Here are 100 books that Sin Eater fans have personally recommended if you like
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I’ve loved Gothic fiction since I was a teen, though back then, I didn’t know it was Gothic. I just liked the creepiness, the often-isolated heroine, and the things-aren’t-what-they-seem murkiness of the stories. One of my first reads was Jane Eyre, which has remained a favorite. Though I didn’t like history in school (too much memorization!), I read several historical fiction books from different eras that fascinated me. These things, combined with another genre favorite—mystery/thriller, led to my first book. It turns out that all those things I’d gravitated to in my decades of reading became the things I most wanted to write about - mystery/thriller historical fiction with elements of Gothic.
Nobody does characters like Jess Kidd. Every person in this story is bizarre—a monster, misfit, or malefactor—yet not one feels contrived. I adored Bridie Devine, a small, rotund, pipe-smoking detective who begins to see the same ghost everywhere she goes.
Bridie’s quarry is a strange girl who’s been kidnapped and might (depending on who you ask) have supernatural powers or be a “lovely grotesque” who’s caught the eye of collectors. I fell in love with Kidd’s imaginative Victorian London, where nothing is as it seems, and evil lurks around every bend.
London, 1863. Bridie Devine, the finest female detective of her age, is taking on her toughest case yet. Reeling from her last job and with her reputation in tatters, a remarkable puzzle has come her way. Christabel Berwick has been kidnapped. But Christabel is no ordinary child. She is not supposed to exist.
As Bridie fights to recover the stolen child she enters a world of fanatical anatomists, crooked surgeons and mercenary showmen. Anomalies are in fashion, curiosities are the thing, and fortunes are won and lost in the name of entertainment. The public love a spectacle and Christabel may…
I’ve loved Gothic fiction since I was a teen, though back then, I didn’t know it was Gothic. I just liked the creepiness, the often-isolated heroine, and the things-aren’t-what-they-seem murkiness of the stories. One of my first reads was Jane Eyre, which has remained a favorite. Though I didn’t like history in school (too much memorization!), I read several historical fiction books from different eras that fascinated me. These things, combined with another genre favorite—mystery/thriller, led to my first book. It turns out that all those things I’d gravitated to in my decades of reading became the things I most wanted to write about - mystery/thriller historical fiction with elements of Gothic.
When I first read the back of this book I thought, "How frightening can wooden, life-sized figures tucked away in a remote mansion be?" Answer: A lot.
When the book opens, Elsie Bainbridge’s husband has died (mysteriously). When she discovers the strange totems the servants are terrified of locked away in the attic, something is definitely…not right. Once the figures’ eyes appear to move and Elsie finds them in different places in the house as if they move of their own accord, her piece of mine starts to unravel. And so did mine.
"[An] extraordinary, memorable and truly haunting book." -Jojo Moyes, #1 New York Times bestselling author
Laura Purcell's THE SHAPE OF DARKNESS is now out from Penguin!
Some doors are locked for a reason.
When Elsie married handsome young heir Rupert Bainbridge, she believed she was destined for a life of luxury. But pregnant and widowed just weeks after their wedding, with her new servants resentful and the local villagers actively hostile, Elsie has only her late husband's awkward cousin for company. Or so she thinks. Inside her new home lies a locked door, beyond which is a painted wooden figure-a…
I’ve loved Gothic fiction since I was a teen, though back then, I didn’t know it was Gothic. I just liked the creepiness, the often-isolated heroine, and the things-aren’t-what-they-seem murkiness of the stories. One of my first reads was Jane Eyre, which has remained a favorite. Though I didn’t like history in school (too much memorization!), I read several historical fiction books from different eras that fascinated me. These things, combined with another genre favorite—mystery/thriller, led to my first book. It turns out that all those things I’d gravitated to in my decades of reading became the things I most wanted to write about - mystery/thriller historical fiction with elements of Gothic.
This book checked a lot of boxes for me from the jump: a decrepit infirmary, the grisliness of 19th-century medicine, a soot-filled London that seethes with filth, secrets, and evil.
This book is the first in a series featuring one of the best protagonists I’ve encountered: Jem Flockhart, an intelligent young woman who must disguise herself as a boy to continue her work at St. Saviour’s Infirmary as an apothecary. The mystery at its heart was every bit as Gothic as I’d hoped.
Ramshackle and crumbling, trapped in the past and resisting the future, St. Saviour's Infirmary awaits demolition. Within its stinking wards and cramped corridors, the doctors bicker and backstab. Ambition, jealousy, and loathing seethe beneath the veneer of professional courtesy. Always an outsider, and with a secret of her own to hide, apothecary Jem Flockhart observes everything but says nothing.
