Love The Doll Factory? Readers share 100 books like The Doll Factory...

Nobody does characters like Jess Kidd. Every person in this story is bizarre—a monster, misfit, or malefactor—yet not one feels contrived. I adored Bridie Devine, a small, rotund, pipe-smoking detective who begins to see the same ghost everywhere she goes.

Bridie’s quarry is a strange girl who’s been kidnapped and might (depending on who you ask) have supernatural powers or be a “lovely grotesque” who’s caught the eye of collectors. I fell in love with Kidd’s imaginative Victorian London, where nothing is as it seems, and evil lurks around every bend.

When I first read the back of this book I thought, "How frightening can wooden, life-sized figures tucked away in a remote mansion be?" Answer: A lot.

When the book opens, Elsie Bainbridge’s husband has died (mysteriously). When she discovers the strange totems the servants are terrified of locked away in the attic, something is definitely…not right. Once the figures’ eyes appear to move and Elsie finds them in different places in the house as if they move of their own accord, her piece of mine starts to unravel. And so did mine.

This book checked a lot of boxes for me from the jump: a decrepit infirmary, the grisliness of 19th-century medicine, a soot-filled London that seethes with filth, secrets, and evil.

This book is the first in a series featuring one of the best protagonists I’ve encountered: Jem Flockhart, an intelligent young woman who must disguise herself as a boy to continue her work at St. Saviour’s Infirmary as an apothecary. The mystery at its heart was every bit as Gothic as I’d hoped. 

This book, quite frankly, blew my mind. That women in times past were forced into the role of sin eaters to take on the transgressions of the dying so the latter could ascend to heaven was disturbing, to say the least.

I felt for May, a fourteen-year-old girl who is newly sentenced to the fate of a sin eater—a job in which she is to remain poor, mute, and bear the ostracization of her community. But what kept me turning pages is the chilling mystery at its center. In the alternate Elizabethan court in which the book is set, someone is poisoning those close to the Queen and hiding a long-buried secret. May must stay one step ahead of the killer if she’s to navigate a corrupt, vicious court and a fiend who wants her dead.

Letters to Gwen John is the artist’s mixture of memoir and fictional letters to Gwen John the artist.

Once a partner of the much older artist Lucian Freud, Paul’s life resembles Gwen’s love for the older French sculptor Auguste Rodin. Paul’s fictional letters provide moving insights into Paul’s life, Gwen’s life, and the role of art.

Uncannily Paul’s letters resemble Gwen’s to Rodin in their shared simplicity and devotion to art.

I just wish Paul’s book had been published before I wrote my book because Paul has so many insights into art techniques. 2023 is definitely Gwen’s year with the opening of the major exhibition of Gwen’s work at Pallant House Gallery, UK.

For me this is undoubtably the best biography of Francis Bacon.

It illuminates in detail the life of my mysterious and exotic neighbour, who lived only a stone's throw away over the wall from my flat in Manson Place, South Kensington, in the early 1960s.

Bacon's early struggles, to eventually becoming the lauded and celebrated genius in later life, encompass in this fascinating account, a plethora of characters from both high and low life, a cavalcade of lovers, an addiction to gambling and drinking spanning Soho to Tangier, with sojourns in Paris and the South of France on the way. He religiously painted in the mornings.

Many of the episodes and vignettes are unforgettable and a valuable insight into the machinations of the 'art world' in the 20th century.

This compelling and exhausting portrait of the artist, born in Dublin to Anglo-Irish gentry in 1909 and living to the age… show more.

On Vincent van Gogh’s death, and the subsequent death of his brother, Theo, six months later, Johanna van Gogh-Bonger – at only twenty-eight years old – became keeper and advocate of Vincent’s immense collection of paintings, sketches, letters, and illustrations. 

Whilst grieving and caring for her infant son, Jo translated those letters. That we are able to read Vincent’s letters and to hear his words add both depth and insight to our appreciation of his art. This book is our chance to connect with a Vincent beyond the tortured artist that contemporary society portrays. These letters are one of Jo’s many gifts to us. 

I’ve been intrigued all my life by the women on my mother’s side of my family who were artists and writers. How did I fit into that familial line, and what could I learn from them?

Honor Moore’s investigation into her artist grandmother’s life drew me into her own examination of that question, and I was deeply moved by her mission of reviving her beautiful, brilliant grandmother’s reputation as an artist while offering an honest assessment of how societal pressures affected her mental health and problems with alcohol abuse. 

I’m fascinated by historical fiction that sticks to the “facts” of a person’s life but imagines and richly describes that person’s inner world—in this case Georgia O’Keefe’s. The novel focuses on the young painter’s love affair with Alfred Stieglitz, an established photographer and art dealer. Before the art world knows Georgia O’Keefe as a ground-breaking artist in her own right, she is introduced as the female nude in Stieglitz’s photographs. Does her art gain notice in part because of this scandalous introduction, or does it merely eroticize her and her work? And while she learns much from Stieglitz, what does this relationship cost her? This book is masterfully “painted” with O’Keefe-like brush strokes that assemble a tantalizing picture and still leave much to the imagination.

When kids think of artists, male names usually come to mind. That’s why I was delighted to discover Dancing Through Fields of Color, a lyrical story about Helen Frankenthaler, an abstract expressionist of the 1950s who deserves to be better known. Author Elizabeth Brown shows how Frankenthaler’s difficulty fitting in and creating the art she was told to create ultimately led to her discovering her true gifts and a style that would come to be known as “soak-stain painting.” The rich and joyful colors of Aimee Sicuro’s illustrations of Helen dancing through vibrant flowers, will spark young readers’ imaginations, making them thirst for more.