Here are 99 books that The White Blackbird fans have personally recommended if you like
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I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.
When I was in college, I asked my parents for the two-volume, compact edition of the Oxford English Dictionary for Christmas one year. I was in a Friday afternoon etymology discussion group that the philosophy professor in charge of it had named “The Society of Harmless Drudges,” and the OED was our bible.
Many years later, reading this book, I was astonished at the many years and many contributors that went into the making of the original edition. One of the most unusual contributors, as Winchester explores, lived in a mental institution after having been judged criminally insane.
The Professor and the Madman is an extraordinary tale of madness, genius, and the incredible obsessions of two remarkable men that led to the making of the Oxford English Dictionary—and literary history.
The making of the OED was one of the most ambitious projects ever undertaken. As definitions were collected, the overseeing committee, led by Professor James Murray, was stunned to discover that one man, Dr. W. C. Minor, had submitted more than ten thousand. But their surprise would pale in comparison to what they were about to discover when the committee insisted on…
I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.
I moved to Tuscaloosa, Alabama for graduate school in 1986, eleven years after this book was published, thirteen years after Nate Shaw’s death.
Reading the life of a man whose parents had been enslaved, a cotton farmer and sharecropper who bravely joined a union and stood up for other Black farmers, opened my eyes to the reality of life in the twentieth century for Black farmers in the state I now called home.
Told in expert storyteller Nate Shaw’s (a pseudonym for Ned Cobb) voice, based on interview transcripts, the book introduced me to a person and a way of life unlike anything I had encountered growing up in the city of Little Rock, Arkansas.
Nate Shaw's father was born under slavery. Nate Shaw was born into a bondage that was only a little gentler. At the age of nine, he was picking cotton for thirty-five cents an hour. At the age of forty-seven, he faced down a crowd of white deputies who had come to confiscate a neighbor's crop. His defiance cost him twelve years in prison. This triumphant autobiography, assembled from the eighty-four-year-old Shaw's oral reminiscences, is the plain-spoken story of an “over-average” man who witnessed wrenching changes in the lives of Southern black people—and whose unassuming courage helped bring those changes about.
I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.
This book was on the bedside table at a friend’s house where I was staying. I picked it up, started it, and stayed up much later than I had planned!
I was so engaged with the idea of an eighteenth-century woman who began making these botanical paper cut-outs and achieved attention for her work in late life, and I was drawn along by Peacock’s clear, lyrical prose and how she wove in aspects of her own life as a poet.
I loved Mary Delaney’s creativity, spirit, and grit, and she now feels to me like a friend from 250 years ago.
Mary Delany was seventy-two years old when she noticed a petal drop from a geranium. In a flash of inspiration, she picked up her scissors and cut out a paper replica of the petal, inventing the art of collage. It was the summer of 1772, in England. During the next ten years she completed nearly a thousand cut-paper botanicals (which she called mosaicks) so accurate that botanists still refer to them. Poet-biographer Molly Peacock uses close-ups of these brilliant collages in The Paper Garden to track the extraordinary life of Delany, friend of Swift, Handel, Hogarth, and even Queen Charlotte…
I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.
I fell in love with Ireland on a trip there in 2003 and have been there many times since. As a result, I have read many books by Irish writers, including O’Faolain’s memoirs.
I picked up the story of the woman known as Chicago May with no expectations but was immediately drawn in by the way O’Faolain connected her life with May’s, and individual history with national—both Irish and American—history.
I admire how the author imbued a biographical investigation with the pacing of a novel and a larger-than-life main character.
A portrait of the legendary woman outlaw describes her childhood in post-famine Ireland, work as a confidence trickster and grifter in America, love affair with a big-league criminal, successful robbery of Paris's American Express, imprisonment, and later years. By the author of Are You Somebody? 75,000 first printing.
The world opened to me in a safe space when I learned to read as a child, and by 6th grade I regularly hauled home stacks of books from the library and, inspired by Jo March, hoped to be an author. I put aside my dream of writing and pursued other career goals until my marriage to Mark Buehner. It was his career as an illustrator that opened a path for me to write, and together we have created many picture books, including the Snowmen at Night series. I’ve learned that stories are told with pictures as well as words, and beautiful picture books can be savored at any age.