And then six tiny coffins are uncovered, inside each a handful of dried flowers and a bundle of mouldering rags. When Jem comes across these strange relics hidden inside the infirmary's old chapel, her quest to understand their meaning prises open…
I’ve loved Gothic fiction since I was a teen, though back then, I didn’t know it was Gothic. I just liked the creepiness, the often-isolated heroine, and the things-aren’t-what-they-seem murkiness of the stories. One of my first reads was Jane Eyre, which has remained a favorite. Though I didn’t like history in school (too much memorization!), I read several historical fiction books from different eras that fascinated me. These things, combined with another genre favorite—mystery/thriller, led to my first book. It turns out that all those things I’d gravitated to in my decades of reading became the things I most wanted to write about - mystery/thriller historical fiction with elements of Gothic.
Macneal is a go-to for me when it comes to grim reads set in the Victorian era. I found her writing so superb and her grasp of Victorian London and the Pre-Raphaelite Brotherhood so enthralling, it was hard for me to believe The Doll Factory was her debut.
The book is about art and collecting, but the obsession of the book’s villain is what makes this beating heart of a story thrum.
I studied the Tudor era in high school and have been hooked ever since. It was an era of enormous change. The world was opening up, science was advancing, religion was losing its grip over people, and new ideas were challenging every level of society. Discovery was everywhere–new planets, lands, theories, foods, and trading routes. Society was changing, and women were beginning to have a voice and education. It was also an era of characters–men and some women who made a mark on the world through their wit and wisdom–and some just by being rogues. There are no dull moments in Tudor times.
I loved this because there is a sense of foreboding from the beginning, and the horror builds. SW Perry pulls you into the dirt, grime, and grunge of Tudor London and the roughness of life at the end of the Tudor reign.
You are immersed in the sheer awfulness of medieval medicine and the arrogance of the people who led it. You can almost smell the streets and laboratories and hear Tudor London's din. I also loved it because the key characters are sympathetically developed and flawed.
Also, the dual point of view leads you to feel a sense of urgency and fear, which adds to the pace of the reading.
Longlisted for the Crime Writers' Association Historical Fiction Dagger, 2019
A Walter Scott Prize Academy Recommended Read 2019
'Rich, intelligent and dark in equal measure, leaving you wrung out with terror. Historical fiction at its most sumptuous.' Rory Clements ________________________
Heresy. Conspiracy. Murder...
London, 1590: Amidst a tumultuous backdrop of Spanish plotters, Catholic heretics and foreign wars, Queen Elizabeth I's control over her kingdom is wavering.
And a killer is at work, preying on the weak and destitute of London...
Idealistic physician Nicholas Shelby becomes determined to end these terrible murders. Joined in his investigations by Bianca, a beautiful but…
I’ve been reading historical fiction since childhood—it’s my preferred method for learning history. I want to know who people were in an everyday way, not as broad-brush reporting. My tastes are not limited to particular eras although I do my best to skip as much battle detail as I can. I like historical fiction that has character as its throughline. Who are these people? What do/did they want? How did they get it? I think my theatre background and training are what make me ask questions like these. What did they have for dinner? What did they talk about? Their excesses, their eccentricities, their excellences.
Skye O’Malley is one of the first heroines I encountered who lived by her own code, a startling development in a romance. In addition, Bertrice Small was the first to bridge romance and steamy; our Skye is definitely that. She’s delightful, delicious, de-lovely, and I really admire her outré behavior with England’s capricious Elizabeth Regina. She ends up the head of a clan of brothers and a worldwide sea-faring enterprise as well as a lover, a mother, and a remarkable human being. In addition, there are six more about her next generation, Skye’s Legacy. Small’s research into the Far East is exemplary given a time long, long before Google.
From the incomparable New York Times bestselling author Bertrice Small comes a heroine as breathtaking as she is legendary.
Indomitable and bold in an era of royalty and rogues, Skye O’Malley is a woman who embraces her unbridled sensuality as valiantly as she fights for her children, her lovers, her empire. A woman of justice and honor, she will match wits with and challenge the most dangerous and powerful woman of her time: Queen Elizabeth I.
Though Skye is the object of every man’s fantasy, only a handful have had the thrill of tasting her enticing passions–men whose own daring…
I’ve studied and written about the Tudors for many years including a monthly article in Tudor Life magazine, plus I’ve written several successful books looking at the lives of ordinary people in history and now, my first full scale look at the Tudors. The Tudor period is one of the best known in our history and is dominated by so many well-known and fascinating characters but my interest rests with the ordinary folk and how their lives changed so fundamentally in this time. The dissolution of the monasteries changed everyday life for many and marked the end of the medieval period and the beginning of a more enlightened time.
Ian Mortimer gives us a fascinating insight into Elizabethan life, and I think this edition of his Time-Traveller’s Guide is as entertaining and informative as the others in the series.
I really enjoyed the details of everyday life, such as what would be in the kitchen or larder, although sometimes the lists were a little long. I enjoy the format of this type of book being written as a travel guide, it is educational as well as easy to read.
'A fresh and funny book that wears its learning lightly' Independent
Discover the era of William Shakespeare and Elizabeth I through the sharp, informative and hilarious eyes of Ian Mortimer.
