation for clever writers who tweak conventional themes to surprise readers, foil expectations, and explore new ideas—or new sides of old ideas. Greek epic and tragedy also exhibit fairly rigid expectations about personal responsibility: even if a god made you do it, it’s still your responsibility. Agamemnon has to pay for sacrificing his daughter; Heracles has to perform his labors. Madness and possession are vivid ways to explore where one’s autonomy leaves off and another power takes over. They’re excellent tools for poking at humans to see how a thinking, feeling individual deals with unintended disaster.
The brand of possession is fairly standard: a Drakhaoul possesses a man, enabling him to transform into a dragon—but the man must replenish his strength vampirically.
I like the interplay of personal responsibility and victimization, the use of supernatural powers to protect one’s friends at the cost of innocent suffering.
The Drakhaoul has a name and personality; it’s definitely a discrete being, but it’s also a part of the hero.
But then the hero successfully exorcises his demon.
But the demon’s memories are left behind, and the hero starts to wonder if he’s going mad.
The demon’s absence, not its presence, drives the hero to madness and despair (even though he hates the demon).
The hero simultaneously hates and longs for a dark power, which is and is not uniquely his.
A weaver of tales, a caster of spells, and a writer of rare imagination, Sarah Ash lends her unique vision to epic fantasy. In this captivating continuation to her story, the author of Lord of Snow and Shadows revisits a realm filled with spirits and singers, daemons and kings.
Gavril Nagarian has finally cast out the dragon-daemon from deep within himself. The Drakhaoul is gone—and with it all of Gavril’s fearsome powers. Though no longer besieged by the Drakhaoul’s unnatural lusts and desires, Gavril has betrayed his birthright and his people. He has put the ice-bound princedom of Azhkendir at…
I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.
I’ve been intrigued all my life by the women on my mother’s side of my family who were artists and writers. How did I fit into that familial line, and what could I learn from them?
Honor Moore’s investigation into her artist grandmother’s life drew me into her own examination of that question, and I was deeply moved by her mission of reviving her beautiful, brilliant grandmother’s reputation as an artist while offering an honest assessment of how societal pressures affected her mental health and problems with alcohol abuse.
Margarett Sargent was an icon of avant-garde art in the 1920s. In an evocative weave of biography and memoir, her granddaughter unearths for the first time the life of a spirited and gifted woman committed at all costs to self-expression.
I’m a creative director in Vermont with a few favorite things: laughter, standard poodles, and happy endings—in life and in fiction. Romance fiction abounds with young heroines and happy endings. But I prefer reading about mature women like myself, women who have experienced their share of disappointments yet face life’s challenges with courage and humor. I like the elements of both genres in one juicy book. After much-frustrated searching, I gave up and wrote the story I wanted to read. My wise, middle-aged heroine still has lots to learn about grief and joy, and learns many of those lessons with men—in bed.
Spending is about a divorced artist and mom. It starts with a middle-aged protagonist reluctantly giving a gallery talk. She complains that male artists often have muses to do their laundry and supply sex, thereby providing practical and “therapeutic” support. A man in the audience stands up and offers to be the artist’s muse. The story is about what happens when this stubbornly independent woman takes him up on it. I totally related to the crusty heroine who has fought for everything she has and distrusts fortune when it offers abundant gifts.
Monica Szabo, a middle-aged, moderately successful painter, encounters B, a wealthy commodities broker who collects her work. B volunteers to be her muse, offering her everything that male artists have always had to produce great art: time, space, money, and sex. Passionate, provocative, and highly engaging, Spending displays Gordon's maverick feminism, her extraordinary wit, and her unique perspectives on art, money, men, sex -- and the desires of women.