Local to me, I’ve been familiar with the gorgeous poster and mural art of Greg Newbold. More recently he has teamed up with his wife Amy to create a series of picture books showcasing the styles of renowned artists. This first book takes snowmen and imagines what they would look like if painted by artists such as Van Gogh, Dali, Picasso, O’Keefe, and others. An excellent introduction to the painting styles of famous artists, with informative text to reinforce the idea that “not all artists paint the same.”
From that simple premise flows this delightful, whimsical, educational picture book that shows how the artist's imagination can summon magic from a prosaic subject. Greg Newbold's chameleon-like artistry shows us Roy Lichtenstein's snow hero saving the day, Georgia O'Keefe's snowman blooming in the desert, Claude Monet's snowmen among haystacks, Grant Wood's American Gothic snowman, Jackson Pollock's snowman in ten thousand splats, Salvador Dali's snowmen dripping like melty cheese, and snowmen as they might have been rendered by J. M. W. Turner, Gustav Klimt, Paul Klee, Marc Chagall, Georges Seurat, Pablita Velarde, Piet Mondrian, Sonia Delaunay, Jacob Lawrence, and Vincent van…
Early in life, I felt the presence of a “guardian angel” who would take my hand and accompany my mind to imagine distant cultures. I grew up in Florence, and in our history, there were so many tales of people coming from afar, and of Florentines traveling across deserts and oceans. And as time passed, I would be drawn to beautifully written true stories which opened windows onto different epochs and dramas of life in both near and far-flung places of the world.
In this wondrous book on Caravaggio, the world of Naples unfolds from the inside through an electrifying reading experience. Written with grace, almost every sentence imparts an epiphany. The author challenges us to undertake soul-work, even if one is a secular reader. Reading becomes an act of empathy and passion. In the words of Wallace Stevens, potential readers will become ‘necessary angels’.
A Profound New Look at the Italian Master and His Lasting Legacy
Now celebrated as one of the great painters of the Renaissance, Michelangelo Merisi da Caravaggio fled Rome in 1606 to escape retribution for killing a man in a brawl. Three years later he was in Naples, where he painted The Seven Acts of Mercy. A year later he died at the age of thirty-eight under mysterious circumstances. Exploring Caravaggio's singular masterwork, in The Guardian of Mercy Terence Ward offers an incredible narrative journey into the heart of his artistry and his metamorphosis from fugitive to visionary.
I’ve loved Gothic fiction since I was a teen, though back then, I didn’t know it was Gothic. I just liked the creepiness, the often-isolated heroine, and the things-aren’t-what-they-seem murkiness of the stories. One of my first reads was Jane Eyre, which has remained a favorite. Though I didn’t like history in school (too much memorization!), I read several historical fiction books from different eras that fascinated me. These things, combined with another genre favorite—mystery/thriller, led to my first book. It turns out that all those things I’d gravitated to in my decades of reading became the things I most wanted to write about - mystery/thriller historical fiction with elements of Gothic.
Macneal is a go-to for me when it comes to grim reads set in the Victorian era. I found her writing so superb and her grasp of Victorian London and the Pre-Raphaelite Brotherhood so enthralling, it was hard for me to believe The Doll Factory was her debut.
The book is about art and collecting, but the obsession of the book’s villain is what makes this beating heart of a story thrum.
I was never much of a history student. Facts and figures rarely stick in my brain until I have a character—their feelings, hopes, fears, and dreams—to pair them with, so I rely a lot on historical fiction to understand different places and times. I’m also a believer that our culture too often serves up the impression that marginalized people have forever hopelessly struggled, held back by those in power. But there are so many true stories that reveal the opposite, in this case, women fighting for their dreams and winning! I aim to bring these stories to light in a way that keeps the pages turning.