We think of Queen Elizabeth I's reign (1558-1603) as a golden age. But what was it actually like to live in Elizabethan England? If you could travel to the past and walk the streets of London in the 1590s, where would you stay? What would you eat? What would you wear? Would you really have a sense of it being a glorious age? And if so, how would that glory…
As a ghostwriter, I’m asked to turn my hand to many genres. Yet the one I keep returning to is Renaissance Adventure. Having always been a fan of adventure, in films, TV, or books, for my English Degree at Exeter University, I dedicated my dissertation to the genre, and the fascination shows no sign of fading. I love all these books, but there is one difference between these and my series. That is the heroes here are all men. Bring on more adventure in this era with women! I hope you enjoy the books on this list – they are a fantastic way to spend your evenings with your pulse racing.
Part of the Shakespeare family? Working for Walsingham in the height of the spy era? Who wouldn’t want to read about John Shakespeare!
There are many books in this series, but I’ve picked Martyr in particular as it’s the first, and what an introduction. With the threat of war imminent, and Mary Stuart about to be assassinated, a dark world is created here where it feels like every day that Shakespeare wakes up, he might struggle to keep breathing. What danger!
Once more, Rory Clements creates a world of intrigue that isn’t solely placed at the royal court but opens our eyes to the darker underbelly of the city. This book first got me into this genre many years ago. I could not recommend it enough as a first dip.
*****Part of the bestselling John Shakespeare series of Tudor spy thrillers from Rory Clements, winner of the Ellis Peters Historical Fiction Award*****
'Does for Elizabeth's reign what CJ Sansom does for Henry VIII's' Sunday Times
England is close to war. Within days the axe could fall on the neck of Mary Queen of Scots, and Spain is already gathering a battle fleet to avenge her.
Tensions in Elizabeth I's government are at breaking point. At the eye of the storm is John Shakespeare, chief intelligencer in the secret service of Sir Francis Walsingham. When an intercept reveals a plot to…
Dan Fesperman has made a living by writing about dangerous and unseemly people and places since his days as a journalist, when he was a foreign correspondent for The Baltimore Sun. Now traveling on his own dime, his books draw upon his experiences in dozens of countries and three war zones. His novels have won two Dagger awards in the UK and the Dashiell Hammett Prize from the International Association of Crime Writers. His thirteenth novel, Winter Work, will be published in July by Knopf. He lives in Baltimore.
Bennett offers a cheeky take on the power of reading with this whimsical but keenly observed novel in which Queen Elizabeth, while searching for a wayward corgi, stumbles upon a bookmobile parked outside Buckingham Palace. To be royally polite she checks out a novel, begins reading it later, and soon finds herself craving another. This quickly leads to a reading habit bordering on obsession, as the world inside her mind begins to broaden more than she could have imagined.
It was the corgis' fault. When they strayed through the grounds of Buckingham Palace, the Queen discovered the City of Westminster travelling library. The Queen has never had much time for reading - pleasure has always come second place to duty - though now that one is here I suppose one ought to borrow a book. She is about to discover the joys of literature, albeit late in life. One book leads to another and the Queen is soon engrossed in the delights of reading. However, this uncommon reader creates an uncommon problem. The royal household dislikes the Queen's new…
Whilst I was born in America, growing up in an old Irish family with a long history and a powerful sense of its past, I learnt a great deal of Irish, British, and European (especially French) history from an early age – proving valuable in both of my careers – one, as an international business lawyer, the other as a full-time writer of historical fiction. As a result of a “very Irish” numinous connection with the Gaelic poet, Eileen O’Connell, I frequently find myself drawn to books about strong, courageous, and memorable women – particularly those who lived in interesting times, such as the tumultuous days of Sixteenth and Eighteenth-Century Europe.
It’s wonderful to have the opportunity to recommend this particular work of Alison Weir. A brilliant historian, she – by means of both traditional, meticulously-researched biographies, as well as in her historical fiction offerings – chronicles many aspects, and a number of personages of Tudor England in all of its – and their – colourfully untidy turbulence.
Her account of Elizabeth I’s life is amongst her best. I especially appreciate the skillful way in which Weir continuously “introduces” the reader to Elizabeth, as the compelling figure she is – fascinatingly intricate, brilliant, and annoyingly contradictory. Just when one seems to understand her – Weir drops yet another paradox – as the reader learns that this supposedly staunchly Protestant daughter of Henry VIII maintained most aspects of orthodox Roman Catholic practices – including a crucifix – in her private chapel royal.
Elizabeth the Queen begins as the young Elizabeth ascends the throne in the wake of her sister Mary's disastrous reign - both a woman and a queen, Elizabeth's story is an extraordinary phenomenon in a patriarchal age.
From Elizabeth's intriguing, long-standing affair with Robert Dudley, Earl of Leicester, to her dealings - sometimes comical, sometimes poignant - with her many suitors, her rivalry with Mary, Queen of Scots, and her bizarre relationship with the Earl of Essex, thirty years her junior, here, in rich, vivid and colourful detail, Alison Weir helps us comes as close as we shall ever get…