I’m fascinated by historical fiction that sticks to the “facts” of a person’s life but imagines and richly describes that person’s inner world—in this case Georgia O’Keefe’s. The novel focuses on the young painter’s love affair with Alfred Stieglitz, an established photographer and art dealer. Before the art world knows Georgia O’Keefe as a ground-breaking artist in her own right, she is introduced as the female nude in Stieglitz’s photographs. Does her art gain notice in part because of this scandalous introduction, or does it merely eroticize her and her work? And while she learns much from Stieglitz, what does this relationship cost her? This book is masterfully “painted” with O’Keefe-like brush strokes that assemble a tantalizing picture and still leave much to the imagination.
NATIONAL BESTSELLER • In a dazzling work of historical fiction in the vein of Nancy Horan’s Loving Frank, Dawn Tripp brings to life Georgia O’Keeffe, her love affair with photographer Alfred Stieglitz, and her quest to become an independent artist.
This is not a love story. If it were, we would have the same story. But he has his, and I have mine.
In 1916, Georgia O’Keeffe is a young, unknown art teacher when she travels to New York to meet Stieglitz, the famed photographer and art dealer, who has discovered O’Keeffe’s work and exhibits it in his gallery. Their…
I’m a Scottish writer, based in the USA after living in eight countries. I spent thirty years following work, family, and love, and my experiences seep into everything I write—so there are often elements of travel in my books. Thirteen years ago, I was diagnosed with a brain tumor, and underwent life-saving surgery. That experience gave me a new perspective on the power of the human spirit, and our ability to forge new and unexpected paths, in the face of adversity. I love to read about and create characters that take on life’s challenges and find inner strength they didn’t know they had. That’s why feisty female protagonists appeal to me.
Artemisia Gentileschi was a 17th-century Italian Baroque painter. One of the most fascinating and progressive artists of her time, she was also the first woman ever accepted into the prestigious Accademia di Arte del Disegno in Florence. Her personal life was riddled with turmoil—from rape to torture and public humiliation, but she endured it all to pursue her passion for painting. Many artists sacrifice for their art, but this woman took on an entire city and the Inquisition, and still went on to paint what are considered some of the most brilliant paintings of all time. For me, she is the quintessential feisty female protagonist, beating the odds and the establishment and standing tall.
"Susan Vreeland set a high standard with Girl in Hyacinth Blue.... The Passion of Artemisia is even better.... Vreeland's unsentimental prose turns the factual Artemisia into a fictional heroine you won't soon forget." —People
A true-to-life novel of one of the few female post-Renaissance painters to achieve fame during her own era against great struggle. Artemisia Gentileschi led a remarkably "modern" life. Vreeland tells Artemisia's captivating story, beginning with her public humiliation in a rape trial at the age of eighteen, and continuing through her father's betrayal, her marriage of convenience, motherhood, and growing fame as an artist. Set against…
I'm passionate about nature, our impact on it and the people who best know how to be its companion – Indigenous peoples. I grew up on B.C.'s west coast, swimming with seals and otters. That inspires me to protect the land and to write and draw about it.
As the author/illustrator of over 70 books I've been lucky to be able to present my thoughts on many topics. I learned early on to do my research and work with rigorous editors. With P'eska, I relied on members of the community I wrote about. I know I'm speaking to young kids so honesty is paramount.
Going to the Vancouver Art Gallery when I was a kid I saw my first Emily Carr painting and it drew me in with its dark beauty.
This book brings to life the story of Emily Carr, a talented painter and (although the word wouldn't have been used then) ecologist. She passionately pursued her art in ways proper young ladies of the time just didn't do. She revered the First Nations people and their cultures. The gift was returned when she received her own honourary name, Klee Wyck (Laughing One) from the Nuu-chah-nulth (Nootka) people.
I love this book because of its honesty, it is about a person and a place, firmly rooted in a love of nature.
Shortlisted for the 2005-2006 Red Cedar Book Award, Nonfiction
Selected as Honour Book by the Children's Literature Roundtable Information Book of the Year
The brilliant artist Emily Carr lived at the edge. When she was born, in 1871, Victoria, British Columbia was a small, insular place. She was at the edge of a society that expected well-bred young ladies to marry. For years, she was at the edge of the world of artists she longed to join.
Emily Carr’s life was not an easy one. She struggled against a family that did not approve of her art and against poor…
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